WEBVTT - Rock and Roll | Jackie Barnes

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<v Speaker 1>Approche Production. Welcome to Secrets of the Underworld. I am

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<v Speaker 1>Neil the Muscle comments.

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<v Speaker 2>In this episode, I speak with one of the biggest

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<v Speaker 2>drummers in Australia, Jackie Barnes.

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<v Speaker 3>I get recognized just as much for the Wiggles and

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<v Speaker 3>Now as I do working with Dad and other artists.

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<v Speaker 3>They didn't put in any of the rock bands. Rose

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<v Speaker 3>to do any of those bands I'd worked with. One

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<v Speaker 3>of the stage riggers had the stairs up to my

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<v Speaker 3>drum kit together prop and they collapsed when I walked

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<v Speaker 3>up the stage. I was up there, you know, playing

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<v Speaker 3>for thousands of people, and I've got no bas drum,

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<v Speaker 3>no spare pedal. So I ended up doing the gy.

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<v Speaker 1>So before we get into all the nitty gritty, let's

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<v Speaker 1>get into.

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<v Speaker 2>You about growing up, schooling, growing up in the family

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<v Speaker 2>and you.

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<v Speaker 1>Know what area and all that kind of stuff.

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<v Speaker 3>Yeah, so I was I was born in Sydney and

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<v Speaker 3>grew up in the Southern Highlands about an hour and

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<v Speaker 3>a half south of Sydney towards Canberra, so in a

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<v Speaker 3>town called Mittigong. So I spent the first eight years

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<v Speaker 3>of my life living there, but also kind of living

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<v Speaker 3>on the road. They had I think I was two

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<v Speaker 3>weeks old when I first flew overseas to meet him

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<v Speaker 3>for the first time. He was on tour and I

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<v Speaker 3>think it was in Chicago at the time. When I

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<v Speaker 3>first met him, I was two weeks old. My mom

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<v Speaker 3>flew me in to join his tour and I slept

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<v Speaker 3>in a road case for the first few months of

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<v Speaker 3>my life on the road. And he was doing a

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<v Speaker 3>tour with zz Top, and funny enough, Pat Stewart, who

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<v Speaker 3>was the drummer at that time in Dad's band, sent

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<v Speaker 3>me a photo a few weeks ago from that from

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<v Speaker 3>that tour, and I'm probably about two or three weeks

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<v Speaker 3>old sitting on Mum's lap backstage somewhere in Illinois.

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<v Speaker 1>What was it like going around on tour? Was the

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<v Speaker 1>schooling for you?

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<v Speaker 3>I was once it got to kind of schooling. We

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<v Speaker 3>would be home for the school terms, and then in

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<v Speaker 3>holidays we'd travel on the road, and Mum and Dad

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<v Speaker 3>had a couple of nannies that would travel on the

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<v Speaker 3>road when we were on tour, and a couple of

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<v Speaker 3>times I do remember as a kid flying solo and

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<v Speaker 3>that was exciting as well, because the airlines would really

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<v Speaker 3>look after you and do that kind of unaccompanied minor travel.

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<v Speaker 3>But then once it came to actual schooling, then we'd

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<v Speaker 3>stay in you know, I went to boarding school for

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<v Speaker 3>most of high school, but we moved around, so I

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<v Speaker 3>changed schools a lot. So when I was eight years old,

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<v Speaker 3>we moved to the south of France for three years.

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<v Speaker 1>Did they affect you with friends kind of think and

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<v Speaker 1>growing up with friends as a.

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<v Speaker 3>Kid, I think, yeah, definitely, Like I'm one of those

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<v Speaker 3>kind of people that I have my kind of core

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<v Speaker 3>group of friends that are my really close friends, but

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<v Speaker 3>they might not see me for anywhere from weeks to years,

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<v Speaker 3>Like sometimes it can be a few years and I'll

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<v Speaker 3>just be on the road constantly, and then the kind

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<v Speaker 3>of friends that stay in my life are the ones

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<v Speaker 3>that they can accept that, Yeah, because I've always just

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<v Speaker 3>been one of those guys that's always on the move.

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<v Speaker 2>You know.

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<v Speaker 3>So I've reconnected with friends from my childhood and some

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<v Speaker 3>of them have become really good friends. Yeah, but it

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<v Speaker 3>was kind of pretty random as a kid because we

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<v Speaker 3>would I would establish a group of friends and then

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<v Speaker 3>we'd move and so I kind of always was I

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<v Speaker 3>felt like a bit of a lone wolf in that

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<v Speaker 3>in that sense, like I didn't have a group of friends.

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<v Speaker 3>I just would kind of float amongst all the different

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<v Speaker 3>groups of people.

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<v Speaker 2>And yeah, what age were you when you realized how

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<v Speaker 2>bigy that was.

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<v Speaker 3>I guess it would have to be pretty early, because

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<v Speaker 3>you know, we were in stadiums with him, watching shows,

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<v Speaker 3>and you know, being side stage, even going on stage

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<v Speaker 3>as photos of me as a little kid with headphones

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<v Speaker 3>on being put on dad's shoulders and you know, so

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<v Speaker 3>I guess it would have to be early. But at

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<v Speaker 3>the same time, to me, it was normal. So I

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<v Speaker 3>grew up with that as a completely normal thing, and

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<v Speaker 3>having you know, camera crews following us and people taking

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<v Speaker 3>photos of us everywhere, and it was just kind of

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<v Speaker 3>like that was to me, what normal.

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<v Speaker 1>Is You performed at four years old? Yeah?

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<v Speaker 3>Yeah, what was that?

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<v Speaker 1>Like?

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<v Speaker 3>Amazing? I mean I think, look, I wouldn't say it

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<v Speaker 3>was a very good performer at that point. Definitely. I

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<v Speaker 3>definitely had the energy and the kind of charisma. But

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<v Speaker 3>you know, at the time when we were in the Tinler's,

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<v Speaker 3>you know, we thought we were the best thing.

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<v Speaker 2>Yeah, you always wanted to like as a kid, is

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<v Speaker 2>that what you want? You want to follow in your

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<v Speaker 2>dad's footsteps? Performing or lead your own path.

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<v Speaker 3>I never really wanted to be a singer, so to speak.

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<v Speaker 3>I was always wanted to be a drummer because I

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<v Speaker 3>would watch Dad's drummers as a kid and just think

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<v Speaker 3>that looks like the most fun thing on earth. And

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<v Speaker 3>then I've always been obsessed with sports, so I wanted

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<v Speaker 3>to play sports. Oh wow, sports, and I did for

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<v Speaker 3>a while. I was a football fan, a die hard

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<v Speaker 3>football fan, real football and you know, so I grew

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<v Speaker 3>up playing soccer. I was a goalkeeper. I did go

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<v Speaker 3>when I was about sixteen. I went over to Scotland

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<v Speaker 3>and did six months with Dundee Football Club in the

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<v Speaker 3>youth system there, and then I was also playing first

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<v Speaker 3>grade Shire cricket in Sydney at the same time when

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<v Speaker 3>I was coming back. But then, look, I would have

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<v Speaker 3>loved to have been either a cricketer or a footballer.

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<v Speaker 3>But at the same time, mid season I would get

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<v Speaker 3>off as for gigs and go on to the coaches

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<v Speaker 3>and the management would be kind of like, well, you

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<v Speaker 3>need to kind of pick pick one. And then I

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<v Speaker 3>kind of quickly realized that you know.

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<v Speaker 1>What was putting the money in your pocket.

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<v Speaker 3>Yeah, and it was much more fun. You know, I

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<v Speaker 3>could party more and at the time, you know, and yeah,

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<v Speaker 3>I just I was definitely better at drums than I

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<v Speaker 3>was a footballer or a cricketer, even though you know,

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<v Speaker 3>in my in my heart, I wanted to be a sportsman.

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<v Speaker 3>And look, it's funny. Over the years, I've gotten to

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<v Speaker 3>know a bunch of different sports people and they've always

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<v Speaker 3>come to shows and gone, I want to do what

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<v Speaker 3>you do. And I've gone and watched them playing gome

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<v Speaker 3>and I want to do it.

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<v Speaker 1>You do.

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<v Speaker 3>The grass is always greeny, you know. And at the

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<v Speaker 3>same time, you know, being thirty eight years old, now,

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<v Speaker 3>i'd be coming to the end or at the end

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<v Speaker 3>of a career in sports if I'd gone down that path.

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<v Speaker 3>So whereas now I feel like my career in drums

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<v Speaker 3>is it's just it's just a it's a freight train

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<v Speaker 3>that keeps going, you know.

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<v Speaker 1>Yeah, tell me, tell me about tin lids.

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<v Speaker 3>The tin lids. So it was kind of like I

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<v Speaker 3>never knew how it formed or anything. I think it

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<v Speaker 3>was just one of those things that you know, because

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<v Speaker 3>we were surrounded by music, and my dad had music

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<v Speaker 3>people around all the time, and he had the studio

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<v Speaker 3>at home in the Southern Highlands where he recorded big

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<v Speaker 3>records and other people recorded records. We just kind of

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<v Speaker 3>fell into it was kind of like a thing to

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<v Speaker 3>do when Dad was off tour. We could do it

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<v Speaker 3>with him, and it's been a lot of fun though.

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<v Speaker 3>It was great fun. You know. We used to go

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<v Speaker 3>around all the like all the shopping malls, the west

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<v Speaker 3>Fields and stuff, and do gigs in the in like

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<v Speaker 3>the fore courts and stuff, and in the attriums and

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<v Speaker 3>stuff like that. And I remember just always being a performer.

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<v Speaker 3>And the things I hated were the like the clothes

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<v Speaker 3>that my mum would dress this thing. I found them

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<v Speaker 3>super uncomfortable away. I still don't wear jeans to this

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<v Speaker 3>day because I found them incredibly uncomfortable as a kid.

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<v Speaker 3>And then also I remember we had to do choreography,

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<v Speaker 3>and I remember like just hating doing choreography. We've never

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<v Speaker 3>been good dancers in our family.

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<v Speaker 1>When you when you finished high school, you became taught

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<v Speaker 1>what your dad? Yeah?

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<v Speaker 3>Yeah, so I finished school and I look I auditioned

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<v Speaker 3>a few times through his band unsuccessfully, and looking back,

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<v Speaker 3>I definitely wasn't ready.

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<v Speaker 1>So you're auditioned. Yeah, So who said no?

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<v Speaker 3>Dad?

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<v Speaker 1>Really?

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<v Speaker 3>Yeah? Yeah? He said, look, you're nowhere near ready. You

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<v Speaker 3>need to go out and you know, do some other

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<v Speaker 3>tours with other artists and get some work under your belt.

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<v Speaker 3>And it's not going to come easy, you know, because

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<v Speaker 3>his band, he's always seen that as the you know,

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<v Speaker 3>the the best band in the country, one of the

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<v Speaker 3>best bands in the world. It's got to be like perfection,

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<v Speaker 3>just absolute perfection, and regardless of whether your family or not,

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<v Speaker 3>you have to pull your weight and you have to be,

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<v Speaker 3>you know, at the top of your game all the time.

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<v Speaker 1>How did I feel when you used to reject you

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<v Speaker 1>from it?

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<v Speaker 3>I always kind of took it as like, you know,

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<v Speaker 3>I'm just going to work hard. Yeah, And I guess

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<v Speaker 3>I got that work ethic from him, you know. And

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<v Speaker 3>at that point I had I'd started getting up and

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<v Speaker 3>playing one song in his set from when I was

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<v Speaker 3>about ten years old, and it was always the same

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<v Speaker 3>song as a song called hard to Handle Otis Redding's song,

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<v Speaker 3>and we did kind of like the Black Crows version,

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<v Speaker 3>and I would get up and play that one song

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<v Speaker 3>whenever I was on school holidays or at the show,

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<v Speaker 3>and then I would kind of start asking more, can

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<v Speaker 3>I play two songs you know, I was always being

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<v Speaker 3>his ear. I would ask him questions like, you know,

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<v Speaker 3>if your drummer was to fall down the stairs and

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<v Speaker 3>break his legs, would you let me play? And so

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<v Speaker 3>I always wanted to be there, and so I guess

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<v Speaker 3>when the opportunity came to audition the first couple of times,

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<v Speaker 3>I wasn't as prepared as I should have been, and

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<v Speaker 3>that was one of the lessons I learned from the rejection.

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<v Speaker 3>And then I went and did the football thing in

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<v Speaker 3>Scotland and playing cricket in you know, coming back playing cricket,

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<v Speaker 3>and then the opportunity came to join the band as

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<v Speaker 3>the key board player before drums. So basically there were

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<v Speaker 3>some issues with a keyboard player at the time, and

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<v Speaker 3>I was basically just you know, at home on the

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<v Speaker 3>piano and I just kind of like, as Dad was

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<v Speaker 3>coming in, I just start playing his songs showing that

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<v Speaker 3>I knew the song forms. It's like, ah, do you

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<v Speaker 3>want to come and fill in for some gigs? And

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<v Speaker 3>so I did that for like a couple of months.

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<v Speaker 3>And look, I was classically trained as a piano player,

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<v Speaker 3>and I'm definitely a competent pianist, but as a kind

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<v Speaker 3>of like rock keyboard player. I don't have those kinds

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<v Speaker 3>of chops, and you know, I didn't have the you know,

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<v Speaker 3>improvisation and all that sort of stuff, but I played

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<v Speaker 3>the parts, you know, so I did a decent job there.

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<v Speaker 3>And then I started sneaking percussion into the setups. I'd

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<v Speaker 3>have the keyboard and like congas and tambourines and stuff,

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<v Speaker 3>and I just start like doing whatever I could a

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<v Speaker 3>cow bell. And then the drummer at the time some

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<v Speaker 3>issues came up with him, and then Dad said, well,

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<v Speaker 3>I'm going to audition drummers again. And then I said,

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<v Speaker 3>this time, I'm going to get it. And I made

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<v Speaker 3>sure that I was really over prepared that time, and

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<v Speaker 3>that was just enough. Like Dad said, look, I'm going

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<v Speaker 3>to give you a shot.

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<v Speaker 1>But you know, how many people with the audition for that,

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<v Speaker 1>I don't know, Like.

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<v Speaker 3>I remember seeing like at least five or six guys

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<v Speaker 3>come through the studio. But then you know, in the

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<v Speaker 3>years since, you know, because I've been his drummer now

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<v Speaker 3>over twenty years, and in the years since, I've bumped

0:10:28.521 --> 0:10:30.721
<v Speaker 3>into guys who've gone, oh yeah, we got approached about

0:10:30.761 --> 0:10:34.681
<v Speaker 3>auditioning around then, and you know, I prepared stuff, but

0:10:34.721 --> 0:10:38.761
<v Speaker 3>they've never never got the final call, so maybe there was. Yeah,

0:10:38.801 --> 0:10:41.681
<v Speaker 3>I'm guessing all the different members and management and all

0:10:41.681 --> 0:10:45.201
<v Speaker 3>the record labels had kind of put forward their names.

0:10:46.241 --> 0:10:48.921
<v Speaker 3>And then I think finally I impressed that enough where

0:10:49.201 --> 0:10:51.321
<v Speaker 3>he gave me a shot and said, look, it's not

0:10:51.601 --> 0:10:53.521
<v Speaker 3>yours yet, but you've got to earn it, but I'm

0:10:53.561 --> 0:10:55.281
<v Speaker 3>going to give you a chance to do this next

0:10:55.961 --> 0:10:59.321
<v Speaker 3>kind of you know, six months, and I just made

0:10:59.321 --> 0:11:00.281
<v Speaker 3>sure that no.

0:11:00.321 --> 0:11:01.721
<v Speaker 1>Mother fucker came around.

0:11:03.161 --> 0:11:05.641
<v Speaker 3>Exactly. And the thing is, the first this gig was

0:11:05.721 --> 0:11:10.041
<v Speaker 3>fucking horrendous for me. It was horrible. I remember at

0:11:10.081 --> 0:11:11.841
<v Speaker 3>that point. You know, this is before I had all

0:11:11.841 --> 0:11:15.361
<v Speaker 3>my endorsements with gear and like, even before I was

0:11:15.481 --> 0:11:18.641
<v Speaker 3>really technical in terms of maintenance of gear and stuff.

0:11:18.681 --> 0:11:22.281
<v Speaker 3>So I went out with Tony Brock, who was dad's

0:11:22.321 --> 0:11:24.641
<v Speaker 3>drummer when I was growing up a kid that he

0:11:24.761 --> 0:11:28.361
<v Speaker 3>left for me, which was an old eighties tamer, a

0:11:28.561 --> 0:11:31.761
<v Speaker 3>beautiful collectible kit, and I remember like getting that out

0:11:31.761 --> 0:11:33.841
<v Speaker 3>of storage and it was all dusty and bits were

0:11:33.841 --> 0:11:35.361
<v Speaker 3>falling apart, and I was like, I had to work

0:11:35.401 --> 0:11:38.361
<v Speaker 3>and I didn't really I hadn't learned how to tune

0:11:38.441 --> 0:11:41.561
<v Speaker 3>drums at that point, And do you actually.

0:11:41.361 --> 0:11:44.041
<v Speaker 1>Have to tune drums? Yeah, yeah, yeah, I did.

0:11:44.081 --> 0:11:46.441
<v Speaker 3>Ye got the top and bottom skins, and you've got

0:11:46.481 --> 0:11:49.961
<v Speaker 3>to tune them to each other and specific notes and

0:11:50.001 --> 0:11:51.881
<v Speaker 3>tones and what kind of sound you want to go for.

0:11:51.961 --> 0:11:55.041
<v Speaker 3>It's a really big process, and it's something that I've

0:11:55.201 --> 0:11:58.601
<v Speaker 3>spent the last you know, twenty five years developing skills

0:11:58.601 --> 0:12:01.921
<v Speaker 3>in that, much like you would in any anything, you know,

0:12:02.001 --> 0:12:05.721
<v Speaker 3>like you train a certain way to kip and all

0:12:05.761 --> 0:12:07.481
<v Speaker 3>that sort of stuff, you know. So I honed that

0:12:07.561 --> 0:12:11.801
<v Speaker 3>craft over the next couple of years. But the first gig,

0:12:11.841 --> 0:12:15.921
<v Speaker 3>I remember the bass drum pedal that hits the bast drum,

0:12:16.321 --> 0:12:18.681
<v Speaker 3>it just fell apart. It was an old vintage one

0:12:18.961 --> 0:12:23.481
<v Speaker 3>that hadn't been maintained. The chain snapped, the footboard kind

0:12:23.481 --> 0:12:25.961
<v Speaker 3>of the pins came out, and it just collapsed in

0:12:26.001 --> 0:12:28.521
<v Speaker 3>the first song. So I was up there, you know,

0:12:28.601 --> 0:12:31.561
<v Speaker 3>playing for thousands of people, and I've got no bass drum,

0:12:31.761 --> 0:12:34.361
<v Speaker 3>no spare pedal. So I ended up doing the gig

0:12:34.521 --> 0:12:36.761
<v Speaker 3>hitting the floor tom as a bass drum, and it

0:12:36.841 --> 0:12:40.121
<v Speaker 3>was just like I just felt absolutely I'm like I'm

0:12:40.161 --> 0:12:44.641
<v Speaker 3>gonna last one gig. And my dad came up after

0:12:44.641 --> 0:12:46.681
<v Speaker 3>the show. He said, I know what happened. I saw

0:12:46.721 --> 0:12:49.401
<v Speaker 3>that and I heard it. He said, don't worry, You're

0:12:49.401 --> 0:12:51.801
<v Speaker 3>not You're not out, but make sure it never fucking

0:12:51.801 --> 0:12:55.841
<v Speaker 3>happened again. He said, anytime stuff like this happens, learn

0:12:56.121 --> 0:13:01.601
<v Speaker 3>learn a lesson, be better, and never let it happen again.

0:13:01.641 --> 0:13:04.721
<v Speaker 3>So Ever, since that first gig, I've always had too

0:13:04.801 --> 0:13:09.561
<v Speaker 3>some times even three backups for everything, space, snare, drums,

0:13:09.561 --> 0:13:13.241
<v Speaker 3>space symbols. It's like, you know, I even when I'm

0:13:13.281 --> 0:13:16.281
<v Speaker 3>traveling overseas, I travel with lots of spare parts because

0:13:17.121 --> 0:13:21.201
<v Speaker 3>little things like rental kits and stuff, they're never maintained properly.

0:13:21.281 --> 0:13:24.641
<v Speaker 3>So yeah, there's always little things that you need to replace.

0:13:24.761 --> 0:13:27.841
<v Speaker 3>So I always travel with everything since that first gig.

0:13:27.881 --> 0:13:29.321
<v Speaker 1>Wow, that was going to be my next question. Have

0:13:29.361 --> 0:13:31.481
<v Speaker 1>you ever fed anything ever fucked up?

0:13:33.201 --> 0:13:36.561
<v Speaker 3>Well that that's definitely the most that The kind of

0:13:36.801 --> 0:13:38.801
<v Speaker 3>biggest lesson I learnt was that first gig. But you know,

0:13:38.801 --> 0:13:41.961
<v Speaker 3>I've had stuff where like I remember I was on

0:13:42.121 --> 0:13:44.721
<v Speaker 3>tour with a group called the ten Tennas in Europe

0:13:44.721 --> 0:13:48.681
<v Speaker 3>and one of the stage riggers hadn't put the stairs

0:13:48.761 --> 0:13:51.161
<v Speaker 3>up to my drum kit together properly, and they collapsed

0:13:51.161 --> 0:13:53.001
<v Speaker 3>when I walked up onto stage and I ended up

0:13:53.721 --> 0:13:56.321
<v Speaker 3>doing the ligaments in my ankle. It was really bad.

0:13:56.321 --> 0:13:57.961
<v Speaker 3>So I had like the first kind of a few

0:13:57.961 --> 0:14:00.561
<v Speaker 3>weeks of that tour with my right foot in a

0:14:00.601 --> 0:14:01.241
<v Speaker 3>bucket of ice.

0:14:01.481 --> 0:14:02.081
<v Speaker 1>Oh my god.

0:14:02.121 --> 0:14:03.801
<v Speaker 3>And I had double pedals at that point, so I

0:14:03.841 --> 0:14:06.401
<v Speaker 3>was playing all the lead pedal with my left foot

0:14:06.481 --> 0:14:10.841
<v Speaker 3>because fuck. Well that recovered. So, you know, shit stuff

0:14:10.881 --> 0:14:13.801
<v Speaker 3>that people don't see from the front, but you know, wow,

0:14:13.801 --> 0:14:15.841
<v Speaker 3>I was getting like physio needling, all that sort of

0:14:15.841 --> 0:14:20.161
<v Speaker 3>stuff done in between broken that ankle a few times before,

0:14:20.241 --> 0:14:23.081
<v Speaker 3>so it was like it was like horrible and this

0:14:23.241 --> 0:14:27.001
<v Speaker 3>was like at the start of a four month tour. Wow.

0:14:27.321 --> 0:14:28.881
<v Speaker 3>But you know, at the same time, when all that

0:14:28.921 --> 0:14:30.401
<v Speaker 3>sort of stuff happens, you got to make sure that

0:14:30.441 --> 0:14:33.841
<v Speaker 3>people in front don't notice notice and it happens.

0:14:33.961 --> 0:14:34.201
<v Speaker 2>Wow.

0:14:34.361 --> 0:14:35.801
<v Speaker 1>Who's your Who's your favorite artist?

0:14:36.001 --> 0:14:38.761
<v Speaker 2>Yeah, you would like to when you're growing up as

0:14:38.761 --> 0:14:40.401
<v Speaker 2>an idol or something like that, besides your dad.

0:14:40.641 --> 0:14:43.321
<v Speaker 3>Well dad was obviously, as always and still is my

0:14:43.401 --> 0:14:48.601
<v Speaker 3>hero and wherever learned the most. But Bruce Springsteen's definitely

0:14:48.641 --> 0:14:52.921
<v Speaker 3>a big favorite of mine. And you know, I've been

0:14:52.961 --> 0:14:56.361
<v Speaker 3>fortunate enough to see him, play many times, open for

0:14:56.481 --> 0:15:00.201
<v Speaker 3>him with Dad, meet him several times, and get to

0:15:00.241 --> 0:15:01.401
<v Speaker 3>know a lot of the band as well.

0:15:01.641 --> 0:15:03.561
<v Speaker 1>Is there a band that you'd love to play with.

0:15:04.041 --> 0:15:10.681
<v Speaker 3>That that band? That's definitely one of them. Look, so

0:15:10.761 --> 0:15:13.921
<v Speaker 3>many bands, I like, a really big variety of music,

0:15:13.961 --> 0:15:15.801
<v Speaker 3>and there's so many artists that I've gotten to know

0:15:15.881 --> 0:15:18.281
<v Speaker 3>over the years that you know, Look, I'm pretty fortunate

0:15:18.361 --> 0:15:21.121
<v Speaker 3>that I've played with a lot of them. Yeah, so

0:15:21.161 --> 0:15:23.881
<v Speaker 3>I'm very lucky in that regard. But yeah, Bruce would

0:15:23.881 --> 0:15:25.001
<v Speaker 3>be a dream gig.

0:15:25.081 --> 0:15:26.921
<v Speaker 1>See I was waiting for you to say the Wiggles.

0:15:29.041 --> 0:15:31.641
<v Speaker 1>I was actually waiting for you to say the Wiggles.

0:15:31.641 --> 0:15:33.361
<v Speaker 1>I seen that and I went, oh, fucking hell.

0:15:35.041 --> 0:15:37.161
<v Speaker 3>I get recognized just as much for the Wiggles now

0:15:37.201 --> 0:15:39.401
<v Speaker 3>as I do working with Dad and other artists. So

0:15:40.321 --> 0:15:43.161
<v Speaker 3>it was great. You know, like we've always come across

0:15:43.161 --> 0:15:45.681
<v Speaker 3>those guys over the years and gotten to know them,

0:15:45.721 --> 0:15:50.441
<v Speaker 3>and I think the last meeting with those guys before

0:15:50.481 --> 0:15:53.081
<v Speaker 3>I actually started working with them was in Darwin and

0:15:53.121 --> 0:15:54.681
<v Speaker 3>it was a day off and we were just walking.

0:15:55.121 --> 0:15:56.761
<v Speaker 3>I was walking with Dad and Mum trying to find

0:15:56.761 --> 0:15:58.721
<v Speaker 3>somewhere to eat, and bumped into a few of those

0:15:58.761 --> 0:16:02.641
<v Speaker 3>guys Anthony and stuff, and and we just kind of

0:16:02.641 --> 0:16:04.441
<v Speaker 3>like we'd always bumped into each other on the road.

0:16:04.481 --> 0:16:06.281
<v Speaker 3>But then we're like, let's catch up in Sydney and

0:16:06.521 --> 0:16:10.361
<v Speaker 3>actually do something. And at that point Dad was it

0:16:10.601 --> 0:16:14.561
<v Speaker 3>was in the process of writing a children's book. It

0:16:14.641 --> 0:16:17.601
<v Speaker 3>was a kind of a character based around my nephew,

0:16:18.681 --> 0:16:20.601
<v Speaker 3>and so my dad was talking to them about that

0:16:20.801 --> 0:16:23.081
<v Speaker 3>and they said, oh, won't you come into wiggles HQ.

0:16:23.401 --> 0:16:27.161
<v Speaker 3>Will you know, animate it, write some music for it,

0:16:27.241 --> 0:16:27.881
<v Speaker 3>make an album.

0:16:28.281 --> 0:16:30.321
<v Speaker 1>But they didn't give you a color T shirt to wear.

0:16:30.801 --> 0:16:35.241
<v Speaker 3>Nah. No, I think Dad did like a he did

0:16:35.281 --> 0:16:38.441
<v Speaker 3>a like a charity gig with them. He got up

0:16:38.441 --> 0:16:40.161
<v Speaker 3>as a special guest years ago and I think he

0:16:40.201 --> 0:16:47.081
<v Speaker 3>had a black skivvy. So but so we went up

0:16:47.081 --> 0:16:49.881
<v Speaker 3>to wiggles HQ and started kind of working on the

0:16:49.961 --> 0:16:53.481
<v Speaker 3>music from that album and from that children's book, which

0:16:53.601 --> 0:16:58.281
<v Speaker 3>ended up it was called the GNU and ended up

0:16:58.521 --> 0:17:03.561
<v Speaker 3>winning an Area for Best Children's Album. And you know,

0:17:04.121 --> 0:17:07.281
<v Speaker 3>my kids have grown up, you know, with the Wiggles

0:17:07.281 --> 0:17:10.440
<v Speaker 3>and with those books and those albums and those songs,

0:17:10.521 --> 0:17:13.160
<v Speaker 3>and then that kind of like working with them on

0:17:13.160 --> 0:17:15.160
<v Speaker 3>that project. Then they're like, oh, we really like you

0:17:15.241 --> 0:17:17.440
<v Speaker 3>do you want to work on some other stuff with us?

0:17:17.481 --> 0:17:19.961
<v Speaker 3>And I ended up I think I did. Like I

0:17:20.001 --> 0:17:21.921
<v Speaker 3>remember one of the days, I must have recorded about

0:17:22.001 --> 0:17:25.080
<v Speaker 3>fifty five sixty songs. It's like just like you know,

0:17:25.400 --> 0:17:28.641
<v Speaker 3>all little kind of like you know, short short pieces,

0:17:28.640 --> 0:17:32.600
<v Speaker 3>but and they work you hard, but they do good work.

0:17:33.281 --> 0:17:36.201
<v Speaker 3>I still know all those guys, they're all good friends.

0:17:36.241 --> 0:17:39.921
<v Speaker 3>And yeah, it was a wonderful time. And then Anthony

0:17:39.961 --> 0:17:43.961
<v Speaker 3>at the time, he approached me and said, oh, look,

0:17:44.001 --> 0:17:48.921
<v Speaker 3>we're doing a barbershop quartet for the next series. And

0:17:49.041 --> 0:17:51.281
<v Speaker 3>I don't want to be in it. He's like, so

0:17:51.360 --> 0:17:53.481
<v Speaker 3>I want you to be me in that, and I'm

0:17:53.521 --> 0:17:56.680
<v Speaker 3>like what. And so the next thing I knew I

0:17:56.681 --> 0:17:59.281
<v Speaker 3>was I was on camera. I remember like six am

0:17:59.360 --> 0:18:03.360
<v Speaker 3>call makeup. I'm like, oh, as a rock drummer, fuck that.

0:18:04.080 --> 0:18:06.201
<v Speaker 3>I'd played in New Car the night before and had

0:18:06.201 --> 0:18:09.561
<v Speaker 3>no sleep and got there at six am, got done

0:18:09.640 --> 0:18:11.840
<v Speaker 3>up and like put in a suit that was way

0:18:11.880 --> 0:18:13.841
<v Speaker 3>too big and they just like pin stuff to make

0:18:13.880 --> 0:18:18.080
<v Speaker 3>it look okay and filmed until like ten pm that night,

0:18:18.201 --> 0:18:22.360
<v Speaker 3>and the whole season wow, in one day. And and

0:18:22.400 --> 0:18:25.640
<v Speaker 3>then you know, so then that next series, every every

0:18:25.640 --> 0:18:28.241
<v Speaker 3>episode they'd go to this barbershop quartet and I'm in there,

0:18:28.241 --> 0:18:32.001
<v Speaker 3>and that's what I get recognized for. If I'm walking

0:18:32.001 --> 0:18:34.720
<v Speaker 3>around a Westfield, mum and their kids will come up

0:18:34.721 --> 0:18:42.761
<v Speaker 3>and like you, you're the barbershop quartet guy. And back

0:18:42.801 --> 0:18:45.680
<v Speaker 3>to Chin Lid's a funny, funny story about that. I

0:18:45.721 --> 0:18:48.920
<v Speaker 3>recorded a record with the Dead Daisies, which is like

0:18:48.961 --> 0:18:54.121
<v Speaker 3>a hard rock supergroup, and I remember when we recorded

0:18:54.120 --> 0:18:56.360
<v Speaker 3>the record, they did all the press releases for all

0:18:56.360 --> 0:19:00.481
<v Speaker 3>the magazines in Europe and around the world. And these

0:19:00.481 --> 0:19:02.400
<v Speaker 3>magazines what they do is they google you and they

0:19:02.441 --> 0:19:05.241
<v Speaker 3>find out who you've worked with, and so like when

0:19:05.241 --> 0:19:07.120
<v Speaker 3>they did the press release for this album. This is

0:19:07.120 --> 0:19:10.920
<v Speaker 3>like a hard rock heavy like almost metal, it's like

0:19:11.840 --> 0:19:15.801
<v Speaker 3>and it had like you know, John Krabi, Motley Crue,

0:19:16.241 --> 0:19:21.281
<v Speaker 3>Marca Mendoza, Thin Lizzie Richard Fordes, Guns N' Roses, Jackie Barnes,

0:19:21.321 --> 0:19:24.440
<v Speaker 3>the Tin Lids. They thought that was the most metal

0:19:24.521 --> 0:19:26.840
<v Speaker 3>sounding band that I'd worked with, and they didn't they

0:19:26.880 --> 0:19:29.600
<v Speaker 3>didn't look into the band. They didn't put any of

0:19:29.600 --> 0:19:32.761
<v Speaker 3>the they didn't put any of the rock bands, Rose Tattoo,

0:19:32.801 --> 0:19:35.521
<v Speaker 3>any of those bands I'd worked with. They put Tin Lids.

0:19:37.120 --> 0:19:39.521
<v Speaker 3>So there's all these heavy metal magazines around Europe that

0:19:39.561 --> 0:19:40.920
<v Speaker 3>had me in there.

0:19:41.041 --> 0:19:45.441
<v Speaker 2>The tin Lids, I was actually good because you brought

0:19:45.521 --> 0:19:46.681
<v Speaker 2>up the Tentators.

0:19:46.801 --> 0:19:48.520
<v Speaker 1>What was that? Like? A bit different?

0:19:49.080 --> 0:19:51.600
<v Speaker 3>Very and look it was that came at a point

0:19:51.600 --> 0:19:54.240
<v Speaker 3>where I just graduated from college in Boston, which I

0:19:54.281 --> 0:19:57.561
<v Speaker 3>went to Berkeley College of Music over there, lived there

0:19:57.561 --> 0:20:00.440
<v Speaker 3>for four years, loved it, and I was back there

0:20:00.481 --> 0:20:03.441
<v Speaker 3>in Boston and I got a call from a friend

0:20:03.481 --> 0:20:06.721
<v Speaker 3>of mine who works a drummer and he worked previously

0:20:06.801 --> 0:20:09.561
<v Speaker 3>worked in cruise with us as a stage tech, and

0:20:09.600 --> 0:20:11.520
<v Speaker 3>he was like, Oh, there's this group, the Ten Tenners

0:20:11.521 --> 0:20:13.240
<v Speaker 3>that are looking for a drummer. Do you mind if

0:20:13.241 --> 0:20:16.161
<v Speaker 3>I give them your name. I'm like, I'd heard of them,

0:20:16.201 --> 0:20:18.600
<v Speaker 3>but never really kind of like it wasn't on my

0:20:18.721 --> 0:20:22.600
<v Speaker 3>radar because of the world I was in. And I

0:20:22.640 --> 0:20:25.561
<v Speaker 3>was like, yeah, cool, absolutely, I'm always up for challenges,

0:20:25.640 --> 0:20:28.201
<v Speaker 3>and you know, that's much more of a classical pop

0:20:28.201 --> 0:20:31.561
<v Speaker 3>crossover thing and a lot of chart reading, which I

0:20:31.600 --> 0:20:32.920
<v Speaker 3>was doing at the times. I was like, it's going

0:20:32.961 --> 0:20:37.720
<v Speaker 3>to be a good challenge working with an orchestra. And

0:20:37.761 --> 0:20:39.360
<v Speaker 3>then literally like I think it was like five or

0:20:39.400 --> 0:20:41.960
<v Speaker 3>six hours later, I got a like I was on

0:20:42.041 --> 0:20:45.280
<v Speaker 3>Skype with the manager of the group and he just

0:20:45.321 --> 0:20:47.760
<v Speaker 3>like laid out the next year of work. I was like,

0:20:48.001 --> 0:20:50.880
<v Speaker 3>it's pretty much just a year solid, and I was like, cool,

0:20:50.921 --> 0:20:52.440
<v Speaker 3>if you want me to do it, let's do it.

0:20:52.521 --> 0:20:56.161
<v Speaker 3>And I literally it went from getting a message from

0:20:56.201 --> 0:21:00.241
<v Speaker 3>my mate to like twelve hours later having the next

0:21:00.281 --> 0:21:03.281
<v Speaker 3>year of gigs locked in with. Yeah, and that took

0:21:03.360 --> 0:21:07.881
<v Speaker 3>me to that took me to all around Europe. I'd

0:21:07.921 --> 0:21:10.840
<v Speaker 3>done small europe European tours at that point with Dad,

0:21:10.921 --> 0:21:13.641
<v Speaker 3>like you know, two three week runs, but we did

0:21:13.681 --> 0:21:17.200
<v Speaker 3>like a we were out on the road pretty solid

0:21:17.201 --> 0:21:20.521
<v Speaker 3>for three to six months. Yeah, So it was pretty

0:21:20.561 --> 0:21:22.801
<v Speaker 3>It was pretty great, you know, being on tour bus

0:21:22.961 --> 0:21:27.561
<v Speaker 3>getting you know, it was a really intense schedule because

0:21:27.561 --> 0:21:30.281
<v Speaker 3>we had like, you know, five six shows a week

0:21:30.400 --> 0:21:35.440
<v Speaker 3>at least, and big travel days. We bounced between Europe

0:21:35.441 --> 0:21:39.400
<v Speaker 3>and the US as well. But it was great and

0:21:39.400 --> 0:21:44.121
<v Speaker 3>I made great friends on that. It was a great challenge. Yeah,

0:21:44.561 --> 0:21:46.961
<v Speaker 3>it was one. It was a Yeah. I still keep

0:21:46.961 --> 0:21:52.480
<v Speaker 3>in touch with a lot of those guys. Yeah, it

0:21:52.600 --> 0:21:55.281
<v Speaker 3>was a great project. They're still doing great shows, they're

0:21:55.281 --> 0:21:58.080
<v Speaker 3>still doing big tours and you know, the door is

0:21:58.080 --> 0:21:58.640
<v Speaker 3>always open.

0:21:59.241 --> 0:22:01.360
<v Speaker 2>What's the most what's the most memorable thing that you've

0:22:01.400 --> 0:22:04.161
<v Speaker 2>done that's that's always stuck in your mind and you're

0:22:04.160 --> 0:22:04.921
<v Speaker 2>really proud of it.

0:22:05.561 --> 0:22:10.680
<v Speaker 3>Oh that's a hard one because I've I've been pretty

0:22:10.761 --> 0:22:13.200
<v Speaker 3>lucky to do a lot well this year. I mean

0:22:13.241 --> 0:22:16.281
<v Speaker 3>I played a festival in about three hours outside of

0:22:16.321 --> 0:22:19.281
<v Speaker 3>Rio de Janeiro in Rio Disastrous in Brazil with the

0:22:19.400 --> 0:22:22.840
<v Speaker 3>Lucky Dolly group, and you know, that was our first

0:22:22.880 --> 0:22:27.161
<v Speaker 3>show in South America with that group, and we went

0:22:27.201 --> 0:22:29.600
<v Speaker 3>there kind of not knowing what to expect and kind

0:22:29.600 --> 0:22:34.001
<v Speaker 3>of is there even a scene for us there? And

0:22:34.201 --> 0:22:36.561
<v Speaker 3>we ended up playing for like thirty thousand people on

0:22:36.600 --> 0:22:41.321
<v Speaker 3>a main stage and just the fandom there and just

0:22:41.360 --> 0:22:44.840
<v Speaker 3>the people were just so up for it and they

0:22:44.961 --> 0:22:48.160
<v Speaker 3>just you know, we were just getting stopped constantly for

0:22:48.281 --> 0:22:51.801
<v Speaker 3>photos and people just that loved the show. Had never

0:22:51.840 --> 0:22:53.400
<v Speaker 3>heard of us, but they just love music and the

0:22:53.521 --> 0:22:56.201
<v Speaker 3>love group of music. And so that was a big

0:22:56.281 --> 0:22:58.441
<v Speaker 3>highlight because it was kind of like, you know, going

0:22:58.481 --> 0:23:01.360
<v Speaker 3>to a new region that we'd never played in, to

0:23:01.441 --> 0:23:04.120
<v Speaker 3>a place that we've always wanted to play and being

0:23:04.201 --> 0:23:07.481
<v Speaker 3>received like that. You know, So that's just as that's

0:23:07.561 --> 0:23:10.360
<v Speaker 3>just as good as you know, going to play a

0:23:10.400 --> 0:23:12.761
<v Speaker 3>big festival for one hundred thousand people or more.

0:23:12.961 --> 0:23:15.400
<v Speaker 1>What kind of music do you like? What is it?

0:23:15.441 --> 0:23:19.440
<v Speaker 3>What are you into? Everything I look up. My taste

0:23:19.481 --> 0:23:21.481
<v Speaker 3>in music is super diverse because you know, I grew

0:23:21.561 --> 0:23:26.241
<v Speaker 3>up listening to all different stuff, where it'd be hard rock, pop,

0:23:26.681 --> 0:23:29.041
<v Speaker 3>classical music, you know, as a classically trained piano player,

0:23:29.160 --> 0:23:31.240
<v Speaker 3>So it depends on the mood. But I think for

0:23:31.281 --> 0:23:34.880
<v Speaker 3>the most part, anything that's got really good pocket, good groove.

0:23:35.160 --> 0:23:38.241
<v Speaker 3>You know, I love funk music, especially like sixties seventies

0:23:38.880 --> 0:23:41.681
<v Speaker 3>funk and rock, but you know, I like it all.

0:23:41.721 --> 0:23:45.240
<v Speaker 3>There's like, yeah, I wouldn't say one particular style, but

0:23:45.241 --> 0:23:48.961
<v Speaker 3>obviously rockers in the DNA, you know, bands like Deep

0:23:48.961 --> 0:23:51.360
<v Speaker 3>Purple that I grew up with those kind of hard

0:23:51.400 --> 0:23:57.281
<v Speaker 3>rock bands and Springsteen. But yeah, I I listened to

0:23:57.321 --> 0:24:00.281
<v Speaker 3>different playlists every day. Sometimes I'll get in my car

0:24:00.400 --> 0:24:02.761
<v Speaker 3>and you know, there's lots of traffic output on, like

0:24:03.201 --> 0:24:05.480
<v Speaker 3>depending on the mood, output on like rackman of piano

0:24:05.521 --> 0:24:09.000
<v Speaker 3>concertos and like get that kind of you. And then

0:24:09.080 --> 0:24:12.881
<v Speaker 3>sometimes it'll be like, you know, prog prog medal, prog rock.

0:24:14.761 --> 0:24:20.240
<v Speaker 3>It just depends and you know, so my my, yeah, my, yeah,

0:24:20.281 --> 0:24:22.561
<v Speaker 3>my kids probably hear so many different styles of music

0:24:22.561 --> 0:24:25.801
<v Speaker 3>when I'm playing music at home, and which is good.

0:24:25.840 --> 0:24:28.120
<v Speaker 3>You know. My dad played me a big variety of music.

0:24:28.160 --> 0:24:30.521
<v Speaker 3>That's why I have a diverse taste. You know, a

0:24:30.521 --> 0:24:33.480
<v Speaker 3>lot of people would think Jimmy Barnes, being who he is,

0:24:33.521 --> 0:24:36.200
<v Speaker 3>would listen to, you know, hard rock. But you know,

0:24:36.801 --> 0:24:40.080
<v Speaker 3>he introduced me to funk music. He introduced me to soul,

0:24:40.160 --> 0:24:43.001
<v Speaker 3>He introduced me to some classical stuff and like even

0:24:43.080 --> 0:24:43.760
<v Speaker 3>jazz stuff.

0:24:44.001 --> 0:24:46.401
<v Speaker 2>What's funny though, because when I came over to Australia

0:24:46.400 --> 0:24:49.200
<v Speaker 2>in ninety two, I'd never heard of Jimmy Barns. I

0:24:49.321 --> 0:24:50.961
<v Speaker 2>never heard of them because it doesn't get played in

0:24:51.160 --> 0:24:53.121
<v Speaker 2>the UK, you know what I mean. It it's very

0:24:53.201 --> 0:24:53.921
<v Speaker 2>it's not on the radio.

0:24:53.921 --> 0:24:57.201
<v Speaker 3>It's quite like a cult following. Yeah, yeah, yeah.

0:24:57.241 --> 0:24:59.161
<v Speaker 1>So when I came over it and you're just hearing it.

0:24:59.360 --> 0:25:02.080
<v Speaker 2>And I came to Wollongong when I first came in here,

0:25:02.160 --> 0:25:04.801
<v Speaker 2>so it was constantly played all the time in Wollongong,

0:25:04.840 --> 0:25:08.521
<v Speaker 2>w kind of music, and then he just it gets clingy.

0:25:08.640 --> 0:25:10.360
<v Speaker 1>It's just like whoa, you know what I mean. And

0:25:10.360 --> 0:25:12.241
<v Speaker 1>then I found out he's got Scottish heritage.

0:25:12.281 --> 0:25:14.281
<v Speaker 2>I'm going, well, how come he's never been played in

0:25:14.281 --> 0:25:15.401
<v Speaker 2>fucking England when I've been there?

0:25:15.681 --> 0:25:17.641
<v Speaker 1>But it was just it does it? Actually?

0:25:18.481 --> 0:25:21.601
<v Speaker 2>It actually caught on with me his music and I've

0:25:21.640 --> 0:25:24.240
<v Speaker 2>never that's twenty the way I've never been in that

0:25:24.321 --> 0:25:24.761
<v Speaker 2>kind of music.

0:25:25.001 --> 0:25:25.840
<v Speaker 1>Then it catches onto you.

0:25:26.041 --> 0:25:28.000
<v Speaker 3>Because where do you come from. I'm from Liverpool, Liverpool,

0:25:28.360 --> 0:25:30.801
<v Speaker 3>and we've played Liverpool and it's it's a very it's

0:25:30.840 --> 0:25:35.761
<v Speaker 3>similar to like those northern towns in the UK, Glasgow, Newcastle, Liverpool. Man,

0:25:35.921 --> 0:25:39.481
<v Speaker 3>they're all kind of like it's that, you know, it's

0:25:39.521 --> 0:25:41.920
<v Speaker 3>that kind of working class thing that dad grew up

0:25:41.921 --> 0:25:45.080
<v Speaker 3>with and that kind of desperation and that comes out

0:25:45.080 --> 0:25:47.920
<v Speaker 3>in his in his in his music and in his voice.

0:25:47.961 --> 0:25:51.360
<v Speaker 3>And you know who he is. And he was so

0:25:51.481 --> 0:25:54.440
<v Speaker 3>young when he came here. He was five years old.

0:25:54.840 --> 0:25:57.200
<v Speaker 3>But you know, he's still got he's still got an accent.

0:25:57.281 --> 0:25:59.081
<v Speaker 3>He's still got quite a strong accent.

0:25:58.880 --> 0:26:03.681
<v Speaker 1>Probably stronger than mine. Tell me about.

0:26:05.400 --> 0:26:09.281
<v Speaker 2>When your dad went into surgery and then a couple

0:26:09.321 --> 0:26:12.840
<v Speaker 2>of months later he went in for immediate surgery again,

0:26:12.921 --> 0:26:14.641
<v Speaker 2>Like how did that go? You know what I mean?

0:26:15.400 --> 0:26:17.160
<v Speaker 1>When you went in for the heart surgery and then

0:26:17.201 --> 0:26:18.080
<v Speaker 1>the surgery.

0:26:18.241 --> 0:26:20.680
<v Speaker 3>So there's been a couple of you know this, this

0:26:20.761 --> 0:26:24.801
<v Speaker 3>is going back years now, so before what happened last year,

0:26:24.961 --> 0:26:28.321
<v Speaker 3>over the last two years. It was two thousand and

0:26:28.441 --> 0:26:33.520
<v Speaker 3>seven when he had his first open heart surgery, and

0:26:33.561 --> 0:26:36.561
<v Speaker 3>I really remember it vividly because I just moved to

0:26:36.721 --> 0:26:40.080
<v Speaker 3>Boston and I was in my first semester at Berkeley

0:26:40.400 --> 0:26:42.321
<v Speaker 3>and I was in class on my computer and I

0:26:42.400 --> 0:26:45.360
<v Speaker 3>knew that Dad was going in for surgery but hadn't

0:26:45.400 --> 0:26:48.360
<v Speaker 3>heard from him. And I opened up my computer in

0:26:48.441 --> 0:26:53.840
<v Speaker 3>class and like a news pop up, I'm saying Aussie

0:26:53.921 --> 0:26:57.241
<v Speaker 3>rock Ledge and dyes of heart failure in Sydney hospital.

0:26:57.241 --> 0:27:01.041
<v Speaker 3>And I just like kind of got chills and I

0:27:01.041 --> 0:27:03.120
<v Speaker 3>couldn't open the article. But I closed my computer and

0:27:03.201 --> 0:27:05.960
<v Speaker 3>left class, and I called my mum, like what happened

0:27:05.961 --> 0:27:07.920
<v Speaker 3>to Dad? And she's like, oh, he's right here. Do

0:27:07.921 --> 0:27:09.080
<v Speaker 3>you want to say a loader. I'm like, I just

0:27:09.120 --> 0:27:12.241
<v Speaker 3>read an article that he died, and I was like,

0:27:12.321 --> 0:27:14.241
<v Speaker 3>who died? And she was like, oh, Billy Thorpe died

0:27:14.281 --> 0:27:17.761
<v Speaker 3>and he had had he'd had a heart attack and

0:27:17.801 --> 0:27:21.161
<v Speaker 3>they passed each other in the in the cardiac Unitow

0:27:21.241 --> 0:27:24.960
<v Speaker 3>in Saint Vincent's and and so it was obviously a

0:27:24.961 --> 0:27:27.520
<v Speaker 3>relief that Dad hadn't passed, but also, you know, I

0:27:27.561 --> 0:27:30.680
<v Speaker 3>was friends with Billy, we'd work together and he was

0:27:30.681 --> 0:27:32.920
<v Speaker 3>a close friend of Dad's and an icon, and so

0:27:32.961 --> 0:27:36.321
<v Speaker 3>he was kind of like bittersweet. But then yeah, he

0:27:36.360 --> 0:27:41.160
<v Speaker 3>had that surgery that kind of you know, did the

0:27:41.241 --> 0:27:45.801
<v Speaker 3>job for years and probably would have still it was

0:27:45.840 --> 0:27:49.520
<v Speaker 3>still working until he got staff infection last year. So

0:27:50.041 --> 0:27:53.841
<v Speaker 3>he had had a hip replacement two years ago. And

0:27:53.880 --> 0:27:57.281
<v Speaker 3>then towards the end of last year, I remember I

0:27:57.281 --> 0:27:59.561
<v Speaker 3>finished up a tour with him, and I had a

0:27:59.600 --> 0:28:01.561
<v Speaker 3>sub coming in for a couple of shows because I

0:28:01.600 --> 0:28:04.240
<v Speaker 3>was going to Europe with the Lucky Dolly group. I

0:28:04.321 --> 0:28:06.840
<v Speaker 3>was in Europe, and I remember talking to my drum

0:28:06.880 --> 0:28:09.961
<v Speaker 3>tech about the shows because he was filling in for

0:28:10.080 --> 0:28:12.680
<v Speaker 3>the for my sub, and he said, oh, yeah, your

0:28:12.721 --> 0:28:14.680
<v Speaker 3>dad was like really sick on these two shows. And

0:28:14.721 --> 0:28:17.241
<v Speaker 3>I was like, oh, he goes. I've never seen him

0:28:17.880 --> 0:28:21.921
<v Speaker 3>look that kind of like white and pale. And he'd

0:28:21.961 --> 0:28:25.600
<v Speaker 3>done he'd done like a regional festival, he had the

0:28:25.681 --> 0:28:28.321
<v Speaker 3>Mushroom fiftieth anniversary gig, and then he was meant to

0:28:28.321 --> 0:28:31.160
<v Speaker 3>get on Rock the Boat, a cruise to do shows

0:28:31.160 --> 0:28:33.720
<v Speaker 3>on there as a headliner, and I spoke to my

0:28:33.801 --> 0:28:38.481
<v Speaker 3>sister and my mum after the Mushroom fiftieth show and

0:28:38.521 --> 0:28:42.281
<v Speaker 3>they were like, oh, he's like really, really sick. And

0:28:42.321 --> 0:28:44.081
<v Speaker 3>I was like, should he even get on this cruise?

0:28:44.761 --> 0:28:47.561
<v Speaker 3>And so then we were all kind of like i'ming

0:28:47.601 --> 0:28:50.321
<v Speaker 3>and a ring and kind of you know, and ultimately

0:28:50.321 --> 0:28:52.121
<v Speaker 3>we said no, he shouldn't get on it because he's

0:28:52.161 --> 0:28:55.321
<v Speaker 3>obviously really sick. And thankfully he didn't because he went

0:28:55.361 --> 0:29:00.281
<v Speaker 3>to hospital and he had pneumonia. He was septic, so

0:29:00.321 --> 0:29:03.601
<v Speaker 3>he had sept to seemia and they were finding traces

0:29:03.641 --> 0:29:06.361
<v Speaker 3>of staff infection. So if he'd gotten on that cruise,

0:29:06.401 --> 0:29:08.641
<v Speaker 3>he would have died. And the problem with that is

0:29:08.641 --> 0:29:11.520
<v Speaker 3>that he's got a really crazy threshold for pain, and

0:29:11.601 --> 0:29:14.041
<v Speaker 3>so when by the time he complains to you, it's

0:29:14.121 --> 0:29:17.801
<v Speaker 3>usually it's something like fucking sept to seemia. Yeah, He's like,

0:29:18.001 --> 0:29:20.681
<v Speaker 3>I've got a little bit of a thing going on,

0:29:20.921 --> 0:29:26.281
<v Speaker 3>and he's fucking dying. So then they got on top

0:29:26.321 --> 0:29:27.881
<v Speaker 3>of the sept to see he got on top of

0:29:27.921 --> 0:29:32.241
<v Speaker 3>the pneumonia, which is great, but then this staff infection kept.

0:29:32.281 --> 0:29:33.881
<v Speaker 3>They were trying to find where it had kind of

0:29:34.361 --> 0:29:39.401
<v Speaker 3>gone to. They initially found it in his spine and

0:29:39.481 --> 0:29:43.361
<v Speaker 3>so had back surgery, and then later found it in

0:29:43.401 --> 0:29:45.681
<v Speaker 3>his heart, so he had to have emergency heart surgery,

0:29:45.681 --> 0:29:48.281
<v Speaker 3>which was while I was flying back from Europe. So

0:29:48.321 --> 0:29:52.681
<v Speaker 3>i'd finished the tour and I was on the plane

0:29:52.681 --> 0:29:55.641
<v Speaker 3>from London to Singapore while he was doing the open

0:29:55.641 --> 0:29:59.161
<v Speaker 3>heart surgery and had no WiFi on the plane, so

0:29:59.201 --> 0:30:04.041
<v Speaker 3>I was just fucking stressed. Got to Singapore, my mum

0:30:04.121 --> 0:30:06.161
<v Speaker 3>called me and said he's okay. I'm like, thank fuck.

0:30:07.041 --> 0:30:09.841
<v Speaker 3>Got back to Australia. I literally dropped my bags and

0:30:09.881 --> 0:30:11.801
<v Speaker 3>went straight to the hospital and saw him and he

0:30:11.921 --> 0:30:14.641
<v Speaker 3>was like trying to walk around the ward and I

0:30:14.641 --> 0:30:18.881
<v Speaker 3>was like, just lie down and rest. Look, we're relentless

0:30:18.881 --> 0:30:20.801
<v Speaker 3>in this family, like we don't like to be still.

0:30:22.281 --> 0:30:24.561
<v Speaker 3>But thankfully it was okay, and then he started working

0:30:24.601 --> 0:30:27.521
<v Speaker 3>again a few months later and all was well. We

0:30:27.641 --> 0:30:30.521
<v Speaker 3>were touring in the middle of the year, and then

0:30:30.561 --> 0:30:32.721
<v Speaker 3>I went to the US with the Locky Dolly group

0:30:32.801 --> 0:30:37.561
<v Speaker 3>in June July and was meant to come back and

0:30:37.601 --> 0:30:40.161
<v Speaker 3>go straight onto tour with him. Rejoined the tour. I'd

0:30:40.161 --> 0:30:43.961
<v Speaker 3>had to sub for a couple of shows, and then

0:30:44.721 --> 0:30:49.161
<v Speaker 3>right towards the end of the US tour with Lockie,

0:30:50.401 --> 0:30:53.240
<v Speaker 3>Dad called me and said, look, they've found some more

0:30:53.241 --> 0:30:56.321
<v Speaker 3>staff infection. We're gonna have to investigate, so we're probably

0:30:56.321 --> 0:30:59.960
<v Speaker 3>gonna have to postpone these shows. Turned out that it

0:31:00.001 --> 0:31:02.641
<v Speaker 3>had gone into the hip that he'd had replaced, so

0:31:04.121 --> 0:31:07.041
<v Speaker 3>they took that hip up and he's now got a

0:31:07.081 --> 0:31:10.961
<v Speaker 3>temporary hip in at the moment while he finishes Cold Chisel. Wow,

0:31:11.881 --> 0:31:13.480
<v Speaker 3>he has to get a new hip early in the

0:31:13.521 --> 0:31:15.921
<v Speaker 3>year ship. Yeah, So it's been a it's been a

0:31:15.961 --> 0:31:18.801
<v Speaker 3>rough couple of years for him, but but fuck, he's

0:31:18.841 --> 0:31:21.921
<v Speaker 3>tough watching him on this Cold Chisel too, because I've

0:31:21.921 --> 0:31:25.921
<v Speaker 3>been because I don't drum with Cold Chisel, Charlie Drayton does.

0:31:26.801 --> 0:31:28.321
<v Speaker 3>So I've been on the road with him as his

0:31:28.401 --> 0:31:31.841
<v Speaker 3>tour manager and kind of his guy, you know, driving him,

0:31:31.921 --> 0:31:36.121
<v Speaker 3>making sure everything's looked after for him, and just watching him,

0:31:36.681 --> 0:31:39.521
<v Speaker 3>you know, go through that process, even in the amount

0:31:39.521 --> 0:31:43.200
<v Speaker 3>of pain he's in, is pretty incredible and inspiring, you know.

0:31:44.201 --> 0:31:48.001
<v Speaker 3>But yeah, it's he's man. It's just like I can't

0:31:48.001 --> 0:31:51.281
<v Speaker 3>wait for him to get that new hip because he

0:31:51.361 --> 0:31:54.081
<v Speaker 3>must the pain must be just yeah, because he's complaining

0:31:54.081 --> 0:31:56.961
<v Speaker 3>about the pain, and obviously that means it's pretty fucking severe.

0:31:57.081 --> 0:31:59.681
<v Speaker 1>Must be on some pain killers for that, jeez.

0:31:59.681 --> 0:32:04.841
<v Speaker 3>And I think he's just Panele it's really as well.

0:32:04.881 --> 0:32:08.841
<v Speaker 3>But yeah, I remember after his heart surgery, he just

0:32:08.881 --> 0:32:12.121
<v Speaker 3>like went back, I'll just take Panda. I'm like, I

0:32:12.121 --> 0:32:13.881
<v Speaker 3>didn't even think Pandel did anything.

0:32:16.081 --> 0:32:17.401
<v Speaker 1>Any of regrants.

0:32:18.401 --> 0:32:20.881
<v Speaker 3>I'm not like that, you know, it's and Dad's not

0:32:20.921 --> 0:32:24.481
<v Speaker 3>like that. It's obviously there's things that we probably would

0:32:24.601 --> 0:32:27.240
<v Speaker 3>change if we could. But at the same time, and

0:32:27.361 --> 0:32:29.480
<v Speaker 3>Dad's always told me this is that you know, everything

0:32:29.521 --> 0:32:31.801
<v Speaker 3>you do leads to where you are, and if you're

0:32:31.841 --> 0:32:34.440
<v Speaker 3>happy with where you are and where you're going, then

0:32:35.281 --> 0:32:39.561
<v Speaker 3>why change. So I'm proud of the gigs that I've done,

0:32:39.761 --> 0:32:43.641
<v Speaker 3>the people I've worked with, the relationships I've made. I'm

0:32:43.681 --> 0:32:47.121
<v Speaker 3>proud that, you know, in all the years I've been

0:32:47.161 --> 0:32:49.481
<v Speaker 3>working in this industry, you know, I haven't really burnt

0:32:49.521 --> 0:32:52.041
<v Speaker 3>any bridges. You know, a lot of the bands that

0:32:52.081 --> 0:32:55.081
<v Speaker 3>I've worked with, even though I don't work with them anymore,

0:32:55.481 --> 0:32:59.081
<v Speaker 3>I'm pretty sure for the most part, i'd be welcome

0:32:59.161 --> 0:33:03.801
<v Speaker 3>back if the opportunity arise. Yeah, No, I'm.

0:33:03.681 --> 0:33:16.761
<v Speaker 2>Describe you in two words, onward, relentless.

0:33:13.081 --> 0:33:15.521
<v Speaker 1>And what what's what the future hole for you?

0:33:15.561 --> 0:33:19.001
<v Speaker 3>Then, well, after years of not having one, I've just

0:33:19.041 --> 0:33:23.921
<v Speaker 3>gotten a US visa, So getting more involved working over

0:33:23.961 --> 0:33:26.921
<v Speaker 3>there with bands over there, you know, which is kind

0:33:26.961 --> 0:33:29.801
<v Speaker 3>of what I was trying to do ten fifteen years

0:33:29.841 --> 0:33:33.081
<v Speaker 3>ago when I went to when I'd finished college. You know,

0:33:33.561 --> 0:33:35.841
<v Speaker 3>had I not started working with the ten Tennas, I

0:33:35.841 --> 0:33:38.801
<v Speaker 3>probably would have stayed in the US and moved there.

0:33:39.801 --> 0:33:41.960
<v Speaker 3>So I've kind of always got had this kind of

0:33:42.001 --> 0:33:44.440
<v Speaker 3>itch to scratch in terms of like breaking into the

0:33:44.481 --> 0:33:46.921
<v Speaker 3>market over there with bands, you know, because obviously I've

0:33:46.921 --> 0:33:51.200
<v Speaker 3>built a good reputation here and Europe and and amongst

0:33:51.281 --> 0:33:54.241
<v Speaker 3>musicians in the States as well. Kind of similar to Dad.

0:33:54.241 --> 0:33:57.001
<v Speaker 3>You know, he's obviously he's massive here, but he's got

0:33:57.001 --> 0:34:00.241
<v Speaker 3>these kind of like, yeah, the musicians all know him

0:34:00.281 --> 0:34:02.761
<v Speaker 3>over there. So yeah, I kind of want to break

0:34:02.761 --> 0:34:05.161
<v Speaker 3>into those markets a bit more and tour with bands

0:34:05.161 --> 0:34:08.761
<v Speaker 3>from over there, and you know, that's a thing that

0:34:08.801 --> 0:34:11.001
<v Speaker 3>I've got to kind of find the balance between family

0:34:11.041 --> 0:34:14.641
<v Speaker 3>life and doing that, and but yeah, that would be

0:34:14.641 --> 0:34:17.881
<v Speaker 3>the biggest goal, would be to break into that US

0:34:17.921 --> 0:34:22.561
<v Speaker 3>market a bit more and then you know, I've been

0:34:22.601 --> 0:34:26.641
<v Speaker 3>writing a solo record singing, so I've done I've had

0:34:26.681 --> 0:34:29.481
<v Speaker 3>some projects over the last ten to fifteen years that

0:34:29.521 --> 0:34:32.241
<v Speaker 3>have been like kind of duo things and you know,

0:34:32.401 --> 0:34:34.561
<v Speaker 3>just slowly getting myself out there because I do sing,

0:34:36.361 --> 0:34:38.801
<v Speaker 3>but never really saw myself as a front man. But

0:34:38.961 --> 0:34:40.801
<v Speaker 3>now I've kind of gotten to that point where I'm like,

0:34:41.081 --> 0:34:43.361
<v Speaker 3>I'm ready to step out from behind the kit and

0:34:43.721 --> 0:34:47.281
<v Speaker 3>do something as well. So there's that goal of putting

0:34:47.321 --> 0:34:49.601
<v Speaker 3>out my own record, which I've mostly written. I just

0:34:49.641 --> 0:34:52.481
<v Speaker 3>need to record it, kind of put it out the

0:34:52.521 --> 0:34:55.401
<v Speaker 3>right way, which is a really daunting prospect. And it's

0:34:55.401 --> 0:35:00.441
<v Speaker 3>a very it's an intense family to be a singer in,

0:35:00.961 --> 0:35:03.281
<v Speaker 3>so you know, there's a lot of expectation, and you know,

0:35:03.321 --> 0:35:05.401
<v Speaker 3>I definitely don't have his voice. I've got a very

0:35:05.401 --> 0:35:09.201
<v Speaker 3>different voice. But yes, I've just been writing a lot.

0:35:09.881 --> 0:35:11.361
<v Speaker 3>I want to put out some more of my own

0:35:11.401 --> 0:35:12.001
<v Speaker 3>music and.

0:35:12.921 --> 0:35:13.761
<v Speaker 1>Yeah, go from here.

0:35:13.921 --> 0:35:17.841
<v Speaker 3>Yeah, it's all about just you know, keep working with

0:35:17.881 --> 0:35:21.401
<v Speaker 3>the people I've been working with, and as new opportunities arise,

0:35:22.681 --> 0:35:25.761
<v Speaker 3>take them too good. As long as I'm always busy,

0:35:25.961 --> 0:35:28.121
<v Speaker 3>always making music, I'll be happy. That's cool.

0:35:28.601 --> 0:35:29.801
<v Speaker 1>Well, thanks brother, for coming.

0:35:29.641 --> 0:35:31.161
<v Speaker 3>On, Thanks for having me I, thank to be honest.

0:35:31.161 --> 0:35:32.601
<v Speaker 3>Pleasure Bro, Absolutely pleasure.

0:35:32.641 --> 0:35:32.961
<v Speaker 1>Thanks Bro,