1 00:00:02,240 --> 00:00:04,160 Speaker 1: And we thought we haven't spoken to her for a while. 2 00:00:04,160 --> 00:00:05,720 Speaker 1: We'll get her on the show right now. It's the 3 00:00:05,760 --> 00:00:07,640 Speaker 1: magnificent Tones at times. 4 00:00:08,480 --> 00:00:12,360 Speaker 2: Welcome, Hey, busy, and we're are you guys? Good morning? 5 00:00:12,480 --> 00:00:14,560 Speaker 3: We're good, We're good. How are you holding up? I 6 00:00:14,600 --> 00:00:16,400 Speaker 3: assume you're in Melbourne where you're from? 7 00:00:16,440 --> 00:00:18,759 Speaker 4: Are you in Ica? The doors are shut? 8 00:00:20,079 --> 00:00:21,840 Speaker 2: Yeah? I mean I though. We went to go for 9 00:00:21,880 --> 00:00:24,160 Speaker 2: a walk last night and then we realized it was curfy, 10 00:00:24,360 --> 00:00:26,400 Speaker 2: so we had to come back inside. 11 00:00:27,640 --> 00:00:29,000 Speaker 5: What face masker? You're running? 12 00:00:29,080 --> 00:00:29,360 Speaker 1: Tones? 13 00:00:29,400 --> 00:00:31,440 Speaker 5: Have you got a special one and one that you 14 00:00:31,520 --> 00:00:32,360 Speaker 5: made yourself for. 15 00:00:35,320 --> 00:00:40,320 Speaker 2: No? I just have a bunch of black plain ones. 16 00:00:40,520 --> 00:00:43,080 Speaker 4: Yeah? Nice? Still stylish? Still stylish about that? 17 00:00:43,159 --> 00:00:45,640 Speaker 1: Do you get creative tones when you are stuck at 18 00:00:45,640 --> 00:00:48,239 Speaker 1: home by yourself? Is that what keeps you busy is 19 00:00:48,280 --> 00:00:49,800 Speaker 1: writing and getting on the piano? 20 00:00:51,760 --> 00:00:52,159 Speaker 5: Yeah? 21 00:00:52,360 --> 00:00:56,120 Speaker 2: I mean I have been writing my first album. To 22 00:00:56,240 --> 00:01:00,560 Speaker 2: be honest, you know you can't sit and write every 23 00:01:00,560 --> 00:01:03,120 Speaker 2: single day. I think you know you do one thing 24 00:01:03,160 --> 00:01:05,040 Speaker 2: every day, even if you love it, it just gets 25 00:01:05,080 --> 00:01:08,760 Speaker 2: too much. So I'm probably writing last four days week honestly, 26 00:01:09,319 --> 00:01:10,080 Speaker 2: because you don't. 27 00:01:09,880 --> 00:01:12,479 Speaker 3: Want to put too much pressure on yourself either and think, oh, God, 28 00:01:12,480 --> 00:01:13,760 Speaker 3: I've got to use this time and I'm going to 29 00:01:13,840 --> 00:01:16,800 Speaker 3: have to come out of this isolation with brand new music. 30 00:01:16,840 --> 00:01:18,720 Speaker 3: You've got to vary up what you're doing at home, 31 00:01:18,840 --> 00:01:19,880 Speaker 3: I would assume Tones. 32 00:01:21,280 --> 00:01:25,200 Speaker 2: Yeah, that's so true. There's so much pressure, I guess 33 00:01:25,200 --> 00:01:28,880 Speaker 2: for all artists right now to just like to come 34 00:01:28,880 --> 00:01:30,679 Speaker 2: out of isolation and be like, this is what I 35 00:01:30,680 --> 00:01:34,399 Speaker 2: did while I was in isolating. Yeah, I can't think 36 00:01:34,400 --> 00:01:35,160 Speaker 2: about it. Yeah. 37 00:01:35,360 --> 00:01:36,840 Speaker 5: Yeah, Well, you know what you're looking at. 38 00:01:37,000 --> 00:01:40,160 Speaker 1: You're looking after developing artists and I love this Tones 39 00:01:40,200 --> 00:01:41,640 Speaker 1: because there's a lot out there. 40 00:01:41,760 --> 00:01:42,399 Speaker 5: Let's be honest. 41 00:01:42,440 --> 00:01:46,400 Speaker 1: The government haven't looked after the arts industry throughout this period, 42 00:01:46,959 --> 00:01:49,560 Speaker 1: and it looks like especially in Melbourne Tones, I mean 43 00:01:49,560 --> 00:01:53,520 Speaker 1: there's there's bands and artists going probably for another six 44 00:01:53,600 --> 00:01:57,640 Speaker 1: months before they can perform, live, get any sort of income. 45 00:01:58,120 --> 00:02:01,400 Speaker 5: You're helping these people out. Now. You've started up a competition. 46 00:02:01,480 --> 00:02:04,640 Speaker 1: It's called that one Song and you can go to Instagram, 47 00:02:05,200 --> 00:02:07,240 Speaker 1: go to that one song spelled with a double G 48 00:02:07,360 --> 00:02:09,799 Speaker 1: at the end of song on Instagram and you can 49 00:02:09,919 --> 00:02:12,760 Speaker 1: submit a song to you and the winner is going 50 00:02:12,800 --> 00:02:15,399 Speaker 1: to receive five thousand dollars. They're going to sit down 51 00:02:15,440 --> 00:02:18,040 Speaker 1: with you for a day and get into the studio 52 00:02:18,240 --> 00:02:19,280 Speaker 1: to record a tones. 53 00:02:19,360 --> 00:02:19,960 Speaker 5: Is that correct? 54 00:02:21,520 --> 00:02:26,320 Speaker 2: Yeah, I'm really excited some people obviously because of the restrictions, 55 00:02:26,320 --> 00:02:29,960 Speaker 2: we won't be able to physically sit down, but it 56 00:02:30,000 --> 00:02:33,000 Speaker 2: will be a zoom thing, is not. But yeah, it's 57 00:02:33,040 --> 00:02:36,240 Speaker 2: really cool and it gives me something really fun to 58 00:02:36,280 --> 00:02:39,320 Speaker 2: focus my energy on. And when I'm just sitting listening 59 00:02:39,320 --> 00:02:43,160 Speaker 2: to all the different songs, it's real. It's really nice. 60 00:02:43,760 --> 00:02:45,480 Speaker 3: I love the idea because it's clever and you know, 61 00:02:45,560 --> 00:02:48,160 Speaker 3: it gives us a great chance for developing artists. I 62 00:02:48,200 --> 00:02:50,720 Speaker 3: don't know if you've had any submissions over the radio 63 00:02:50,800 --> 00:02:52,680 Speaker 3: yet in any of your interviews, but I wrote a 64 00:02:52,680 --> 00:02:55,760 Speaker 3: song for my wife called Likelike a while ago, which 65 00:02:55,760 --> 00:02:58,840 Speaker 3: probably didn't deserve It didn't get the recognition it deserved. 66 00:02:59,000 --> 00:02:59,400 Speaker 4: Horrible. 67 00:02:59,840 --> 00:03:03,760 Speaker 3: This is my application for the five thousand dollars here. 68 00:03:03,919 --> 00:03:08,800 Speaker 4: Look to get some feedback. Or do you like like me? 69 00:03:09,360 --> 00:03:12,120 Speaker 4: Do you like me? But what do you think tones? 70 00:03:12,160 --> 00:03:14,760 Speaker 3: I mean big creepy tones or is that the sort 71 00:03:14,800 --> 00:03:15,639 Speaker 3: of thing you're looking for? 72 00:03:16,480 --> 00:03:18,919 Speaker 2: Well, I've often know the story behind the song. 73 00:03:19,400 --> 00:03:22,880 Speaker 4: Well you know you're too young tones, But back in 74 00:03:22,960 --> 00:03:24,800 Speaker 4: my day it was like do you like her or 75 00:03:24,840 --> 00:03:26,280 Speaker 4: do you like like her? 76 00:03:26,720 --> 00:03:33,160 Speaker 2: What young that's really relevant that. 77 00:03:33,280 --> 00:03:35,080 Speaker 4: I mean, that's where the song came from. And so 78 00:03:35,160 --> 00:03:37,160 Speaker 4: many people ask me so many questions about the song. 79 00:03:37,200 --> 00:03:39,480 Speaker 3: But now that you've got this competition running, I will 80 00:03:39,480 --> 00:03:40,320 Speaker 3: definitely enter. 81 00:03:42,240 --> 00:03:44,960 Speaker 2: I'll definitely keep an eye. You have to have your 82 00:03:44,960 --> 00:03:46,000 Speaker 2: submission in by. 83 00:03:45,920 --> 00:03:48,480 Speaker 5: Thursday, Thursday cut off thursdayday. 84 00:03:48,520 --> 00:03:49,240 Speaker 4: Okay, I'm onto it. 85 00:03:49,520 --> 00:03:49,680 Speaker 5: Hey. 86 00:03:50,280 --> 00:03:53,000 Speaker 1: We had a great chat last week times with Sea, 87 00:03:53,280 --> 00:03:55,240 Speaker 1: who we think very similar to you. 88 00:03:55,360 --> 00:03:58,080 Speaker 5: Creative, genius, amazing, and you know what we love. 89 00:03:58,000 --> 00:04:01,760 Speaker 1: About Sea is that she's how hum she's stayed throughout 90 00:04:01,800 --> 00:04:02,800 Speaker 1: her whole success. 91 00:04:03,160 --> 00:04:04,200 Speaker 5: She feels like she's. 92 00:04:04,080 --> 00:04:05,880 Speaker 1: In la at the moment and she goes, I can't 93 00:04:05,880 --> 00:04:09,560 Speaker 1: believe that I'm still here. She was talking about a 94 00:04:09,680 --> 00:04:11,600 Speaker 1: moment tones. I think we spoke about this with you 95 00:04:11,680 --> 00:04:14,520 Speaker 1: last time as well, but because we asked her, you know, 96 00:04:14,600 --> 00:04:16,400 Speaker 1: was there a moment where your friends that you grew 97 00:04:16,480 --> 00:04:19,040 Speaker 1: up with did you just grab them one day and 98 00:04:19,200 --> 00:04:21,640 Speaker 1: just take them and show them the life that you live? 99 00:04:21,920 --> 00:04:25,560 Speaker 1: And she said, yeah, yeah. We hired my record company 100 00:04:25,560 --> 00:04:27,479 Speaker 1: helped me and we hired a private jet. I just 101 00:04:27,520 --> 00:04:29,720 Speaker 1: took all my best friends and we went and watched 102 00:04:29,720 --> 00:04:32,320 Speaker 1: the UFC cond of McGregor fight in the UFC, and 103 00:04:32,440 --> 00:04:33,760 Speaker 1: she said they couldn't believe it. 104 00:04:34,080 --> 00:04:35,040 Speaker 5: I mean, has there. 105 00:04:34,920 --> 00:04:37,000 Speaker 1: Been a moment for you, Tones, I know there's been 106 00:04:37,040 --> 00:04:40,359 Speaker 1: a couple of Los Angeles moments where you've taken friends 107 00:04:40,400 --> 00:04:42,800 Speaker 1: to parties and stuff like that, where you've gone, what 108 00:04:42,960 --> 00:04:44,040 Speaker 1: the hell is going on? 109 00:04:45,720 --> 00:04:49,560 Speaker 2: Well, actually, when this all started, I hired my two 110 00:04:49,600 --> 00:04:53,159 Speaker 2: best friends and they worked for me full time, and 111 00:04:53,160 --> 00:04:56,000 Speaker 2: they've been everywhere with me, say hey, hey, how you going. 112 00:04:56,160 --> 00:04:58,320 Speaker 4: They're still there. Who was that? 113 00:04:58,560 --> 00:05:01,600 Speaker 2: She's a bloody good, bloody good worker. I'll tell you that. 114 00:05:01,839 --> 00:05:05,680 Speaker 5: Yeah, what is What are their jobs? What are their 115 00:05:05,760 --> 00:05:07,440 Speaker 5: job titles? Tones? What do they do? 116 00:05:08,600 --> 00:05:12,440 Speaker 2: So they're both ta so as all the like, you know, 117 00:05:12,720 --> 00:05:15,479 Speaker 2: the I don't know because people don't understand that there's 118 00:05:15,560 --> 00:05:17,920 Speaker 2: this side to it, but all the promo stuff, all 119 00:05:17,920 --> 00:05:20,440 Speaker 2: the scheduling between calls and and all that stuff, I 120 00:05:20,440 --> 00:05:24,200 Speaker 2: guess normally even knows that we do. And then Kurdo, 121 00:05:24,360 --> 00:05:27,480 Speaker 2: my best friend who I wrote Johnny run Away about 122 00:05:27,800 --> 00:05:30,000 Speaker 2: hair and makeup, which obviously I don't really need that 123 00:05:30,080 --> 00:05:37,000 Speaker 2: much because I'm amazing. No, well said, they both do 124 00:05:37,120 --> 00:05:39,080 Speaker 2: promo when we're on tour. There's a lot more for 125 00:05:39,120 --> 00:05:41,400 Speaker 2: them to do, but right now, you know, we're still 126 00:05:41,480 --> 00:05:44,200 Speaker 2: keeping them busy, and obviously Purdo is working from home. 127 00:05:44,279 --> 00:05:45,000 Speaker 2: Abbot this with me. 128 00:05:46,160 --> 00:05:49,680 Speaker 5: So yeah, do they keep your grounded? Tones? Is that 129 00:05:49,720 --> 00:05:51,200 Speaker 5: one of the reasons as well? It's good to have 130 00:05:51,240 --> 00:05:52,200 Speaker 5: your friends around like that. 131 00:05:53,880 --> 00:06:01,760 Speaker 2: Oh mate, I keep them grounded. Some sequin pants yesterday 132 00:06:01,760 --> 00:06:02,040 Speaker 2: I was. 133 00:06:03,960 --> 00:06:05,279 Speaker 5: I shouldn't have worn mine today. 134 00:06:07,600 --> 00:06:10,480 Speaker 4: Tones. Do you know Sia? Have you met Sea or 135 00:06:10,520 --> 00:06:11,680 Speaker 4: done much with her? 136 00:06:12,400 --> 00:06:15,120 Speaker 2: I've never met Sea, but I agree with what you 137 00:06:15,160 --> 00:06:19,080 Speaker 2: said about her. I think that she is an amazing 138 00:06:19,200 --> 00:06:22,400 Speaker 2: songwriter and that is the best thing because she's actually 139 00:06:22,520 --> 00:06:25,599 Speaker 2: from Australia. She's done so many huge things and she 140 00:06:25,680 --> 00:06:27,880 Speaker 2: writes her own music, not only for herself but for 141 00:06:28,040 --> 00:06:30,120 Speaker 2: other artists too, and that I love them. 142 00:06:30,680 --> 00:06:30,840 Speaker 5: Well. 143 00:06:30,880 --> 00:06:32,520 Speaker 4: You guys get on so well. 144 00:06:32,560 --> 00:06:34,120 Speaker 5: So would you be happy to do that? 145 00:06:34,200 --> 00:06:34,479 Speaker 4: Tones? 146 00:06:34,520 --> 00:06:36,680 Speaker 1: If you wrote a song that you thought wasn't right 147 00:06:36,760 --> 00:06:38,440 Speaker 1: for you, would you be happy to pass it on 148 00:06:38,480 --> 00:06:39,200 Speaker 1: to somebody else? 149 00:06:40,640 --> 00:06:43,000 Speaker 2: Yeah? Absolutely, I would love it. I mean, I love 150 00:06:43,080 --> 00:06:47,599 Speaker 2: writing music. It's you know, it's really scary though, you 151 00:06:47,640 --> 00:06:51,159 Speaker 2: know what I mean, because there's always you got to 152 00:06:51,200 --> 00:06:53,360 Speaker 2: remember that even though these artists might not be able 153 00:06:53,360 --> 00:06:56,040 Speaker 2: to write their own music, they still have feelings they 154 00:06:56,080 --> 00:06:58,479 Speaker 2: want to get out, and it's it's hard because you 155 00:06:58,600 --> 00:07:02,080 Speaker 2: just hand if someone just handed me like no, yeah, 156 00:07:02,160 --> 00:07:04,599 Speaker 2: but I guess there are people that do do take 157 00:07:04,680 --> 00:07:06,640 Speaker 2: songs from others, and you want to make sure that 158 00:07:06,680 --> 00:07:08,880 Speaker 2: they can get their feelings out in that song as well, 159 00:07:08,920 --> 00:07:10,320 Speaker 2: even if they didn't write it. Well. 160 00:07:10,320 --> 00:07:12,000 Speaker 3: I think Lady Gaga was a bit like that. She 161 00:07:12,080 --> 00:07:14,200 Speaker 3: wrote for the record label for a long time until 162 00:07:14,200 --> 00:07:15,880 Speaker 3: they said, hey, why don't you just sing it yourself? 163 00:07:15,960 --> 00:07:16,640 Speaker 4: Do you want? Okay? 164 00:07:17,120 --> 00:07:19,400 Speaker 3: And that was how we became. You know, we got 165 00:07:19,400 --> 00:07:24,120 Speaker 3: to know Lady Gaga. I mean fun musicals, that's right. 166 00:07:24,720 --> 00:07:27,320 Speaker 3: If I have to, you idiot, I'll do it. 167 00:07:29,080 --> 00:07:33,840 Speaker 2: Give me some six inch heelless heels and mask and 168 00:07:33,960 --> 00:07:35,680 Speaker 2: I guess I'll just do this thing for a bit 169 00:07:35,760 --> 00:07:36,840 Speaker 2: of call it Lady Gaga. 170 00:07:36,920 --> 00:07:39,600 Speaker 3: Yeah, Well we're a meat outfit and turn up on 171 00:07:39,600 --> 00:07:40,320 Speaker 3: the red carpet. 172 00:07:41,480 --> 00:07:44,160 Speaker 1: We're watching you perform this Sunday as well, which is great. 173 00:07:44,160 --> 00:07:46,200 Speaker 1: There's a great new show, The Sound, which is on 174 00:07:46,240 --> 00:07:50,040 Speaker 1: the ABC at five point thirty on Sunday afternoons. 175 00:07:50,560 --> 00:07:56,000 Speaker 5: You're performing Guy Sebastian Blisten. So so there's some great performances. 176 00:07:56,000 --> 00:07:58,560 Speaker 1: But where are you performing and what are you doing 177 00:07:58,600 --> 00:07:59,960 Speaker 1: Tones this Sunday afternoon. 178 00:08:01,200 --> 00:08:04,600 Speaker 2: Well, obviously we're in lockdown, so it's really really limited. 179 00:08:04,800 --> 00:08:08,200 Speaker 2: So we've found a space and got a permit for 180 00:08:08,640 --> 00:08:10,760 Speaker 2: I'm like just a place around the corner from my 181 00:08:10,840 --> 00:08:14,200 Speaker 2: house and we're just going to do I guess. 182 00:08:14,840 --> 00:08:15,000 Speaker 1: Oh. 183 00:08:15,080 --> 00:08:17,480 Speaker 2: I want to make it sound great because obviously I 184 00:08:17,520 --> 00:08:20,440 Speaker 2: want you know down thank you for having me, But 185 00:08:20,800 --> 00:08:22,840 Speaker 2: I just also need people to know it's very safe 186 00:08:22,880 --> 00:08:24,800 Speaker 2: in lockdown. There will just be like a Tones and 187 00:08:24,880 --> 00:08:27,600 Speaker 2: I performance and there were no fireworks or anything. I'm 188 00:08:27,600 --> 00:08:30,440 Speaker 2: going to play the piano and sing some songs. 189 00:08:30,840 --> 00:08:32,000 Speaker 4: I love it, Love. 190 00:08:31,880 --> 00:08:35,360 Speaker 1: It five point thirty Sunday afternoon. But like I said, 191 00:08:35,400 --> 00:08:37,840 Speaker 1: if you are a developing artist out there and doing 192 00:08:37,840 --> 00:08:40,199 Speaker 1: it pretty tough at the moment, and you want to 193 00:08:40,240 --> 00:08:42,880 Speaker 1: go into Tones and Eyes and new competitions, that one song, 194 00:08:43,000 --> 00:08:45,920 Speaker 1: go to the Instagram page that one song with a 195 00:08:45,960 --> 00:08:48,480 Speaker 1: double G at the end of song and you can 196 00:08:48,679 --> 00:08:51,600 Speaker 1: submit it there. Five thousand bucks up for grabs and 197 00:08:51,640 --> 00:08:54,000 Speaker 1: you get the record with Tones and I for a day. 198 00:08:54,440 --> 00:08:56,719 Speaker 1: Thank you so much for coming on mate, and we'll 199 00:08:56,720 --> 00:08:57,840 Speaker 1: speak to your so in tones. 200 00:08:58,840 --> 00:09:01,679 Speaker 2: Thanks Budgens, have a good ice ice I