1 00:00:01,080 --> 00:00:04,040 Speaker 1: This is the City in Her with Kate ki Podcast. 2 00:00:05,600 --> 00:00:09,680 Speaker 2: Welcome to a brand new episode of Educate. Welcome Lizzie, 3 00:00:09,920 --> 00:00:12,880 Speaker 2: Welcome Jess, Thank you Kate. I am so glad the 4 00:00:12,880 --> 00:00:15,720 Speaker 2: two of you are here today. I can't quite believe 5 00:00:16,079 --> 00:00:19,400 Speaker 2: that we have finally got to an Educate podcast episode 6 00:00:19,440 --> 00:00:22,919 Speaker 2: that is all about breaking down the brand new album 7 00:00:23,040 --> 00:00:27,560 Speaker 2: Tortured Poets Department by Taylor Swift, Like, how did we 8 00:00:27,600 --> 00:00:30,680 Speaker 2: get from the lead up to the concerts to her 9 00:00:30,760 --> 00:00:34,440 Speaker 2: gracing this lovely country of ours, to her announcing an 10 00:00:34,479 --> 00:00:39,000 Speaker 2: April nineteen release date and now it's here in all 11 00:00:39,040 --> 00:00:41,680 Speaker 2: its glory, not only one album but two. 12 00:00:41,760 --> 00:00:45,640 Speaker 1: I know, and didn't April nineteen seem so oh way 13 00:00:45,680 --> 00:00:48,640 Speaker 1: when she said it. It's been a long time coming, guys, 14 00:00:48,920 --> 00:00:50,440 Speaker 1: it has been a long time coming. And can I 15 00:00:50,520 --> 00:00:53,920 Speaker 1: take you guys back to last week? Kate was kind 16 00:00:54,000 --> 00:00:57,160 Speaker 1: enough to secretly film Lizzie and II trying to decode 17 00:00:57,360 --> 00:01:00,960 Speaker 1: some of the teaser video that Taylor posted. But I 18 00:01:00,960 --> 00:01:04,120 Speaker 1: would like to say that this little moment happened. Is 19 00:01:04,120 --> 00:01:12,520 Speaker 1: that saying it's a double album? This a lot? Yeah? 20 00:01:12,560 --> 00:01:15,040 Speaker 1: So can I say big up to the girls? Well 21 00:01:15,400 --> 00:01:18,000 Speaker 1: one for the girl. This one is for the girls. 22 00:01:18,120 --> 00:01:19,600 Speaker 2: I know I was making fun of you, but I 23 00:01:19,640 --> 00:01:21,559 Speaker 2: have to say the hype around it, and the lead 24 00:01:21,640 --> 00:01:25,920 Speaker 2: up and the excitement and the dropping of I mean, 25 00:01:25,959 --> 00:01:27,759 Speaker 2: you guys were even talking about the fact that there 26 00:01:27,760 --> 00:01:31,480 Speaker 2: were AI versions of the song and is it is? 27 00:01:31,600 --> 00:01:35,960 Speaker 3: I mean, you people, you true swift daisies. You don't 28 00:01:36,000 --> 00:01:37,000 Speaker 3: fall for stuff like that. 29 00:01:37,080 --> 00:01:41,640 Speaker 2: But the internet was going wild with everything I know, 30 00:01:41,760 --> 00:01:42,800 Speaker 2: and I'm floating around it. 31 00:01:42,880 --> 00:01:44,640 Speaker 1: I don't know where you guys were, but we were 32 00:01:44,720 --> 00:01:47,320 Speaker 1: driving up to Tamworth listening to the album in the car, 33 00:01:47,360 --> 00:01:49,040 Speaker 1: which I wouldn't normally like to do. I like to 34 00:01:49,040 --> 00:01:52,640 Speaker 1: have a first listen in a dark with headphones on, 35 00:01:52,840 --> 00:01:53,560 Speaker 1: eyes closed. 36 00:01:54,440 --> 00:01:57,440 Speaker 3: But your mother, now that stuff goes out the window. 37 00:01:57,560 --> 00:01:59,440 Speaker 1: Do you know what it ended up? It ended up 38 00:01:59,440 --> 00:02:04,440 Speaker 1: being for me the Tortured Parents Department because by the 39 00:02:04,520 --> 00:02:06,800 Speaker 1: time the second album drops, so I heard the first one, 40 00:02:06,920 --> 00:02:09,560 Speaker 1: I'm thinking, I can't hear anything but road noise because 41 00:02:09,560 --> 00:02:12,440 Speaker 1: you're going one hundred km the freeway. Lizzie then text 42 00:02:12,480 --> 00:02:14,200 Speaker 1: and says, it's a double. It's a double A message 43 00:02:14,200 --> 00:02:15,639 Speaker 1: your back, what are you talking about? And then we 44 00:02:15,760 --> 00:02:18,360 Speaker 1: hit a dead spot of reception, so I can't even 45 00:02:18,360 --> 00:02:20,959 Speaker 1: load the songs until it's a double album, like, I 46 00:02:21,000 --> 00:02:22,959 Speaker 1: don't know what to think. Pull over. We put two 47 00:02:23,000 --> 00:02:25,600 Speaker 1: songs on Harry ten months old, cracks it in the 48 00:02:25,600 --> 00:02:28,040 Speaker 1: back and we do about half an hour of his 49 00:02:28,360 --> 00:02:31,600 Speaker 1: happy song image and heap on replace. So yeah, having 50 00:02:31,680 --> 00:02:33,840 Speaker 1: to having to know that there was new tailor in 51 00:02:33,880 --> 00:02:36,080 Speaker 1: the out in the universe and not be able to 52 00:02:36,080 --> 00:02:38,400 Speaker 1: listen to it straight away was very heartbreaking for me. 53 00:02:38,520 --> 00:02:40,000 Speaker 3: And where did you listen, Lizzie? 54 00:02:40,040 --> 00:02:43,120 Speaker 1: I was actually here in the studio with Jermaine, who's 55 00:02:43,200 --> 00:02:46,080 Speaker 1: the social producer for the Drive Show, because he was 56 00:02:46,120 --> 00:02:49,920 Speaker 1: wanting to have you know, a residence Swifty getting a 57 00:02:49,919 --> 00:02:50,600 Speaker 1: live reaction. 58 00:02:50,840 --> 00:02:51,600 Speaker 3: Are they stealing? 59 00:02:51,639 --> 00:02:57,120 Speaker 1: You're keep in mind you are contracted to etch a 60 00:02:57,200 --> 00:03:01,040 Speaker 1: cat until we say otherwise. But it was, which is 61 00:03:01,080 --> 00:03:03,280 Speaker 1: new for me because I'm like you, I'm usually alone 62 00:03:03,400 --> 00:03:07,000 Speaker 1: with my headphones in, no one talking to me, like 63 00:03:07,080 --> 00:03:09,000 Speaker 1: all that kind of thing. So it was actually I 64 00:03:09,000 --> 00:03:11,640 Speaker 1: actually was really flustered because I listened he played us 65 00:03:11,680 --> 00:03:13,080 Speaker 1: the first two songs and then I was say, well, 66 00:03:13,120 --> 00:03:15,680 Speaker 1: now I have to go like it's dropped, but I 67 00:03:15,720 --> 00:03:17,920 Speaker 1: have to go home and I don't want to listen 68 00:03:17,960 --> 00:03:20,440 Speaker 1: to it like on the bus in my tiny headphones. 69 00:03:20,480 --> 00:03:22,639 Speaker 1: Like I was panicked and I was flustered. It has 70 00:03:23,000 --> 00:03:23,520 Speaker 1: done properly. 71 00:03:23,600 --> 00:03:26,040 Speaker 2: I think there were everyone had this perfect idea of 72 00:03:26,040 --> 00:03:27,560 Speaker 2: how they were going to do it. I know for me, 73 00:03:27,680 --> 00:03:30,160 Speaker 2: I had traveled away for the weekend with my daughter 74 00:03:30,200 --> 00:03:32,920 Speaker 2: down to Phillip Island. We'd been at fussing about but 75 00:03:33,000 --> 00:03:35,240 Speaker 2: knowing that we needed to be back in our accommodation 76 00:03:35,400 --> 00:03:38,240 Speaker 2: by two o'clock to have a listen. We all at 77 00:03:38,360 --> 00:03:40,720 Speaker 2: time not even a proper lunch. We just like bought 78 00:03:41,280 --> 00:03:44,720 Speaker 2: a sausage roll and a pie from the tiny little store, 79 00:03:44,760 --> 00:03:48,560 Speaker 2: and in fact she was even allowed a classic can 80 00:03:48,560 --> 00:03:53,040 Speaker 2: of coke like it's amaze drop an album every day, 81 00:03:53,600 --> 00:03:56,480 Speaker 2: very special day, and I got my legit diet coke, 82 00:03:56,600 --> 00:03:58,720 Speaker 2: which I do like a sneaky one every now and 83 00:03:58,800 --> 00:04:02,120 Speaker 2: then got back to the and we had built it 84 00:04:02,240 --> 00:04:07,280 Speaker 2: up so much and May is nine and almost ten, 85 00:04:07,760 --> 00:04:09,800 Speaker 2: but she pulled the pin on it. We I think 86 00:04:09,800 --> 00:04:12,520 Speaker 2: we got up to about track four or five. So 87 00:04:12,560 --> 00:04:17,200 Speaker 2: we'd listened to the London and we'd listened to Poets, 88 00:04:17,240 --> 00:04:19,920 Speaker 2: so yeah, so we'd listened to those and she got 89 00:04:19,960 --> 00:04:21,280 Speaker 2: really quiet at the table. 90 00:04:21,839 --> 00:04:24,480 Speaker 3: I said, how it's pretty grat isn't. I thought maybe 91 00:04:24,480 --> 00:04:25,279 Speaker 3: she was just a bit. 92 00:04:25,160 --> 00:04:29,880 Speaker 2: Serious, and she parented me and basically said that it 93 00:04:29,920 --> 00:04:33,680 Speaker 2: was it wasn't appropriate, and it was making her feel 94 00:04:33,720 --> 00:04:37,039 Speaker 2: really sad. I mean, you know, Fortnite has a few 95 00:04:37,080 --> 00:04:41,240 Speaker 2: lyrics about wanting to kill her, and so I think 96 00:04:41,279 --> 00:04:44,120 Speaker 2: we'll be going back to maybe the Red album. 97 00:04:44,880 --> 00:04:48,400 Speaker 1: And additionally in nine she doesn't yet she's not just. 98 00:04:48,400 --> 00:04:51,440 Speaker 2: Singing the lyrics, she's actually thinking about them. So I 99 00:04:51,520 --> 00:04:55,000 Speaker 2: think that I haven't made my way through it in 100 00:04:55,040 --> 00:04:58,440 Speaker 2: its entirety. So I'm keen to listen today, but I 101 00:04:58,520 --> 00:05:00,760 Speaker 2: will have to enjoy it on my own. And it's 102 00:05:00,880 --> 00:05:03,480 Speaker 2: great that she doesn't want to listen to things well 103 00:05:03,520 --> 00:05:04,360 Speaker 2: probably aren't for her. 104 00:05:05,400 --> 00:05:07,960 Speaker 1: That's actually parenting done right. Thank you for saying that, 105 00:05:08,040 --> 00:05:11,600 Speaker 1: because I told Jess something this morning that she her 106 00:05:11,640 --> 00:05:14,200 Speaker 1: mouth fell open. I haven't listened. 107 00:05:13,960 --> 00:05:16,400 Speaker 3: To it in its entirety either, and I just told 108 00:05:16,480 --> 00:05:16,880 Speaker 3: that to me. 109 00:05:17,279 --> 00:05:21,400 Speaker 1: Guys talk about you behind your back. It's not It's 110 00:05:21,440 --> 00:05:24,200 Speaker 1: not like me as a swifty at all. But honestly, 111 00:05:24,279 --> 00:05:25,920 Speaker 1: I relate to me because I got to a point 112 00:05:25,960 --> 00:05:28,839 Speaker 1: where I went, this is actually just a bit much 113 00:05:29,279 --> 00:05:32,120 Speaker 1: for me today. We don't have to put this in 114 00:05:32,120 --> 00:05:34,360 Speaker 1: the podcast, but my grandma died in between the album 115 00:05:34,440 --> 00:05:35,080 Speaker 1: drop one, and. 116 00:05:35,720 --> 00:05:36,840 Speaker 3: Oh I didn't know. 117 00:05:38,400 --> 00:05:42,440 Speaker 1: And so I was like, Okay, how much sad do 118 00:05:42,520 --> 00:05:44,520 Speaker 1: you think I what's the lyric? How much sad did 119 00:05:44,600 --> 00:05:44,840 Speaker 1: you think? 120 00:05:44,839 --> 00:05:45,200 Speaker 3: I had? 121 00:05:45,560 --> 00:05:49,239 Speaker 1: Literally I don't. I didn't have it in me to continue. 122 00:05:49,440 --> 00:05:52,200 Speaker 1: But before you know, my grandma kicked the bucket. I 123 00:05:52,279 --> 00:05:53,720 Speaker 1: was like, oh, you don't see. 124 00:05:53,720 --> 00:05:58,840 Speaker 3: I'm not upset about it. No, no, no, I know. 125 00:05:58,960 --> 00:06:01,120 Speaker 3: But regardles, it was a heavy day. 126 00:06:01,480 --> 00:06:04,719 Speaker 1: It was a lot, and honestly, I have ADHD. I couldn't. 127 00:06:04,720 --> 00:06:07,880 Speaker 1: My brain just couldn't wrap itself around it. But and 128 00:06:07,920 --> 00:06:09,719 Speaker 1: I'm having to do it in chunks, which you know, 129 00:06:09,880 --> 00:06:11,760 Speaker 1: shout out to the Swifties who are also having to 130 00:06:11,800 --> 00:06:14,160 Speaker 1: take it in chunks. It's okay, it's okay to be. 131 00:06:14,120 --> 00:06:16,240 Speaker 3: It doesn't mean you're lesson fans exactly. 132 00:06:16,320 --> 00:06:17,880 Speaker 1: And I just want to be the voice for those 133 00:06:17,920 --> 00:06:21,480 Speaker 1: people because I'm a hardcore swifty yep. But it's all right, guys, 134 00:06:21,560 --> 00:06:23,400 Speaker 1: and I want to be a voice for anyone that 135 00:06:23,440 --> 00:06:26,360 Speaker 1: listened for the first time in a car, go and 136 00:06:26,400 --> 00:06:29,040 Speaker 1: put some headphones on, sit down in a quiet room 137 00:06:29,040 --> 00:06:33,720 Speaker 1: and listen to it. The music, like, the production is beautiful, 138 00:06:34,160 --> 00:06:36,839 Speaker 1: especially in the sort of second half of the album 139 00:06:36,960 --> 00:06:39,800 Speaker 1: or the you know, the second bit that dropped so nice. 140 00:06:39,839 --> 00:06:42,560 Speaker 1: There's so many connections. You can hear other songs in there, 141 00:06:42,640 --> 00:06:45,279 Speaker 1: like I think one of the songs Chloe Sam Marcus 142 00:06:45,480 --> 00:06:47,719 Speaker 1: every one that is is like again the start of 143 00:06:47,800 --> 00:06:50,680 Speaker 1: Champagne Problems. You can play the end of Champagne Problems 144 00:06:50,680 --> 00:06:53,039 Speaker 1: and the start of that and it's the same piano 145 00:06:53,560 --> 00:06:55,560 Speaker 1: sort of riff, So have a listened to that. There's 146 00:06:55,600 --> 00:06:59,080 Speaker 1: also Hoax in another song. I've heard Mad mad Woman 147 00:06:59,080 --> 00:06:59,880 Speaker 1: in another songe. 148 00:07:01,400 --> 00:07:01,760 Speaker 3: Alone. 149 00:07:01,800 --> 00:07:04,120 Speaker 1: No, you don't really worth putting headphones on and having 150 00:07:04,160 --> 00:07:06,200 Speaker 1: a really good listen to it because it was hard 151 00:07:06,200 --> 00:07:08,159 Speaker 1: to digest in the car and I was thinking, oh, 152 00:07:08,360 --> 00:07:12,160 Speaker 1: is this second bit that's much boring? No, with headphones, 153 00:07:12,200 --> 00:07:15,400 Speaker 1: it's phenomenal. Taylor, I apologized for any pizza in the 154 00:07:15,400 --> 00:07:17,280 Speaker 1: fridge the next day. You can just keep going. 155 00:07:17,080 --> 00:07:19,160 Speaker 3: Back to it. I don't think you need to do that. 156 00:07:19,440 --> 00:07:22,000 Speaker 2: I thought we were going to reflect on our on 157 00:07:22,040 --> 00:07:26,920 Speaker 2: some predictions that we made. But if two of us 158 00:07:27,120 --> 00:07:32,080 Speaker 2: out of three haven't heard the albums in their entirety, 159 00:07:32,080 --> 00:07:32,720 Speaker 2: how are we going to do it? 160 00:07:32,720 --> 00:07:34,480 Speaker 1: Well, that doesn't matter, because what I've done is, so 161 00:07:34,600 --> 00:07:37,400 Speaker 1: last week we spent about half an hour recording. We 162 00:07:37,440 --> 00:07:39,360 Speaker 1: split the songs up, and we each had to have 163 00:07:39,400 --> 00:07:41,320 Speaker 1: a little go at what we thought the song either 164 00:07:41,400 --> 00:07:43,520 Speaker 1: might sound like, what the theme might be, what the 165 00:07:43,680 --> 00:07:46,160 Speaker 1: music like, what the production might sound like, and then 166 00:07:46,240 --> 00:07:48,520 Speaker 1: when we listened through we'd know if anything matched up. 167 00:07:48,920 --> 00:07:52,720 Speaker 1: How good a swift y are we to know that Taylor, 168 00:07:52,800 --> 00:07:57,360 Speaker 1: Lord and Savior might follow some similar avenues to some 169 00:07:57,480 --> 00:07:59,920 Speaker 1: thoughts we might have. Okay, I'm really excited, I guess. 170 00:08:00,000 --> 00:08:02,040 Speaker 1: So what I've done is I've got ten things that 171 00:08:02,080 --> 00:08:05,040 Speaker 1: we said, and I'll go through them relatively quickly. But 172 00:08:05,080 --> 00:08:08,680 Speaker 1: I want to play what we said, flashback to what 173 00:08:08,720 --> 00:08:11,280 Speaker 1: we said, and I can confirm this was pre recorded 174 00:08:11,320 --> 00:08:12,600 Speaker 1: before we heard the absolutely. 175 00:08:12,960 --> 00:08:14,960 Speaker 3: I think I did a date check and everything we. 176 00:08:14,840 --> 00:08:16,200 Speaker 1: Did do a date check. Iut just haven't put it 177 00:08:16,240 --> 00:08:20,600 Speaker 1: in which Okay, So the first track was Fortnite. Kate 178 00:08:20,800 --> 00:08:23,560 Speaker 1: was given this one. She had a little explanation as 179 00:08:23,600 --> 00:08:26,840 Speaker 1: to what she thought Fortnite might actually end up being about. 180 00:08:28,600 --> 00:08:32,680 Speaker 2: It's referring to like a moment in time. You know, 181 00:08:32,720 --> 00:08:38,440 Speaker 2: I'm thinking like big love story. I don't think it's 182 00:08:38,840 --> 00:08:42,400 Speaker 2: I don't think it's particularly pacy this song, but it's 183 00:08:42,520 --> 00:08:46,920 Speaker 2: like there's a snapshot of something that happened that was amazing, 184 00:08:47,760 --> 00:08:51,480 Speaker 2: and it was maybe it was whirlwind, maybe it was 185 00:08:51,960 --> 00:08:55,880 Speaker 2: falling in love maybe, but it was something spectacular that happened, 186 00:08:56,040 --> 00:08:57,960 Speaker 2: but that then had to be left behind. 187 00:08:58,760 --> 00:09:01,720 Speaker 1: Okay, so we're listening for the lowish production and something 188 00:09:01,840 --> 00:09:04,240 Speaker 1: amazing that happened and then was left. Let's have a 189 00:09:04,240 --> 00:09:04,720 Speaker 1: little listen. 190 00:09:14,240 --> 00:09:14,760 Speaker 3: Is that a win? 191 00:09:16,760 --> 00:09:21,480 Speaker 1: Let's wait for the time. Well done, one hundred. 192 00:09:21,960 --> 00:09:26,560 Speaker 2: And and incredibly so many references and that song in 193 00:09:26,600 --> 00:09:28,400 Speaker 2: particular about mister Matt Heally. 194 00:09:29,160 --> 00:09:31,920 Speaker 1: A lot of Muddy Heally on the album, didn't Yeah, 195 00:09:31,920 --> 00:09:33,760 Speaker 1: we did not see that. I can't see that one coming. 196 00:09:33,880 --> 00:09:34,839 Speaker 1: I picked that. 197 00:09:35,200 --> 00:09:38,760 Speaker 2: I think we've said mister Allen was probably shaken in 198 00:09:38,760 --> 00:09:40,640 Speaker 2: his boots in the end, was quite happy. 199 00:09:40,720 --> 00:09:47,920 Speaker 1: Yeah with Kate which podcast? Okay, now all right, we 200 00:09:48,000 --> 00:09:51,439 Speaker 1: stayed on Fortnite and I gave a few little lyric references. 201 00:09:51,440 --> 00:09:53,200 Speaker 1: I just want you to hear what I say towards 202 00:09:53,240 --> 00:09:55,079 Speaker 1: the end here and then I'll play some audio. Okay, 203 00:09:56,400 --> 00:09:59,520 Speaker 1: hooked up? Knew it wasn't right, Be fine, He'll be 204 00:09:59,559 --> 00:10:01,240 Speaker 1: gone in a Fortnite that's fun. 205 00:10:01,240 --> 00:10:02,200 Speaker 3: That makes it more fun. 206 00:10:02,240 --> 00:10:06,040 Speaker 1: Yeah, like flame in and out of these Yeah, Florida 207 00:10:06,160 --> 00:10:08,760 Speaker 1: or wherever? Yees, you're in and out of here? Yes, 208 00:10:09,080 --> 00:10:10,800 Speaker 1: all right, so we noted the Florida mentioned have a 209 00:10:10,840 --> 00:10:22,360 Speaker 1: little listen to Fortnite. We're counting that as a win. 210 00:10:22,559 --> 00:10:26,240 Speaker 2: Yeah, absolutely, because it's kind of I mean, I may 211 00:10:26,280 --> 00:10:28,520 Speaker 2: have been correct, but I was a little more vague 212 00:10:28,559 --> 00:10:29,480 Speaker 2: than you, you know. 213 00:10:30,120 --> 00:10:33,680 Speaker 1: Well, almost too specific, I think. And I know there's 214 00:10:33,720 --> 00:10:36,040 Speaker 1: a track on there called Florida, So I won't take 215 00:10:36,120 --> 00:10:39,200 Speaker 1: that one, you know, but it might be in that point. 216 00:10:39,720 --> 00:10:41,560 Speaker 1: What on earth happened in Florida? 217 00:10:41,600 --> 00:10:43,000 Speaker 3: Guys? I want to go? 218 00:10:43,440 --> 00:10:47,800 Speaker 2: Do you think like the travel the booking travel bookings 219 00:10:47,840 --> 00:10:48,400 Speaker 2: to Florida? 220 00:10:49,160 --> 00:10:50,199 Speaker 3: Sky? 221 00:10:50,280 --> 00:10:52,160 Speaker 1: Yeah, we should do a girl's trip for the show. 222 00:10:52,240 --> 00:10:54,200 Speaker 1: I would love that, Kate shout Lizzie. 223 00:10:55,040 --> 00:10:55,360 Speaker 3: All right. 224 00:10:55,400 --> 00:10:57,960 Speaker 1: We move on to the Torture Poets Department. We were 225 00:10:58,000 --> 00:11:00,960 Speaker 1: throwing around, you know, what, what do you actually do 226 00:11:01,240 --> 00:11:05,400 Speaker 1: with a title like that? Ye, department is also a 227 00:11:05,440 --> 00:11:07,080 Speaker 1: hard word to rhyme, so it's like, what's she going 228 00:11:07,160 --> 00:11:07,559 Speaker 1: to do there? 229 00:11:07,640 --> 00:11:07,840 Speaker 3: Yeah? 230 00:11:08,040 --> 00:11:12,200 Speaker 1: But she sit an apartment apartment as well. Yeah, so 231 00:11:12,240 --> 00:11:15,120 Speaker 1: we got three we need one more, and we got 232 00:11:15,120 --> 00:11:19,280 Speaker 1: the chorus. You're just sitting in your apartment thinking of 233 00:11:19,400 --> 00:11:23,480 Speaker 1: the head of the Tortured Poets department. Love that vibe, 234 00:11:23,800 --> 00:11:28,520 Speaker 1: and that was the vibe you left yourto Brad at 235 00:11:28,679 --> 00:11:35,800 Speaker 1: my apartment street from its apartment. Oh very well done. 236 00:11:36,400 --> 00:11:37,160 Speaker 3: Get closer. 237 00:11:37,920 --> 00:11:40,160 Speaker 1: I mean we could have got the exact lyric. Yeah. Yeah, 238 00:11:40,320 --> 00:11:42,240 Speaker 1: we'll tell you what we can get. Okay, we move 239 00:11:42,360 --> 00:11:45,320 Speaker 1: on now to down Bad. Kate had some thoughts on 240 00:11:45,320 --> 00:11:47,360 Speaker 1: what the production might sound like. Have a little listen 241 00:11:47,440 --> 00:11:50,360 Speaker 1: to this down Bad might be. 242 00:11:50,920 --> 00:11:53,480 Speaker 2: I can hear her playing the guitar, you know when 243 00:11:53,520 --> 00:11:55,840 Speaker 2: they play the guitar and then they hit the guitar 244 00:11:56,080 --> 00:12:00,280 Speaker 2: like it's not country, but it's got more of a 245 00:12:00,400 --> 00:12:02,320 Speaker 2: funky ome. 246 00:12:02,360 --> 00:12:04,920 Speaker 3: A forty five year old woman using the word I. 247 00:12:07,520 --> 00:12:13,720 Speaker 1: Have a little listen to funky down bad? Did you 248 00:12:13,960 --> 00:12:16,640 Speaker 1: then a little beat coming in? Are we calling that 249 00:12:16,679 --> 00:12:17,839 Speaker 1: a wind? Well? 250 00:12:17,920 --> 00:12:20,640 Speaker 2: I was going funky, more of like a hardcore hitting 251 00:12:20,720 --> 00:12:24,439 Speaker 2: the guitar. But I to give you some Okay, okay, 252 00:12:24,520 --> 00:12:27,240 Speaker 2: I'll take that point for effort. 253 00:12:27,400 --> 00:12:31,400 Speaker 1: We sound so unhinged one percent. All right. We move 254 00:12:31,440 --> 00:12:33,840 Speaker 1: on now to my boy only breaks his favorite toys. 255 00:12:34,840 --> 00:12:36,839 Speaker 1: We had a bit of an explanation. Lizzie threw out 256 00:12:36,840 --> 00:12:38,080 Speaker 1: some lyrics, have a little listen to this. 257 00:12:39,440 --> 00:12:40,559 Speaker 3: We know what this is about. 258 00:12:40,720 --> 00:12:44,120 Speaker 2: I think this is about per or whoever. The person 259 00:12:44,240 --> 00:12:47,559 Speaker 2: singing the song is the favorite toy, and he really 260 00:12:47,559 --> 00:12:49,679 Speaker 2: loves me, but he treats me so appallingly. 261 00:12:49,960 --> 00:12:51,480 Speaker 1: Think it's going to be like I was just a 262 00:12:51,480 --> 00:12:55,640 Speaker 1: puppet on a string, like a rag doll, waiting for him. 263 00:12:55,640 --> 00:12:56,120 Speaker 1: I'm home. 264 00:12:56,240 --> 00:12:57,440 Speaker 3: It's just his plaything. 265 00:12:57,840 --> 00:13:01,120 Speaker 1: Now I just get up on stage and sing. Big 266 00:13:01,160 --> 00:13:04,040 Speaker 1: thing to note, there was Lizzie's line about the string 267 00:13:04,320 --> 00:13:09,440 Speaker 1: pitting my sound with me back on my sir, pull 268 00:13:09,480 --> 00:13:12,520 Speaker 1: the string and they'll tell you that he runs because 269 00:13:12,559 --> 00:13:17,120 Speaker 1: he loves me. So well done. Cake got the theme. 270 00:13:17,280 --> 00:13:22,040 Speaker 1: Lizzie got the actual line. Very impressive, so descriptive. I 271 00:13:22,240 --> 00:13:25,720 Speaker 1: then had some more lyric suggestions. Have a little listen. 272 00:13:27,200 --> 00:13:29,319 Speaker 1: It's like a metaphor of a toy box, because it's 273 00:13:29,320 --> 00:13:31,440 Speaker 1: like I've been thrown out. I was played with. I've 274 00:13:31,440 --> 00:13:35,080 Speaker 1: been thrown out. I can't get backing box all right? 275 00:13:35,240 --> 00:13:49,000 Speaker 1: What did she say about a box? Listen? Took me 276 00:13:49,040 --> 00:13:49,439 Speaker 1: out of my. 277 00:13:49,400 --> 00:13:51,800 Speaker 2: Box, mate, Think, do you know what I listened to 278 00:13:51,920 --> 00:13:54,079 Speaker 2: that for the first time, I wondered, you know the 279 00:13:54,200 --> 00:13:57,360 Speaker 2: very famous scene in the Barbie film where there is 280 00:13:57,400 --> 00:13:59,920 Speaker 2: it like there's that kind of Margo Robbie playing Barbie 281 00:14:00,120 --> 00:14:03,800 Speaker 2: is in the box and Will Ferrell is saying like 282 00:14:03,840 --> 00:14:06,000 Speaker 2: get back in your box, and it's kind of really 283 00:14:06,160 --> 00:14:07,240 Speaker 2: layered messaging. 284 00:14:07,800 --> 00:14:09,840 Speaker 3: I'm thinking. The first thing I thought when I heard that. 285 00:14:09,840 --> 00:14:13,200 Speaker 2: Was, I wonder if Taylor wrote that lyric before or 286 00:14:13,240 --> 00:14:14,600 Speaker 2: after she saw the Barbie movie. 287 00:14:14,640 --> 00:14:17,560 Speaker 1: That is that's a very interesting I would love to 288 00:14:17,600 --> 00:14:19,920 Speaker 1: know the answer to that one. It's interesting. Three times 289 00:14:20,400 --> 00:14:23,240 Speaker 1: we stay on my boy only breaks his favorite toys? 290 00:14:23,760 --> 00:14:26,600 Speaker 1: Because yours truly had a little suggestion as to what 291 00:14:26,720 --> 00:14:28,800 Speaker 1: the song do you not know? What are yours? Truly? 292 00:14:29,040 --> 00:14:32,680 Speaker 1: I thought you meant Kate, no yours truly. I'm talking okay, 293 00:14:32,720 --> 00:14:33,440 Speaker 1: but can. 294 00:14:33,320 --> 00:14:34,320 Speaker 3: You point to me. 295 00:14:36,160 --> 00:14:38,520 Speaker 1: Just for the listener pointing to myself, had a little 296 00:14:38,520 --> 00:14:41,040 Speaker 1: suggestion as to what the melody might sound like this 297 00:14:41,080 --> 00:14:44,800 Speaker 1: is last week when we recorded? Or what about what 298 00:14:44,840 --> 00:14:49,440 Speaker 1: if it's like my boy only breaks his favorite toys? 299 00:14:49,800 --> 00:14:57,280 Speaker 1: How close does it sound? Let's listen to taylor favorite 300 00:14:58,680 --> 00:15:04,480 Speaker 1: and now let's to old Jess Mackie with Taylor my 301 00:15:05,040 --> 00:15:12,040 Speaker 1: bye only breaks his favorite toys. That is surely not 302 00:15:12,320 --> 00:15:16,040 Speaker 1: so weird. That's so weird, that is actually crazy. Hey Taylor, 303 00:15:16,160 --> 00:15:20,920 Speaker 1: get out of there. You need some money. Your o's 304 00:15:20,920 --> 00:15:24,520 Speaker 1: are money. Baby. 305 00:15:24,640 --> 00:15:26,600 Speaker 2: I did love when we did this last week because 306 00:15:26,600 --> 00:15:28,000 Speaker 2: it just didn't do it like. 307 00:15:28,080 --> 00:15:28,600 Speaker 3: Sing a lot. 308 00:15:28,720 --> 00:15:31,720 Speaker 1: I mean, I wanted to make sing your own podcast 309 00:15:32,280 --> 00:15:35,560 Speaker 1: just with the singing. You'll note that none of those 310 00:15:35,640 --> 00:15:37,360 Speaker 1: songs I made up are in here because they were 311 00:15:37,520 --> 00:15:40,160 Speaker 1: so different. I do have another one to play you. 312 00:15:40,240 --> 00:15:42,320 Speaker 1: So this was I can do it with a broken heart. 313 00:15:42,360 --> 00:15:45,080 Speaker 1: Lizzie gave us a little explanation about what had been 314 00:15:45,080 --> 00:15:47,880 Speaker 1: happening online. Was it right, Let's have a little listen first. 315 00:15:49,120 --> 00:15:51,000 Speaker 1: I can do it with a broken heart. And I've 316 00:15:51,000 --> 00:15:53,000 Speaker 1: actually seen a lot of theories about this on TikTok, 317 00:15:53,000 --> 00:15:56,040 Speaker 1: about her having to go on to us so straight 318 00:15:56,080 --> 00:15:59,400 Speaker 1: away after their breakup and being like it's okay, I 319 00:15:59,840 --> 00:16:01,880 Speaker 1: can and I can still do this, but I've got 320 00:16:01,880 --> 00:16:04,040 Speaker 1: a broken heart, like I still have to show up 321 00:16:04,360 --> 00:16:06,480 Speaker 1: for the fans and for work and doing the thing 322 00:16:06,520 --> 00:16:10,600 Speaker 1: that I fought so hard to do. I can do 323 00:16:10,640 --> 00:16:13,880 Speaker 1: it with a broken heart, which is exactly what Taylor said, 324 00:16:14,000 --> 00:16:16,800 Speaker 1: breaking down. I hit the floor all the pieces and 325 00:16:17,040 --> 00:16:19,920 Speaker 1: be shadowed as the crowd was chanting more. I was 326 00:16:20,000 --> 00:16:23,480 Speaker 1: grinted like them when and I was hitting my works 327 00:16:23,840 --> 00:16:27,240 Speaker 1: because I can do it with the bird again. I 328 00:16:27,360 --> 00:16:30,960 Speaker 1: love that the one two, that's the click track that 329 00:16:31,040 --> 00:16:34,040 Speaker 1: she hears and her love yes. It's like when they're 330 00:16:34,080 --> 00:16:36,360 Speaker 1: going to the chorus. So if you're Taylor, for example, 331 00:16:36,360 --> 00:16:37,640 Speaker 1: you know how they have the little inn ears and 332 00:16:37,640 --> 00:16:39,880 Speaker 1: sometimes they'll pull them out when they can't hear yeah, 333 00:16:39,920 --> 00:16:43,240 Speaker 1: And so she hears a yeah, so she knows to 334 00:16:43,240 --> 00:16:46,080 Speaker 1: sing on beat, and everyone hears that. All the you know, 335 00:16:46,120 --> 00:16:48,280 Speaker 1: the backing singers, everyone playing an instrument so that they're 336 00:16:48,280 --> 00:16:50,000 Speaker 1: all on the exact same time because you get a 337 00:16:50,000 --> 00:16:53,640 Speaker 1: lot of reverb through the stadium. And then they'll also 338 00:16:53,680 --> 00:16:57,080 Speaker 1: count them into the chorus, so they'll say chorus in one, two, three, 339 00:16:57,240 --> 00:16:59,440 Speaker 1: four in case the singer forgets what place they're at. 340 00:16:59,560 --> 00:17:01,760 Speaker 1: So that little voice in the background is actually the 341 00:17:01,800 --> 00:17:02,880 Speaker 1: click track in her ear. 342 00:17:02,760 --> 00:17:05,480 Speaker 2: Which is also like a queuing tailor to be on 343 00:17:05,520 --> 00:17:07,680 Speaker 2: and doing the job. 344 00:17:07,760 --> 00:17:11,000 Speaker 1: That smile. It's time to go. Okay, let me just 345 00:17:11,160 --> 00:17:14,480 Speaker 1: round out with two more. So this is guilty as sin. 346 00:17:15,320 --> 00:17:17,600 Speaker 1: We know, sin, you know is all about religion. But 347 00:17:17,600 --> 00:17:19,919 Speaker 1: we had a little guests down along those lines, have 348 00:17:19,960 --> 00:17:24,960 Speaker 1: a listen. Maybe it's guilty as sin. They all think 349 00:17:24,960 --> 00:17:31,280 Speaker 1: I'm with him. Daddy said, don't turn him in because 350 00:17:31,320 --> 00:17:35,960 Speaker 1: the Bible says, don't lay where you should be laying 351 00:17:36,960 --> 00:17:42,040 Speaker 1: with him. Little help from Kate on the end there 352 00:17:42,880 --> 00:17:46,239 Speaker 1: that one obviously not pre written. But I'm sorry is that? 353 00:17:46,800 --> 00:17:51,200 Speaker 4: I mean it sounds so vibe says But imagine right 354 00:17:51,240 --> 00:17:53,280 Speaker 4: when I'm then listening to the album for the first time, 355 00:17:53,320 --> 00:17:57,200 Speaker 4: and who is throwing out religious analogies left, right and center. 356 00:17:58,280 --> 00:18:06,400 Speaker 1: All the stoney straight from the Bible? Crucifiy Anyway, what 357 00:18:06,520 --> 00:18:13,440 Speaker 1: if the way you holy is actually or I choose 358 00:18:13,520 --> 00:18:18,760 Speaker 1: you so lyrics wrong? 359 00:18:19,160 --> 00:18:22,560 Speaker 2: See I haven't ye oh you're you're gonna like that 360 00:18:24,280 --> 00:18:29,479 Speaker 2: going because the one of the songs I have I 361 00:18:29,480 --> 00:18:33,600 Speaker 2: have listened to is the sorry Daddy, but I love 362 00:18:33,640 --> 00:18:36,520 Speaker 2: him or something like that, but Daddy, I love him. Sorry, 363 00:18:37,000 --> 00:18:41,320 Speaker 2: I would always apologize it is that that starts with 364 00:18:41,359 --> 00:18:43,320 Speaker 2: like a lot of religious context as well. 365 00:18:43,560 --> 00:18:47,760 Speaker 1: I think about it alters and ye can I tell 366 00:18:47,800 --> 00:18:49,000 Speaker 1: you what that song is about? 367 00:18:49,280 --> 00:18:49,520 Speaker 3: Yeah? 368 00:18:49,600 --> 00:18:51,639 Speaker 1: Okay, so I did my research on this. Yesterday. We 369 00:18:51,680 --> 00:18:54,680 Speaker 1: had a good discussion about it. When Taylor started dating 370 00:18:54,720 --> 00:18:58,640 Speaker 1: Maddy Healy, he then unfortunately said all these racist comments. 371 00:18:58,680 --> 00:19:01,200 Speaker 1: He was doing a few and doing a few things 372 00:19:01,200 --> 00:19:02,919 Speaker 1: on stage that people weren't too happy with. 373 00:19:03,400 --> 00:19:05,080 Speaker 3: A Taylor was not down well. 374 00:19:05,119 --> 00:19:08,800 Speaker 1: A sub section of fans started a hashtag called hashtag 375 00:19:08,920 --> 00:19:12,520 Speaker 1: speak Up now, as in on the play of speak Now, 376 00:19:12,600 --> 00:19:16,040 Speaker 1: Speak Up Now, and it was an open letter written 377 00:19:16,080 --> 00:19:19,280 Speaker 1: to Taylor, signed by however many fans saying to dump him, 378 00:19:19,720 --> 00:19:23,000 Speaker 1: reassess your value. He's dragging your name. This isn't good 379 00:19:23,000 --> 00:19:25,000 Speaker 1: for you. She's then written this song. If you listen 380 00:19:25,080 --> 00:19:27,600 Speaker 1: to that song, it's all about I'm not listening to you, 381 00:19:27,920 --> 00:19:30,160 Speaker 1: stop all the bitching and moaning. Like if you listen 382 00:19:30,200 --> 00:19:32,480 Speaker 1: to it in that context, she's like, you're writing all 383 00:19:32,480 --> 00:19:35,000 Speaker 1: of these things. I'm never even gonna see it, and 384 00:19:35,080 --> 00:19:37,160 Speaker 1: you can't take me or my heart. It's my good 385 00:19:37,240 --> 00:19:41,960 Speaker 1: name to destroy. It's quite amazing. It's actually her well 386 00:19:42,000 --> 00:19:44,199 Speaker 1: and really being mother to the fans and being like, 387 00:19:44,320 --> 00:19:46,600 Speaker 1: I don't want to hear it. Guys, absolutely, that's turning 388 00:19:46,600 --> 00:19:47,240 Speaker 1: them in their place. 389 00:19:47,359 --> 00:19:48,800 Speaker 3: That's her setting a boundary. 390 00:19:48,760 --> 00:19:55,040 Speaker 1: Yeah, which she's sign is kind of you know, because 391 00:19:55,080 --> 00:19:58,920 Speaker 1: people can turn and when people turn there are millions 392 00:19:58,960 --> 00:19:59,280 Speaker 1: of them. 393 00:19:59,480 --> 00:20:01,160 Speaker 3: That's when it comes to Taylor Swift. 394 00:20:01,280 --> 00:20:04,800 Speaker 2: So it's I like credit to her for I mean, 395 00:20:05,440 --> 00:20:07,240 Speaker 2: writing what she believes in. 396 00:20:07,400 --> 00:20:09,280 Speaker 1: I went onto the Twitter account of one of the 397 00:20:09,400 --> 00:20:12,600 Speaker 1: huge Taylor like accounts that had posted it at the time, 398 00:20:12,720 --> 00:20:16,040 Speaker 1: and someone had tweeted them and said, man, but you 399 00:20:16,080 --> 00:20:17,960 Speaker 1: didn't think this is the way you'd get mentioned on 400 00:20:17,960 --> 00:20:20,800 Speaker 1: a Taylor album, And they just wrote back, I stand 401 00:20:20,800 --> 00:20:23,760 Speaker 1: by what I said so, and then I noted they 402 00:20:23,760 --> 00:20:27,639 Speaker 1: critiqued every song but that one. Yeah, okay. The final 403 00:20:27,720 --> 00:20:31,439 Speaker 1: song that we had a little go at predicting last 404 00:20:31,480 --> 00:20:34,880 Speaker 1: week before Taylor had even had a whiff of releasing 405 00:20:34,880 --> 00:20:37,880 Speaker 1: this album, was called l o mL. Have a little 406 00:20:37,880 --> 00:20:40,480 Speaker 1: listen to Lizzie explain that one, and then a little 407 00:20:40,480 --> 00:20:44,880 Speaker 1: comment that happens, and then the last one is l OML. 408 00:20:45,280 --> 00:20:46,800 Speaker 1: I mean, I think we're all assuming it's love of 409 00:20:46,800 --> 00:20:48,280 Speaker 1: my Life, but it also might not be like we 410 00:20:48,359 --> 00:20:51,879 Speaker 1: know her. She might it might stand for something completely different. 411 00:20:51,920 --> 00:20:55,600 Speaker 1: But if it's loss of my life, I'd like to 412 00:20:55,640 --> 00:21:11,600 Speaker 1: now play you a line l omli, loss of We've 413 00:21:11,680 --> 00:21:14,600 Speaker 1: nailed that one. Lady's got the lyric right. I know 414 00:21:14,640 --> 00:21:16,760 Speaker 1: you're more upset about that than proud that we've done. 415 00:21:17,000 --> 00:21:20,480 Speaker 1: But I feel the same. This album is so sad, guys, 416 00:21:20,920 --> 00:21:25,760 Speaker 1: guys park that we fully guessed what lyrics she was 417 00:21:25,800 --> 00:21:30,840 Speaker 1: gonna put in. There is no one impressed. Yeah impressed. Sorry, 418 00:21:31,080 --> 00:21:34,080 Speaker 1: let this be depressed, can be impressed. This is why 419 00:21:34,080 --> 00:21:37,399 Speaker 1: I have to take it in chunks because my seratonin 420 00:21:37,440 --> 00:21:40,040 Speaker 1: levels are already low. Okay, they can't get any lower. 421 00:21:40,119 --> 00:21:41,520 Speaker 3: Have you listened to that song? 422 00:21:41,920 --> 00:21:45,480 Speaker 1: Yeah, that's really sad, right when I thought i'd had 423 00:21:45,520 --> 00:21:45,800 Speaker 1: a week. 424 00:21:45,960 --> 00:21:47,720 Speaker 2: Well, you know what, we're just being down on the 425 00:21:47,720 --> 00:21:51,720 Speaker 2: fact that you are victorious, petition. 426 00:21:53,800 --> 00:21:54,480 Speaker 3: Let's be honest. 427 00:21:54,520 --> 00:21:56,200 Speaker 1: It is I'm the real winner because I've heard the 428 00:21:56,240 --> 00:21:58,120 Speaker 1: whole album I know. 429 00:21:58,600 --> 00:22:00,560 Speaker 2: And you know what I will say is I saw 430 00:22:00,600 --> 00:22:05,040 Speaker 2: this great article. And when I say article, I mean 431 00:22:05,080 --> 00:22:08,359 Speaker 2: a post on Instagram by someone And it's. 432 00:22:08,240 --> 00:22:09,560 Speaker 1: Not a meme? Was it? No? 433 00:22:09,800 --> 00:22:15,160 Speaker 2: It probably was, But I know the like thirty one tracks. Yes, 434 00:22:15,320 --> 00:22:17,880 Speaker 2: yes it's long, Yes it might be down. Yes, it's 435 00:22:17,920 --> 00:22:21,320 Speaker 2: a lot of her kind of like there's a lot 436 00:22:21,320 --> 00:22:24,760 Speaker 2: of rebirthing and a lot of like going over an 437 00:22:24,800 --> 00:22:28,800 Speaker 2: old ground to find new ground, I suppose. And the 438 00:22:29,320 --> 00:22:31,800 Speaker 2: post was from an English teacher I think in the 439 00:22:31,920 --> 00:22:38,800 Speaker 2: US saying Taylor Swift, thank you for making poetry cool. 440 00:22:39,800 --> 00:22:43,359 Speaker 2: Thank you for helping me encourage my students to put 441 00:22:43,400 --> 00:22:47,040 Speaker 2: pen to paper not only to write poetry, but as 442 00:22:47,040 --> 00:22:51,000 Speaker 2: an exercise to heal and move on and just be. 443 00:22:51,359 --> 00:22:53,920 Speaker 3: It's a nice thought one. I guess this is where I. 444 00:22:53,880 --> 00:22:57,159 Speaker 1: Always feel like her main power lies is that she 445 00:22:58,119 --> 00:23:02,000 Speaker 1: gives women, and especially young women, the opportunity that no 446 00:23:02,040 --> 00:23:05,280 Speaker 1: matter what you're feeling, it's valid and write it down 447 00:23:05,960 --> 00:23:08,119 Speaker 1: shed you like, do what you need to do to 448 00:23:08,160 --> 00:23:10,119 Speaker 1: get it out. It's healthy to do it, and your 449 00:23:10,200 --> 00:23:13,160 Speaker 1: voice matters because we're told so often, especially when you're 450 00:23:13,160 --> 00:23:17,399 Speaker 1: a teenager, that experiencing feelings of love or loss or 451 00:23:17,440 --> 00:23:20,000 Speaker 1: boys is all, you know, a bit silly, and it's not. 452 00:23:20,280 --> 00:23:22,239 Speaker 1: You know, no one's going to take it seriously, And 453 00:23:22,280 --> 00:23:26,920 Speaker 1: she every time makes people stand up and take it seriously. 454 00:23:27,040 --> 00:23:29,960 Speaker 2: Yeah, and that there are highs and there are low 455 00:23:30,119 --> 00:23:32,760 Speaker 2: So one day you are singing loss of my life 456 00:23:33,119 --> 00:23:35,480 Speaker 2: and the next day you sing in twenty two. 457 00:23:35,480 --> 00:23:40,200 Speaker 3: Yeah, and that's cool. I love They're my feelings. I'm 458 00:23:40,200 --> 00:23:40,920 Speaker 3: allowed to feel that. 459 00:23:41,160 --> 00:23:45,399 Speaker 1: Yeah, well well done. We'll obviously prep some more by 460 00:23:45,440 --> 00:23:47,760 Speaker 1: the time the next album comes out, we'll see how 461 00:23:47,800 --> 00:23:50,119 Speaker 1: we do. We'll be back next week, because let's be 462 00:23:50,200 --> 00:23:54,240 Speaker 1: honest that that is only just the surface. More to 463 00:23:54,320 --> 00:23:59,080 Speaker 1: Umpah's Whippa with Kate Ritchie is a nov podcast shows 464 00:23:59,160 --> 00:24:02,320 Speaker 1: like this lad the Nova player via the app store 465 00:24:02,480 --> 00:24:03,280 Speaker 1: or Google Play. 466 00:24:03,440 --> 00:24:04,359 Speaker 3: The Nova player