1 00:00:01,400 --> 00:00:03,280 Speaker 1: And Whipper podcast or do you know what? 2 00:00:03,320 --> 00:00:05,320 Speaker 2: With the monarchs being a little bit on the nose 3 00:00:05,360 --> 00:00:07,960 Speaker 2: at the moment, it's refreshing to have some comedy royalty 4 00:00:08,119 --> 00:00:12,120 Speaker 2: in the studio. Sold out shows at State Theater one 5 00:00:12,160 --> 00:00:13,440 Speaker 2: tonight and then the un to the goal. 6 00:00:13,840 --> 00:00:15,640 Speaker 1: Sorry, how many sold that shows at the State Theater 7 00:00:15,720 --> 00:00:19,520 Speaker 1: that you you've just had, Harry, We're tenth the season. 8 00:00:21,640 --> 00:00:25,279 Speaker 1: Amateurishness I respect at this station at this hour of 9 00:00:25,320 --> 00:00:27,160 Speaker 1: the morning. Sorry, guys, to be. 10 00:00:28,640 --> 00:00:32,080 Speaker 3: I mean, and I'm back. 11 00:00:32,000 --> 00:00:34,160 Speaker 1: Doing the arena in April. That's why I'm here. That's 12 00:00:34,200 --> 00:00:37,519 Speaker 1: the promo done. Let's get on with this nonsense. Also, 13 00:00:37,920 --> 00:00:40,839 Speaker 1: what kind of a Mickey Mouse station is on a bridge? 14 00:00:41,040 --> 00:00:41,680 Speaker 1: On a bridge? 15 00:00:41,920 --> 00:00:42,599 Speaker 3: Sorry about that. 16 00:00:42,640 --> 00:00:44,840 Speaker 1: This is a terrible piece of real estate. I realized 17 00:00:44,840 --> 00:00:47,479 Speaker 1: the listeners don't get this. It sounds clamorous when you listen. Oh, 18 00:00:47,840 --> 00:00:50,680 Speaker 1: it's got records and they giveaway tickets to Harry Stals. 19 00:00:50,720 --> 00:00:53,160 Speaker 1: It seems like a proper radio station, but it isn't. 20 00:00:53,479 --> 00:00:55,640 Speaker 1: I've had to come in under a bridge like a troll. 21 00:00:56,000 --> 00:00:58,280 Speaker 3: Sorry about that, Sorry, Jimmy. I mean we put on 22 00:00:58,320 --> 00:01:00,560 Speaker 3: food and drinks, some things that we've gone to some effort. 23 00:01:00,640 --> 00:01:03,360 Speaker 2: Food and drinks, and you know what, we have the 24 00:01:03,400 --> 00:01:05,319 Speaker 2: traffic on the bridge as well, so we can see 25 00:01:05,360 --> 00:01:07,840 Speaker 2: the traffic that comes into Sydney Gym, the traffic and travel. 26 00:01:07,840 --> 00:01:09,720 Speaker 1: You just look out the window and go, yeah, looks 27 00:01:09,720 --> 00:01:12,600 Speaker 1: all right, game places, it's there. You mean, it's on 28 00:01:12,640 --> 00:01:15,080 Speaker 1: the big screen, so we can give the people the senses. 29 00:01:15,120 --> 00:01:17,480 Speaker 1: I hadn't noticed that they've got a big sit of 30 00:01:17,520 --> 00:01:20,720 Speaker 1: like a big seventy inch TV screen with a view 31 00:01:20,800 --> 00:01:22,679 Speaker 1: of what's going on. You'd only have to craney in 32 00:01:22,760 --> 00:01:24,200 Speaker 1: XT slightly to look out the window and see the 33 00:01:24,240 --> 00:01:24,680 Speaker 1: same thing. 34 00:01:24,959 --> 00:01:25,640 Speaker 3: Good, isn't it. 35 00:01:25,840 --> 00:01:31,160 Speaker 1: Somewhere somewhere, Greta Tunberg is crying just the waste of it, 36 00:01:31,360 --> 00:01:32,560 Speaker 1: just the waste of it all. 37 00:01:33,440 --> 00:01:35,840 Speaker 3: Jimmy, it's an honor to have you in the studio. 38 00:01:35,959 --> 00:01:40,480 Speaker 1: Yeah, yes, yes it is. You're very lucky, very mean. 39 00:01:40,880 --> 00:01:42,679 Speaker 1: I enjoy chatting to you guys on the phone, and 40 00:01:43,000 --> 00:01:46,240 Speaker 1: I thought i'd come in and sort of see. Well, partly, 41 00:01:46,280 --> 00:01:47,920 Speaker 1: I was kind of surprised you were still employed at 42 00:01:47,920 --> 00:01:50,680 Speaker 1: this stage. I presumed you were just kind of, you know, 43 00:01:51,120 --> 00:01:52,800 Speaker 1: holding on till I found a permanent host. 44 00:01:52,840 --> 00:01:53,640 Speaker 3: It's a really good point. 45 00:01:54,240 --> 00:01:57,000 Speaker 4: Did you did you want Harry Styles tickets Did you 46 00:01:57,400 --> 00:01:58,040 Speaker 4: mean tickets to. 47 00:01:58,040 --> 00:02:01,160 Speaker 1: See I've spent a lot of time. I know Harry 48 00:02:01,200 --> 00:02:01,640 Speaker 1: pretty well. 49 00:02:01,680 --> 00:02:02,720 Speaker 3: Has he seen your show? 50 00:02:03,280 --> 00:02:05,080 Speaker 1: I don't know if he's ever seen my show. No, 51 00:02:05,400 --> 00:02:07,320 Speaker 1: I've never seen him live. I've seen him do things. 52 00:02:07,320 --> 00:02:08,480 Speaker 1: He used to live with a mate of mine, and 53 00:02:08,520 --> 00:02:11,679 Speaker 1: he's he's a great guy. A great picture of him, 54 00:02:12,280 --> 00:02:14,800 Speaker 1: him and Stephen Hawkins at a party at my house 55 00:02:14,800 --> 00:02:18,919 Speaker 1: doing shots together, the three of us doing shots. He's 56 00:02:18,960 --> 00:02:23,200 Speaker 1: a weird Yeah, it's like a proper that's a proper party. 57 00:02:23,240 --> 00:02:26,120 Speaker 1: You know you've had a party. But Harry was Harry 58 00:02:26,200 --> 00:02:28,239 Speaker 1: was so polite. We used to sort of used to 59 00:02:28,240 --> 00:02:29,960 Speaker 1: seem quite a lot of parties at sort of ours. 60 00:02:29,960 --> 00:02:32,120 Speaker 1: And he would whenever he would throw anyone in the pool. 61 00:02:32,120 --> 00:02:34,000 Speaker 1: He would sometimes throw throw a lady in the pool, 62 00:02:34,080 --> 00:02:35,359 Speaker 1: and he would throw them in the pool. He was 63 00:02:35,400 --> 00:02:37,520 Speaker 1: so such a nice man. He would go, do you 64 00:02:37,600 --> 00:02:39,440 Speaker 1: have you got your mobile phone? And you do you 65 00:02:39,480 --> 00:02:41,239 Speaker 1: want to take it a pocket? I was going to 66 00:02:41,320 --> 00:02:43,240 Speaker 1: throw you in the pool. But it's just so you've 67 00:02:43,240 --> 00:02:45,280 Speaker 1: got a great story because Harry Styles throwing your pool 68 00:02:45,280 --> 00:02:45,720 Speaker 1: and they. 69 00:02:45,600 --> 00:02:48,320 Speaker 3: Go, yeah, happy to be thrown in the pool by 70 00:02:48,360 --> 00:02:49,400 Speaker 3: Harry Stars would melt. 71 00:02:49,480 --> 00:02:51,440 Speaker 1: There's so much going on in Sydney at the moment. 72 00:02:51,520 --> 00:02:53,799 Speaker 2: We're we're we're very excited because we've got Harry Star's 73 00:02:53,840 --> 00:02:56,760 Speaker 2: Backstreet Boys applying tonight, Jimmy Cars at Sack Streets back. 74 00:02:57,000 --> 00:03:00,919 Speaker 1: Yeah, apparently huge, there's a song about it and cheering 75 00:03:01,000 --> 00:03:03,520 Speaker 1: last week there. It does feel like there's a bit 76 00:03:03,560 --> 00:03:05,480 Speaker 1: of a buzz around. Hey, there's lots of stuff going on. 77 00:03:06,520 --> 00:03:09,799 Speaker 1: But the Prideff's incredible. Yeah, it's great, isn't it every 78 00:03:09,800 --> 00:03:10,320 Speaker 1: one a month? 79 00:03:10,440 --> 00:03:10,639 Speaker 2: Right? 80 00:03:11,040 --> 00:03:14,000 Speaker 1: Yeah, Yeah, it's fantastic. It's the biggest one in the world. Well, 81 00:03:14,000 --> 00:03:15,720 Speaker 1: we're howling for Harry this morning. 82 00:03:15,760 --> 00:03:17,200 Speaker 2: Is there any chance that we could give away a 83 00:03:17,240 --> 00:03:18,880 Speaker 2: double to Jimmy Carr And I don't know what we 84 00:03:18,960 --> 00:03:22,120 Speaker 2: need to do? Jamming, jogging, Jimmy me you maybe the 85 00:03:22,240 --> 00:03:23,440 Speaker 2: laugh Yeah, it would be the. 86 00:03:23,480 --> 00:03:25,800 Speaker 1: Little weird lough you laugh on an in on out. 87 00:03:26,160 --> 00:03:28,440 Speaker 1: So if I if something catches me as funny and 88 00:03:28,840 --> 00:03:30,880 Speaker 1: it's not quite the same as one to actually laugh at, 89 00:03:30,960 --> 00:03:34,760 Speaker 1: it's like a but it was, it's kind of it's 90 00:03:34,800 --> 00:03:36,280 Speaker 1: a bit you. The only other place you can hear 91 00:03:36,320 --> 00:03:39,080 Speaker 1: in Sydney is the Sea Life Center and my tickets 92 00:03:39,080 --> 00:03:39,560 Speaker 1: are cheaper. 93 00:03:40,280 --> 00:03:41,440 Speaker 3: There was a guy last night. 94 00:03:41,480 --> 00:03:43,160 Speaker 4: Tommy and I came to the show last night, and 95 00:03:43,240 --> 00:03:45,120 Speaker 4: I don't know whether he was trying to impersonate, but 96 00:03:45,160 --> 00:03:46,720 Speaker 4: he almost sounded like an echo. 97 00:03:47,120 --> 00:03:48,920 Speaker 1: He was right up the back and a few people 98 00:03:48,960 --> 00:03:49,560 Speaker 1: have got my laugh. 99 00:03:49,960 --> 00:03:52,280 Speaker 4: The laugh try the laugh would come out at a 100 00:03:52,280 --> 00:03:54,160 Speaker 4: certain time after a joke and you'd go, hang on 101 00:03:54,200 --> 00:03:55,240 Speaker 4: a minute, was that? 102 00:03:55,320 --> 00:03:55,920 Speaker 5: Do you like that? 103 00:03:55,960 --> 00:03:58,080 Speaker 1: Thing of how revealing a comedy show is, if you like, 104 00:03:58,120 --> 00:03:59,640 Speaker 1: go with a mate or go to the partner, like 105 00:03:59,720 --> 00:04:03,040 Speaker 1: what they laugh at really gives you away. It's very 106 00:04:03,080 --> 00:04:06,240 Speaker 1: cuz your sense of humor kind of betrays you. Laugh first, 107 00:04:06,440 --> 00:04:08,440 Speaker 1: like my favorite noise at comedy shows. One people laugh 108 00:04:08,720 --> 00:04:10,760 Speaker 1: and then there's an intake of breath, so sort of 109 00:04:10,840 --> 00:04:12,840 Speaker 1: laugh and go, and then their conscience arrives late to 110 00:04:12,880 --> 00:04:15,480 Speaker 1: the party and goes because you're not laughed at that, 111 00:04:16,160 --> 00:04:18,200 Speaker 1: You're an absolute disgrace, man, have you? 112 00:04:18,279 --> 00:04:19,880 Speaker 3: I mean, I love the blood last night too, who 113 00:04:19,880 --> 00:04:20,960 Speaker 3: attempted to heckle. 114 00:04:21,680 --> 00:04:24,280 Speaker 1: And listen, he had a bloody good go and you've 115 00:04:24,320 --> 00:04:26,080 Speaker 1: got to admire that spirit. But you know, as I 116 00:04:26,080 --> 00:04:28,560 Speaker 1: said at the time, he's brought a knife to a gunfight. 117 00:04:29,240 --> 00:04:30,719 Speaker 3: And you've got two thousand friends here. 118 00:04:30,839 --> 00:04:35,279 Speaker 4: Yeah, do you get many walkouts Jimmy, people that say, nah, 119 00:04:35,320 --> 00:04:37,240 Speaker 4: he's gone too far, this guy's out of control. 120 00:04:37,320 --> 00:04:39,880 Speaker 1: I mean not at this stage because it's people are 121 00:04:39,960 --> 00:04:43,080 Speaker 1: kind of they guess suppose occasionally would get someone that's 122 00:04:43,120 --> 00:04:46,120 Speaker 1: like seeing something like Cats Countdown on TV and go, 123 00:04:46,240 --> 00:04:50,280 Speaker 1: there's a nice show, love word quizzes hey and then 124 00:04:50,279 --> 00:04:52,799 Speaker 1: comes and sees me laughing. It's like, oh, my caligular 125 00:04:52,800 --> 00:04:56,839 Speaker 1: would have blushed the stuff this guy's talking about. So yeah, 126 00:04:57,400 --> 00:04:59,120 Speaker 1: I'm sure you get some people going home shop, but 127 00:04:59,160 --> 00:05:03,960 Speaker 1: it's it's funny, you know people and they're so clearly jokes, 128 00:05:04,040 --> 00:05:06,080 Speaker 1: quite old fashioned in a way to tell jokes. Most 129 00:05:06,080 --> 00:05:08,040 Speaker 1: people you go to see a comedy show and they 130 00:05:08,040 --> 00:05:10,240 Speaker 1: tell stuarts. You know, lots of different sort of schools 131 00:05:10,240 --> 00:05:12,240 Speaker 1: of comedy. And I'm very much kind of a gang guy. 132 00:05:12,279 --> 00:05:14,800 Speaker 1: That's my kind of a write some longer stuff. But 133 00:05:14,880 --> 00:05:18,280 Speaker 1: we've been following Mini Jimmy travel across Australia. Do you 134 00:05:18,320 --> 00:05:21,000 Speaker 1: do you like to travel to get local jokes wherever 135 00:05:21,040 --> 00:05:23,080 Speaker 1: you go? And you know, in Australia we've got the 136 00:05:23,080 --> 00:05:25,920 Speaker 1: big theme as well, and you went to the Big Prawn. 137 00:05:26,000 --> 00:05:27,840 Speaker 1: Is that correct, Jimmy, did you go there or did 138 00:05:27,839 --> 00:05:29,680 Speaker 1: you travel Brawn? Did you do any research? 139 00:05:29,920 --> 00:05:31,120 Speaker 5: Did you we got the book? 140 00:05:31,120 --> 00:05:33,240 Speaker 1: We are another big No? Actually you went to the 141 00:05:33,240 --> 00:05:38,160 Speaker 1: Big Banana in coss Yes, yeah, yes, the Big Banana. Yeah, 142 00:05:38,160 --> 00:05:41,359 Speaker 1: I mean that's that's well you visit that once and 143 00:05:41,400 --> 00:05:44,120 Speaker 1: then then you've seen it. Yeah, yeah, I went. I 144 00:05:44,160 --> 00:05:48,680 Speaker 1: saw the site Bana. Yeah, I mean most cities sites, 145 00:05:48,760 --> 00:05:50,599 Speaker 1: but yeah site, I mean a sight seeing So. 146 00:05:50,839 --> 00:05:53,159 Speaker 4: You're a Campbelltown fan as well. I mean in the 147 00:05:53,160 --> 00:05:55,880 Speaker 4: show last night, Campbelltown. 148 00:05:56,480 --> 00:05:58,840 Speaker 1: It got a few mentions, but there's always like you 149 00:05:58,880 --> 00:06:01,000 Speaker 1: always do your local kind of you get there, you 150 00:06:01,080 --> 00:06:02,800 Speaker 1: have to chat with the guys backstage, right, Okay, so 151 00:06:02,800 --> 00:06:04,400 Speaker 1: where are these people from? What do they think of this? 152 00:06:04,480 --> 00:06:06,359 Speaker 1: What do they call that? I mean everything here is 153 00:06:06,400 --> 00:06:09,760 Speaker 1: shortened slightly. The confusing thing about Australia, everything's kind of 154 00:06:10,000 --> 00:06:12,279 Speaker 1: shortened to nothing. And some of the accents are just 155 00:06:13,000 --> 00:06:16,039 Speaker 1: sort of impenetrable, aren't they. Well, just there's a certain 156 00:06:16,080 --> 00:06:18,840 Speaker 1: Aussie accent where it just sounds like they're in pain. 157 00:06:19,839 --> 00:06:24,960 Speaker 1: I work in chilly communications. It's it's like like your 158 00:06:25,080 --> 00:06:32,599 Speaker 1: last breath are work in chilly communications. I've been married 159 00:06:32,640 --> 00:06:35,880 Speaker 1: for twenty five years, and it's like just sounds like, oh, 160 00:06:36,600 --> 00:06:39,000 Speaker 1: can they not give him pain relief for something? Is 161 00:06:39,040 --> 00:06:40,840 Speaker 1: there nothing they can do for this poor man? And 162 00:06:40,880 --> 00:06:43,440 Speaker 1: it turns out it's just an accent. 163 00:06:43,760 --> 00:06:45,080 Speaker 4: Do you know why I was glad that my wife 164 00:06:45,120 --> 00:06:47,359 Speaker 4: wasn't there last night because you clearly pointed out and 165 00:06:47,360 --> 00:06:49,800 Speaker 4: part of your stand up about how hopeless the dad 166 00:06:49,839 --> 00:06:51,920 Speaker 4: is in the role that he plays and how phenomenal 167 00:06:52,000 --> 00:06:53,359 Speaker 4: the woman is in what mums do. 168 00:06:53,800 --> 00:06:56,800 Speaker 1: Well, yeah, I mean I've off said it's you know, 169 00:06:56,839 --> 00:06:58,599 Speaker 1: being a mum is a full time job. Being a 170 00:06:58,680 --> 00:07:01,480 Speaker 1: dad is a lovely hobby. And about sums it up, 171 00:07:01,520 --> 00:07:03,000 Speaker 1: doesn't it. It is we sort of, you know, we 172 00:07:03,080 --> 00:07:04,880 Speaker 1: turn up a little bit. But there's there's quite a 173 00:07:04,880 --> 00:07:07,880 Speaker 1: long there's actually quite a long routine for me. Normally, 174 00:07:08,040 --> 00:07:09,560 Speaker 1: you know, it's a laugh every sort of you know, 175 00:07:10,200 --> 00:07:12,320 Speaker 1: maybe for a minute something like that, quite quick fire. 176 00:07:12,520 --> 00:07:14,440 Speaker 1: But then I've got quite a long routine about being 177 00:07:14,440 --> 00:07:16,600 Speaker 1: a dad, which is, yeah, it's fun enough, and it 178 00:07:16,840 --> 00:07:18,920 Speaker 1: is fun enough. It is. It's a hobbit talking about 179 00:07:18,960 --> 00:07:19,160 Speaker 1: the month. 180 00:07:19,200 --> 00:07:21,520 Speaker 2: I was talking about the monarchy before, but the coronation 181 00:07:21,680 --> 00:07:22,240 Speaker 2: is coming up. 182 00:07:22,320 --> 00:07:25,440 Speaker 1: Is that I mean we I'm missing it. I'm back 183 00:07:25,480 --> 00:07:29,520 Speaker 1: here doing gigs well in uh in May at the arena. 184 00:07:29,600 --> 00:07:31,520 Speaker 1: Please buy a ticket. Do you know the subtext the 185 00:07:32,000 --> 00:07:34,160 Speaker 1: subtext of this getting up this early to talk to 186 00:07:34,200 --> 00:07:37,400 Speaker 1: these two. The subtext is buy a ticket to show 187 00:07:38,040 --> 00:07:40,320 Speaker 1: the coronation. The coronation be It's kind of weird. It 188 00:07:40,360 --> 00:07:42,000 Speaker 1: was weird when the Queen died for me, like as 189 00:07:42,000 --> 00:07:44,200 Speaker 1: a British guy, I was I was overseas doing gigs 190 00:07:44,240 --> 00:07:45,720 Speaker 1: and I was kind of watching BBC News and it 191 00:07:45,800 --> 00:07:47,880 Speaker 1: was like, oh wow, the whole country has gone into 192 00:07:47,880 --> 00:07:51,200 Speaker 1: sort of a weird cosplay Game of Thrones for two weeks. 193 00:07:51,200 --> 00:07:54,400 Speaker 1: It just seems so bizarre, doesn't it. It's like I 194 00:07:54,480 --> 00:07:57,640 Speaker 1: keep on expecting the Lanisters to turn up, and are 195 00:07:57,640 --> 00:07:59,920 Speaker 1: they going to turn up and kill everybody at the coronation? 196 00:08:00,320 --> 00:08:02,320 Speaker 1: We go, oh my god, no one saw that coming. 197 00:08:03,440 --> 00:08:05,200 Speaker 3: We're gonna get We're gonna take your traffic. But then 198 00:08:05,480 --> 00:08:06,320 Speaker 3: you gotta take the traffic. 199 00:08:06,360 --> 00:08:07,320 Speaker 1: I'll look out the window for you. 200 00:08:07,440 --> 00:08:07,800 Speaker 3: Here you go. 201 00:08:08,200 --> 00:08:13,240 Speaker 1: Yeah, it's fine, it's honestly. And the other thing, Sydney, 202 00:08:13,280 --> 00:08:14,440 Speaker 1: if you're in the car now and you're in a 203 00:08:14,440 --> 00:08:16,520 Speaker 1: bit of traffic, clar I'm from London, where we have 204 00:08:16,640 --> 00:08:21,040 Speaker 1: proper traffic jams. It's fine here. Stop win jokes, stop wending, 205 00:08:21,880 --> 00:08:25,239 Speaker 1: It's all fine. Everywhere's twenty minutes away and if it's bad, 206 00:08:25,520 --> 00:08:28,280 Speaker 1: twenty five stick on the radio. There'll be another track 207 00:08:28,320 --> 00:08:28,920 Speaker 1: on in a minute. 208 00:08:29,040 --> 00:08:33,600 Speaker 3: You're listening to the Whipper podcast Fitzy and Whipper Wow 209 00:08:33,679 --> 00:08:34,199 Speaker 3: on no. 210 00:08:34,280 --> 00:08:36,840 Speaker 2: Fuck, Jimmy Kat will you have your own radio show 211 00:08:36,880 --> 00:08:39,120 Speaker 2: there for a while week in show on BABYC two? 212 00:08:39,240 --> 00:08:39,760 Speaker 1: Is that correct? 213 00:08:39,800 --> 00:08:39,880 Speaker 2: Oh? 214 00:08:39,960 --> 00:08:42,520 Speaker 1: Yeah, we we got taken off air. We had official 215 00:08:42,559 --> 00:08:44,840 Speaker 1: complaints upheld against us. I used to do it with 216 00:08:44,880 --> 00:08:47,720 Speaker 1: a guy called Ian Morris who wrote the in between us. 217 00:08:48,240 --> 00:08:48,800 Speaker 3: Yeah, yeah, yah. 218 00:08:48,840 --> 00:08:50,199 Speaker 1: He used to write that it's a very funny guy, 219 00:08:50,240 --> 00:08:53,479 Speaker 1: didn't you're a gypsy jack? And then you'd refuse to apologize. 220 00:08:54,200 --> 00:08:58,360 Speaker 1: That was Netflix last year. I sometimes, Hey, thankfully the 221 00:08:58,400 --> 00:09:03,160 Speaker 1: gypsies have moved on. Look, here's here's the thing. If 222 00:09:03,200 --> 00:09:05,880 Speaker 1: you start apologizing for jokes, the next twenty years of 223 00:09:05,920 --> 00:09:08,800 Speaker 1: my career is going to be the apology tour. I'm 224 00:09:08,800 --> 00:09:11,760 Speaker 1: not getting into it. That So they're jokes man relaxed. 225 00:09:11,840 --> 00:09:14,880 Speaker 2: So when there is a complaint and your manager goes Jimmy, 226 00:09:14,880 --> 00:09:17,200 Speaker 2: I think this is the time you need to apologize. 227 00:09:17,240 --> 00:09:18,920 Speaker 2: You're like, nah, put your foot down. 228 00:09:19,120 --> 00:09:22,480 Speaker 1: It depends what it is. Occasionally, if it's if it's 229 00:09:22,559 --> 00:09:26,600 Speaker 1: tax evation, I think you can make an exception and apology. 230 00:09:26,880 --> 00:09:28,920 Speaker 1: It's a big difference between when you've done something and 231 00:09:29,040 --> 00:09:31,400 Speaker 1: when you've said something. When you've made a joke and 232 00:09:31,440 --> 00:09:34,160 Speaker 1: people are like going, well, I think you made a statement, 233 00:09:34,280 --> 00:09:35,800 Speaker 1: and that acting is if you made a statement and 234 00:09:35,800 --> 00:09:37,800 Speaker 1: they know full well you're joking and there was a 235 00:09:37,800 --> 00:09:40,240 Speaker 1: punchline and it had you know, it was funny, and 236 00:09:40,280 --> 00:09:42,760 Speaker 1: people laugh and they go, wow, I don't think you 237 00:09:42,800 --> 00:09:44,760 Speaker 1: should ever make jokes about and he is a very 238 00:09:44,800 --> 00:09:45,440 Speaker 1: serious thing. 239 00:09:45,920 --> 00:09:46,800 Speaker 3: Ah, they're jokes. 240 00:09:46,920 --> 00:09:49,720 Speaker 2: Actually, Can I ask you about your television show Jimmy 241 00:09:49,760 --> 00:09:52,760 Speaker 2: Carr Destroys Art and the controversy around that. 242 00:09:52,760 --> 00:09:55,600 Speaker 1: Can you tell everyone you purchase the piece of art. 243 00:09:56,400 --> 00:10:00,000 Speaker 1: We purchased many pieces of art that we're incredibly controversial, 244 00:10:00,320 --> 00:10:02,560 Speaker 1: and then we let an audience decide whether we destroyed 245 00:10:02,600 --> 00:10:05,880 Speaker 1: them or not. So it's kind of a physical manifestation 246 00:10:05,960 --> 00:10:08,120 Speaker 1: of cancel culture. It was quite fun. So we bought 247 00:10:08,200 --> 00:10:12,120 Speaker 1: like we bought stuff by I mean, let's cut to 248 00:10:12,160 --> 00:10:14,840 Speaker 1: the chase. This Morning Radio we bought a Hitler. 249 00:10:15,559 --> 00:10:16,079 Speaker 2: Wow. 250 00:10:16,240 --> 00:10:19,679 Speaker 1: Hitler was a painter. He used to do watercolors before. 251 00:10:19,880 --> 00:10:21,920 Speaker 1: Not known for his finding well he's not known for it. 252 00:10:21,920 --> 00:10:23,800 Speaker 1: But no matter what you think of his war colors, 253 00:10:23,800 --> 00:10:26,760 Speaker 1: you'd have to conceide not the worst thing he ever did. No, 254 00:10:27,600 --> 00:10:30,160 Speaker 1: my favorite piece of Hitler art is a is a 255 00:10:30,320 --> 00:10:32,640 Speaker 1: splatter painting he did on the inside of a Berlin 256 00:10:32,679 --> 00:10:36,679 Speaker 1: bunker of his own brain. That was the joke we 257 00:10:36,679 --> 00:10:40,400 Speaker 1: didn't use in the show, but we got it and 258 00:10:40,440 --> 00:10:42,240 Speaker 1: we said, well, look, the audience can decide do we 259 00:10:42,280 --> 00:10:44,440 Speaker 1: destroy this or not? Or is art say? And it 260 00:10:44,480 --> 00:10:46,400 Speaker 1: was quite interesting to do because I kind of I 261 00:10:46,440 --> 00:10:49,120 Speaker 1: went into it thinking, well, maybe some of these people 262 00:10:49,200 --> 00:10:51,440 Speaker 1: should destroy their art because they're terrible people, and then 263 00:10:51,559 --> 00:10:52,880 Speaker 1: kind of by the end of it, I was thinking, 264 00:10:53,080 --> 00:10:57,439 Speaker 1: everything's kind of got a historical value by someone terrible, 265 00:10:57,600 --> 00:10:59,920 Speaker 1: there's a reason to keep it. And that thing is 266 00:11:00,040 --> 00:11:02,959 Speaker 1: especially with you know, with Hitler, never forget like you 267 00:11:03,120 --> 00:11:05,880 Speaker 1: you know, that's all the issue is on. There'd be 268 00:11:05,960 --> 00:11:08,640 Speaker 1: less anti Semitism in the world. And actually it's rife, 269 00:11:08,520 --> 00:11:12,040 Speaker 1: ye rife. So remembering and talking about it and keeping 270 00:11:12,080 --> 00:11:13,240 Speaker 1: out there has got. 271 00:11:13,080 --> 00:11:15,559 Speaker 4: A perposonating I mean, it's a great social study, isn't it, 272 00:11:15,679 --> 00:11:17,520 Speaker 4: to see what people believe in to behave. 273 00:11:17,559 --> 00:11:21,079 Speaker 1: We bought a Rolf Harris, thanks for him, an Australian artist. Yes, 274 00:11:21,480 --> 00:11:23,120 Speaker 1: what was the decision on that. We put him up 275 00:11:23,120 --> 00:11:25,880 Speaker 1: against a guy called Eric Gill, who was who's a 276 00:11:25,960 --> 00:11:30,560 Speaker 1: very important tastist. He did he did like the front 277 00:11:30,559 --> 00:11:31,920 Speaker 1: of the BBC, the statue on the front of the 278 00:11:31,960 --> 00:11:35,240 Speaker 1: BBC building and he did he's done some calligraphy stuff 279 00:11:35,240 --> 00:11:39,520 Speaker 1: that's very important to still use today. And what did 280 00:11:39,520 --> 00:11:41,360 Speaker 1: you do with ralph sands? So we put them up 281 00:11:41,360 --> 00:11:44,640 Speaker 1: against each other and had them vote. But Eric Gill 282 00:11:44,760 --> 00:11:47,880 Speaker 1: was a worse guy. Let's not get into the details 283 00:11:47,720 --> 00:11:50,080 Speaker 1: of how bad he was, but he was a worse 284 00:11:50,440 --> 00:11:53,080 Speaker 1: It was worse, if you can judge such things. He 285 00:11:53,200 --> 00:11:55,719 Speaker 1: was worse. So and the audience decided to keep the 286 00:11:55,800 --> 00:11:59,680 Speaker 1: Ralph until the new claim out during the week. Yeah, 287 00:11:59,720 --> 00:12:01,600 Speaker 1: I think he died that we were filming as well, 288 00:12:01,679 --> 00:12:04,679 Speaker 1: so not. I mean, it was a controversial show. We 289 00:12:04,720 --> 00:12:07,760 Speaker 1: went into it expecting a level of controversy and then 290 00:12:07,800 --> 00:12:09,320 Speaker 1: it was like and to get people talking, and it 291 00:12:09,320 --> 00:12:12,280 Speaker 1: certainly had that effect because it is that thing when 292 00:12:12,280 --> 00:12:14,760 Speaker 1: you walk into the National Gallery. He needs to kind 293 00:12:14,760 --> 00:12:17,320 Speaker 1: of you go, well, what we listen if we start 294 00:12:17,320 --> 00:12:19,040 Speaker 1: canceling one artist, where does it end? 295 00:12:19,120 --> 00:12:19,880 Speaker 3: Exactly wrong? 296 00:12:20,120 --> 00:12:21,880 Speaker 4: Tell me about this because the message has come through 297 00:12:21,920 --> 00:12:26,080 Speaker 4: from Russell Crye. He has said, say how to Jimmy 298 00:12:26,120 --> 00:12:26,360 Speaker 4: for me? 299 00:12:27,000 --> 00:12:27,439 Speaker 3: Ask him. 300 00:12:27,480 --> 00:12:30,800 Speaker 4: I don't know if I can read this out on it, Yeah, 301 00:12:31,040 --> 00:12:33,319 Speaker 4: ask him about the Mufflicker Company. 302 00:12:33,920 --> 00:12:35,000 Speaker 3: Have I read that correctly? 303 00:12:35,040 --> 00:12:36,120 Speaker 1: With the Mufflicker company? 304 00:12:36,200 --> 00:12:36,680 Speaker 3: Mufflicker? 305 00:12:37,280 --> 00:12:39,000 Speaker 1: I mean, I'm tempted just to leave it there and 306 00:12:39,040 --> 00:12:41,080 Speaker 1: have you have you fired as we sweat? 307 00:12:41,240 --> 00:12:43,280 Speaker 5: No, we have. We have a. 308 00:12:45,080 --> 00:12:46,439 Speaker 1: Booze investment together. 309 00:12:46,480 --> 00:12:47,320 Speaker 3: You pay for it well. 310 00:12:47,800 --> 00:12:51,120 Speaker 1: Russell and Crow and I a drink together occasionally. And 311 00:12:51,160 --> 00:12:54,839 Speaker 1: there's a few others. I think Edeeran's involved. There's a 312 00:12:54,880 --> 00:12:56,559 Speaker 1: bunch of us that have an investment in this company. 313 00:12:56,679 --> 00:13:01,240 Speaker 1: It's called Mufflicker. I suppose it could be misread, but 314 00:13:01,280 --> 00:13:04,400 Speaker 1: it's there's a town. God thinking about it actually sort 315 00:13:04,400 --> 00:13:08,280 Speaker 1: of a double meaning. Yeah, God, you know what, I've 316 00:13:08,280 --> 00:13:10,480 Speaker 1: got to text someone right after this. But muff is 317 00:13:10,480 --> 00:13:13,360 Speaker 1: a muff You know the town right, It's a town 318 00:13:13,760 --> 00:13:17,959 Speaker 1: right outside of Dublin, Old Muff And that's where the 319 00:13:17,960 --> 00:13:22,480 Speaker 1: booze is produced so well it muff liquor, right, but 320 00:13:22,520 --> 00:13:25,160 Speaker 1: now thinking about now you've said it in your accents, 321 00:13:25,640 --> 00:13:29,000 Speaker 1: it does sound. And they make this classically irish. They 322 00:13:29,000 --> 00:13:31,640 Speaker 1: make this potato gin and potato vodka. The potato gin 323 00:13:31,720 --> 00:13:34,040 Speaker 1: has won all the awards you can win for potato gin, 324 00:13:34,760 --> 00:13:39,200 Speaker 1: both of them. But it's kind of it's kind of delicious. 325 00:13:39,200 --> 00:13:42,000 Speaker 3: So that's the best muff producers. 326 00:13:42,160 --> 00:13:44,400 Speaker 1: Yes, and it's in like they launched it over here 327 00:13:44,440 --> 00:13:47,199 Speaker 1: on the first, like Cole's ready for the seventeenth. I 328 00:13:47,200 --> 00:13:49,080 Speaker 1: think they're going to do a lot for Sir Patrick's day. 329 00:13:49,679 --> 00:13:51,520 Speaker 1: Like some people don't want to drink a piney guinness. 330 00:13:51,559 --> 00:13:52,920 Speaker 1: So if you want to do something irish. 331 00:13:52,840 --> 00:13:54,920 Speaker 3: Sound, must'll call you and say, hey, Jimmy, I found 332 00:13:54,920 --> 00:13:57,320 Speaker 3: this mufflicker. This is going to be awesome. 333 00:13:57,880 --> 00:13:59,319 Speaker 1: Well, I don't want to tell you how it came 334 00:13:59,360 --> 00:14:03,600 Speaker 1: up in conversation. It's I think there's a certain level 335 00:14:03,640 --> 00:14:05,000 Speaker 1: of drunk you have to be before you go. Do 336 00:14:05,000 --> 00:14:07,040 Speaker 1: you know what we should invest in? I know somebody 337 00:14:07,120 --> 00:14:08,000 Speaker 1: calls mufflecker. 338 00:14:08,120 --> 00:14:10,680 Speaker 4: Then when someone suggests that, you always go I got 339 00:14:10,679 --> 00:14:12,960 Speaker 4: to be involved. I'll have to be involved. Hey, Eddie, 340 00:14:13,000 --> 00:14:14,920 Speaker 4: you in. Well, if you guys are in, I mean. 341 00:14:15,240 --> 00:14:18,400 Speaker 2: Yeah, Jimmy, do you want to give away some Harry 342 00:14:18,400 --> 00:14:19,080 Speaker 2: Styles tickets? 343 00:14:19,080 --> 00:14:21,240 Speaker 1: And I do? I mean I do love Harry. Yeah, 344 00:14:21,560 --> 00:14:23,720 Speaker 1: he's kind of great, isn't he? He's the best. Just 345 00:14:23,720 --> 00:14:24,000 Speaker 1: the door? 346 00:14:24,720 --> 00:14:25,160 Speaker 5: What do we give? 347 00:14:25,200 --> 00:14:25,280 Speaker 4: No? 348 00:14:25,360 --> 00:14:28,160 Speaker 2: People have been well, how long for Harry? Basically it's 349 00:14:28,200 --> 00:14:30,920 Speaker 2: the first person through. We want to hear emotion for 350 00:14:30,960 --> 00:14:33,600 Speaker 2: Harry Styles tickets tonight. And I know you're performing, You're 351 00:14:33,640 --> 00:14:35,360 Speaker 2: sold out anyway, You don't need to give away any 352 00:14:35,360 --> 00:14:35,840 Speaker 2: more tickets. 353 00:14:35,920 --> 00:14:41,080 Speaker 1: No, Poor, poor Harry Styles, Poor Harry Styles desperately needs 354 00:14:41,120 --> 00:14:42,120 Speaker 1: our help in. 355 00:14:42,160 --> 00:14:44,760 Speaker 3: There, Whipper podcast. 356 00:14:47,080 --> 00:14:48,480 Speaker 5: Hi, this is Harry Styles. 357 00:14:51,560 --> 00:14:52,480 Speaker 1: Sir Harry. 358 00:14:54,400 --> 00:14:54,560 Speaker 6: Well. 359 00:14:54,640 --> 00:14:56,600 Speaker 2: One man whose buddy's head up he wants to get 360 00:14:56,640 --> 00:14:59,640 Speaker 2: involved and give away these tickets is the magnificent Jimmy Carr. 361 00:14:59,680 --> 00:15:02,120 Speaker 1: Jimmy is stuck around. Are you okay? Jimmy? And you okay? 362 00:15:02,160 --> 00:15:02,280 Speaker 6: To do? 363 00:15:02,680 --> 00:15:03,800 Speaker 1: Where do I have to be at this time of 364 00:15:03,800 --> 00:15:05,440 Speaker 1: the morning. Yeah, let's give away some tickets. So let's 365 00:15:05,440 --> 00:15:07,680 Speaker 1: go to We'll go to line too. It's Beck and 366 00:15:08,240 --> 00:15:13,400 Speaker 1: mill Pera. I presume the're friends. I don't know mill Pera. 367 00:15:13,680 --> 00:15:14,480 Speaker 1: She sounds great. 368 00:15:14,520 --> 00:15:18,440 Speaker 3: That's the suburb. That's the area. What the town of 369 00:15:18,480 --> 00:15:18,960 Speaker 3: mill Paera. 370 00:15:19,120 --> 00:15:21,560 Speaker 1: Yeah, no, I think there's two girls. No, you don't 371 00:15:21,600 --> 00:15:25,000 Speaker 1: know mill No old Milly. Millie's fantastic. 372 00:15:25,480 --> 00:15:29,760 Speaker 4: Be she's a she's a she's a suburb or an area. 373 00:15:29,840 --> 00:15:32,760 Speaker 1: She's an area. Yeah, she's a big girl. There's no 374 00:15:32,840 --> 00:15:36,120 Speaker 1: need to be like that now, dare you? Beck? 375 00:15:36,400 --> 00:15:37,040 Speaker 3: Is what I'm saying? 376 00:15:37,640 --> 00:15:42,000 Speaker 1: Body positive? He won two Timmy tickets. Jimmy's giving you 377 00:15:42,040 --> 00:15:45,800 Speaker 1: two tickets. You're going to bring your friend mill Pera. 378 00:15:46,440 --> 00:15:48,680 Speaker 3: I'm actually taking my grandma. 379 00:15:49,720 --> 00:15:54,920 Speaker 1: Oh that's It's adorable, isn't it. She loves Harry. She 380 00:15:55,040 --> 00:15:58,440 Speaker 1: loves Harry and well, this is this is this is 381 00:15:58,480 --> 00:16:00,440 Speaker 1: great And now does she know she's going of the show? 382 00:16:01,080 --> 00:16:01,520 Speaker 5: Not yet. 383 00:16:02,480 --> 00:16:04,400 Speaker 1: This could be hard to take material. 384 00:16:04,760 --> 00:16:06,640 Speaker 3: Obviously a big Jimmy Carr fan as well. 385 00:16:07,200 --> 00:16:09,000 Speaker 1: Do you know what I actually thought, Jimmy about five 386 00:16:09,080 --> 00:16:12,160 Speaker 1: years ago in Berlin? There you go five years ago 387 00:16:12,200 --> 00:16:19,120 Speaker 1: in Berlin. You're a What was I doing in Berlin 388 00:16:19,240 --> 00:16:19,960 Speaker 1: five years ago? 389 00:16:21,520 --> 00:16:22,560 Speaker 7: I don't want to say on edge? 390 00:16:22,840 --> 00:16:25,480 Speaker 1: Well, thanks, I love those German gigs. I mean, hey, 391 00:16:25,520 --> 00:16:27,480 Speaker 1: I love doing gigs in Germany. Where would we be 392 00:16:27,520 --> 00:16:33,440 Speaker 1: without a sense of humor in Germany is the answer? Germany? 393 00:16:34,320 --> 00:16:36,240 Speaker 1: What were you doing in Berlin? What were you doing there? 394 00:16:36,680 --> 00:16:40,360 Speaker 1: I had a work conference and you were am saying it? Wow, 395 00:16:40,520 --> 00:16:43,080 Speaker 1: I was ensuing a work conference. That's a that's a 396 00:16:43,080 --> 00:16:47,000 Speaker 1: good question with Was that with Thor? Yes? Was I 397 00:16:47,080 --> 00:16:52,000 Speaker 1: with Thor? No? What the guy that played was there? Yes? 398 00:16:52,160 --> 00:16:52,480 Speaker 5: Correct? 399 00:16:52,560 --> 00:16:54,920 Speaker 1: I was interviewing Chris Hemsworth on I think I remember 400 00:16:55,000 --> 00:16:55,560 Speaker 1: that weekend. 401 00:16:56,200 --> 00:16:57,400 Speaker 3: That's a wee weekend. 402 00:16:58,160 --> 00:17:04,240 Speaker 1: Did you keep the baby pick? Do you want to 403 00:17:04,280 --> 00:17:06,399 Speaker 1: take an interest? But was it you author? 404 00:17:06,960 --> 00:17:07,240 Speaker 2: Huh? 405 00:17:08,520 --> 00:17:11,639 Speaker 1: I think you'll probably tell when it popped out. There 406 00:17:11,720 --> 00:17:15,040 Speaker 1: was a certain time. Enjoy Harry Styles. What a nice lady. 407 00:17:15,800 --> 00:17:16,560 Speaker 3: Good to catch up. 408 00:17:16,640 --> 00:17:18,720 Speaker 2: Jimmy, you've got another double to give away, so you 409 00:17:18,720 --> 00:17:21,080 Speaker 2: can pick another line and give away another double. 410 00:17:21,920 --> 00:17:26,639 Speaker 1: It's uh uh, well, it's a colaroid from imagen. 411 00:17:26,480 --> 00:17:29,479 Speaker 3: No, no imagen from coloroid. 412 00:17:31,040 --> 00:17:36,680 Speaker 1: Name first imaged? All the people hire wrong. 413 00:17:38,520 --> 00:17:39,800 Speaker 2: I'm so excited right now. 414 00:17:40,200 --> 00:17:42,639 Speaker 1: You sound very excited. Not to talk to me. It's 415 00:17:42,680 --> 00:17:45,680 Speaker 1: about Harry Stiles, isn't it. I guess it is. I'm 416 00:17:45,760 --> 00:17:46,760 Speaker 1: like standing you shaking. 417 00:17:46,880 --> 00:17:47,720 Speaker 3: I'm so excited. 418 00:17:48,400 --> 00:17:51,440 Speaker 1: Well, fantastic, who are you bringing? I'm going to take 419 00:17:51,480 --> 00:17:52,120 Speaker 1: my brother. 420 00:17:51,880 --> 00:17:54,040 Speaker 2: Who was his birthday two days ago. Why don't you. 421 00:17:54,040 --> 00:17:57,360 Speaker 1: Surprising with ships? Well, I mean he's definitely surprised. It'd 422 00:17:57,359 --> 00:17:59,040 Speaker 1: be surprised you didn't buy them and you won them 423 00:17:59,040 --> 00:18:01,880 Speaker 1: on the radio. That's why we surprised about Yeah. 424 00:18:02,000 --> 00:18:05,600 Speaker 3: Absolutely, I'm so excited to thank you guys. She's shaking, imagin, 425 00:18:05,680 --> 00:18:07,680 Speaker 3: isn't she. She she's weak at the knees. 426 00:18:07,880 --> 00:18:10,040 Speaker 1: Actually, her brother's very sensible as well. In case she 427 00:18:10,119 --> 00:18:12,320 Speaker 1: gets off with Harry Styles, I want to take a 428 00:18:12,400 --> 00:18:15,119 Speaker 1: date just in case case you don't know Jimmy, you 429 00:18:15,200 --> 00:18:15,520 Speaker 1: know how you. 430 00:18:15,480 --> 00:18:17,600 Speaker 2: Said you went and saw the Big Banana in Coffs Harbor. 431 00:18:17,800 --> 00:18:20,920 Speaker 2: Our newsreader is from Coffs Harbor. He's known as the 432 00:18:20,920 --> 00:18:22,080 Speaker 2: Big Banana as well. 433 00:18:22,200 --> 00:18:24,919 Speaker 1: You get some, he gets some sort of you get 434 00:18:24,960 --> 00:18:27,840 Speaker 1: money back from employing him. Well, yeah, it's been tough. 435 00:18:28,080 --> 00:18:30,200 Speaker 1: But he's actually down at a Core stadium. 436 00:18:30,680 --> 00:18:32,760 Speaker 2: These are the people that are lining up for Harry's 437 00:18:32,760 --> 00:18:33,359 Speaker 2: gig tonight. 438 00:18:33,440 --> 00:18:38,280 Speaker 3: Maddie d Gree are you there, Maddie degree at MDG. 439 00:18:38,480 --> 00:18:42,119 Speaker 1: He's cut now, don't your k He's queuing up to 440 00:18:42,160 --> 00:18:44,840 Speaker 1: see Harry now, yes, So they've got generalist. 441 00:18:44,400 --> 00:18:47,479 Speaker 2: Stage at what eight thirty. Apparently there's a line at 442 00:18:47,480 --> 00:18:49,440 Speaker 2: the State Theater as well. We get down the front 443 00:18:49,440 --> 00:18:50,160 Speaker 2: for Jimmy Carter. 444 00:18:50,280 --> 00:18:54,840 Speaker 1: Oh yeah, sure sure made those are the cleanness got 445 00:18:54,880 --> 00:18:55,200 Speaker 1: you guys? 446 00:18:55,280 --> 00:18:56,440 Speaker 3: Yes, Maddie R. 447 00:18:56,760 --> 00:18:58,920 Speaker 4: You've got You've got Jimmy Carr here not only wondering 448 00:18:58,960 --> 00:19:01,800 Speaker 4: about the lineup at Harry Styles, but also fascinated that 449 00:19:01,920 --> 00:19:04,120 Speaker 4: you're from CoP's Harbor with the nickname Big Banana. 450 00:19:05,000 --> 00:19:06,160 Speaker 5: Okay, well that's not the case. 451 00:19:06,160 --> 00:19:08,240 Speaker 6: So I'll actually have three girls here are super excited 452 00:19:08,520 --> 00:19:10,439 Speaker 6: for I said, are you more excited for Harry Styles 453 00:19:10,480 --> 00:19:11,200 Speaker 6: or Jimmy Carr? 454 00:19:11,359 --> 00:19:13,000 Speaker 5: And they went nuts for Jimmy Carr. 455 00:19:13,080 --> 00:19:17,399 Speaker 1: It was wow, I'll stop at you now I have 456 00:19:17,440 --> 00:19:19,480 Speaker 1: to ask. So I'm watching the video feed, are they 457 00:19:19,560 --> 00:19:22,399 Speaker 1: tiny or are you a giant? Because it's just like 458 00:19:22,760 --> 00:19:25,560 Speaker 1: we have this on the wrong aspect ratio. 459 00:19:26,440 --> 00:19:27,359 Speaker 3: He's a big unit. 460 00:19:28,200 --> 00:19:34,760 Speaker 7: Yeah yeah, look I can just lower down. So what's 461 00:19:34,960 --> 00:19:37,359 Speaker 7: what exciting has happened is that the people have been 462 00:19:37,359 --> 00:19:39,359 Speaker 7: lining up since eve o'clock last night have now been 463 00:19:39,400 --> 00:19:40,800 Speaker 7: allowed to move to another gate. 464 00:19:41,080 --> 00:19:41,760 Speaker 5: So we've. 465 00:19:43,640 --> 00:19:45,600 Speaker 6: We're now at the part where we can see the 466 00:19:45,640 --> 00:19:47,720 Speaker 6: stadium and five he's. 467 00:19:47,600 --> 00:19:49,359 Speaker 1: Going to be the people that are actually down the 468 00:19:49,400 --> 00:19:50,160 Speaker 1: front at the gig. 469 00:19:50,240 --> 00:19:53,360 Speaker 5: Yes, this is the queuing up to be to be. 470 00:19:53,359 --> 00:19:56,920 Speaker 1: Sort of dragged over a barrier by a security guard. Yes, 471 00:19:57,080 --> 00:19:58,679 Speaker 1: role in the first five minutes. 472 00:19:58,720 --> 00:19:59,080 Speaker 3: I think. 473 00:19:59,119 --> 00:20:02,640 Speaker 1: So where the those girls go? Where there's a big 474 00:20:02,680 --> 00:20:06,800 Speaker 1: stack of the man the isle of girls going, there's 475 00:20:06,840 --> 00:20:09,800 Speaker 1: loads of them. They're exhausted apes. Yeah. 476 00:20:10,520 --> 00:20:13,520 Speaker 6: So the girls here came up earlier and they're like, 477 00:20:13,640 --> 00:20:17,280 Speaker 6: I will do anything for tickets to tomorrow night's show, anything, 478 00:20:17,760 --> 00:20:18,280 Speaker 6: And so. 479 00:20:18,240 --> 00:20:21,240 Speaker 5: I thought, this fear is something that you feel like a. 480 00:20:21,320 --> 00:20:25,520 Speaker 1: Nineteen seventies This feels like this is this that clip 481 00:20:25,600 --> 00:20:30,080 Speaker 1: is going to be used in a Netflix documentary off 482 00:20:30,080 --> 00:20:34,200 Speaker 1: the air. These girls have said they'll do anything for tickets. 483 00:20:34,400 --> 00:20:37,440 Speaker 5: I mean, I'm always when anyone. 484 00:20:37,200 --> 00:20:40,680 Speaker 2: That heard that right, it's twenty twenty three, twenty years later, 485 00:20:40,720 --> 00:20:42,600 Speaker 2: and he's still in solitary confinement. 486 00:20:43,480 --> 00:20:45,560 Speaker 5: You guys have taken this in the wrong place. 487 00:20:45,680 --> 00:20:48,199 Speaker 6: And it's not shocking, but you guys have taken this 488 00:20:48,240 --> 00:20:48,960 Speaker 6: in the wrong place. 489 00:20:49,000 --> 00:20:56,280 Speaker 1: South back. Just listen to yourself. So is there the 490 00:20:56,440 --> 00:20:57,960 Speaker 1: place definitely deserves a ticket? 491 00:20:58,000 --> 00:21:04,200 Speaker 6: Doesn't it that they are willing to sing, dance, answer anything? 492 00:21:04,600 --> 00:21:06,240 Speaker 5: What do you want them to do to get these tickets? 493 00:21:06,240 --> 00:21:09,760 Speaker 1: Oh, sing I sing? Singapare Matilda? Matilda's is the best 494 00:21:09,760 --> 00:21:12,640 Speaker 1: song on that record, right, it's an amazing song. Sing better? 495 00:21:12,960 --> 00:21:16,720 Speaker 6: Okay, okay, are you gonna sing Matilda? Are you ready 496 00:21:16,720 --> 00:21:20,800 Speaker 6: to go? This is to get tickets. Now introduce yourself firstly. 497 00:21:20,720 --> 00:21:23,320 Speaker 5: I'm Isabella. Where you're from? Panath? How long have you 498 00:21:23,359 --> 00:21:23,760 Speaker 5: been here? 499 00:21:23,920 --> 00:21:24,600 Speaker 1: I've been like. 500 00:21:24,640 --> 00:21:29,119 Speaker 5: Here right at the stadium. We've been here since six thirty. Okay. 501 00:21:29,200 --> 00:21:32,000 Speaker 6: Now you're gonna sing Matilda and if Jimmy likes us, 502 00:21:32,359 --> 00:21:33,920 Speaker 6: then you get tickets to tomorrow night. 503 00:21:34,240 --> 00:21:36,240 Speaker 5: All right, ready to go? 504 00:21:36,320 --> 00:21:37,560 Speaker 3: It's just confirming the words here. 505 00:21:38,359 --> 00:21:41,200 Speaker 1: You can let it go and you can for a 506 00:21:41,400 --> 00:21:45,680 Speaker 1: party for everyone you know and not invite your family 507 00:21:45,760 --> 00:21:47,440 Speaker 1: because they never showed you last. 508 00:21:48,080 --> 00:21:52,120 Speaker 5: You don't have to be sorry for doing on your role. 509 00:21:52,880 --> 00:21:53,679 Speaker 5: I mean I don't know. 510 00:21:53,840 --> 00:21:59,719 Speaker 1: I mean they get tickets, You get tickets. I mean 511 00:22:00,040 --> 00:22:02,840 Speaker 1: that's creak surely. 512 00:22:03,160 --> 00:22:06,120 Speaker 5: Okay. So there's three of them and there's other two tickets. 513 00:22:05,720 --> 00:22:09,840 Speaker 6: And so do you divide them or can we get 514 00:22:09,840 --> 00:22:10,360 Speaker 6: a third tie? 515 00:22:10,440 --> 00:22:12,080 Speaker 1: Actually? Would like please? 516 00:22:12,200 --> 00:22:14,080 Speaker 5: I would love the song do more. 517 00:22:14,359 --> 00:22:16,280 Speaker 2: I would like to see Matt de Green get ripped 518 00:22:16,320 --> 00:22:17,880 Speaker 2: apart by teenage girls. 519 00:22:17,960 --> 00:22:19,800 Speaker 1: So no, no, we'll sort that out. 520 00:22:19,800 --> 00:22:20,200 Speaker 3: We'll get you. 521 00:22:20,400 --> 00:22:21,920 Speaker 5: It's we're getting three tickets. 522 00:22:21,920 --> 00:22:26,119 Speaker 3: You you got four tickets. 523 00:22:26,680 --> 00:22:29,440 Speaker 1: Genuinely that these leadings aren't. I'm watching it on the screen. 524 00:22:29,480 --> 00:22:31,600 Speaker 1: They're tiny enough. I think we could fit all three 525 00:22:31,600 --> 00:22:33,360 Speaker 1: of them inside the raincoat. Yet the men, there's one. 526 00:22:33,440 --> 00:22:34,679 Speaker 3: You only need one ticket. 527 00:22:34,920 --> 00:22:38,560 Speaker 1: You're listening to the Whip podcast. Jimmy. 528 00:22:38,600 --> 00:22:41,520 Speaker 2: You do so many television shows and that we get 529 00:22:41,520 --> 00:22:43,440 Speaker 2: here in Australia as well. One of them is eight 530 00:22:43,560 --> 00:22:46,359 Speaker 2: out of ten cats. And one of the rounds that 531 00:22:46,440 --> 00:22:49,080 Speaker 2: you do play is called Believe It or Not. It's 532 00:22:49,119 --> 00:22:51,720 Speaker 2: basically where you give the teams are given a statistic 533 00:22:51,760 --> 00:22:53,280 Speaker 2: and they try to guess whether it's. 534 00:22:53,119 --> 00:22:55,520 Speaker 1: True or folk. Well, let's let's let's play around this 535 00:22:55,640 --> 00:22:56,920 Speaker 1: with FITZI and Whipper. 536 00:23:02,320 --> 00:23:03,680 Speaker 3: I mean, does that happen on your show? 537 00:23:04,600 --> 00:23:07,520 Speaker 1: I mean that's seamless. Yeah, this is we're going for 538 00:23:07,560 --> 00:23:10,440 Speaker 1: the award for this segment. Throughout the award. Okay, all right, 539 00:23:10,560 --> 00:23:12,960 Speaker 1: true or false, we'll put you up against each other. 540 00:23:13,000 --> 00:23:15,560 Speaker 1: So seventy four percent of Australians use the phrase no 541 00:23:15,680 --> 00:23:18,439 Speaker 1: worries each day? Is that true or Is it false? 542 00:23:19,040 --> 00:23:21,719 Speaker 3: I would say straight off the bat, that's false. 543 00:23:21,800 --> 00:23:24,200 Speaker 4: Yeah, I would say, you're like nine to nine point 544 00:23:24,320 --> 00:23:25,480 Speaker 4: nine repeated. 545 00:23:25,880 --> 00:23:29,000 Speaker 2: I come from the South of Australia and I don't 546 00:23:29,040 --> 00:23:31,919 Speaker 2: even use no worries, so everybody I would say false 547 00:23:31,920 --> 00:23:32,240 Speaker 2: as well. 548 00:23:32,320 --> 00:23:33,480 Speaker 1: Jimmy, Wait, wait. 549 00:23:33,320 --> 00:23:35,760 Speaker 4: So you're saying false. You're saying I'm saying false. But 550 00:23:35,840 --> 00:23:37,680 Speaker 4: I thought, would you have an answer with the accuracy 551 00:23:37,720 --> 00:23:38,440 Speaker 4: of a percentage? 552 00:23:39,359 --> 00:23:41,359 Speaker 3: Yeah, oh well I'm going nine to nine? Are we 553 00:23:41,400 --> 00:23:42,800 Speaker 3: going nearest to the pink? 554 00:23:43,520 --> 00:23:46,640 Speaker 1: More? True? False? And you're asking what the number would be. Well, 555 00:23:46,640 --> 00:23:50,080 Speaker 1: it's seventy four percent, isn't it. It's either true or false. Sorry, 556 00:23:51,040 --> 00:23:52,840 Speaker 1: it's true or false. What do you think false? What 557 00:23:52,880 --> 00:23:55,960 Speaker 1: do you think? I think it's false. Okay, the game. 558 00:23:56,000 --> 00:23:58,200 Speaker 1: What if one of you guess is true? 559 00:23:58,440 --> 00:23:59,280 Speaker 3: I'm going to go true? 560 00:23:59,440 --> 00:24:02,960 Speaker 1: You think true? Well, you're right, yeah, true. 561 00:24:03,280 --> 00:24:03,600 Speaker 5: I knew. 562 00:24:03,760 --> 00:24:06,160 Speaker 1: Seventy four percent of Australians used the phrase no worries 563 00:24:06,200 --> 00:24:08,480 Speaker 1: each say it's kind of adorable. Why wouldn't younger? Let's 564 00:24:08,520 --> 00:24:11,159 Speaker 1: go for another one, all right. A survey of Fortune 565 00:24:11,280 --> 00:24:15,840 Speaker 1: five hundred executives found that only twenty four percent cheat 566 00:24:16,200 --> 00:24:17,160 Speaker 1: at the game of golf. 567 00:24:18,280 --> 00:24:22,679 Speaker 2: Oh, I look, I think this is true, Jimmy, because 568 00:24:22,680 --> 00:24:25,560 Speaker 2: I think they will cheat in the industry world, but 569 00:24:25,680 --> 00:24:28,760 Speaker 2: not on on the grain. I think that they actually 570 00:24:28,840 --> 00:24:30,080 Speaker 2: tell the truth on the grain. 571 00:24:30,200 --> 00:24:32,280 Speaker 3: Not false has to be false. One hundred percent of 572 00:24:32,280 --> 00:24:33,720 Speaker 3: them would chee all side true. 573 00:24:33,840 --> 00:24:39,160 Speaker 1: It's it's false. Six percent of them cheated. Eighty cities 574 00:24:39,200 --> 00:24:43,000 Speaker 1: will cheated golf where there is really bad. It's a 575 00:24:43,000 --> 00:24:45,440 Speaker 1: game you play against yourself. So I've never played because 576 00:24:45,480 --> 00:24:46,320 Speaker 1: I assume I win. 577 00:24:47,760 --> 00:24:49,119 Speaker 3: But I mean, we've all found a ball out of 578 00:24:49,119 --> 00:24:49,919 Speaker 3: the bunker, haven't we. 579 00:24:50,720 --> 00:24:55,840 Speaker 1: You must I'm not familiar with the euphemism. That's sounds terrible, though, 580 00:24:55,840 --> 00:24:58,480 Speaker 1: Doesn't it just lob your ball out? Here's here's this 581 00:24:58,600 --> 00:25:01,520 Speaker 1: is six percent of all marririage proposals are made over 582 00:25:01,560 --> 00:25:05,840 Speaker 1: the phone. Who's who's like to lock in? 583 00:25:05,920 --> 00:25:08,119 Speaker 3: True? Who's proposing over the phone? 584 00:25:08,160 --> 00:25:12,000 Speaker 1: He's long true? So yours? I think the answer is true. 585 00:25:12,720 --> 00:25:13,000 Speaker 3: Bang. 586 00:25:13,160 --> 00:25:16,120 Speaker 1: I think it's like military. I think it's people when 587 00:25:16,160 --> 00:25:18,840 Speaker 1: they're awe you're away from your other half, that's when 588 00:25:18,880 --> 00:25:22,840 Speaker 1: you realize. I travel a lot, keeps a relationship fresh. 589 00:25:22,840 --> 00:25:25,080 Speaker 1: I think you're overseas you know. 590 00:25:25,240 --> 00:25:27,720 Speaker 3: When you've cheated you mean, and you're feeling guilty about it? 591 00:25:28,000 --> 00:25:32,400 Speaker 1: Sure? Sure, sure what your I reckon overseas soldiers that's 592 00:25:32,480 --> 00:25:33,840 Speaker 1: the ticket? 593 00:25:33,960 --> 00:25:36,359 Speaker 3: Or you know, yeah, sure, honey, I miss you so 594 00:25:36,560 --> 00:25:38,320 Speaker 3: much in Amsterdam. 595 00:25:37,800 --> 00:25:40,240 Speaker 1: With in a broth or picking. This hasn't gone well. 596 00:25:40,840 --> 00:25:45,560 Speaker 3: This awesome trip Advisor's all right thinking about it? Yet, 597 00:25:45,800 --> 00:25:46,840 Speaker 3: Hey have I got three? 598 00:25:46,920 --> 00:25:47,120 Speaker 2: Right? 599 00:25:47,560 --> 00:25:51,520 Speaker 1: You're on fire? This okay? This one's twenty percent of 600 00:25:52,720 --> 00:25:58,000 Speaker 1: pokey machines is sorry, twenty percent of the global pokey 601 00:25:58,000 --> 00:26:00,920 Speaker 1: machine population is found in Australia. 602 00:26:01,359 --> 00:26:04,399 Speaker 2: Look, we do have a hunger for the pokem machine, 603 00:26:04,440 --> 00:26:06,520 Speaker 2: but I don't think twenty percent of they got You 604 00:26:06,600 --> 00:26:07,560 Speaker 2: can't it can't be on. 605 00:26:08,240 --> 00:26:09,240 Speaker 1: I'm saying false. 606 00:26:09,840 --> 00:26:12,800 Speaker 3: Think of Vegas like they have, Yes, so many. 607 00:26:12,640 --> 00:26:16,200 Speaker 4: Machines, machines in the toilet macaw, Yes, we can't have twiny. 608 00:26:16,240 --> 00:26:17,160 Speaker 3: I'm going to say true. 609 00:26:18,400 --> 00:26:19,840 Speaker 1: He's right again, that's true. 610 00:26:19,840 --> 00:26:23,560 Speaker 3: I mean I can see I can. 611 00:26:24,720 --> 00:26:26,560 Speaker 1: No one else calls them the pokeys. By the way, 612 00:26:26,560 --> 00:26:30,080 Speaker 1: when you tell people there's a VIP room in a pub, 613 00:26:30,119 --> 00:26:33,800 Speaker 1: people go, oh, that sounds that sounds fantastic vip room, 614 00:26:33,880 --> 00:26:36,040 Speaker 1: or we should go here, this is going to be amazing. 615 00:26:36,080 --> 00:26:40,320 Speaker 1: Fancy sounds wonderful, the room full of pokes. 616 00:26:40,440 --> 00:26:41,520 Speaker 3: We only found out the other day. 617 00:26:41,520 --> 00:26:45,240 Speaker 4: It's also known as the Brickie's laptop, the poker machine, 618 00:26:45,359 --> 00:26:49,840 Speaker 4: the Brickies laptop. Used that in woollongl Yeah, so they went, 619 00:26:49,920 --> 00:26:51,520 Speaker 4: they to go straight from work to get on the 620 00:26:51,520 --> 00:26:52,320 Speaker 4: Bricki's laptop. 621 00:26:52,400 --> 00:26:56,639 Speaker 2: And the trade's handbag in Australia is the roast chicken 622 00:26:56,720 --> 00:26:58,520 Speaker 2: that you buy from the supermarket. 623 00:26:58,640 --> 00:26:59,920 Speaker 3: I think that got added to our diction. 624 00:27:00,200 --> 00:27:03,080 Speaker 1: Sorry, what is it called the roast chicken? That's called 625 00:27:03,080 --> 00:27:06,280 Speaker 1: a trade's handbag? Right, Okay, that's not the one who 626 00:27:06,320 --> 00:27:07,639 Speaker 1: used to used to have friends that worked on what 627 00:27:07,640 --> 00:27:10,880 Speaker 1: do you call guys that work on the bins? Oh, 628 00:27:10,960 --> 00:27:16,040 Speaker 1: garbas garbos, of course you called of course they used to. 629 00:27:16,040 --> 00:27:17,520 Speaker 1: I had friends that used to work on the dust. 630 00:27:17,560 --> 00:27:19,359 Speaker 1: It would be called the dust where I'm from, kidding 631 00:27:19,359 --> 00:27:21,200 Speaker 1: Wigan on the dusty And mates used to work on 632 00:27:21,200 --> 00:27:22,760 Speaker 1: the dust in the summers or ever when they were 633 00:27:22,760 --> 00:27:25,760 Speaker 1: eighteen eighteen, and they would call maggots, because you get 634 00:27:25,760 --> 00:27:30,240 Speaker 1: maggots in the would call them disco rice. This one's 635 00:27:30,320 --> 00:27:32,240 Speaker 1: this one's disgusting's full of disco rice. 636 00:27:33,080 --> 00:27:34,960 Speaker 3: So you've been you've been on the dust and now 637 00:27:34,960 --> 00:27:36,880 Speaker 3: the disco Ross. I mean that's a while. 638 00:27:37,480 --> 00:27:39,840 Speaker 1: I love the little short terms, the little trade terms 639 00:27:39,840 --> 00:27:43,200 Speaker 1: for stuff. You've got a good trade term for something? Yeah, 640 00:27:43,240 --> 00:27:46,840 Speaker 1: texting you gotta let us got a number, let us know. 641 00:27:47,080 --> 00:27:49,000 Speaker 1: We won't give your tickets to Harry Stars. 642 00:27:49,400 --> 00:27:50,720 Speaker 3: I mean we can build all of that into the 643 00:27:50,720 --> 00:27:51,480 Speaker 3: Wollongong shot. 644 00:27:51,960 --> 00:27:55,119 Speaker 1: You're ready to waiful say goodbye to Jimmy? Can we 645 00:27:55,160 --> 00:27:57,119 Speaker 1: give away a double Jimmy? Can we give away to 646 00:27:57,160 --> 00:27:59,439 Speaker 1: one of your shows? We can't. I'm back on the 647 00:27:59,600 --> 00:28:01,359 Speaker 1: I think it's the seventh. I think it might be 648 00:28:01,359 --> 00:28:03,280 Speaker 1: the day of the coronation. I'm back in Sydney at 649 00:28:03,280 --> 00:28:05,840 Speaker 1: the arena. We could give away tickets, can we get 650 00:28:05,920 --> 00:28:08,280 Speaker 1: We'll give away a double right now. It doesn't if 651 00:28:08,280 --> 00:28:09,879 Speaker 1: you want to, I don't know. If you want to 652 00:28:09,920 --> 00:28:12,800 Speaker 1: jump for joy for Jimmy, just get the tickets. Don't 653 00:28:12,840 --> 00:28:15,000 Speaker 1: know what else could we do? Just if they phone, 654 00:28:15,080 --> 00:28:18,320 Speaker 1: if they if they phone in now do my laugh? 655 00:28:18,880 --> 00:28:21,560 Speaker 1: I have a laugh. 656 00:28:21,680 --> 00:28:23,520 Speaker 2: You can do Jimmy's laugh right now. We'll give you 657 00:28:23,560 --> 00:28:25,840 Speaker 2: a double. You are only where the show is. 658 00:28:25,880 --> 00:28:28,239 Speaker 1: The show is It's on the seventh of May. If 659 00:28:28,240 --> 00:28:29,359 Speaker 1: you're around on the seventh man. 660 00:28:29,920 --> 00:28:31,800 Speaker 3: Love to see it again, buddy. It was awesome. Last 661 00:28:31,840 --> 00:28:32,439 Speaker 3: night was awesome. 662 00:28:32,880 --> 00:28:35,439 Speaker 1: You correct, so fun so good I was. 663 00:28:35,720 --> 00:28:36,640 Speaker 3: It was so much fun. 664 00:28:36,760 --> 00:28:38,680 Speaker 1: Yes, so yeah, I know, I really know. 665 00:28:39,240 --> 00:28:42,040 Speaker 3: Go and see I know. Guys. Oh, he's a battler, 666 00:28:42,400 --> 00:28:44,480 Speaker 3: Jimmy Carr. He's a really good guy. 667 00:28:44,800 --> 00:28:48,360 Speaker 1: He's a battler. Can I just read a made of mine? Nathan? 668 00:28:48,520 --> 00:28:53,200 Speaker 3: Can you read let's find out. 669 00:28:53,160 --> 00:28:55,479 Speaker 2: Nathan went to your show on Wednesday night, just listening. 670 00:28:55,520 --> 00:28:57,280 Speaker 2: Went and saw Jimmy on Wednesday night. I was in 671 00:28:57,360 --> 00:29:00,880 Speaker 2: tears for two hours. Think he's so funny, A brilliant show. 672 00:29:01,200 --> 00:29:05,160 Speaker 2: That's from Nathan, and cried for two hours afterwards. 673 00:29:06,640 --> 00:29:09,480 Speaker 3: Jimmy Carr, thank you for coming into the studio. 674 00:29:09,480 --> 00:29:11,560 Speaker 2: Already has a song called Adore You, but we adore 675 00:29:11,600 --> 00:29:13,040 Speaker 2: you very beautiful. 676 00:29:13,280 --> 00:29:15,640 Speaker 1: I mean that is that's what that's what they pay 677 00:29:15,680 --> 00:29:18,880 Speaker 1: the big give. He's been sitting on that for an hour. 678 00:29:19,600 --> 00:29:23,640 Speaker 3: Jimmy Carr, Thank you, budd. You're listening to the Whipper podcast.