1 00:00:00,280 --> 00:00:03,200 Speaker 1: This is the Fitting and Whipper with Cake Richie podcast. 2 00:00:03,400 --> 00:00:03,720 Speaker 2: Tommy. 3 00:00:03,720 --> 00:00:06,400 Speaker 1: Have we got Jim Jeffries. We're just getting him up now, 4 00:00:06,559 --> 00:00:09,520 Speaker 1: firing out the character. Jim Jeffries. 5 00:00:09,560 --> 00:00:10,360 Speaker 2: You there, buddy, I. 6 00:00:10,400 --> 00:00:12,520 Speaker 3: Get you at the barden. 7 00:00:12,560 --> 00:00:14,320 Speaker 2: Have we made of outside today? 8 00:00:14,840 --> 00:00:17,400 Speaker 3: That's I've just pulled the curtain back for a long time. 9 00:00:17,520 --> 00:00:20,120 Speaker 3: That's it's the side of the house. Pretty exciting stuff. 10 00:00:20,640 --> 00:00:22,079 Speaker 3: You get much better than that. 11 00:00:22,160 --> 00:00:25,680 Speaker 1: Beautiful nature, Jim. 12 00:00:25,920 --> 00:00:26,760 Speaker 2: The surroundings too. 13 00:00:27,080 --> 00:00:30,200 Speaker 3: I'd love to see Cribs, a version of Cribs around 14 00:00:30,240 --> 00:00:33,520 Speaker 3: your place, where someone comes through you give the tour. 15 00:00:33,880 --> 00:00:34,200 Speaker 2: I don't. 16 00:00:34,360 --> 00:00:37,680 Speaker 3: I've never understood episodes of Cribs. Why would famous people 17 00:00:37,680 --> 00:00:40,080 Speaker 3: want you in your house? I don't even like doing it, mate, 18 00:00:40,159 --> 00:00:42,000 Speaker 3: Like I don't even like doing a selfie. I try 19 00:00:42,040 --> 00:00:45,320 Speaker 3: to pick the most nondescript wall possible for you guys 20 00:00:45,360 --> 00:00:47,720 Speaker 3: to see. And then this time I pulled the curtains back. 21 00:00:47,760 --> 00:00:49,640 Speaker 3: Normally have the curtains done, and now you're already getting 22 00:00:49,640 --> 00:00:54,800 Speaker 3: into me. So someone's got plans, do they? Someone's living 23 00:00:54,840 --> 00:00:56,920 Speaker 3: it up in the Hollywood Hill with their trees. 24 00:00:57,080 --> 00:00:58,200 Speaker 2: Congratulations on this. 25 00:00:59,560 --> 00:01:01,880 Speaker 1: Thirty years ago you would have pulled back the curtains 26 00:01:01,880 --> 00:01:04,000 Speaker 1: and there would have been a bit a hydra around 27 00:01:04,400 --> 00:01:12,080 Speaker 1: all right, mate, Jim, Jim, Jeffries and friends. I'm really 28 00:01:12,120 --> 00:01:15,720 Speaker 1: excited about this. Well, you're up to episode three already. 29 00:01:15,720 --> 00:01:18,080 Speaker 1: It's back tonight. You can check check it out eight 30 00:01:18,240 --> 00:01:19,960 Speaker 1: thirty on seven and seven plus. 31 00:01:20,319 --> 00:01:22,319 Speaker 2: But this is just you picking mates to get up 32 00:01:22,360 --> 00:01:24,200 Speaker 2: on stage and do a bit of comedy. Well, aren't you. 33 00:01:24,240 --> 00:01:28,679 Speaker 3: The first two episodes have gone completely game buster, especially 34 00:01:28,680 --> 00:01:31,679 Speaker 3: with people watching them streaming them afterwards. The ratings came in, 35 00:01:31,840 --> 00:01:34,199 Speaker 3: it has gone really well, so I'm really happy. 36 00:01:34,240 --> 00:01:35,560 Speaker 2: Look, look, I could. 37 00:01:35,440 --> 00:01:38,200 Speaker 3: Tell you it's all about me trying to, you know, 38 00:01:38,319 --> 00:01:44,000 Speaker 3: bring in comedians Felicity Ward, Glen Wall, Andrew Maxwell, mel Buddle, 39 00:01:44,080 --> 00:01:46,920 Speaker 3: all these great comics Amos Gill, all friends of mine 40 00:01:46,920 --> 00:01:49,160 Speaker 3: that I thought. There's some comics that are very well 41 00:01:49,200 --> 00:01:51,200 Speaker 3: known to the Australian public and some comics that no 42 00:01:51,280 --> 00:01:53,280 Speaker 3: one knows that have been mates in mine for years. 43 00:01:53,320 --> 00:01:55,880 Speaker 3: That maybe you didn't get opportunities on TV and whatnot. 44 00:01:56,160 --> 00:01:58,600 Speaker 3: And I could tell you it's because it's out of 45 00:01:58,640 --> 00:01:59,360 Speaker 3: the goodness of. 46 00:01:59,320 --> 00:02:00,280 Speaker 2: My own heart. 47 00:02:00,400 --> 00:02:02,800 Speaker 3: But the real reason is I wanted to have a 48 00:02:02,840 --> 00:02:06,240 Speaker 3: stand up comedy show on terrestrial TV and Australian TV 49 00:02:06,400 --> 00:02:09,240 Speaker 3: that crushed the Melbourne Comedy Festival in its ratings and 50 00:02:09,320 --> 00:02:13,600 Speaker 3: it's done that three times. That's all that matters to me. Well, 51 00:02:13,600 --> 00:02:16,080 Speaker 3: I'm not a petty man. I'm just wanted to do 52 00:02:16,160 --> 00:02:16,840 Speaker 3: that for years. 53 00:02:17,520 --> 00:02:18,120 Speaker 2: I'd do this. 54 00:02:18,480 --> 00:02:21,520 Speaker 3: I do this TV show for free, just to bury 55 00:02:21,560 --> 00:02:25,480 Speaker 3: the Melbourne Comedy Festival Australia. You have been watching a 56 00:02:25,840 --> 00:02:29,560 Speaker 3: crap on TV for years. You haven't had good comedy 57 00:02:29,600 --> 00:02:30,640 Speaker 3: for effing ever. 58 00:02:31,200 --> 00:02:33,680 Speaker 2: You're welcome, You're welcome. 59 00:02:33,440 --> 00:02:35,440 Speaker 3: But once we're going to have some good stand ups 60 00:02:35,440 --> 00:02:38,840 Speaker 3: and not a bunch of limp comedy that's been getting 61 00:02:38,880 --> 00:02:44,320 Speaker 3: for all these years. What have you got any actual 62 00:02:44,360 --> 00:02:47,120 Speaker 3: beef with the Melbourne Comedy Festival or you're just disappointed? 63 00:02:47,280 --> 00:02:49,320 Speaker 2: I pig of them, man, they've got a beef with me, 64 00:02:49,440 --> 00:02:49,920 Speaker 2: not for me. 65 00:02:51,320 --> 00:02:53,880 Speaker 3: They come at me, Melbourne, come at me. 66 00:02:56,000 --> 00:02:56,280 Speaker 2: Jim. 67 00:02:56,360 --> 00:03:00,560 Speaker 1: Who inspired you when you were younger as a commede Like? 68 00:03:00,760 --> 00:03:02,160 Speaker 2: What made you get into comedy? 69 00:03:02,480 --> 00:03:05,280 Speaker 1: Was there one comedian that you watched and just went, oh, man, 70 00:03:05,320 --> 00:03:05,840 Speaker 1: I want. 71 00:03:05,639 --> 00:03:08,720 Speaker 3: To do that Eddie Murphy when I was a kid, 72 00:03:08,760 --> 00:03:12,720 Speaker 3: And that was because we had delirious straight Well, we 73 00:03:12,720 --> 00:03:15,880 Speaker 3: didn't get we didn't get HBO comedy specials. We didn't 74 00:03:15,919 --> 00:03:17,200 Speaker 3: have Netflix comedy specials. 75 00:03:17,200 --> 00:03:17,680 Speaker 2: You know what I mean. 76 00:03:17,800 --> 00:03:20,280 Speaker 3: If a comedy specially had an HBO in America, it 77 00:03:20,360 --> 00:03:25,000 Speaker 3: never got to us until Delirious. Delirious was a cinematic release, 78 00:03:25,040 --> 00:03:27,480 Speaker 3: so we could rent it from the video store and 79 00:03:27,520 --> 00:03:30,280 Speaker 3: that was the game changes. So my brother who was 80 00:03:30,320 --> 00:03:33,320 Speaker 3: seven years older, then he kept on renting Delirious, and 81 00:03:33,360 --> 00:03:36,119 Speaker 3: then Raw came in. We kept on renting Raw, so 82 00:03:36,200 --> 00:03:37,840 Speaker 3: that was that was a big thing for me to 83 00:03:37,840 --> 00:03:40,880 Speaker 3: watch a guy sort of telling stories about his childhood 84 00:03:40,880 --> 00:03:42,960 Speaker 3: and stuff. It was so relatable as a little kid. 85 00:03:43,040 --> 00:03:49,280 Speaker 3: Plus he was swearing so much. But Anthony Morgan was 86 00:03:49,320 --> 00:03:50,240 Speaker 3: the Australian. 87 00:03:50,040 --> 00:03:50,960 Speaker 2: Like a choice for me. 88 00:03:51,440 --> 00:03:55,240 Speaker 1: I love Anthony Morgan and he's still going, isn't he Jim. 89 00:03:55,960 --> 00:03:58,640 Speaker 2: I've never met him. I've never met it. I love 90 00:03:58,680 --> 00:03:59,000 Speaker 2: the guy. 91 00:03:59,240 --> 00:04:01,120 Speaker 3: He used to He to be on viz Art and 92 00:04:01,160 --> 00:04:02,800 Speaker 3: then he was on a few other TV shows and 93 00:04:02,840 --> 00:04:03,560 Speaker 3: they used to cut to. 94 00:04:03,560 --> 00:04:05,440 Speaker 2: Him a lot. And then I went and saw him 95 00:04:05,480 --> 00:04:07,800 Speaker 2: when I was about sixteen. I went in with a 96 00:04:07,840 --> 00:04:08,400 Speaker 2: fake ID. 97 00:04:08,560 --> 00:04:10,920 Speaker 3: I went with my brother's ID, and I bought a 98 00:04:10,960 --> 00:04:14,080 Speaker 3: couple of tickets and I took a girl along with me, 99 00:04:14,160 --> 00:04:17,880 Speaker 3: and I remember leaving the gig and she was well 100 00:04:17,880 --> 00:04:20,760 Speaker 3: into me because she'd been laughing for two hours and 101 00:04:20,800 --> 00:04:22,440 Speaker 3: she just assumed it had something. 102 00:04:22,240 --> 00:04:25,839 Speaker 2: To do with me. That's the that's the power of comedy. 103 00:04:26,160 --> 00:04:29,440 Speaker 3: So, Anthony Morgan, when you're sixteen years old, that was 104 00:04:29,440 --> 00:04:30,120 Speaker 3: a big deal. 105 00:04:30,839 --> 00:04:34,240 Speaker 2: Have you met Eddie Murphy before, Jim, I have met 106 00:04:34,360 --> 00:04:34,960 Speaker 2: Eddie Murphy. 107 00:04:35,000 --> 00:04:39,760 Speaker 3: I met Eddie Murphy at James Packer's birthday party when. 108 00:04:40,640 --> 00:04:43,960 Speaker 2: I was when I was the paid entertainment and I. 109 00:04:44,000 --> 00:04:47,919 Speaker 3: Was I was I was pied by Mariah Carey to 110 00:04:47,960 --> 00:04:51,760 Speaker 3: do the gun control routine for James Packer in a 111 00:04:51,640 --> 00:04:54,400 Speaker 3: in a garden with no shoes on. I didn't have 112 00:04:54,440 --> 00:04:58,359 Speaker 3: a microphone, and I'm back on backstage. I I'm in 113 00:04:58,400 --> 00:05:00,520 Speaker 3: the kitchen. Was it Brett Ratt his house? 114 00:05:00,600 --> 00:05:00,760 Speaker 2: Right? 115 00:05:00,960 --> 00:05:03,640 Speaker 3: I was in the kitchen and I was in the 116 00:05:03,680 --> 00:05:06,120 Speaker 3: kitchen and Eddie Murphy walks in and he was looking 117 00:05:06,120 --> 00:05:08,000 Speaker 3: for a soda or something like that, and I'm sitting 118 00:05:08,040 --> 00:05:09,760 Speaker 3: having my meal and I'm all saying, I look up, 119 00:05:09,800 --> 00:05:13,080 Speaker 3: my hero. You're sitting there, and I look up and 120 00:05:13,400 --> 00:05:16,680 Speaker 3: I just went hi, mister Murphy. And he goes Ada 121 00:05:16,680 --> 00:05:18,600 Speaker 3: are you. He goes, you do the TV show with 122 00:05:18,640 --> 00:05:20,480 Speaker 3: the disabled boy. My sick Gum was still in the 123 00:05:20,520 --> 00:05:23,000 Speaker 3: air at that stage, right he goes, he goes, you. 124 00:05:22,880 --> 00:05:24,840 Speaker 2: Do the sick Gum with the disabled boy. And I said, 125 00:05:24,839 --> 00:05:27,479 Speaker 2: I do do the Sick Cob with the disabled. 126 00:05:26,880 --> 00:05:29,680 Speaker 3: Boy, and he goes, I love that show. He goes, 127 00:05:30,120 --> 00:05:31,720 Speaker 3: and then I took a photo with him, and then 128 00:05:31,760 --> 00:05:34,200 Speaker 3: afterwards he goes, what do you He goes, what are 129 00:05:34,200 --> 00:05:36,160 Speaker 3: you doing here? And I said, I'm about to do 130 00:05:36,360 --> 00:05:38,960 Speaker 3: stand up for the dinner party, and he went, there's 131 00:05:39,000 --> 00:05:40,599 Speaker 3: no way that'll work out, and then. 132 00:05:40,440 --> 00:05:41,960 Speaker 2: He left and then I. 133 00:05:43,880 --> 00:05:46,200 Speaker 3: And so my biggest hero just told me that it 134 00:05:46,240 --> 00:05:48,720 Speaker 3: was an undoable task and he wasn't wrong? 135 00:05:49,920 --> 00:05:52,400 Speaker 1: Was he Wasn't There a bit of a mix up 136 00:05:52,440 --> 00:05:55,320 Speaker 1: because so Eddie Murphy knew who you were, which was 137 00:05:55,360 --> 00:05:58,800 Speaker 1: great news, But did James Packer know who Packer? 138 00:05:58,960 --> 00:06:02,640 Speaker 3: Packer didn't recall who I was right away, and Mariah 139 00:06:02,680 --> 00:06:05,280 Speaker 3: Carey had to remind him. Remember we were in bed 140 00:06:05,320 --> 00:06:07,320 Speaker 3: and we were watching stand up and he's the guy 141 00:06:07,320 --> 00:06:11,000 Speaker 3: who did the thing with the guns, and he's like, ah, yes, 142 00:06:11,080 --> 00:06:12,160 Speaker 3: the bloke with the guns. 143 00:06:12,320 --> 00:06:12,960 Speaker 2: And there was a. 144 00:06:12,920 --> 00:06:17,560 Speaker 3: Bit where where during my stand up. Leonardo DiCaprio shows 145 00:06:17,640 --> 00:06:21,440 Speaker 3: up at the part. He had a bit and everyone 146 00:06:21,480 --> 00:06:24,040 Speaker 3: greeted him like he was norm from cheers, and I 147 00:06:24,160 --> 00:06:26,800 Speaker 3: just I just stopped doing my stand up, right, So 148 00:06:26,839 --> 00:06:30,040 Speaker 3: I'm just standing there in his socks next to Leonardo DiCaprio, 149 00:06:30,040 --> 00:06:31,800 Speaker 3: who got to keep his shoes on, by the way, 150 00:06:32,120 --> 00:06:34,240 Speaker 3: and he and he comes and. 151 00:06:34,160 --> 00:06:34,760 Speaker 2: Stands next to me. 152 00:06:34,920 --> 00:06:36,640 Speaker 3: He's got the he's got the big bit and everything, 153 00:06:36,760 --> 00:06:38,359 Speaker 3: and they all greet him, and then he talks to 154 00:06:38,400 --> 00:06:41,360 Speaker 3: him for about two minutes, and then he goes, he goes, 155 00:06:41,520 --> 00:06:43,279 Speaker 3: I'm sorry, was I interrupting something? 156 00:06:43,320 --> 00:06:44,880 Speaker 2: He goes, he looked at me, and he goes, what 157 00:06:45,040 --> 00:06:52,200 Speaker 2: is this? And our pacino went, We don't know. I hadn't. 158 00:06:52,839 --> 00:06:56,760 Speaker 2: I hadn't even got the laugh the whole time, got 159 00:06:56,760 --> 00:06:59,359 Speaker 2: my punchline away. What did you get? What did you 160 00:06:59,400 --> 00:07:01,479 Speaker 2: get paid for the gig? What did you get paid? 161 00:07:01,680 --> 00:07:06,000 Speaker 2: The look? It was? It was it was I can't remember. 162 00:07:06,080 --> 00:07:08,160 Speaker 2: I think it was it was fifty or something like that. 163 00:07:08,200 --> 00:07:11,320 Speaker 2: It was, and it was it was. It was a 164 00:07:11,440 --> 00:07:13,680 Speaker 2: drive from me house. It wasn't you know. 165 00:07:13,880 --> 00:07:16,400 Speaker 3: I got the at the end, I remember because it 166 00:07:16,440 --> 00:07:18,080 Speaker 3: was in a big fancy house, and I parked my 167 00:07:18,200 --> 00:07:21,120 Speaker 3: car and then they picked you up like a valet, 168 00:07:21,120 --> 00:07:22,600 Speaker 3: picked you up in a golf cart and drove you 169 00:07:22,680 --> 00:07:23,920 Speaker 3: up into the Hollywood hills. 170 00:07:23,760 --> 00:07:25,520 Speaker 2: Up right where the party was. 171 00:07:26,080 --> 00:07:28,120 Speaker 3: And then when I was then when I was leaving, 172 00:07:29,560 --> 00:07:33,640 Speaker 3: once again, al Pacino is standing at the front, and 173 00:07:33,840 --> 00:07:36,960 Speaker 3: we get a golf cart back down together to our carts. 174 00:07:37,440 --> 00:07:37,640 Speaker 2: Right. 175 00:07:38,200 --> 00:07:41,320 Speaker 3: And if you ever get to ride on a golf 176 00:07:41,360 --> 00:07:44,640 Speaker 3: cart with al Pacino, it's like being in a sketch 177 00:07:44,680 --> 00:07:48,080 Speaker 3: where someone's on a golf cart being al Pacino like 178 00:07:48,160 --> 00:07:49,120 Speaker 3: he was. 179 00:07:48,800 --> 00:07:50,280 Speaker 2: He was going down the hill. 180 00:07:50,760 --> 00:07:54,280 Speaker 3: Hold it's Bob, you got a hold on, hold on, 181 00:07:54,600 --> 00:07:55,560 Speaker 3: hold on, hold on. 182 00:07:57,640 --> 00:08:01,360 Speaker 2: You were wondering where the cameras were. So it's fantastic. 183 00:08:01,480 --> 00:08:06,320 Speaker 2: So DiCaprio, Paccino, who else was there? It was like 184 00:08:06,440 --> 00:08:11,040 Speaker 2: Denar like this War movies. Warren Batty was there. 185 00:08:11,440 --> 00:08:14,080 Speaker 3: They look, let's be honest. They should have made me 186 00:08:14,120 --> 00:08:16,320 Speaker 3: sign an NDA like I don't know how. 187 00:08:18,280 --> 00:08:22,120 Speaker 2: Given me a pair of shoes. That is just you 188 00:08:22,200 --> 00:08:25,280 Speaker 2: must have got home and hopped in the bed. Yeah 189 00:08:25,400 --> 00:08:25,920 Speaker 2: what an I. 190 00:08:28,240 --> 00:08:33,160 Speaker 3: Know it didn't go okay, I die, but you know, 191 00:08:33,400 --> 00:08:36,000 Speaker 3: throwing down some truths about gun law at a party in. 192 00:08:37,640 --> 00:08:38,080 Speaker 2: God. 193 00:08:38,840 --> 00:08:41,760 Speaker 1: This is the Fitting and Whip with Kate Richie podcast. 194 00:08:42,040 --> 00:08:44,160 Speaker 3: Do you get many of those invites for those they're 195 00:08:44,160 --> 00:08:48,200 Speaker 3: not corporates but private functions. Yeah, I've done a few 196 00:08:48,480 --> 00:08:51,280 Speaker 3: private functions, you know I've done I've done a few 197 00:08:51,400 --> 00:08:54,400 Speaker 3: type of different gigs. But yeah, you get you get 198 00:08:54,440 --> 00:08:56,760 Speaker 3: famous people coming to your shows is more exciting than 199 00:08:56,800 --> 00:08:59,000 Speaker 3: when you actually sharp up to their environment. If you 200 00:08:59,040 --> 00:09:03,240 Speaker 3: sho up to their environment normally sort of dismissed or 201 00:09:03,760 --> 00:09:05,800 Speaker 3: or yeah, people don't know why. 202 00:09:05,840 --> 00:09:08,320 Speaker 2: I'll tell you what. I'll tell you a story, this story. 203 00:09:08,720 --> 00:09:11,200 Speaker 3: I tried to tell you some story on stage recently 204 00:09:11,280 --> 00:09:14,440 Speaker 3: and it just got like nothing I told you in London. 205 00:09:14,640 --> 00:09:17,760 Speaker 2: So I'll tell you yeah, give it to it. My 206 00:09:17,880 --> 00:09:20,680 Speaker 2: first ever corporate gig was corporate gig. 207 00:09:20,800 --> 00:09:23,520 Speaker 3: I was offered one thousand pounds to do a show 208 00:09:23,760 --> 00:09:28,360 Speaker 3: at Sandhurst near Windsor in Britain, which is like done 209 00:09:28,360 --> 00:09:30,200 Speaker 3: truon of England. 210 00:09:30,480 --> 00:09:30,680 Speaker 2: Right. 211 00:09:31,120 --> 00:09:32,599 Speaker 3: So I get the train all the way out to 212 00:09:32,640 --> 00:09:35,760 Speaker 3: Windsor about twenty two years old, and. 213 00:09:35,720 --> 00:09:36,320 Speaker 2: It was there. 214 00:09:36,320 --> 00:09:38,800 Speaker 3: It was there Christmas due, right, and so it was 215 00:09:38,800 --> 00:09:40,640 Speaker 3: a whole lot of squatties who were just like in 216 00:09:40,720 --> 00:09:43,199 Speaker 3: tuxedos with ill fitting cover buns. 217 00:09:42,960 --> 00:09:45,960 Speaker 2: Right, and you know their wives and girlfriends and. 218 00:09:45,920 --> 00:09:48,679 Speaker 3: I'll other stuff having having their Christmas blowout, and I'm 219 00:09:48,720 --> 00:09:51,720 Speaker 3: a bit nervous because the audio system is a karaoke 220 00:09:51,880 --> 00:09:54,480 Speaker 3: machine just with a little speaker. Right, I'm thinking, well, 221 00:09:54,559 --> 00:09:57,040 Speaker 3: this isn't going to this isn't going to fill the space. 222 00:09:57,840 --> 00:10:00,000 Speaker 3: And also those things always hard because they're not expect 223 00:10:00,480 --> 00:10:03,360 Speaker 3: comedian comedian. So I've had to travel miles into the 224 00:10:03,400 --> 00:10:07,120 Speaker 3: complex into their ballroom and before I go on, I'm 225 00:10:07,160 --> 00:10:12,160 Speaker 3: having a piss and into the bathroom walks a guy 226 00:10:12,360 --> 00:10:15,599 Speaker 3: and he's in tears, right, and he's with his is 227 00:10:15,600 --> 00:10:16,520 Speaker 3: a men's bathroom. 228 00:10:16,960 --> 00:10:18,360 Speaker 2: I know, I don't know why I'm telling this story. 229 00:10:18,520 --> 00:10:22,160 Speaker 3: And he shows up, shows up with his missus into 230 00:10:22,160 --> 00:10:23,439 Speaker 3: the bathroom and he's like. 231 00:10:23,520 --> 00:10:24,840 Speaker 2: I don't know what I should do. 232 00:10:25,320 --> 00:10:29,319 Speaker 3: I've done everything I can. I can see everyone just staring. 233 00:10:29,000 --> 00:10:30,160 Speaker 2: At me the whole time. 234 00:10:30,440 --> 00:10:33,319 Speaker 3: She went, well, you hold your head up. I don't 235 00:10:33,400 --> 00:10:34,600 Speaker 3: you let them get to you. 236 00:10:34,720 --> 00:10:35,520 Speaker 2: He wouldn't want it. 237 00:10:35,600 --> 00:10:37,720 Speaker 3: I don't want it, and you don't want it. You 238 00:10:37,880 --> 00:10:40,280 Speaker 3: go out there and have yourself a good time. Right, 239 00:10:40,360 --> 00:10:44,800 Speaker 3: There was a bit of drama. Anyway, I'm about to 240 00:10:45,080 --> 00:10:47,680 Speaker 3: I'm about to go on stage. Before I go on stage, 241 00:10:48,080 --> 00:10:51,400 Speaker 3: the sergeant or lieutenant or captain or whatever, he gets 242 00:10:51,400 --> 00:10:55,000 Speaker 3: the microphone and he goes, all right, before we start, Sure, 243 00:10:55,679 --> 00:10:57,960 Speaker 3: I just want to talk about what happened last year. 244 00:10:58,880 --> 00:11:00,400 Speaker 2: He goes. He goes. 245 00:11:01,000 --> 00:11:06,520 Speaker 3: Corporal Sanders and Corporal Collins were both drinking. They were 246 00:11:06,559 --> 00:11:10,200 Speaker 3: both drunk. They both shouldn't have gotten in the car, 247 00:11:10,920 --> 00:11:14,240 Speaker 3: but they did. And they wrapped it around that tree 248 00:11:14,679 --> 00:11:17,880 Speaker 3: over there, and they pointed outside of the tree when 249 00:11:17,880 --> 00:11:23,199 Speaker 3: the train dies from a car accident like this, like this, right, 250 00:11:23,400 --> 00:11:25,559 Speaker 3: and then and then he goes. But I've forgiven him, 251 00:11:25,600 --> 00:11:27,280 Speaker 3: and I think you should forgive him as well. 252 00:11:27,640 --> 00:11:28,720 Speaker 2: Ha you know what those. 253 00:11:30,760 --> 00:11:33,160 Speaker 3: And then and then and then he goes, and then 254 00:11:33,400 --> 00:11:35,920 Speaker 3: and then he goes. Anyway, enough of that. We've got 255 00:11:35,960 --> 00:11:38,800 Speaker 3: a young fellow here. He's gonna tell some jokes. 256 00:11:40,600 --> 00:11:41,600 Speaker 2: A deep man intro. 257 00:11:42,720 --> 00:11:45,360 Speaker 3: And as I'm walking to the microphone, the one woman 258 00:11:45,440 --> 00:11:46,520 Speaker 3: yells across the room. 259 00:11:46,520 --> 00:11:50,920 Speaker 2: You're a murderer. What do you want me to do? 260 00:11:51,840 --> 00:11:55,839 Speaker 1: I could have died, I would everybody to Jeffries. 261 00:11:57,400 --> 00:12:00,640 Speaker 2: If I could have died, I would believe it to 262 00:12:00,679 --> 00:12:08,120 Speaker 2: be guys, jasbout cocaine and we all Jim Jeffries, that 263 00:12:08,280 --> 00:12:11,880 Speaker 2: is extraordinary. Oh my god, what a life. 264 00:12:12,000 --> 00:12:14,800 Speaker 1: Jim Jeffries and Friends in eighteen thirty to nine on 265 00:12:14,960 --> 00:12:16,480 Speaker 1: seven and seven plus. 266 00:12:16,600 --> 00:12:18,480 Speaker 2: That is just a little taste. 267 00:12:18,120 --> 00:12:20,439 Speaker 1: Of what you're saying with We love you, mate, We 268 00:12:20,480 --> 00:12:22,040 Speaker 1: love you, Thanks for having you. 269 00:12:22,080 --> 00:12:23,680 Speaker 2: Appreciate your beautiful mate. 270 00:12:23,880 --> 00:12:26,960 Speaker 1: Talk So So Sits in Whipper with Kate Ritchie is 271 00:12:27,000 --> 00:12:29,480 Speaker 1: a Nova podcast walk great shows like this. 272 00:12:29,800 --> 00:12:30,840 Speaker 2: Download the Nova 273 00:12:30,840 --> 00:12:33,960 Speaker 1: Player by the App Store or Google Playing the Nova 274 00:12:33,960 --> 00:12:34,320 Speaker 1: Player