1 00:00:05,921 --> 00:00:07,281 Speaker 1: Apote production. 2 00:00:16,161 --> 00:00:18,521 Speaker 2: I was kind of doing it for myself and this 3 00:00:18,640 --> 00:00:21,001 Speaker 2: guy walked past and he goes, you're hilarious. 4 00:00:21,481 --> 00:00:22,721 Speaker 1: Have you ever thought about radio? 5 00:00:23,241 --> 00:00:27,721 Speaker 2: And I was like, with this face, I'm joking, but 6 00:00:27,761 --> 00:00:29,881 Speaker 2: I was like, no, I want to do TV. 7 00:00:30,041 --> 00:00:32,681 Speaker 1: I want to be an actress. And I was like radio, 8 00:00:33,481 --> 00:00:34,961 Speaker 1: that's interesting, Okay, maybe radio. 9 00:00:35,201 --> 00:00:38,120 Speaker 2: So that's when I started going in to see a 10 00:00:38,161 --> 00:00:40,880 Speaker 2: guy who's a legend in the radio industry called Rod Bryce, 11 00:00:41,601 --> 00:00:46,961 Speaker 2: who is just such a beautiful, kind, amazing man. And 12 00:00:48,641 --> 00:00:51,280 Speaker 2: I went in and started doing voiceovers for CFM. 13 00:00:51,321 --> 00:00:52,561 Speaker 1: This is when they're in Southport. 14 00:00:53,241 --> 00:00:56,441 Speaker 2: And then he said, Okay, how serious are you? And 15 00:00:56,481 --> 00:01:01,121 Speaker 2: I went I'm serious, Like whatever, whatever's going. So I 16 00:01:01,161 --> 00:01:04,401 Speaker 2: remember spooking again at the Oasis shopping center on the 17 00:01:04,401 --> 00:01:05,721 Speaker 2: Gold Coast, and. 18 00:01:06,601 --> 00:01:09,961 Speaker 3: I had a pager like it was a pager pages 19 00:01:10,521 --> 00:01:12,920 Speaker 3: and I had like an alert go like Rob Bryce 20 00:01:13,000 --> 00:01:14,401 Speaker 3: had rung and I was like, I think it was 21 00:01:14,401 --> 00:01:17,000 Speaker 3: tucked onto my belt like a fucking bogan. 22 00:01:18,041 --> 00:01:20,241 Speaker 1: Like now it's bogn right. But then I guess it 23 00:01:20,280 --> 00:01:22,041 Speaker 1: was cool And I remember going. 24 00:01:21,881 --> 00:01:25,401 Speaker 2: To ring him on a pay phone and saying hi, 25 00:01:25,441 --> 00:01:26,080 Speaker 2: and he's like, I've. 26 00:01:25,961 --> 00:01:27,520 Speaker 1: Got a job when I went, yep, i'll do it. 27 00:01:28,161 --> 00:01:29,840 Speaker 1: You guys, you don't even know where it is, you 28 00:01:29,840 --> 00:01:31,641 Speaker 1: don't even know what the pay is. I don't care. 29 00:01:32,280 --> 00:01:33,121 Speaker 1: I'll do it. 30 00:01:33,200 --> 00:01:35,440 Speaker 2: So it was in Merraborough, Harvey Bay, and I was 31 00:01:35,481 --> 00:01:40,881 Speaker 2: the nighttime announcer, the promotions manager, and in the end 32 00:01:40,920 --> 00:01:43,721 Speaker 2: I also ended up going on and joining the breakfast shows. 33 00:01:43,721 --> 00:01:45,840 Speaker 2: There were two guys, so I get in in the morning, 34 00:01:46,200 --> 00:01:48,240 Speaker 2: joined the two guys on breakfast for like an hour, 35 00:01:48,441 --> 00:01:53,441 Speaker 2: just helping them feminize what was probably a very misogynistic, 36 00:01:53,801 --> 00:01:57,481 Speaker 2: bullshit dick swinging show, I'm pretty sure back in the day. 37 00:01:57,961 --> 00:02:01,161 Speaker 2: So from that I got a job doing breakfast radio 38 00:02:01,281 --> 00:02:04,361 Speaker 2: in Gosford at CFM and I was twenty three, which 39 00:02:04,361 --> 00:02:06,001 Speaker 2: is pretty young to be doing Brecky radio. 40 00:02:06,081 --> 00:02:08,521 Speaker 1: But I think a lot more people believed in me 41 00:02:08,601 --> 00:02:11,721 Speaker 1: than I believed in myself. So yeah, that was Brecky Radio. 42 00:02:11,801 --> 00:02:13,601 Speaker 2: That was interesting because I was twenty three and my 43 00:02:13,680 --> 00:02:15,961 Speaker 2: co host had come from a station called three ex 44 00:02:16,121 --> 00:02:18,321 Speaker 2: Y in Melbourne, which was a very famous station back 45 00:02:18,361 --> 00:02:22,321 Speaker 2: in the day, and he was like thirty five, and I. 46 00:02:22,240 --> 00:02:24,241 Speaker 1: Don't know how he got put together. It was crazy. 47 00:02:24,281 --> 00:02:26,161 Speaker 2: That's what they do in radio, They try and put 48 00:02:26,361 --> 00:02:29,481 Speaker 2: the bubbly girl and the guy and they just hope 49 00:02:29,520 --> 00:02:32,121 Speaker 2: to fuck God that it's a marriage made in heaven 50 00:02:32,121 --> 00:02:35,441 Speaker 2: and this chemistry. And I think I get upset about 51 00:02:35,441 --> 00:02:37,960 Speaker 2: my career because I keep getting put with fuck weds. 52 00:02:38,881 --> 00:02:40,680 Speaker 1: Sorry, don't Oh should we delete that? 53 00:02:41,041 --> 00:02:41,121 Speaker 4: No? 54 00:02:41,201 --> 00:02:43,921 Speaker 1: I delete that? Sorry, No, I mean that. What I 55 00:02:43,960 --> 00:02:47,641 Speaker 1: mean is no. What I mean is not fuckwds people 56 00:02:47,680 --> 00:02:49,401 Speaker 1: that I don't gel with. 57 00:02:50,641 --> 00:02:55,001 Speaker 2: God, I love it, but I get really jealous of 58 00:02:55,041 --> 00:02:57,361 Speaker 2: girlfriends of mine who have worked with people that they 59 00:02:57,401 --> 00:02:59,880 Speaker 2: adore and they all get along and they support each other, 60 00:02:59,960 --> 00:03:02,121 Speaker 2: like Ts and Lauren down at No Over Melbourne, and 61 00:03:02,641 --> 00:03:06,041 Speaker 2: you know it's all like, oh, they're friends. So it's like, yeah, 62 00:03:06,161 --> 00:03:08,481 Speaker 2: I've never been able to be friends with the co 63 00:03:08,601 --> 00:03:11,401 Speaker 2: host because I've always just been parachuted. They call it 64 00:03:11,401 --> 00:03:16,241 Speaker 2: parachuting in they get me into kind of gel to 65 00:03:16,441 --> 00:03:19,601 Speaker 2: people and save the day because I get along with everyone, 66 00:03:19,641 --> 00:03:22,481 Speaker 2: and I'm a chameleon and I can deal with whoever. 67 00:03:23,441 --> 00:03:26,281 Speaker 2: You're a misogynist, you're this, you're a dickhead, you're that, 68 00:03:26,401 --> 00:03:27,321 Speaker 2: you're funny, you're this. 69 00:03:27,441 --> 00:03:29,361 Speaker 1: I will make you funnier. I will. 70 00:03:29,761 --> 00:03:32,401 Speaker 2: It's called like an enabler in radio so you're like 71 00:03:32,441 --> 00:03:35,481 Speaker 2: the middle person making everyone else look good and hopefully. 72 00:03:35,201 --> 00:03:36,160 Speaker 1: Looking good yourself. 73 00:03:38,041 --> 00:03:40,841 Speaker 2: And I get upset sometimes because I think, fuck, I 74 00:03:40,921 --> 00:03:42,081 Speaker 2: just haven't had a chance. 75 00:03:41,841 --> 00:03:45,361 Speaker 1: To work with someone that's a genuine friend. And then 76 00:03:45,361 --> 00:03:48,241 Speaker 1: you get that genuine chemistry. 77 00:03:47,921 --> 00:03:50,361 Speaker 2: And you don't have to bullshit and people can hear 78 00:03:50,361 --> 00:03:53,361 Speaker 2: that through this speakers a mile away, and it's magic. 79 00:03:54,001 --> 00:03:55,841 Speaker 5: Why do you think you stayed in radio for so long? Then? 80 00:03:56,081 --> 00:04:00,321 Speaker 5: If that wasn't if you weren't finding the right that's a. 81 00:04:00,241 --> 00:04:03,921 Speaker 1: Really good question. And it wasn't until my last. 82 00:04:03,641 --> 00:04:06,761 Speaker 5: Show got axed, that was the Gold Coast at. 83 00:04:06,721 --> 00:04:10,201 Speaker 1: CFM, that I actually went, what am I doing? 84 00:04:10,521 --> 00:04:10,601 Speaker 6: Like? 85 00:04:10,761 --> 00:04:13,641 Speaker 1: Do I even enjoy this anymore? And I do. I 86 00:04:13,681 --> 00:04:16,241 Speaker 1: miss radio a lot because I missed that platform. 87 00:04:17,201 --> 00:04:22,001 Speaker 2: And I also get messages every day on Instagram, Facebook, 88 00:04:22,001 --> 00:04:23,721 Speaker 2: whatever I miss you. I miss you on the radio. 89 00:04:23,761 --> 00:04:25,880 Speaker 2: I really related to you because I was very open 90 00:04:25,921 --> 00:04:30,200 Speaker 2: and vulnerable and honest. And sometimes it's hard when you're 91 00:04:30,241 --> 00:04:32,681 Speaker 2: that person on a radio show and the other people aren't, 92 00:04:33,201 --> 00:04:37,720 Speaker 2: because it's exhausting because you're the one that's always giving, giving, 93 00:04:37,841 --> 00:04:42,361 Speaker 2: And then the book ends because when you're the cheek 94 00:04:42,401 --> 00:04:44,640 Speaker 2: in the middle of the billboard, and then there's. 95 00:04:44,481 --> 00:04:45,281 Speaker 1: Two guys on the end. 96 00:04:45,320 --> 00:04:49,321 Speaker 2: Sometimes they're not giving, so you're constantly giving, and then 97 00:04:49,361 --> 00:04:52,881 Speaker 2: they're not giving, and it can be exhausting, but. 98 00:04:53,761 --> 00:04:54,520 Speaker 1: I love it. 99 00:04:54,721 --> 00:04:58,801 Speaker 2: I miss that radio has an immediacy about it that's 100 00:04:58,880 --> 00:05:01,601 Speaker 2: really addictive. So I've done quite a bit of TV 101 00:05:01,721 --> 00:05:05,121 Speaker 2: over the years, but you know, TV's as you would, Oh, 102 00:05:05,241 --> 00:05:08,041 Speaker 2: it's different. They are waiting around and you're learning scripts 103 00:05:08,081 --> 00:05:10,241 Speaker 2: and this or I mean, I've done Thank God You're 104 00:05:10,281 --> 00:05:11,880 Speaker 2: Here and Beauty in the Beast and all sorts of 105 00:05:11,880 --> 00:05:12,481 Speaker 2: shows where. 106 00:05:12,320 --> 00:05:15,361 Speaker 1: It is ad lived, but. 107 00:05:14,561 --> 00:05:17,561 Speaker 2: There's still a lot of dicking around, whereas with radio, 108 00:05:18,320 --> 00:05:20,561 Speaker 2: the buzz is you get in five am, you have 109 00:05:20,641 --> 00:05:25,241 Speaker 2: the meeting. I love being in that moment looking at 110 00:05:25,241 --> 00:05:28,201 Speaker 2: your phone. Okay, this has happened. Trump's just have another assassination. 111 00:05:28,320 --> 00:05:30,121 Speaker 2: Let's do this, could we do this? Can we do 112 00:05:30,361 --> 00:05:32,841 Speaker 2: Let's play that song there, Let's move the comp let's 113 00:05:32,880 --> 00:05:36,640 Speaker 2: move that there. This is more you know, current blah 114 00:05:36,681 --> 00:05:40,161 Speaker 2: blah blah. And I kind of love the producing and 115 00:05:40,201 --> 00:05:43,080 Speaker 2: the being on air side, And after being in it 116 00:05:43,121 --> 00:05:45,880 Speaker 2: for so long, I get it like I get radio, 117 00:05:45,921 --> 00:05:47,521 Speaker 2: and I get what people want to hear, and I 118 00:05:47,601 --> 00:05:51,001 Speaker 2: understand the balance because it's brecky and you've got to 119 00:05:51,041 --> 00:05:52,121 Speaker 2: keep it bubbly and fun. 120 00:05:52,161 --> 00:05:55,441 Speaker 1: But people also want to be informed, but. 121 00:05:56,320 --> 00:05:59,201 Speaker 2: You can't get too deep because they're dropping their kids 122 00:05:59,201 --> 00:05:59,641 Speaker 2: to school. 123 00:05:59,681 --> 00:06:01,921 Speaker 1: You've got to keep it pc all of that. So 124 00:06:02,001 --> 00:06:05,601 Speaker 1: I miss that. I think that's why I'm on Instagram 125 00:06:05,681 --> 00:06:07,200 Speaker 1: so much. My friends are like, God, you put up 126 00:06:07,201 --> 00:06:09,880 Speaker 1: a lot of fucking stories. I know, because I don't 127 00:06:09,880 --> 00:06:12,080 Speaker 1: have a platform anymore. I don't have my radio show. 128 00:06:12,281 --> 00:06:15,760 Speaker 5: Is anything you regret doing on radio? Oh? Fuck? 129 00:06:16,041 --> 00:06:16,440 Speaker 1: Heaps? 130 00:06:17,161 --> 00:06:18,880 Speaker 5: Was the one thing that you wish you could change? 131 00:06:19,281 --> 00:06:20,761 Speaker 2: I want to say there were times when I was 132 00:06:20,801 --> 00:06:24,241 Speaker 2: probably too vulnerable and open, But then I don't know 133 00:06:24,241 --> 00:06:24,960 Speaker 2: if I regret that. 134 00:06:24,961 --> 00:06:27,080 Speaker 1: I want to change it because they're. 135 00:06:26,961 --> 00:06:28,721 Speaker 2: Usually the times when people would get back to me 136 00:06:28,801 --> 00:06:31,121 Speaker 2: and go, like they'd message me and go, thank you 137 00:06:31,161 --> 00:06:33,121 Speaker 2: for sharing that you really helped me. 138 00:06:33,121 --> 00:06:34,081 Speaker 1: Get through this, this this. 139 00:06:35,001 --> 00:06:37,241 Speaker 2: There are times when I've pushed the envelope or I've 140 00:06:37,281 --> 00:06:42,161 Speaker 2: fucked up, Like so I became the Nova national interviewer 141 00:06:42,161 --> 00:06:43,921 Speaker 2: for the Big Acts, So they sent me to Tokyo 142 00:06:43,961 --> 00:06:47,361 Speaker 2: to interview Madonna with Molly Meldrim and a journal called 143 00:06:47,401 --> 00:06:54,121 Speaker 2: Christine Sam's I interviewed like outcast Jerry halliwell Justin Timberlake 144 00:06:54,241 --> 00:06:57,881 Speaker 2: because there was such a big network and the big 145 00:06:57,880 --> 00:07:01,161 Speaker 2: stars didn't necessarily want to just talk to like a 146 00:07:01,201 --> 00:07:03,161 Speaker 2: lot of people, so they'd sort of use me as 147 00:07:03,161 --> 00:07:04,921 Speaker 2: their go to and then that would become a nation 148 00:07:05,161 --> 00:07:07,841 Speaker 2: all special that they play like on a Sunday night 149 00:07:07,880 --> 00:07:10,761 Speaker 2: being Dies with Justin Timberlake or Justin timb Blake's with 150 00:07:10,921 --> 00:07:13,481 Speaker 2: some shit had called Banka Die whatever. I definitely wasn't 151 00:07:13,481 --> 00:07:16,961 Speaker 2: the star, but I had some funny moments because I 152 00:07:17,001 --> 00:07:18,921 Speaker 2: wasn't tech savvy and they sent me. 153 00:07:18,881 --> 00:07:20,601 Speaker 1: To interview Jerry halliwell, of course. 154 00:07:20,481 --> 00:07:24,441 Speaker 2: Spice girls, I'm like god, and we all it was 155 00:07:24,481 --> 00:07:26,641 Speaker 2: a press conference, so we all got like one question 156 00:07:26,721 --> 00:07:28,801 Speaker 2: each and I'm like there, you know, with my little 157 00:07:28,801 --> 00:07:31,081 Speaker 2: recorder thing, and I'm like asking you a question. And 158 00:07:31,081 --> 00:07:33,681 Speaker 2: then we get back to the station and the audio 159 00:07:33,801 --> 00:07:36,081 Speaker 2: producer like messages me or rings me or whatever like 160 00:07:36,121 --> 00:07:37,961 Speaker 2: that night and goes, babe. 161 00:07:37,761 --> 00:07:39,841 Speaker 1: There's nothing on here, and I'm like, what. 162 00:07:39,761 --> 00:07:40,481 Speaker 5: Are talking about. 163 00:07:40,841 --> 00:07:42,921 Speaker 2: It's like, did you press like plan record at the 164 00:07:42,961 --> 00:07:44,241 Speaker 2: same time, and I'm like. 165 00:07:45,241 --> 00:07:47,321 Speaker 1: No, I just pressed record. 166 00:07:47,441 --> 00:07:49,761 Speaker 2: He's like, you've got a press play and record, and 167 00:07:49,801 --> 00:07:50,641 Speaker 2: I'm like, okay, you need. 168 00:07:50,561 --> 00:07:52,201 Speaker 1: To set a producer with me from now on. 169 00:07:52,281 --> 00:07:55,081 Speaker 2: So I got no audio from the Jerry halliwell, so 170 00:07:55,121 --> 00:07:58,041 Speaker 2: all the other stations had Spot Spice Girls, Jerry aliwell 171 00:07:58,361 --> 00:08:01,041 Speaker 2: except Ask because I fucked up did it again with 172 00:08:01,041 --> 00:08:01,721 Speaker 2: Craig David. 173 00:08:02,761 --> 00:08:06,001 Speaker 1: I was like for an interview for Nova and GQ 174 00:08:06,241 --> 00:08:09,401 Speaker 1: magazine and I was doing it and I didn't record it. 175 00:08:09,961 --> 00:08:12,601 Speaker 2: And then we did one with Pink, which was amazing, 176 00:08:13,161 --> 00:08:15,121 Speaker 2: and I had a producer with me, but Pink and 177 00:08:15,161 --> 00:08:18,081 Speaker 2: I got really dirty, and we're talking about the naughtiest things, 178 00:08:18,121 --> 00:08:20,921 Speaker 2: Like we got into this conversation about suction cup dildos 179 00:08:21,361 --> 00:08:23,401 Speaker 2: and how you can put one on the fridge and 180 00:08:23,481 --> 00:08:25,401 Speaker 2: you can like, you know, make a coffee and have 181 00:08:25,441 --> 00:08:27,121 Speaker 2: sex with the fridge at the same time. Like we 182 00:08:27,121 --> 00:08:29,801 Speaker 2: were laughing and having the best time, and my producers 183 00:08:29,841 --> 00:08:34,761 Speaker 2: like going like in the background, and then afterwards. 184 00:08:34,481 --> 00:08:36,521 Speaker 1: Just like we can't use any of that. 185 00:08:36,601 --> 00:08:39,161 Speaker 4: You're talking about dildos and anal sex and fucking what 186 00:08:39,201 --> 00:08:41,681 Speaker 4: the fuck, there's like two minutes we can play, which 187 00:08:41,721 --> 00:08:44,441 Speaker 4: is ironic because now with your abby chatfields and all 188 00:08:44,521 --> 00:08:46,721 Speaker 4: that kind of stuff, that would be great radio and 189 00:08:46,841 --> 00:08:48,241 Speaker 4: listened to Colin Jact now. 190 00:08:48,641 --> 00:08:50,961 Speaker 2: So sometimes I feel a bit ripped off because I 191 00:08:50,961 --> 00:08:52,441 Speaker 2: feel like I was ahead of my time and that 192 00:08:52,521 --> 00:08:55,601 Speaker 2: I was doing those interviews, but I wasn't allowed to play. 193 00:08:56,361 --> 00:09:00,001 Speaker 2: Whereas now talking about a suction cup dildo on the 194 00:09:00,001 --> 00:09:01,161 Speaker 2: fridge while you're waiting. 195 00:09:00,961 --> 00:09:03,641 Speaker 1: For your coffee to percolate you can fucking back up onto. 196 00:09:03,481 --> 00:09:08,281 Speaker 2: The fridge would be great radio we go viral, but 197 00:09:08,441 --> 00:09:10,841 Speaker 2: back then it was like taboo and I just felt 198 00:09:10,921 --> 00:09:14,961 Speaker 2: very caged, but understandably so because the audiences didn't want 199 00:09:14,961 --> 00:09:16,121 Speaker 2: to hear that. 200 00:09:15,761 --> 00:09:18,921 Speaker 6: But I think the reason why Carl gets away of 201 00:09:19,001 --> 00:09:20,921 Speaker 6: it is he is, like you said, his ottitudes, I 202 00:09:20,921 --> 00:09:21,521 Speaker 6: don't give a fuck. 203 00:09:21,561 --> 00:09:23,761 Speaker 1: He doesn't give a fuck. Well, he's so wealthy now 204 00:09:23,761 --> 00:09:25,801 Speaker 1: he doesn't care. I think that's what it is too. 205 00:09:25,881 --> 00:09:27,961 Speaker 5: I think he tells the producers what to do. It's 206 00:09:27,961 --> 00:09:29,041 Speaker 5: like I'm fucking doing it. 207 00:09:29,121 --> 00:09:31,801 Speaker 2: There's no one boss like so, so they've now done 208 00:09:31,881 --> 00:09:34,081 Speaker 2: something which is unheard of in the history of Australian 209 00:09:34,161 --> 00:09:38,641 Speaker 2: radio sort of. I think maybe maybe Mick malloy and whatever, 210 00:09:38,721 --> 00:09:41,521 Speaker 2: maybe they did it too. I don't know, but they 211 00:09:41,641 --> 00:09:45,841 Speaker 2: it's their show and kiss lease the show. 212 00:09:45,961 --> 00:09:46,681 Speaker 1: If that makes sense. 213 00:09:46,721 --> 00:09:48,881 Speaker 2: So they're like contractors, so they don't own the show, 214 00:09:49,881 --> 00:09:53,401 Speaker 2: which is kind of dangerous because you can end up 215 00:09:53,441 --> 00:09:56,641 Speaker 2: eating your own dick in that situation, because what happens 216 00:09:56,681 --> 00:09:58,961 Speaker 2: is there's no one that's got the balls to tell 217 00:09:59,001 --> 00:10:02,201 Speaker 2: you that things might not be going well because they're 218 00:10:02,201 --> 00:10:03,521 Speaker 2: all on the payroll. 219 00:10:03,441 --> 00:10:04,041 Speaker 1: You know what I mean. 220 00:10:04,321 --> 00:10:07,121 Speaker 2: So when everyone's the payroll, everyone's going to say yes, sir, No, 221 00:10:07,161 --> 00:10:10,081 Speaker 2: so three bags full, sir. You need someone that's going 222 00:10:10,161 --> 00:10:13,641 Speaker 2: to go, hey, love you. I know you're paying me one. 223 00:10:13,641 --> 00:10:16,681 Speaker 1: Hundred and fifty grand, but that interview is shit. We 224 00:10:16,721 --> 00:10:20,401 Speaker 1: need to do it again. No, everyone's too scared to 225 00:10:20,441 --> 00:10:21,041 Speaker 1: say anything. 226 00:10:21,161 --> 00:10:23,641 Speaker 2: So I think that can be a detriment in some 227 00:10:23,721 --> 00:10:26,921 Speaker 2: ways because you still need to have your feet on 228 00:10:26,961 --> 00:10:29,161 Speaker 2: the ground and remember that you're talking to real people, 229 00:10:29,521 --> 00:10:33,081 Speaker 2: and you still need someone there to go that wasn't 230 00:10:33,121 --> 00:10:35,041 Speaker 2: your best work. I think we can do it better, 231 00:10:35,241 --> 00:10:36,641 Speaker 2: you know, And I think a lot of people are 232 00:10:36,641 --> 00:10:39,961 Speaker 2: probably too scared to say that because these guys have 233 00:10:40,081 --> 00:10:43,881 Speaker 2: just elevated themselves to I mean, there's been nothing like 234 00:10:43,921 --> 00:10:47,041 Speaker 2: it in the history of radio. It's like even Hami 235 00:10:47,121 --> 00:10:49,401 Speaker 2: Shnandy and all of those guys. I mean, but they're 236 00:10:49,481 --> 00:10:52,001 Speaker 2: very humble, They're very hard working. Humble guys are very 237 00:10:52,001 --> 00:10:54,921 Speaker 2: different to Colin Jack. Not saying that Colin Jack aren't 238 00:10:54,921 --> 00:10:57,241 Speaker 2: hardworking and humble, but it's just a different beast. 239 00:10:58,121 --> 00:10:59,961 Speaker 1: These guys have kind of rewritten the rules. 240 00:11:00,601 --> 00:11:03,721 Speaker 2: And what's scary about it is their pay is eaten 241 00:11:03,801 --> 00:11:06,161 Speaker 2: up so much that there are so many people out 242 00:11:06,161 --> 00:11:09,121 Speaker 2: of work now because they have to pay them. 243 00:11:09,401 --> 00:11:11,521 Speaker 1: So it's yeah. 244 00:11:11,321 --> 00:11:13,521 Speaker 2: It's not a great it's not an ideal situation for 245 00:11:13,561 --> 00:11:16,481 Speaker 2: the industry, but great for them to own. 246 00:11:16,321 --> 00:11:18,281 Speaker 1: Their twolve million dollar houses. 247 00:11:18,281 --> 00:11:22,321 Speaker 2: In book clue, I'll just live in the spare room, Jack, 248 00:11:22,401 --> 00:11:24,601 Speaker 2: if you've got I'll live in the basement. 249 00:11:24,281 --> 00:11:24,841 Speaker 1: If you need me. 250 00:11:25,321 --> 00:11:26,401 Speaker 5: TV would you go back to TV? 251 00:11:26,841 --> 00:11:27,241 Speaker 3: Yeah? 252 00:11:27,361 --> 00:11:28,241 Speaker 1: I love TV. 253 00:11:28,041 --> 00:11:30,721 Speaker 6: Because I did take notes of all the TV shows 254 00:11:30,721 --> 00:11:33,001 Speaker 6: that you've done. So you've done Today Show, Some Rights, 255 00:11:33,321 --> 00:11:42,241 Speaker 6: Morning Show, and Contestants on Contestants on This Celebrities, Dog School. 256 00:11:42,641 --> 00:11:44,161 Speaker 6: I've seen the dog School that. 257 00:11:44,281 --> 00:11:47,401 Speaker 1: Was such a fuck up. Ready Study MDA and it 258 00:11:47,481 --> 00:11:50,081 Speaker 1: was a disaster. It got booted after six weeks. It 259 00:11:50,121 --> 00:11:50,601 Speaker 1: was terrible. 260 00:11:50,601 --> 00:11:53,281 Speaker 5: I seen Ready Steady Cook. What's that one? Thank God 261 00:11:53,441 --> 00:11:53,761 Speaker 5: you're what? 262 00:11:53,921 --> 00:11:54,561 Speaker 1: Thank God you're here. 263 00:11:54,681 --> 00:11:55,401 Speaker 5: You thank God, you're here. 264 00:11:55,481 --> 00:11:57,801 Speaker 2: That was amazing. It was big stars on that, like 265 00:11:57,961 --> 00:12:00,601 Speaker 2: Fiffy Box and Sean macaliff and whatever. And for me 266 00:12:00,641 --> 00:12:02,281 Speaker 2: to get on that was a big deal because American 267 00:12:02,361 --> 00:12:04,041 Speaker 2: rousso hadn't even been asked to go on that. 268 00:12:04,081 --> 00:12:05,841 Speaker 1: And I got asked. And I remember seeing Mark in 269 00:12:05,921 --> 00:12:08,041 Speaker 1: the corridor and it was like, you're going, oh, thank 270 00:12:08,081 --> 00:12:11,001 Speaker 1: god you're here. And I was like yeah, He's like, oh, fuck, 271 00:12:11,441 --> 00:12:13,321 Speaker 1: haven't asked me. And then next minute he's on it. 272 00:12:13,401 --> 00:12:16,801 Speaker 1: And I never got on it again, but I nailed it. 273 00:12:16,921 --> 00:12:18,881 Speaker 2: If you YouTube be and God die, thank God you're here, 274 00:12:19,041 --> 00:12:22,001 Speaker 2: I can proudly say now I nailed it. Was it 275 00:12:22,081 --> 00:12:25,241 Speaker 2: was funny, but it's improve and it's scary. 276 00:12:26,641 --> 00:12:28,761 Speaker 6: I want to listen to the episode in four click 277 00:12:28,801 --> 00:12:29,721 Speaker 6: the link in the description.