1 00:00:00,040 --> 00:00:01,280 Speaker 1: It fits in with us. 2 00:00:01,440 --> 00:00:04,240 Speaker 2: There's some great movies out at the moment. One that 3 00:00:04,280 --> 00:00:05,880 Speaker 2: we got to see a little bit early, but it 4 00:00:05,920 --> 00:00:07,960 Speaker 2: comes out this Wednesday, and can go check it out 5 00:00:07,960 --> 00:00:11,600 Speaker 2: in any cinema. It's called Wonder Darkly and it has 6 00:00:11,640 --> 00:00:15,000 Speaker 2: got the magnificent Sienna Miller in there and she joins us. 7 00:00:15,040 --> 00:00:16,000 Speaker 3: Now, how are you, Sienna? 8 00:00:16,480 --> 00:00:16,960 Speaker 2: I'm good? 9 00:00:17,040 --> 00:00:20,480 Speaker 3: What are you to study? The office? The bedroom? Where 10 00:00:20,480 --> 00:00:23,120 Speaker 3: are you perching in front of the lovely fireplace. 11 00:00:23,600 --> 00:00:27,640 Speaker 1: Of the rental? There's the massy bed the rental. 12 00:00:27,720 --> 00:00:31,320 Speaker 2: Why aren't you in Australia. I feel like every Hollywood 13 00:00:31,320 --> 00:00:35,360 Speaker 2: star is in Australia. In a moment I was in Australia. 14 00:00:35,720 --> 00:00:39,720 Speaker 2: I know you Actually do you get mistaken for Naomi 15 00:00:39,800 --> 00:00:42,200 Speaker 2: Watts sometimes? Great Australian actress. 16 00:00:42,440 --> 00:00:45,760 Speaker 1: We we do and we work together and occasionally I 17 00:00:45,840 --> 00:00:47,840 Speaker 1: used to get sent pictures of her as fan mail 18 00:00:47,880 --> 00:00:48,559 Speaker 1: and she's got to. 19 00:00:51,960 --> 00:00:52,200 Speaker 2: Wait. 20 00:00:52,280 --> 00:00:54,959 Speaker 1: We are quite similar. I love her wonderful. 21 00:00:55,160 --> 00:00:57,240 Speaker 2: Do you know a hymns worth? I mean, have you 22 00:00:57,320 --> 00:00:59,000 Speaker 2: met one? We can maybe go through there. 23 00:00:59,040 --> 00:01:04,200 Speaker 1: Everyone I've met everyone I've Yeah, I've met I met 24 00:01:04,760 --> 00:01:05,319 Speaker 1: I've met one. 25 00:01:05,920 --> 00:01:10,280 Speaker 3: Not too yeah, probably you know there's three though, there's three. 26 00:01:10,720 --> 00:01:13,160 Speaker 1: That's a third hems Worth. Thank god, because there's some 27 00:01:13,280 --> 00:01:17,320 Speaker 1: fun multiple hems Worth. 28 00:01:18,680 --> 00:01:19,000 Speaker 3: Brilliant. 29 00:01:19,040 --> 00:01:23,000 Speaker 2: Congratulations on Wonder Darkly. It's it's a magnificent In the trailer, 30 00:01:23,040 --> 00:01:24,959 Speaker 2: it says that it is a poem, this movie. It 31 00:01:25,040 --> 00:01:28,440 Speaker 2: really is. It's it messes with your mind. And you 32 00:01:28,480 --> 00:01:31,120 Speaker 2: know what I can relate to it ceing walking into 33 00:01:31,240 --> 00:01:34,480 Speaker 2: a room and no one paying any attention to you 34 00:01:34,600 --> 00:01:37,759 Speaker 2: at all, which you have to which you have to do. 35 00:01:37,800 --> 00:01:39,600 Speaker 2: That would have been hard as an actress to do 36 00:01:39,680 --> 00:01:42,280 Speaker 2: that because no one knows that you're there. 37 00:01:43,319 --> 00:01:46,160 Speaker 1: It was really it was quite It is a really 38 00:01:46,200 --> 00:01:49,640 Speaker 1: grueling shoot. Not because of that. It was just intensely emotional. 39 00:01:49,680 --> 00:01:52,680 Speaker 1: But I like surreal things. It was the most surreal 40 00:01:52,720 --> 00:01:55,400 Speaker 1: thing I've ever done. And it also felt incredibly romantic 41 00:01:55,520 --> 00:01:58,960 Speaker 1: and and poignant. And actually it's a good moment for 42 00:01:59,000 --> 00:02:01,440 Speaker 1: this movie to come out because such an expiration of grief, 43 00:02:01,480 --> 00:02:02,919 Speaker 1: which we're all feeling. 44 00:02:03,240 --> 00:02:05,720 Speaker 3: When you do a film like this where you're constantly 45 00:02:05,760 --> 00:02:07,840 Speaker 3: trying to work out what's going on. Did you have 46 00:02:07,880 --> 00:02:10,400 Speaker 3: to wait till you saw the edit before it all 47 00:02:10,440 --> 00:02:12,240 Speaker 3: made sense out of what you'd put together? 48 00:02:12,880 --> 00:02:15,560 Speaker 1: Yes, this this film was a real leap of faith. 49 00:02:15,639 --> 00:02:18,120 Speaker 1: It was so beautifully written, it made so much sense 50 00:02:18,160 --> 00:02:20,679 Speaker 1: on the page, and then when it came to making it, 51 00:02:20,680 --> 00:02:22,359 Speaker 1: it was it just felt like there was no way 52 00:02:22,360 --> 00:02:25,320 Speaker 1: that it could really work. And She's tar Amilia directed 53 00:02:25,360 --> 00:02:27,919 Speaker 1: in such a great job. But it was an independent film, 54 00:02:27,960 --> 00:02:29,639 Speaker 1: it wasn't a big budget. There were a lot of 55 00:02:29,720 --> 00:02:32,000 Speaker 1: visual effects that we kind of had to start in 56 00:02:32,040 --> 00:02:34,360 Speaker 1: motion in real time, but then would be made in 57 00:02:34,400 --> 00:02:36,839 Speaker 1: the edit room. So for example, there was one scene 58 00:02:36,840 --> 00:02:38,520 Speaker 1: where I was in a garage having a fight with 59 00:02:38,600 --> 00:02:41,400 Speaker 1: Diego Luna and there's a man standing outside the garage 60 00:02:41,520 --> 00:02:45,160 Speaker 1: with a hose pipe spraying water in and the director 61 00:02:45,200 --> 00:02:47,040 Speaker 1: saying this was this is going to turn into the sea, 62 00:02:47,080 --> 00:02:48,320 Speaker 1: and I was just looking at a man with a 63 00:02:48,360 --> 00:02:55,240 Speaker 1: hose that there's no way, and thence and the effects 64 00:02:55,280 --> 00:02:57,919 Speaker 1: are beautiful, but I just felt at the time really 65 00:02:58,000 --> 00:03:00,640 Speaker 1: concerned about it. I don't watch everything I have made, 66 00:03:00,639 --> 00:03:02,520 Speaker 1: but I was so curious to see how this turned out. 67 00:03:02,520 --> 00:03:04,639 Speaker 1: And I'm glad I sat through that screening because it 68 00:03:04,680 --> 00:03:06,359 Speaker 1: was actually the last time I was in a cinema. 69 00:03:06,560 --> 00:03:09,800 Speaker 2: You've got a beautiful little daughter, Marla who's years of age. 70 00:03:09,919 --> 00:03:12,919 Speaker 2: Mummy's acting career. I mean, this is probably a movie 71 00:03:12,960 --> 00:03:15,120 Speaker 2: that you're not going to sit down with her quite yet. 72 00:03:15,600 --> 00:03:18,480 Speaker 2: But does she have a favorite movie that you have done? Sere? 73 00:03:19,240 --> 00:03:22,720 Speaker 1: She she's furious with me. She's actually upstairs singing in 74 00:03:22,760 --> 00:03:24,120 Speaker 1: the shower. I don't know when you can hear it. 75 00:03:25,240 --> 00:03:28,240 Speaker 1: I really only make very grown up films, and she's 76 00:03:28,240 --> 00:03:31,360 Speaker 1: cross about that. I need to do something funny or 77 00:03:31,520 --> 00:03:35,000 Speaker 1: you know, some great animation voiceover. I did audition control. 78 00:03:35,160 --> 00:03:36,000 Speaker 1: I just didn't get it. 79 00:03:37,560 --> 00:03:40,320 Speaker 3: Did really you didn't get it. That's that's not fun, 80 00:03:40,480 --> 00:03:42,320 Speaker 3: that's the film. 81 00:03:42,320 --> 00:03:44,400 Speaker 1: And I listened to what they were actually wanting and 82 00:03:44,440 --> 00:03:46,440 Speaker 1: what I had done in the audition. It was one 83 00:03:46,440 --> 00:03:51,320 Speaker 1: of the more mortifying things of my life. I was like, 84 00:03:51,360 --> 00:03:53,640 Speaker 1: I'm going to put on a troll voice and then 85 00:03:53,680 --> 00:03:55,360 Speaker 1: you know, the person that got the part just did 86 00:03:55,360 --> 00:03:59,720 Speaker 1: a beautiful, like kind of normal voice, and I think 87 00:03:58,560 --> 00:03:59,040 Speaker 1: that would. 88 00:04:00,040 --> 00:04:02,240 Speaker 3: You should have had a crack at Peter Rabbit two 89 00:04:02,400 --> 00:04:04,240 Speaker 3: when James Corden was there. You could have been mopsy 90 00:04:04,360 --> 00:04:04,880 Speaker 3: or floppsy. 91 00:04:06,280 --> 00:04:08,800 Speaker 1: There were so many people in that I'm putting it 92 00:04:08,840 --> 00:04:11,600 Speaker 1: out there. Please, can someone get me something that's my 93 00:04:11,720 --> 00:04:13,520 Speaker 1: child can see? And I can do a voice. 94 00:04:13,520 --> 00:04:14,200 Speaker 3: Yeah, exactly. 95 00:04:14,280 --> 00:04:16,920 Speaker 1: Well, hang on, your daughter could watch g I Joe. 96 00:04:17,240 --> 00:04:21,040 Speaker 1: Is she old enough for that yet? She tried to 97 00:04:21,080 --> 00:04:23,720 Speaker 1: start it and then she just thought it wasn't She. 98 00:04:23,720 --> 00:04:28,560 Speaker 2: Can't really watch layer Cake or ol Fie. 99 00:04:29,520 --> 00:04:31,680 Speaker 1: You know what she loves, Oh, she loves growing up movie. 100 00:04:31,720 --> 00:04:35,000 Speaker 1: She has seen Jaws and he is obsessed. I know 101 00:04:35,000 --> 00:04:36,880 Speaker 1: it makes you sound like a terrible parent. We fast 102 00:04:36,920 --> 00:04:37,440 Speaker 1: forward the bit. 103 00:04:39,200 --> 00:04:41,760 Speaker 2: Well, seeing we are a massive thing of yours, we 104 00:04:41,760 --> 00:04:44,760 Speaker 2: would love you in our country anytime. Wonder darkly. It's 105 00:04:44,800 --> 00:04:47,400 Speaker 2: available on all my digital platforms from twelfth of my 106 00:04:47,839 --> 00:04:50,320 Speaker 2: It's a magnificent movie. Thank you very much for coming 107 00:04:50,320 --> 00:04:55,280 Speaker 2: on the show and finding the time talking to you 108 00:04:56,600 --> 00:04:56,680 Speaker 2: and