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Speaker 1: Well, it's my pleasure to have back in the studio.

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Speaker 1: I spoke to him on Nights a couple of years back.

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Speaker 1: Joe of ARTI welcome back to Adelaide.

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Speaker 2: Thank you for having me. It's always a pleasure to

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Speaker 2: come back here.

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Speaker 3: Good to see you. Now.

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Speaker 1: You're coming here in July for three shows in Adelaide

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Speaker 1: and three different venues.

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Speaker 2: Yeah, that's right.

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Speaker 4: We thought we'd spread it around a little bit, and so,

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Speaker 4: you know, just to cover all our bases, to cover

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Speaker 4: all the ethnics in Adelaide, a Woodville town Hall.

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Speaker 2: We're doing car Prix Theater and the Regal Theater.

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Speaker 1: Yeah, yeah, okay, beautiful the car Prix, I haven't heard

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Speaker 1: it called that before, but hey, you're welcome to that.

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Speaker 3: What do you know for pri Capri Capri Theater.

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Speaker 2: Yeah, well it depends. Yeah, people say it in different ways,

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Speaker 2: you know.

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Speaker 3: Is that a dialect and Italian? I went very well,

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Speaker 3: but yeah, could be.

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Speaker 4: Mike Cala background has skewed that one.

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Speaker 3: I love it. Now we'll talk about the show.

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Speaker 1: Give me the backstory, because you've been doing this for

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Speaker 1: years now. You basically set the plane. I think you

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Speaker 1: uploaded a video to Napster was it a night. You've

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Speaker 1: gave you work international recognition, that's right.

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Speaker 4: So basically, in the year two thousand and I released

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Speaker 4: a CD that spread out through Australia on cassette, so

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Speaker 4: people copied it on cassette, then on CD, then I

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Speaker 4: put it onto Napstar, and Napstar pretty much took my

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Speaker 4: comedy or one particular clip and spread it around the

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Speaker 4: world and essentially, in a nutshell, I've been touring on

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Speaker 4: the back of that ever since.

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Speaker 3: Wow.

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Speaker 2: Yeah, all over the world, like in fourteen countries.

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Speaker 1: That's amazing. Yeah, you've just come back from Italy? Yes,

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Speaker 1: did you do shows there?

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Speaker 4: I do do shows in Italy and I'm going back

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Speaker 4: again in September to do one I was setting up.

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Speaker 1: I was.

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Speaker 4: I was basically the Italian government flew me over to

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Speaker 4: promote the region of Columbria to the world.

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Speaker 3: You know, Is that right?

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Speaker 2: Yeah, So anything from the Italian government is good, mate.

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Speaker 3: So the Prime Minister Georgia Mercury, is it?

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Speaker 1: No?

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Speaker 2: I think Morandi. I'm not sure something that I didn't

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Speaker 2: meet her.

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Speaker 3: She's not a fan, then maybe I'm not sure.

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Speaker 4: If she's a fan or not. I can tell you

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Speaker 4: who's not a fan of who is Macron's wife.

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Speaker 3: Oh yeah, how about that? Was that a slap or

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Speaker 3: she just looked like she pushed him away? Nah, I

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Speaker 3: don't know, look like.

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Speaker 2: A bit of a you know, a bit of domestic

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Speaker 2: use going on.

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Speaker 4: And here's you know something too that we were talking

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Speaker 4: about our fair the whole work thing. Had that been

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Speaker 4: the other way around, Oh yeah, right, you know, he

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Speaker 4: would have been asked to step down and all sorts

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Speaker 4: of things, you know, I mean, you know, we're not obviously,

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Speaker 4: you're not condoning that kind of behavior.

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Speaker 2: But it's more.

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Speaker 4: About the fact that, you know, if it's about equality,

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Speaker 4: then it has to be about equality. You know, if

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Speaker 4: it's going to be one way, it has to be

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Speaker 4: the other way as well. And but it always just

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Speaker 4: seems like, I don't know, you know, the guy, the

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Speaker 4: guy you know gets a slap and it's a bit

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Speaker 4: of a laugh, and it's all these memes on the

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Speaker 4: internet since it's happened.

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Speaker 1: It's incredible shows in Italy before we leave Europe and

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Speaker 1: mcron and everyone else.

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Speaker 3: Does do the jokes work? Do they translate over there? Yes?

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Speaker 4: So obviously you can't do jokes about Ossie Sport on

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Speaker 4: culture or the vernacular.

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Speaker 2: But you know, my kind of comedy trenscends all.

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Speaker 4: That in respect to the fact that it's you know,

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Speaker 4: it's universal. You know, when you're get in trouble as

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Speaker 4: an Italian kid, you get in trouble, that's the same thing.

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Speaker 4: You know when a mum yells at you, she yells it,

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Speaker 4: you know, when she tells you.

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Speaker 2: You know when your father get home is going to

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Speaker 2: kill you.

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Speaker 4: Well, that's universal all over the world, you know, And

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Speaker 4: so that's why it works over there because a lot

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Speaker 4: of my material is universal.

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Speaker 3: Okay, the mama jokes would work anyway, wouldn't they.

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Speaker 2: Well, yeah, because it's not just for the Italian culture.

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Speaker 4: You know, we get a lot of the Lebanese culture,

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Speaker 4: the Croatians, the Balkans, the Asians, the Indians South.

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Speaker 2: You know, everyone has got through.

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Speaker 4: And you know what's really funny, as I get the

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Speaker 4: OSSI's coming to the show going, no mat I've got

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Speaker 4: a beating as well made. It's not just you guys,

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Speaker 4: because it's that generation. Because you can't hit kids these days.

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Speaker 4: You know, back back at the good old days, you

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Speaker 4: could hit anybody's kid, you know, and and would have

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Speaker 4: been fine, you know, if the neighbor gave you a

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Speaker 4: clip around the ear right, my dad would give me

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Speaker 4: because the neighbor gave you one.

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Speaker 1: Yeah, and it was thought deserved. If you got one

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Speaker 1: like that, it was deserved. We all went through that,

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Speaker 1: you know.

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Speaker 4: I remember one day there was his kid crying in

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Speaker 4: a toy shop. The mom wouldn't get him what he wanted.

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Speaker 4: My dad gave him. You know, you know, your mom

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Speaker 4: said no, and the mom goes, oh my god, I

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Speaker 4: have never hit here in my life and my day.

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Speaker 2: Guys, well there's your problem.

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Speaker 3: But today he'd be on an assault shot.

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Speaker 1: Absolutely, absolutely, yeah, crazy. All right, now you mentioned cassettes earlier.

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Speaker 1: You try explaining a cassette to a teenager today.

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Speaker 4: These kids will never know the mixed struggle, and that

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Speaker 4: the struggle. Let me start that again. These kids will

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Speaker 4: never know the struggle of trying to find a song

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Speaker 4: on a mix tape. Back forward, yeah, back forward, then

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Speaker 4: you oh, maybe.

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Speaker 2: It's on the other side.

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Speaker 4: Even the TV was funny, like mom had two rules,

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Speaker 4: don't answer and to do all the strangers. Don't watch

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Speaker 4: TV all day, And of course we did watch TV

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Speaker 4: all day. You'd hear up pulling up in the driveway

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Speaker 4: after work. You'd get up off the couch, switch the

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Speaker 4: TV off, pretend you were and watching. But she was smart.

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Speaker 4: She would she would come in and put her hand

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Speaker 4: behind the TV if it was hot. You've been watching it,

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Speaker 4: you know, and look. And I don't know if you've

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Speaker 4: got an any young people listening to this show.

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Speaker 3: Right, hard at least?

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Speaker 2: Yeah, young at hart right.

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Speaker 4: But if a lot of kids come up and go,

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Speaker 4: what do you mean, Joe, that you were at home

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Speaker 4: by yourself watching TV, you know, and your parents went

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Speaker 4: to work, because that's what they did back then.

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Speaker 3: Because today the players are different today.

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Speaker 2: I mean, and I'm guilty of this.

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Speaker 4: They call us helicopter parents because we hover over the

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Speaker 4: kids like a helicopter, making sure everything's all right.

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Speaker 2: Well, I grew up in the eighties. We had submarine parents.

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Speaker 2: How I knew where they were.

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Speaker 3: That's absolutely true.

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Speaker 4: You know, go out and play, come home when the

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Speaker 4: lights are on. When you see the lights on, start

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Speaker 4: heading back home.

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Speaker 3: That's absolutely right.

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Speaker 1: I'd wake up on school holidays to an empty house

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Speaker 1: because they've gone to work and they had to, you know.

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Speaker 1: So things have changed, no doubt about it. Technology, kids,

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Speaker 1: that's part of the show, isn't it.

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Speaker 2: Yeah, that's right. Yeah, the techno, the technology party is

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Speaker 2: so good.

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Speaker 4: It's just it's just amazing, how you know things things

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Speaker 4: have changed over the years, even even just something like

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Speaker 4: like shazam. These kids, you know, they've got for anyone listening,

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Speaker 4: because there's always someone who doesn't know what shazam is.

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Speaker 4: There's an app that these kids have on their phone.

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Speaker 4: When they don't know a song, they put it near

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Speaker 4: the speaker wherever they are in a cafe, in a nightclub,

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Speaker 4: on the radio, and this this app gives gives the kids.

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Speaker 4: It tells the kids the name of the song, who

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Speaker 4: sings the song, and it allows them to download it. Now,

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Speaker 4: for those of you listening, if you remember what our

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Speaker 4: shazam was.

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Speaker 2: When we heard a song on the radio, we had

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Speaker 2: to remember the tune.

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Speaker 4: The next day, we'd have to go to a place

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Speaker 4: called a record shop and we'd have to remember singing

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Speaker 4: the song to the guy behind the cap.

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Speaker 2: And the guy always knew the song. When he make

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Speaker 2: you sing the second verse.

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Speaker 3: Saddest.

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Speaker 4: Even the telephone, the smartphones, so they call them smartphones

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Speaker 4: that make you dumb. You know, it's we bought my

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Speaker 4: grandfather the phone right, loves it right anyway, rings me

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Speaker 4: up two days later and this at the left, and

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Speaker 4: it's not good.

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Speaker 2: So what happened to broken down? What do you mean?

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Speaker 2: So I got to go and fix it. It wasn't broken down.

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Speaker 4: He used up sixteen gigabytes of memory, and you probably think,

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Speaker 4: you know, you know, because that's all he needed, and.

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Speaker 2: You're thinking, what what did he do? You use sixteen?

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Speaker 2: He had three hundred and forty seven photos of his ear.

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Speaker 4: Because he kept on talking and pressing the two buttons

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Speaker 4: on either side and taking taking photos and.

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Speaker 2: Videos and all. I just sees his photos of this ear,

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Speaker 2: you know, and it's just great. It's just great the

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Speaker 2: way that changes.

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Speaker 4: I mean, my dad sends me a text message that

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Speaker 4: told me he sent me an email, opened up email,

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Speaker 4: let's just call me when you get the message, like

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Speaker 4: every possible way to get to it.

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Speaker 3: Brilliant.

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Speaker 1: That's brilliant, all right, So I mean what he's doing

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Speaker 1: struggle with it. My mum who's ninety four, just to

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Speaker 1: ninety four. It's got an iPhone and she's on Facebook

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Speaker 1: now and does the whole thing, but can't do basic

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Speaker 1: things like pretty much answer a phone.

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Speaker 2: Yeah, that's right, You've got to teach them, you know.

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Speaker 4: And look, you know, if there's any boomers listening, please

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Speaker 4: please do us a favor on behalf of all the

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Speaker 4: Generation X, please write down your pass codes. My mum

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Speaker 4: brings me in the middle of the night, Well, I

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Speaker 4: don't know what the passer cord and I lose it

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Speaker 4: and I go it's two three zero eight seven four,

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Speaker 4: And she gets She goes, why are you yelling at me?

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Speaker 4: Why are you upset? I said, because it's my date

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Speaker 4: of birth? Did you forget that? Did you forget that

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Speaker 4: little fact? Because you're not put two and two together sensational?

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Speaker 1: What else can we now? You know you're Italian, you've

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Speaker 1: talked a lot about it. Italian culture. Isn't a show

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Speaker 1: for Italians or.

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Speaker 2: Broader that that's for everybody. You know.

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Speaker 4: This show has got George Kepiniaris in it, who's really

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Speaker 4: famous for the Raad's you know, Memo from a Cropolis.

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Speaker 4: Now you've got Tahir who's on Fat Pizza and Houses

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Speaker 4: and you know has done a lot of TV. And

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Speaker 4: also what we've done is we've incorporated a lot of

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Speaker 4: new kid in the show. So we've got a guy

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Speaker 4: called Joe White, who's an Ethiopian refugee talking about his

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Speaker 4: experiences ting limit Singapore, and Sashi Pereiro, who Schrelankan and

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Speaker 4: who now lives here.

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Speaker 2: So we've really really mixed this one up.

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Speaker 4: So it's a show for everyone, okay, And of course

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Speaker 4: the other thing is a lot of people who come

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Speaker 4: to my shows over the years.

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Speaker 2: No, it's a clean show.

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Speaker 4: So you can come, you can bring the kids, you

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Speaker 4: can bring non to and no no, and you can

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Speaker 4: know that you're not going to get filth.

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Speaker 2: Well that's what That's one thing.

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Speaker 4: That you know I don't do and I've never done,

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Speaker 4: but it's in the these these acts are contracted.

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Speaker 2: No swearing. You're not allowed to swear.

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Speaker 4: You're not allowed to talk about anything filthy. That's just

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Speaker 4: the way we like to run our shows.

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Speaker 2: We like good, clean comedy.

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Speaker 1: You're known for that, actually, aren't you. That's that's that's

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Speaker 1: been a feature of your act all the way through.

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Speaker 1: Why is that? Because it is easy, isn't it? It's

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Speaker 1: a comedian imagine it'll be really easy to drop in

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Speaker 1: swear words for effect and get laughs.

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Speaker 4: Dropping swear words where it's not needed, like sometimes you

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Speaker 4: need to say that the swear word, because it actually

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Speaker 4: adds the effect, but just swearing for the sake of swearing. Well,

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Speaker 4: it all started because I thought, you know, if my

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Speaker 4: mom and dad came, i'd get a clip around there.

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Speaker 4: And it just started like that, and I thought I

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Speaker 4: was actually embarrassed.

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Speaker 2: I thought, my mom, my, mum's friends are coming.

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Speaker 4: You know, I don't know, it was just, you know,

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Speaker 4: I grew up in the eighties. That's just the way

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Speaker 4: that it was, you know, Italian in the eighties. It

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Speaker 4: was just you just didn't do that right. And so

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Speaker 4: we just kept it going. And and you know what's

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Speaker 4: really funny is that when people actually thank you for

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Speaker 4: it at the end of the show, they whispered.

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Speaker 2: Thanks for not swearing. Well, it's like they're embarrassed to

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Speaker 2: even say that.

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Speaker 1: Is that a sign of the time something You can't

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Speaker 1: quit it anywhere?

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Speaker 3: TV is full of it, even these days. It wasn't

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Speaker 3: back in our days.

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Speaker 4: Kids, And look at one at one point down the

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Speaker 4: track in the future is just going to be fine

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Speaker 4: and everyone's going to be fine with them. But we

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Speaker 4: live in a in a time where this there are

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Speaker 4: you know, like I don't you know, a lot of

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Speaker 4: the comedians that I watched, you know, talk about all

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Speaker 4: sorts of things that I would never talk about on stage.

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Speaker 2: But doesn't mean I don't get it's just my audience

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Speaker 2: don't like it.

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Speaker 4: But you know, there isn't an audience out there who

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Speaker 4: just don't like it, so why alienate them?

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Speaker 2: Okay, that's that's the reason.

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Speaker 1: That's that's good. You're often referred to as the Italian Seinfeld. Yeah,

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Speaker 1: you happy with that?

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Speaker 2: Yeah? I'm not sure they call him the New York Joel.

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Speaker 3: I was going to say, yeah, would he be the

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Speaker 3: Aussie Joe?

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Speaker 4: Yeah?

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Speaker 2: I don't think so.

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Speaker 4: But you know, you know why that came about was

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Speaker 4: because people didn't know how to label me back then,

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Speaker 4: and I was very.

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Speaker 2: Like him.

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Speaker 4: I didn't swear, and it was very observational. So I thought, well,

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Speaker 4: he's like Seinfeld, so he's the Italian side. Well that

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Speaker 4: that's where it came about, you know, but I uh.

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Speaker 1: Yeah, Observational is interesting, isn't it? Because when you when

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Speaker 1: you see a situation unfolding, do you think that's a routine?

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Speaker 3: Does that how it? Or do you go away and

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Speaker 3: write it? You do?

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Speaker 2: You know?

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Speaker 4: You like, there's a thing that I do and I

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Speaker 4: know everybody does, and thought, I wonder if everyone else

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Speaker 4: does it, and I just tried it out.

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Speaker 2: So I've been like losing weight for the tour.

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Speaker 4: So and I don't know, why is it that whenever

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Speaker 4: you want I want to lose weight, you never believe

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Speaker 4: the scales.

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Speaker 2: So you jump on right now.

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Speaker 4: Firstly, you've got to take everything off, even your glasses,

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Speaker 4: because you don't want to extra couple of grams on there.

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Speaker 4: So you take everything off, you jump on the scales,

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Speaker 4: you look down and go, no, that's not possible. You

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Speaker 4: get off, You look down and go, that's why the

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Speaker 4: needle wasn't on zero, right, So you put it on zero.

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Speaker 4: You get back on there again, the net weight is

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Speaker 4: exactly the same as it was. And then I don't

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Speaker 4: know if anyone does this. And this is where that

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Speaker 4: observation comes in. Do you ever like move the scales

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Speaker 4: to the other side of the bathroom just because it's

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Speaker 4: the case you've got to get skinnier over here, or

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Speaker 4: you're actually when you get on the on the carpet,

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Speaker 4: you're actually lighter.

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Speaker 3: And still do it. You all do it.

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Speaker 4: And that's like an observation that I've had doing it

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Speaker 4: right so I've been doing it. No, it's impossible, I

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Speaker 4: can't and I move it to the other side of

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Speaker 4: the bathroom and I thought, wow, wonder if anyone else

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Speaker 4: does that?

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Speaker 2: So I go up that night on stage try it

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Speaker 2: kills big laughs.

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Speaker 3: Yeah, all right, there we go.

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Speaker 1: So rehearsing is it a routine that needs to be rehearsed?

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Speaker 1: Do comedians rehearse?

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Speaker 2: Okay? So there's two elements of it.

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Speaker 4: So firstly, you actually rehearse the delivery, okay, But you

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Speaker 4: can't rehearse the delivery to the reaction because a lot

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Speaker 4: of the time our delivery is based on the reaction.

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Speaker 4: Now you just don't know, You don't know how the

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Speaker 4: audience is going to laugh. So what's important is that

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Speaker 4: when you get on stage and you try a new joke,

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Speaker 4: that you deliver it confidently and you don't fumble the

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Speaker 4: words and the timing is right. Then the audience will

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Speaker 4: let you know if it's funny or not. And so

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Speaker 4: when that is funny, then sometimes you're surprised. Sometimes you're

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Speaker 4: about to get to the next line you go, oh,

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Speaker 4: hang on a minute, I wasn't waiting for that.

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Speaker 2: I didn't think they would laugh at that.

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Speaker 4: Or they laugh through is bigger or I thought they

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Speaker 4: would laugh at that, they have it, you've got to

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Speaker 4: move on. So there's two parts to it. One is

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Speaker 4: rehearsing it behind closed.

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Speaker 2: Doors, making sure you're smooth.

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Speaker 4: But then you've got to rehear you've actually got to

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Speaker 4: do it live and based on that is how then

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Speaker 4: you then extend it or change it or god, that

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Speaker 4: didn't work, or move a word or maybe it's funny

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Speaker 4: you know when you put when you speed up the

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Speaker 4: gag or slow it down, put a facial expression into it,

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Speaker 4: a hand gesture, and.

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Speaker 2: Also just confidence.

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Speaker 4: So the first time you perform, you might not be

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Speaker 4: too confident and that might hinder the gag. But if

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Speaker 4: you get a little bit of a laugh, the next

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Speaker 4: time you go, yeah, there should be a gag. Laugh

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Speaker 4: here and bang away you go and then you go

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Speaker 4: with it. And that's that's how you kind of put

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Speaker 4: them out there.

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Speaker 3: When they don't laugh, you move on.

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Speaker 2: You got to move on.

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Speaker 3: Yet, do you make a little comment is it just me?

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Speaker 3: Or now what?

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Speaker 4: Sometimes you can do it.

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Speaker 2: If if that, you've really got to be.

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Speaker 4: Careful because if you do a really long winded build

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Speaker 4: up and the punchline just doesn't you know, and they

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Speaker 4: are maybe just mat you kind of say that. But

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Speaker 4: the trick is what you do is you sang which

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Speaker 4: a new bit in between two bits?

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Speaker 2: You know? Work? You got tom laugh and let's try this.

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Speaker 3: Yeah right, I didn't work.

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Speaker 2: Let's get into the next one. Away. All these tricks.

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Speaker 1: Mat yeah about that, and they must come naturally by now,

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Speaker 1: I mean right after thirty.

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Speaker 2: Years, you know you know what to do?

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Speaker 1: Yea?

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Speaker 3: Is it hard the first few times?

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Speaker 2: It's scary the first few times.

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Speaker 4: But I was very lucky that I got laughed straight away,

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Speaker 4: because I often wondering if I didn't get last, would

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Speaker 4: I come back?

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Speaker 3: Yeah?

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Speaker 4: And I always said into new comedians because you normally

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Speaker 4: got to get up for five minutes. So if you

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Speaker 4: get up for five minutes and you get.

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Speaker 2: Two laughs, you've got what it takes.

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Speaker 4: You just now have to fill an hour and a

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Speaker 4: half too much.

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Speaker 2: Yeah.

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Speaker 3: Wow, that's scary.

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Speaker 2: Yeah, it is scary. Yeah.

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Speaker 4: I mean when you think about it, stand up comedy,

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Speaker 4: what you're doing is you're asking a room full of

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Speaker 4: strangers to themselves and to you to have a simultaneous

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Speaker 4: involuntary action at the words that you've just chosen to say, right,

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Speaker 4: and when you think of it like that, it's pretty

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Speaker 4: it's pretty interesting.

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Speaker 1: Okay, all right, we've talked health, we've wait at least takeogy.

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Speaker 3: What else? What else is the show? What can people expect?

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Speaker 4: Well, look, it's a real it's everyone's experiences growing up

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Speaker 4: in Australia. So you've got you've got experiences from three

405
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Speaker 4: veterans who've been doing it for collectively about one hundred years.

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Speaker 2: I've been doing a.

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Speaker 4: Thirty tahir thirty forty years, right, So you're getting, you know,

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Speaker 4: veterans on stage telling their stories, but you're also getting

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Speaker 4: a lot of new perspective, a lot of fresh eyes

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Speaker 4: examining it. And some of these acts are new to Australia,

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Speaker 4: the new Australians, so you're getting that as well. And

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Speaker 4: there's a lot of comedy in that. You know, the

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Speaker 4: kids there, they're really bringing in their observations on what

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Speaker 4: it's like or what Australia is like now growing up

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Speaker 4: and being an ethnic and an immigrant in Australia right now. Okay,

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Speaker 4: So that's also fascinating, I think, and adds a bit

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Speaker 4: of color to the show.

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Speaker 1: Those changes of new eyes as you say, pushing the envelope.

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Speaker 1: Is that comedy is always push the envelope. That's what

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Speaker 1: it's all about. You do you feel yourself doing that

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Speaker 1: in those sorts of environments.

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Speaker 4: It's becoming hardened out and so you have to navigate

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Speaker 4: around it. So sometimes if you want to say something

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Speaker 4: that might seem racist, you don't say, you say your

425
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Speaker 4: uncle said it. You test out your audience. But it's

426
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Speaker 4: about pushing boundaries. You need to push boundaries. There are

427
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Speaker 4: certain things that you that I do that I wouldn't

428
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Speaker 4: be able to do on radio, that I doing the show.

429
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Speaker 4: It's just because you want publish them.

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Speaker 3: Go.

431
00:17:29,040 --> 00:17:31,120
Speaker 4: I know that that's going to be offensive to somebody.

432
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Speaker 4: So everyone who gets offensive. Political correctness does not belong

433
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Speaker 4: in comedy. Political correctness in comedy is like it's like

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Speaker 4: having an occupational health.

435
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Speaker 2: And safety office at the boxing.

436
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Speaker 4: What's the point if you're going to get offended, If

437
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Speaker 4: you feel like you're going to, you know what, check

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Speaker 4: out the act. There's enough. There's enough on YouTube now.

439
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Speaker 4: If you're going to go see somebody.

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Speaker 2: Check them out. It's always it's always amuses me that

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Speaker 2: someone says.

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Speaker 4: Oh, I went to see Jimmy Kahn, I walked out, Well,

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Speaker 4: why would you go, don't you know what he does?

444
00:17:58,560 --> 00:18:00,920
Speaker 2: Look at what he does and go and see him,

445
00:18:01,600 --> 00:18:01,800
Speaker 2: you know.

446
00:18:02,920 --> 00:18:06,199
Speaker 4: And it's also interesting when someone doesn't agree, Like you

447
00:18:06,200 --> 00:18:07,640
Speaker 4: could be on stage for an hour and a half,

448
00:18:07,640 --> 00:18:10,439
Speaker 4: someone doesn't agree with one thing. All of a sudden,

449
00:18:10,720 --> 00:18:12,600
Speaker 4: you're not fighting anymore, you know.

450
00:18:13,160 --> 00:18:15,800
Speaker 1: Do you think people forget they're just jokes and it's

451
00:18:16,160 --> 00:18:18,399
Speaker 1: just a gat, you know, and you might not necessarily

452
00:18:18,600 --> 00:18:19,639
Speaker 1: believe what you're saying.

453
00:18:19,640 --> 00:18:21,000
Speaker 3: It's just for effect, you know.

454
00:18:21,040 --> 00:18:22,560
Speaker 2: I do jokes about ADHD.

455
00:18:23,000 --> 00:18:26,080
Speaker 4: Someone gets upset because they've got someone who got ADHD.

456
00:18:26,359 --> 00:18:28,160
Speaker 2: I did a gag about Peter allergies.

457
00:18:28,200 --> 00:18:30,919
Speaker 4: All these people got up because unfortunately someone in their

458
00:18:30,960 --> 00:18:33,199
Speaker 4: family they lost the calling, you know, because they had

459
00:18:33,200 --> 00:18:37,240
Speaker 4: an antifact a reaction. Okay, So if you if you

460
00:18:37,240 --> 00:18:39,760
Speaker 4: look like that, you never put on the TV on

461
00:18:39,760 --> 00:18:42,480
Speaker 4: the TV and you just wouldn't do jokes. And well

462
00:18:43,440 --> 00:18:46,199
Speaker 4: every corner you're going to turn you off somebody. So

463
00:18:46,240 --> 00:18:48,480
Speaker 4: it comes to a point where you know, you're stepping

464
00:18:48,480 --> 00:18:51,399
Speaker 4: on land mines everywhere you go, you know. And and

465
00:18:51,400 --> 00:18:53,320
Speaker 4: that's the way it is at the moment. And I

466
00:18:53,400 --> 00:18:55,959
Speaker 4: feel it in my show because I used to talk

467
00:18:56,000 --> 00:18:58,040
Speaker 4: a lot about, you know, being Italian, getting a clipper

468
00:18:58,080 --> 00:19:00,359
Speaker 4: behind him, and the same people have been coming to

469
00:19:00,400 --> 00:19:03,800
Speaker 4: the shows over the years, would laugh hysterically ten years ago.

470
00:19:04,160 --> 00:19:05,480
Speaker 2: Now all wing an r ring.

471
00:19:05,400 --> 00:19:08,239
Speaker 4: It's a it's a sound of cognitive dissonance, you know,

472
00:19:08,320 --> 00:19:11,360
Speaker 4: so people to have to think about what they laugh at.

473
00:19:11,520 --> 00:19:14,480
Speaker 4: And laughing is an involuntary reaction, you can't help it.

474
00:19:14,760 --> 00:19:17,280
Speaker 4: But now people have to think, and it's because it's sad.

475
00:19:17,880 --> 00:19:20,240
Speaker 3: Okay, Well, you're going to make people laugh when you're here,

476
00:19:20,280 --> 00:19:21,120
Speaker 3: I know that much.

477
00:19:21,440 --> 00:19:24,480
Speaker 1: And the tour is the comedy cartel show, that's right,

478
00:19:24,680 --> 00:19:27,520
Speaker 1: of course. Here at the Regal as you said, Friday,

479
00:19:27,760 --> 00:19:31,359
Speaker 1: July eighteen, Woodville Town Hall, Saturday, the nineteenth of July,

480
00:19:31,720 --> 00:19:34,280
Speaker 1: and the Capri or the what was it the Carpri

481
00:19:34,520 --> 00:19:36,240
Speaker 1: Capri Capri the Capri.

482
00:19:36,080 --> 00:19:38,920
Speaker 2: Theater sorry some in Italian?

483
00:19:39,080 --> 00:19:42,280
Speaker 4: Yeahpany, Yeah, that's the way.

484
00:19:42,359 --> 00:19:44,320
Speaker 1: Look, you're going to be great whatever whatever it's called,

485
00:19:44,320 --> 00:19:48,560
Speaker 1: it doesn't matter. Great meeting you again today much. What's

486
00:19:48,760 --> 00:19:49,320
Speaker 1: after the tour?

487
00:19:49,359 --> 00:19:49,840
Speaker 3: What are you doing?

488
00:19:49,920 --> 00:19:50,760
Speaker 2: Oh well, I've got.

489
00:19:50,640 --> 00:19:52,520
Speaker 4: A tour of America, I've got to do in Canada,

490
00:19:52,600 --> 00:19:57,359
Speaker 4: I've got Italy to do. So yeah, this is It

491
00:19:57,400 --> 00:19:59,440
Speaker 4: doesn't stop for me until the fourteenth of the December.

492
00:19:59,520 --> 00:20:01,840
Speaker 3: What are they think about the Italian Australian over there?

493
00:20:01,960 --> 00:20:04,320
Speaker 4: You know what, it's actually an interesting thing. Firstly, they

494
00:20:04,359 --> 00:20:07,359
Speaker 4: don't think that I'm Australian. Anybody who's English who starts

495
00:20:07,400 --> 00:20:11,160
Speaker 4: doing Italian gags are American americ Arnie, well Amadic Arnie.

496
00:20:11,359 --> 00:20:14,520
Speaker 4: So but now when they find out you're Italian, they

497
00:20:14,520 --> 00:20:15,320
Speaker 4: freaking that.

498
00:20:15,880 --> 00:20:16,879
Speaker 2: They don't realize.

499
00:20:17,000 --> 00:20:19,840
Speaker 4: I mean those people in Italy who've got relatives here. No,

500
00:20:20,200 --> 00:20:21,880
Speaker 4: but there's a lot of people who don't have relatives

501
00:20:21,880 --> 00:20:25,680
Speaker 4: here and they're like Italian from Australia, you know, you

502
00:20:25,720 --> 00:20:28,600
Speaker 4: know that's not Italian, but it sounds like the crocodile hunter,

503
00:20:28,680 --> 00:20:30,960
Speaker 4: you know, so that's funny to them.

504
00:20:31,119 --> 00:20:32,879
Speaker 3: Yeah, there we go. So it's a winner.

505
00:20:33,000 --> 00:20:34,680
Speaker 1: Good on your joke, lovely seeing you and all the

506
00:20:34,720 --> 00:20:36,720
Speaker 1: best for the tour here in Adelaide middle of July

507
00:20:36,880 --> 00:20:39,920
Speaker 1: the eighteenth, nineteenth and twentieth Various venues people can get

508
00:20:39,920 --> 00:20:41,399
Speaker 1: tickets were on your website.

509
00:20:41,000 --> 00:20:44,680
Speaker 4: Comedy Cartel tour com or Joavarti dot com.

510
00:20:44,800 --> 00:20:46,160
Speaker 3: Beautiful. Yeah, good on your joke.

511
00:20:46,600 --> 00:20:46,840
Speaker 2: Much