1 00:00:00,760 --> 00:00:03,600 Speaker 1: The Fitz and Whipper Podcast. We've got the main man 2 00:00:03,640 --> 00:00:06,280 Speaker 1: in the studio. We need to talk maths. Jeez. It 3 00:00:06,320 --> 00:00:08,600 Speaker 1: was an explosive dinner party last night. 4 00:00:08,800 --> 00:00:11,280 Speaker 2: Not a great night for Dan, not a great night 5 00:00:11,320 --> 00:00:11,600 Speaker 2: at all. 6 00:00:11,800 --> 00:00:16,560 Speaker 3: Old Butt Dial come into play and Evelyn. Unfortunately, Rupert's 7 00:00:16,600 --> 00:00:20,440 Speaker 3: phone went off Evelyn. He rang Evelyn without him knowing. 8 00:00:20,480 --> 00:00:23,760 Speaker 3: The boys are out with having a few drinks. Hugo 9 00:00:23,800 --> 00:00:29,440 Speaker 3: got busted talking about his partner really badly, and Evelyn 10 00:00:29,520 --> 00:00:31,680 Speaker 3: had to tell everyone what Hugo was saying. 11 00:00:32,440 --> 00:00:35,199 Speaker 4: You said you couldn't stand her, and new caught her 12 00:00:35,200 --> 00:00:38,520 Speaker 4: a see you next Tuesday. 13 00:00:39,560 --> 00:00:45,000 Speaker 3: Oh that's one man who was very quiet at the 14 00:00:45,080 --> 00:00:47,120 Speaker 3: end of the table was Harrison, and he joins us. 15 00:00:47,159 --> 00:00:48,000 Speaker 1: Now, Harrison, well. 16 00:00:47,960 --> 00:00:48,839 Speaker 5: Morning, good morning guys. 17 00:00:48,880 --> 00:00:51,640 Speaker 2: I don't I don't even know where to start here, Harrison. 18 00:00:51,920 --> 00:00:54,080 Speaker 2: I mean last night you were a little bit foolish. 19 00:00:54,160 --> 00:00:56,680 Speaker 2: I thought when you were chipping in trying to help 20 00:00:56,760 --> 00:00:58,880 Speaker 2: Dan out because I was seeing him drown. 21 00:00:59,520 --> 00:01:02,400 Speaker 5: He was himself a hole with an excavator. It was extraordinary, 22 00:01:02,760 --> 00:01:04,000 Speaker 5: a little bit of the sand back in the hole. 23 00:01:04,040 --> 00:01:05,640 Speaker 2: I just kept repeating himself. He had a couple of 24 00:01:05,680 --> 00:01:09,240 Speaker 2: catchphrases Unfortunately everybody could see straight through him. 25 00:01:09,400 --> 00:01:11,000 Speaker 5: My favorite was I see you? 26 00:01:11,280 --> 00:01:13,160 Speaker 1: Oh you you feel you? 27 00:01:13,280 --> 00:01:13,520 Speaker 3: Yes? 28 00:01:13,920 --> 00:01:17,280 Speaker 2: My wife screamed at the TV, wasn't it? 29 00:01:18,440 --> 00:01:18,920 Speaker 1: Look Dan? 30 00:01:19,319 --> 00:01:21,280 Speaker 5: Dan is actually a good guy. He's one of my 31 00:01:21,360 --> 00:01:23,400 Speaker 5: closest mates, really al so I was going to stick 32 00:01:23,480 --> 00:01:23,920 Speaker 5: up for him. 33 00:01:23,920 --> 00:01:27,119 Speaker 3: Of course, two dogs together, two dogs stick together, don't they? 34 00:01:27,319 --> 00:01:29,440 Speaker 1: Hey? Can you can you just confirm that? 35 00:01:29,600 --> 00:01:31,319 Speaker 5: No? No, they obviously do. 36 00:01:31,400 --> 00:01:36,039 Speaker 1: Yeah, leave us out of this. Were you what were you? 37 00:01:36,280 --> 00:01:38,920 Speaker 3: Were you at the boys night out? Did you go 38 00:01:38,959 --> 00:01:40,560 Speaker 3: to that and have a few drinks? Were you there 39 00:01:40,600 --> 00:01:40,880 Speaker 3: that night? 40 00:01:40,880 --> 00:01:43,000 Speaker 5: Because it broadly got Josh from the show ringing me? 41 00:01:43,040 --> 00:01:43,560 Speaker 5: Can I answer? 42 00:01:43,720 --> 00:01:46,479 Speaker 1: Oh? Yeah, what do you got? Josh? 43 00:01:46,800 --> 00:01:48,680 Speaker 5: Mate? I'm actually on air with Fitzi and Whipper. What 44 00:01:48,720 --> 00:01:49,120 Speaker 5: are you doing? 45 00:01:53,560 --> 00:01:53,800 Speaker 1: Josh? 46 00:01:54,080 --> 00:01:55,640 Speaker 5: Look, Josh was rung through. 47 00:01:55,720 --> 00:01:56,480 Speaker 1: We loved him on the. 48 00:01:57,000 --> 00:02:03,720 Speaker 5: Josh, They loved you on the show. Mate for you. 49 00:02:03,800 --> 00:02:09,040 Speaker 1: Later, Josh, You know what, gentleman? He was a general 50 00:02:09,080 --> 00:02:11,200 Speaker 1: as a gentleman. So were you at the boy's night out? 51 00:02:11,240 --> 00:02:14,600 Speaker 5: He's a bit of a dog in real life. He's 52 00:02:14,880 --> 00:02:17,160 Speaker 5: a bit of a weapon. Not all of it seems 53 00:02:17,280 --> 00:02:20,480 Speaker 5: he's like, he's not. He's not the straight up and 54 00:02:20,480 --> 00:02:23,680 Speaker 5: down vanilla that they show. He's actually like a little 55 00:02:23,680 --> 00:02:24,640 Speaker 5: bit of a bad boy. 56 00:02:25,680 --> 00:02:27,040 Speaker 2: He's not just novelty pajamas. 57 00:02:27,120 --> 00:02:29,520 Speaker 1: We're still trying to work you out. This is what 58 00:02:29,520 --> 00:02:31,200 Speaker 1: we're trying to work out though, because. 59 00:02:31,040 --> 00:02:33,680 Speaker 5: I'm enigma, you'll never work me out, right, OK? 60 00:02:33,880 --> 00:02:35,880 Speaker 2: Can I ask one quick question which has got nothing 61 00:02:35,919 --> 00:02:36,160 Speaker 2: to do. 62 00:02:36,160 --> 00:02:36,560 Speaker 1: With the show. 63 00:02:36,680 --> 00:02:37,799 Speaker 5: Whip's got that look in his eye. 64 00:02:37,880 --> 00:02:39,720 Speaker 2: Yeah, I'm ready to I'm ready to go like a 65 00:02:39,720 --> 00:02:40,080 Speaker 2: dog with a. 66 00:02:40,080 --> 00:02:44,120 Speaker 5: Bone and that tan reel this tan No, No, this 67 00:02:44,240 --> 00:02:48,000 Speaker 5: is actually a tequila and bad decisions. Just compile my 68 00:02:48,040 --> 00:02:48,680 Speaker 5: skin tone? 69 00:02:49,040 --> 00:02:51,079 Speaker 1: That's that? Is that like spray on? 70 00:02:51,480 --> 00:02:53,280 Speaker 2: Or is that out of a can? 71 00:02:54,160 --> 00:02:54,240 Speaker 4: No? 72 00:02:54,360 --> 00:02:56,639 Speaker 5: Actually wake up much darker and it fades through. 73 00:03:00,400 --> 00:03:01,280 Speaker 1: What a question is? 74 00:03:01,320 --> 00:03:01,400 Speaker 3: That? 75 00:03:01,520 --> 00:03:02,280 Speaker 5: Is that fake who? 76 00:03:02,360 --> 00:03:03,320 Speaker 1: Fake tans? 77 00:03:03,520 --> 00:03:05,760 Speaker 5: Lots of people, but I live by the beach, look 78 00:03:05,800 --> 00:03:07,880 Speaker 5: at you shit, and I work outside of a trade. 79 00:03:08,360 --> 00:03:10,920 Speaker 5: It's like, God, do you can't even tell where the 80 00:03:10,919 --> 00:03:13,040 Speaker 5: shirt starts? And I begin get lot guns. 81 00:03:13,200 --> 00:03:16,000 Speaker 1: We need to talk about your relationship with Brontie. 82 00:03:16,040 --> 00:03:18,560 Speaker 5: We're nearing me up over there. We knew that it 83 00:03:18,600 --> 00:03:19,800 Speaker 5: was susceptible to flirting. 84 00:03:19,880 --> 00:03:22,800 Speaker 3: It was doomed from the start, right, you guys aren't 85 00:03:22,840 --> 00:03:23,480 Speaker 3: into each other? 86 00:03:23,919 --> 00:03:27,079 Speaker 1: Did you want to leave this experiment very early? 87 00:03:27,320 --> 00:03:28,679 Speaker 5: Yeah? I tried to live week one. 88 00:03:29,080 --> 00:03:31,600 Speaker 3: So and so that what are you told like, we 89 00:03:31,639 --> 00:03:33,440 Speaker 3: need you to stick around because you are I mean 90 00:03:33,480 --> 00:03:36,520 Speaker 3: you are even though you're controversial, you are the show 91 00:03:36,640 --> 00:03:38,560 Speaker 3: and that's what they need on this show. Well, so 92 00:03:38,560 --> 00:03:40,720 Speaker 3: how do they get you over the line to stick around? 93 00:03:40,800 --> 00:03:42,480 Speaker 5: As much as people hate to admit it, if I 94 00:03:42,640 --> 00:03:45,280 Speaker 5: wasn't on the show, it would be a very boring season, 95 00:03:45,360 --> 00:03:48,600 Speaker 5: right while I've definitely come in as the lightning rod 96 00:03:48,640 --> 00:03:51,160 Speaker 5: for this season. I think I've got a big personality 97 00:03:51,160 --> 00:03:54,560 Speaker 5: and I'm quite controversially outspoken, which is a good dynamic 98 00:03:54,640 --> 00:03:58,160 Speaker 5: for for the mass franchise perfly, I think I definitely 99 00:03:58,160 --> 00:04:00,280 Speaker 5: wanted to leave week one. I didn't. I didn't buy 100 00:04:00,280 --> 00:04:02,000 Speaker 5: the whole thing from the wedding. I didn't know why 101 00:04:02,040 --> 00:04:04,000 Speaker 5: she was. Bronte was dragging it out as much as 102 00:04:04,000 --> 00:04:08,160 Speaker 5: she was, and I just didn't. I think that there's 103 00:04:08,160 --> 00:04:10,040 Speaker 5: a lot of stuff that isn't showing on TV that 104 00:04:10,120 --> 00:04:12,240 Speaker 5: people like think that I'm gaslighting her and stuff like that. 105 00:04:12,280 --> 00:04:14,160 Speaker 5: There's so much that didn't get shown where I just 106 00:04:14,160 --> 00:04:16,440 Speaker 5: didn't trust her. So I wanted to go home, and 107 00:04:16,480 --> 00:04:19,120 Speaker 5: then there's other times through the experiment. I also wanted 108 00:04:19,160 --> 00:04:22,240 Speaker 5: to leave, but you know, I was basically told that 109 00:04:22,279 --> 00:04:26,160 Speaker 5: if you leave, we don't have a show, Like it's 110 00:04:26,200 --> 00:04:28,960 Speaker 5: just going to be the other cast members and there'll 111 00:04:28,960 --> 00:04:31,320 Speaker 5: be no one in there to sort of create that friction, 112 00:04:31,440 --> 00:04:32,760 Speaker 5: which I'm essentially what we need. 113 00:04:33,200 --> 00:04:35,400 Speaker 1: Do you get luid with more money to stay? 114 00:04:36,320 --> 00:04:38,920 Speaker 5: No? No, just bottled bottles and bottles of fake tan 115 00:04:39,040 --> 00:04:39,640 Speaker 5: and to kill it. 116 00:04:41,000 --> 00:04:43,760 Speaker 2: What about this though, because do you know what blows 117 00:04:43,839 --> 00:04:44,360 Speaker 2: my mind? 118 00:04:44,440 --> 00:04:46,760 Speaker 5: I was reading it, reading the fake tan and put 119 00:04:46,760 --> 00:04:47,359 Speaker 5: the tequila on. 120 00:04:47,880 --> 00:04:48,920 Speaker 2: It's worked really well. 121 00:04:50,200 --> 00:04:53,360 Speaker 5: Now I have like a sort of like a nuclear glow. 122 00:04:54,760 --> 00:04:56,200 Speaker 1: Amazing. What about yesterday? 123 00:04:56,240 --> 00:04:59,640 Speaker 2: I was looking at these screenshots in an article of 124 00:04:59,760 --> 00:05:02,720 Speaker 2: tech messages back and forth between Dan and Sandy, and 125 00:05:02,760 --> 00:05:05,200 Speaker 2: Sandy's language shocked me, to be honest with you, But 126 00:05:05,240 --> 00:05:06,159 Speaker 2: at the same time. 127 00:05:06,160 --> 00:05:08,520 Speaker 5: Dan was Sandy called him a dumb. 128 00:05:08,440 --> 00:05:10,039 Speaker 1: See next Tuesday. 129 00:05:10,040 --> 00:05:13,000 Speaker 5: Thing is like, there's so much of Sandy's behavior that 130 00:05:13,040 --> 00:05:15,720 Speaker 5: doesn't get shown, like we really locked. You actually watched 131 00:05:15,760 --> 00:05:18,640 Speaker 5: the show this year, and I think I can say 132 00:05:18,640 --> 00:05:21,760 Speaker 5: this broadly now the women are one hundred percent being 133 00:05:21,760 --> 00:05:24,280 Speaker 5: protected by the edit. There is so much of Bronte's 134 00:05:24,320 --> 00:05:27,480 Speaker 5: behavior we don't see. So much of Claire's behavior, right, 135 00:05:27,760 --> 00:05:31,240 Speaker 5: so much of Sandy's behavior that wes Linda's behavior that 136 00:05:31,279 --> 00:05:31,960 Speaker 5: we don't see. 137 00:05:32,720 --> 00:05:36,320 Speaker 3: Come on, well, Dan's coming to Sandy on the couch. 138 00:05:36,640 --> 00:05:40,320 Speaker 3: If you spend as much time in the gym as 139 00:05:39,440 --> 00:05:42,240 Speaker 3: if you if. 140 00:05:42,120 --> 00:05:44,920 Speaker 1: I spent as much time, have you got it there, Jess? 141 00:05:45,040 --> 00:05:46,320 Speaker 1: Let's fly, Sandy. 142 00:05:46,960 --> 00:05:48,960 Speaker 4: If I spend with that much time at the gym 143 00:05:49,040 --> 00:05:52,160 Speaker 4: as what you do on this couch, I'd be absolutely 144 00:05:52,240 --> 00:05:55,480 Speaker 4: shredded and ripped to no end. I'm out running, I'm 145 00:05:55,520 --> 00:05:58,280 Speaker 4: out hiking, I'm out in the water, I'm in the ocean. 146 00:05:58,880 --> 00:06:00,440 Speaker 1: A beast that. 147 00:06:03,080 --> 00:06:05,719 Speaker 5: There's seemed to have a cashphrase, isn't it what blows 148 00:06:05,760 --> 00:06:06,080 Speaker 5: me away? 149 00:06:06,080 --> 00:06:08,560 Speaker 2: In that text exchange with Sandy and Dan was Dan saying, 150 00:06:08,880 --> 00:06:10,560 Speaker 2: I can't believe I'm on the show. I don't know 151 00:06:10,600 --> 00:06:12,080 Speaker 2: what I'm doing. I'm better than this show. 152 00:06:12,120 --> 00:06:15,680 Speaker 1: Whatever it read, how did he not expect this watch? 153 00:06:15,880 --> 00:06:17,680 Speaker 5: I was just asking if we have some time because 154 00:06:17,720 --> 00:06:19,480 Speaker 5: I kind of wanted to stick around and go into 155 00:06:19,520 --> 00:06:22,560 Speaker 5: this in a bit more depth. I wanted it to Sandy, 156 00:06:22,760 --> 00:06:26,120 Speaker 5: Sandy and Dan. The thing that isn't showing is there 157 00:06:26,200 --> 00:06:29,280 Speaker 5: is a lot of behavior that Sandy was doing that 158 00:06:29,360 --> 00:06:32,960 Speaker 5: Dan didn't think was compatible with him, right, and that's 159 00:06:33,000 --> 00:06:36,000 Speaker 5: not really showing, Like they don't show Sandy sleeping until 160 00:06:36,040 --> 00:06:38,159 Speaker 5: midday while Dan's out going for a run, going to 161 00:06:38,160 --> 00:06:39,960 Speaker 5: the gym. I had breakfast with him nearly every day 162 00:06:40,000 --> 00:06:41,680 Speaker 5: as well, Like we would catch up in the mornings 163 00:06:41,680 --> 00:06:44,200 Speaker 5: because I'm up early naturally, I'm a treaty. He likes 164 00:06:44,240 --> 00:06:46,880 Speaker 5: to get up before sunrise, like he's a very active guy. 165 00:06:46,960 --> 00:06:48,720 Speaker 5: I'm a very active guy. We would go and hang 166 00:06:48,760 --> 00:06:51,400 Speaker 5: out and then with her all. 167 00:06:51,560 --> 00:06:55,400 Speaker 3: This she wasn't awake, but in the afternoon you can 168 00:06:55,440 --> 00:06:56,320 Speaker 3: go and do stuff. 169 00:06:56,360 --> 00:06:58,280 Speaker 1: He made a decision very early that he wasn't even 170 00:06:58,320 --> 00:06:59,040 Speaker 1: going to try. 171 00:06:58,880 --> 00:07:00,680 Speaker 5: Him doing stuff. That's when all the filming happened. 172 00:07:01,040 --> 00:07:03,080 Speaker 2: He's off because he thinks she's a slob. 173 00:07:03,240 --> 00:07:05,920 Speaker 1: He was gaslighting her. It was. It wasn't very good 174 00:07:05,920 --> 00:07:06,280 Speaker 1: to watch. 175 00:07:07,839 --> 00:07:11,200 Speaker 5: Can tried a hundred different ways to say I'm not 176 00:07:11,400 --> 00:07:14,720 Speaker 5: that into you. We aren't compatible. Here's why. So you 177 00:07:14,720 --> 00:07:16,600 Speaker 5: didn't want to hear it. And then it gets to 178 00:07:16,640 --> 00:07:18,320 Speaker 5: the part where it blows up and that's when the 179 00:07:18,320 --> 00:07:18,960 Speaker 5: cameras started. 180 00:07:19,000 --> 00:07:21,560 Speaker 3: So did he till produces that he wanted out early 181 00:07:21,640 --> 00:07:22,920 Speaker 3: and they made him stick around. 182 00:07:23,560 --> 00:07:26,560 Speaker 5: I was there for conversations with production and Dan. I 183 00:07:26,640 --> 00:07:29,920 Speaker 5: overheard the conversations and he was very loud and clear 184 00:07:29,920 --> 00:07:32,960 Speaker 5: about the fact that I just, yeah, why am I here? 185 00:07:33,040 --> 00:07:35,640 Speaker 5: Why am I here? I've been matched with someone that 186 00:07:35,680 --> 00:07:38,280 Speaker 5: I don't think I'm compatible with. I can't see a 187 00:07:38,280 --> 00:07:41,680 Speaker 5: long term relationship with Why am I here? And you 188 00:07:41,680 --> 00:07:43,520 Speaker 5: know that they basically just tell you to save it 189 00:07:43,520 --> 00:07:44,440 Speaker 5: for the commitment ceremonies. 190 00:07:44,440 --> 00:07:47,360 Speaker 2: That's TV show, jan Like, if you think the butt 191 00:07:47,480 --> 00:07:49,560 Speaker 2: or pocket doll was real, give me. 192 00:07:49,520 --> 00:07:50,280 Speaker 1: A break eyes. 193 00:07:50,360 --> 00:07:51,200 Speaker 5: They need a drama. 194 00:07:51,280 --> 00:07:51,920 Speaker 1: This is TV. 195 00:07:52,080 --> 00:07:53,160 Speaker 2: This is for entertainment. 196 00:07:54,120 --> 00:07:56,400 Speaker 5: We get told to keep it for the commitment ceremony. 197 00:07:56,400 --> 00:07:58,720 Speaker 5: It's not like it's not like a regular relationship where 198 00:07:58,720 --> 00:08:01,000 Speaker 5: you can just like, you know, off the phone and 199 00:08:01,080 --> 00:08:03,560 Speaker 5: you move out and move to Vegas. Yeah, it's like, 200 00:08:03,600 --> 00:08:05,040 Speaker 5: you know, you have to wait a week before you 201 00:08:05,040 --> 00:08:06,760 Speaker 5: can face the experts and then go through what your 202 00:08:06,760 --> 00:08:08,320 Speaker 5: issues are and then you make your decision. 203 00:08:08,320 --> 00:08:10,480 Speaker 1: All right, stick around? You can? You stick around? 204 00:08:10,520 --> 00:08:10,760 Speaker 5: I can? 205 00:08:10,880 --> 00:08:11,400 Speaker 1: Yeah. 206 00:08:11,440 --> 00:08:14,320 Speaker 3: We've got some really bad edits. We had some beauties 207 00:08:14,320 --> 00:08:16,840 Speaker 3: with d on last year. There was one with Hugo 208 00:08:17,040 --> 00:08:20,880 Speaker 3: last time. There's one with Hugo last night that was 209 00:08:21,000 --> 00:08:23,680 Speaker 3: just a belt. We'll play that for your next Harrison's 210 00:08:23,680 --> 00:08:25,600 Speaker 3: stuck around with us. We're still gonna married at first sight. 211 00:08:25,640 --> 00:08:27,600 Speaker 3: It's a couple of doozies. In regards to the edit, 212 00:08:27,640 --> 00:08:30,400 Speaker 3: I mean our favorite parts have married at first sight 213 00:08:30,560 --> 00:08:34,800 Speaker 3: is when they actually mild the two stations together. One 214 00:08:34,840 --> 00:08:37,360 Speaker 3: of our favorites of all time was d On last year. 215 00:08:37,960 --> 00:08:40,680 Speaker 5: No matter what happens tonight, I think it's important for 216 00:08:40,720 --> 00:08:43,640 Speaker 5: me to let Carolyna know how I'm feeling. 217 00:08:47,679 --> 00:08:49,800 Speaker 3: This was Hugo last night. I haven't listened to the 218 00:08:49,800 --> 00:08:52,680 Speaker 3: different in audio with this one. I haven't listened to Hugo. 219 00:08:53,440 --> 00:08:56,160 Speaker 1: Look what I said? It was that of order, about 220 00:08:57,559 --> 00:08:59,800 Speaker 1: wanting any other wires for the six? 221 00:09:02,760 --> 00:09:04,520 Speaker 5: How could you get on? 222 00:09:05,720 --> 00:09:05,920 Speaker 1: Hey? 223 00:09:05,920 --> 00:09:07,679 Speaker 2: Can you do me a favor? Can you try and 224 00:09:07,760 --> 00:09:10,400 Speaker 2: put a bit of gloss, a bit of shine on this? 225 00:09:10,600 --> 00:09:12,200 Speaker 2: Out of the couples that are in there at the moment, 226 00:09:12,480 --> 00:09:16,760 Speaker 2: who do you think is truly in love? Is anybody 227 00:09:16,800 --> 00:09:17,520 Speaker 2: truly in love? 228 00:09:17,640 --> 00:09:20,440 Speaker 5: Annie and Oli are truly in love. They actually just 229 00:09:20,440 --> 00:09:21,080 Speaker 5: moved in together. 230 00:09:22,280 --> 00:09:24,520 Speaker 1: That's great news. At Lisa and Duncan. 231 00:09:25,520 --> 00:09:27,440 Speaker 5: Yeah, I believe at this stage in the experiment, they're 232 00:09:27,440 --> 00:09:31,160 Speaker 5: truly in love you and never getting there. Good one. 233 00:09:31,320 --> 00:09:32,079 Speaker 1: Thank you. 234 00:09:33,880 --> 00:09:35,200 Speaker 2: Have you caught up with her lately? 235 00:09:35,280 --> 00:09:36,040 Speaker 1: Have you said that? 236 00:09:36,040 --> 00:09:39,280 Speaker 5: That's the other thing? Great bringing that up. When you 237 00:09:39,320 --> 00:09:42,040 Speaker 5: see like her walk in, I already I already knew 238 00:09:42,040 --> 00:09:44,640 Speaker 5: who she was, Like the whole group knew who the intruder. 239 00:09:44,800 --> 00:09:47,360 Speaker 1: She's a socialite, isn't she she is? Yeah, exactly. 240 00:09:47,400 --> 00:09:49,600 Speaker 5: And then so I've already seen photos like Bronti had 241 00:09:49,600 --> 00:09:51,120 Speaker 5: told me about, So I knew who she was. 242 00:09:51,240 --> 00:09:51,640 Speaker 1: She walked in. 243 00:09:51,720 --> 00:09:54,040 Speaker 5: I was like, okay, like time to go and introduce myself. 244 00:09:54,760 --> 00:09:55,559 Speaker 1: But you already knew it. 245 00:09:55,640 --> 00:09:57,640 Speaker 5: All the other guys rushed up off the couch, but 246 00:09:57,679 --> 00:09:59,640 Speaker 5: everyone's just like folks you got I sat back and 247 00:10:00,080 --> 00:10:03,719 Speaker 5: up slowly. But apparently I was smitten with it all. 248 00:10:04,000 --> 00:10:04,880 Speaker 2: You were all over. 249 00:10:04,960 --> 00:10:09,880 Speaker 3: Ah, there was another there was there was another article written. 250 00:10:10,360 --> 00:10:12,360 Speaker 1: You at the dinner table articles right, and. 251 00:10:12,720 --> 00:10:14,720 Speaker 5: You talk in so it must be true. 252 00:10:14,640 --> 00:10:16,559 Speaker 1: You talking into your microphone. 253 00:10:16,840 --> 00:10:17,360 Speaker 5: Yeah. Yeah. 254 00:10:17,400 --> 00:10:19,880 Speaker 3: People think that when something happens at the dinner table, 255 00:10:19,960 --> 00:10:23,199 Speaker 3: you will talk to producers and go, well, this has 256 00:10:23,240 --> 00:10:25,400 Speaker 3: been said. This could be a good angle for you 257 00:10:25,480 --> 00:10:26,040 Speaker 3: to go down. 258 00:10:26,120 --> 00:10:27,720 Speaker 1: Do you help the producers out that way? 259 00:10:28,920 --> 00:10:32,480 Speaker 5: Yeah, I was going a camera one to position two. 260 00:10:32,520 --> 00:10:37,080 Speaker 5: Please thank you very much on that. No, it's it's 261 00:10:37,280 --> 00:10:40,079 Speaker 5: it's unfortunate that you see it because it does look 262 00:10:40,600 --> 00:10:42,760 Speaker 5: look it makes the show look fake. But in reality, 263 00:10:42,880 --> 00:10:45,440 Speaker 5: we're all micd up. That's how you get the audio. 264 00:10:45,840 --> 00:10:47,960 Speaker 5: And we often will say to producers like I need 265 00:10:48,000 --> 00:10:49,840 Speaker 5: a bathroom break, and so what they do is they'll 266 00:10:49,840 --> 00:10:51,880 Speaker 5: turn the cameras off of you so that you can leave, 267 00:10:52,000 --> 00:10:55,360 Speaker 5: and they've got continuity issues with that, so that you 268 00:10:55,480 --> 00:10:57,120 Speaker 5: have to notify them that you want to get up 269 00:10:57,160 --> 00:10:58,760 Speaker 5: from the table and leave to go to the bathroom. 270 00:10:58,960 --> 00:11:01,400 Speaker 5: It's not the one thing I really want to get 271 00:11:01,400 --> 00:11:04,520 Speaker 5: across to people is the show is not scripted. I've 272 00:11:04,520 --> 00:11:06,760 Speaker 5: never heard of a script being written. I've never seen 273 00:11:06,760 --> 00:11:09,080 Speaker 5: a script. I've never heard of anyone reading off a script. 274 00:11:10,360 --> 00:11:12,680 Speaker 5: Some scenes are produced, and what I mean by that 275 00:11:12,800 --> 00:11:15,400 Speaker 5: is that they will be set up. The conversation will 276 00:11:15,440 --> 00:11:19,240 Speaker 5: happen real it's a real conversation between two people, but 277 00:11:19,280 --> 00:11:21,720 Speaker 5: they had to set a situation up for it to 278 00:11:21,720 --> 00:11:24,400 Speaker 5: make sense to the storyline. So but that is that 279 00:11:24,520 --> 00:11:26,880 Speaker 5: is how reality TV works. Like I've watched I watched 280 00:11:26,920 --> 00:11:29,160 Speaker 5: reality TV now like I watched the Block. Do you 281 00:11:29,200 --> 00:11:31,160 Speaker 5: really think Scotti cam just walks in and starts having 282 00:11:31,200 --> 00:11:31,880 Speaker 5: a conversation with. 283 00:11:31,840 --> 00:11:33,680 Speaker 2: Something, don't reveal everything. 284 00:11:34,840 --> 00:11:37,000 Speaker 5: They get miked up for those conversations, so you get 285 00:11:37,040 --> 00:11:39,720 Speaker 5: audio above and beyond all of the there's guys put 286 00:11:39,760 --> 00:11:41,920 Speaker 5: tools down outside so it doesn't mess with the mics. 287 00:11:41,960 --> 00:11:44,440 Speaker 5: Like there's a whole thing when you watch reality TV. 288 00:11:44,440 --> 00:11:46,720 Speaker 5: And for me anyway, because I've seen it how it works, 289 00:11:47,000 --> 00:11:48,720 Speaker 5: I'm like, Okay, that scene was set up for this, 290 00:11:48,840 --> 00:11:51,560 Speaker 5: for that storyline, blah blah blah. Yeah, so it's just produced, 291 00:11:51,600 --> 00:11:53,640 Speaker 5: so it's not scripted, it's not fake. 292 00:11:53,800 --> 00:11:56,400 Speaker 3: Before you go, you've wanted to go from day one. 293 00:11:56,720 --> 00:12:00,480 Speaker 3: You've stuck around. They've urged you because you are the drama. Okay, 294 00:12:00,559 --> 00:12:02,600 Speaker 3: so there's only a few weeks left. We've worked it out. 295 00:12:02,679 --> 00:12:04,240 Speaker 3: There's about three weeks left. 296 00:12:05,320 --> 00:12:08,560 Speaker 5: Ah, here's more than that, three or four episodes and 297 00:12:08,679 --> 00:12:10,600 Speaker 5: we're up to twenty halfway. 298 00:12:10,760 --> 00:12:13,080 Speaker 3: Do you are you in more trouble because there's a 299 00:12:13,120 --> 00:12:16,520 Speaker 3: promo coming up on Sunday about you your fire out 300 00:12:16,600 --> 00:12:16,960 Speaker 3: up again? 301 00:12:17,000 --> 00:12:21,000 Speaker 1: Do you get into fire wor? Oh you're confident with 302 00:12:21,040 --> 00:12:21,760 Speaker 1: how you in the show. 303 00:12:21,800 --> 00:12:24,600 Speaker 5: I've watched that promo. There's not much to it. I'll 304 00:12:24,600 --> 00:12:25,880 Speaker 5: give you the scoop. I'll give you the scoop. What 305 00:12:25,920 --> 00:12:26,400 Speaker 5: it's about. 306 00:12:27,080 --> 00:12:27,680 Speaker 1: Exclusive. 307 00:12:28,000 --> 00:12:31,160 Speaker 5: Melinda and Layton were coming to the couch every week 308 00:12:31,240 --> 00:12:34,240 Speaker 5: with a very similar story, and the experts were actually 309 00:12:34,320 --> 00:12:36,480 Speaker 5: calling them out going like you know, you guys just 310 00:12:36,559 --> 00:12:38,640 Speaker 5: come in. It's the same issue every week. Why is 311 00:12:38,640 --> 00:12:41,120 Speaker 5: it not moving forward? And I made a similar comment, 312 00:12:41,240 --> 00:12:43,200 Speaker 5: like off to the side to Lindall. Actually we were 313 00:12:43,200 --> 00:12:44,880 Speaker 5: having a conversation. I was like, man, they come here 314 00:12:44,920 --> 00:12:46,880 Speaker 5: every week with the same story, like, you know, I 315 00:12:46,920 --> 00:12:49,800 Speaker 5: just don't buy this relationship. And then John puts me 316 00:12:49,880 --> 00:12:52,520 Speaker 5: completely on the spot and says like, you know, Harrison, 317 00:12:52,520 --> 00:12:54,079 Speaker 5: what do you think. I'm like, I don't want to 318 00:12:54,120 --> 00:12:55,559 Speaker 5: get involved, and he's like. 319 00:12:55,760 --> 00:12:58,760 Speaker 1: That's exactly why you're here. 320 00:12:58,880 --> 00:13:01,160 Speaker 5: Okay, well I think think that you know, they're they're 321 00:13:01,200 --> 00:13:03,679 Speaker 5: just treading water, these two people. Are they even move 322 00:13:03,760 --> 00:13:06,120 Speaker 5: the relationship along? And that's the start of a real 323 00:13:06,200 --> 00:13:10,480 Speaker 5: feud between me and Melinda. All right, godng is that 324 00:13:10,559 --> 00:13:13,840 Speaker 5: I always wanted to stress was like Melinda was the 325 00:13:13,880 --> 00:13:17,240 Speaker 5: most outspoken person against me, and then when I have 326 00:13:17,360 --> 00:13:19,920 Speaker 5: something to say, it's you know, a big, a big cry. 327 00:13:20,080 --> 00:13:22,400 Speaker 5: So it's like, you know, don't don't you know, don't 328 00:13:22,480 --> 00:13:22,920 Speaker 5: like the player. 329 00:13:23,960 --> 00:13:25,760 Speaker 2: You're not going to end up having families. 330 00:13:25,840 --> 00:13:27,240 Speaker 1: Okay, there you met with you. 331 00:13:27,200 --> 00:13:29,040 Speaker 2: An evalun to mate, Good luck with everything. 332 00:13:29,240 --> 00:13:31,240 Speaker 5: Thanks with I really thought we had a thing going 333 00:13:31,240 --> 00:13:32,520 Speaker 5: on and may you slapped me with. 334 00:13:32,440 --> 00:13:34,839 Speaker 2: It earlier on then I found out you'd met her 335 00:13:35,040 --> 00:13:35,760 Speaker 2: married at first sight. 336 00:13:35,840 --> 00:13:39,800 Speaker 3: It continues Sunday night, seven o'clock on Channel nine. Thanks 337 00:13:39,800 --> 00:13:41,360 Speaker 3: for coming in all right, thanks aras 338 00:13:41,840 --> 00:13:45,240 Speaker 1: You're listening to the Fitzi and whipp A podcast