1 00:00:05,840 --> 00:00:14,840 Speaker 1: To look, that's her old song now but Billie Eilish 2 00:00:15,000 --> 00:00:19,919 Speaker 1: it's just released a new album and that's bloody lushious. 3 00:00:20,800 --> 00:00:26,360 Speaker 2: And New Zealand Aya Terroa just had their music awards, 4 00:00:26,720 --> 00:00:28,680 Speaker 2: so of course I'm going to tell this news and 5 00:00:28,800 --> 00:00:34,280 Speaker 2: a New Zealand eccent God. I love disruptors like I 6 00:00:34,440 --> 00:00:37,360 Speaker 2: just love people, you know, I do you know, I 7 00:00:37,479 --> 00:00:43,040 Speaker 2: do love a justice person. They you know, they just 8 00:00:43,080 --> 00:00:46,480 Speaker 2: got up and said thanks, and you know, they said 9 00:00:46,479 --> 00:00:50,280 Speaker 2: all the good things about the world, what we need 10 00:00:50,320 --> 00:00:53,320 Speaker 2: to be focusing on. It just makes me want to go. 11 00:00:53,400 --> 00:00:55,800 Speaker 2: And you live in New Zealand, please don't say just 12 00:00:56,040 --> 00:01:01,360 Speaker 2: cough and go, because you know when people say they 13 00:01:01,400 --> 00:01:03,320 Speaker 2: complain about where they live and they're like, we're just 14 00:01:03,400 --> 00:01:08,920 Speaker 2: thinking in go. But to me came from I'm from here, 15 00:01:09,080 --> 00:01:13,360 Speaker 2: so you know, I've never been to New Zealand. That 16 00:01:13,520 --> 00:01:17,880 Speaker 2: is a place I need to go. So when I'm 17 00:01:17,920 --> 00:01:22,880 Speaker 2: a millionaire or even a thousand are I will go. 18 00:01:23,400 --> 00:01:30,039 Speaker 2: Even a Santierre a hundred dollars, I should go. I'm 19 00:01:30,080 --> 00:01:33,800 Speaker 2: not going to visit the Hobbit though, just FYI, I 20 00:01:33,840 --> 00:01:36,640 Speaker 2: know that my producer went recently and she did the 21 00:01:36,680 --> 00:01:45,000 Speaker 2: Hobbit I want a loser. No, she's not. If you're 22 00:01:45,000 --> 00:01:47,840 Speaker 2: into that kind of stuff, grow up no, I mean, 23 00:01:51,040 --> 00:01:57,080 Speaker 2: as Mudia Marghlies would see about Hattie Porter. They you 24 00:01:57,240 --> 00:01:58,840 Speaker 2: just need to grow up at some point. I don't 25 00:01:58,880 --> 00:02:03,360 Speaker 2: know why I've made a Scottish. Yesterday I helped a 26 00:02:03,440 --> 00:02:08,840 Speaker 2: beautiful man in his seventies fill out a dog application form. 27 00:02:09,320 --> 00:02:12,399 Speaker 2: We did it over the phone, because you know, when 28 00:02:12,400 --> 00:02:15,040 Speaker 2: you're adopting a dog, there's a lot of stuff they 29 00:02:15,080 --> 00:02:19,640 Speaker 2: ask you for, right, and Kitty Flanagan put me on 30 00:02:19,680 --> 00:02:21,680 Speaker 2: to him said, look, Evie, I've heard that you do 31 00:02:21,800 --> 00:02:26,440 Speaker 2: amazing dog matches. Would you do one for my friend Brooksy? 32 00:02:27,280 --> 00:02:31,240 Speaker 2: And I was like, would I? So well? Not? Would I? 33 00:02:31,360 --> 00:02:31,440 Speaker 1: Like? 34 00:02:31,560 --> 00:02:33,440 Speaker 2: She didn't say would you do one? She said would 35 00:02:33,480 --> 00:02:36,160 Speaker 2: you find a good dog? And I did senten and 36 00:02:36,320 --> 00:02:40,400 Speaker 2: is very exciting. So I said, would he like me 37 00:02:40,440 --> 00:02:42,920 Speaker 2: to help him do the application? She says, you know what, 38 00:02:42,960 --> 00:02:45,960 Speaker 2: he would love that. So she let him know and 39 00:02:45,960 --> 00:02:49,679 Speaker 2: he said, oh, that would just be just beautiful and 40 00:02:50,800 --> 00:02:52,880 Speaker 2: she passed on his number. So I called him the 41 00:02:52,919 --> 00:02:58,560 Speaker 2: next day. Broxy he's an iceberger. He swims every morning 42 00:02:59,160 --> 00:03:04,480 Speaker 2: in the icebergs the freezing bay at Brighton Bart's Scottish 43 00:03:05,200 --> 00:03:07,720 Speaker 2: and boy do we have a lafe. I don't know 44 00:03:07,760 --> 00:03:13,800 Speaker 2: if that's anyway. His accent was brilliant. Oh god, what 45 00:03:13,960 --> 00:03:18,440 Speaker 2: was that. I've gone off. I've gone off to another contra. 46 00:03:19,320 --> 00:03:24,679 Speaker 2: I've gone south. Oh no, okay, let me get back 47 00:03:24,720 --> 00:03:27,600 Speaker 2: to Scotland. It's pretty, is it? 48 00:03:27,600 --> 00:03:27,880 Speaker 1: A man? 49 00:03:28,600 --> 00:03:34,000 Speaker 2: Okay, I'm back into Scotland. Brooksy he was lovely. He 50 00:03:34,040 --> 00:03:35,800 Speaker 2: was just lovely. And you know, you have to ask, like, 51 00:03:36,160 --> 00:03:39,440 Speaker 2: why do you want a dog? What are your reasons? 52 00:03:41,480 --> 00:03:45,360 Speaker 2: He said? Company. I was like, oh, Brooksy, I hear you, mate, 53 00:03:45,760 --> 00:03:49,520 Speaker 2: I hear dogs save us. He said they do. And 54 00:03:49,560 --> 00:03:52,840 Speaker 2: I said to him how because he's a filmmaker and 55 00:03:52,840 --> 00:03:55,600 Speaker 2: he's making a documentary at the moment about the icebergs, 56 00:03:56,080 --> 00:03:59,600 Speaker 2: And he said, did you know when I started He 57 00:03:59,600 --> 00:04:03,120 Speaker 2: said it ninety nine percent men, he said, and recently, 58 00:04:03,400 --> 00:04:07,280 Speaker 2: because of the lockdowns and COVID, women have really stepped 59 00:04:07,320 --> 00:04:10,080 Speaker 2: up and started joining. He said, it's fifty to fifty now. 60 00:04:11,160 --> 00:04:14,560 Speaker 2: Oh oh that's great. And he said, yeah, but our 61 00:04:15,200 --> 00:04:18,000 Speaker 2: change rooms are still the same size, and so the 62 00:04:18,040 --> 00:04:22,320 Speaker 2: women's you know, they're smaller than the men's because they 63 00:04:22,320 --> 00:04:25,960 Speaker 2: had the bigger one. And I said, Brooksy. It's it's everywhere, mate, 64 00:04:26,000 --> 00:04:32,600 Speaker 2: we need bigger bathrooms for women, toilets and Smott He goes, oh, 65 00:04:32,600 --> 00:04:36,279 Speaker 2: I'm going to put that in a documentary. Oh you Ray, 66 00:04:36,520 --> 00:04:40,440 Speaker 2: even you Ray, I've never even thought of that. And 67 00:04:40,480 --> 00:04:42,520 Speaker 2: I said, well, that's because you're a straight white mate. 68 00:04:42,800 --> 00:04:48,320 Speaker 2: I didn't say that, damn at all that I could have. 69 00:04:49,839 --> 00:04:56,240 Speaker 2: I didn't, but you know me, I'm watching Joel Egerton's 70 00:04:56,279 --> 00:04:58,440 Speaker 2: new show at the moment called Dark Matter. It's on 71 00:04:58,560 --> 00:05:05,760 Speaker 2: Apple and it's a mind so I'm up to episode 72 00:05:05,800 --> 00:05:10,360 Speaker 2: three and it's it's right at my alley. Like as 73 00:05:10,360 --> 00:05:13,400 Speaker 2: far as sci fi goes, it's kind of where, you know, 74 00:05:14,320 --> 00:05:16,760 Speaker 2: living in a really normal world with a bit of 75 00:05:16,800 --> 00:05:20,880 Speaker 2: science fiction or post apocalyptic like that's the shit I love. 76 00:05:21,560 --> 00:05:26,120 Speaker 2: I can't have, like, you know, people with pixies or anything. 77 00:05:26,320 --> 00:05:29,680 Speaker 2: I can't. I can't do that kind of star treks. 78 00:05:29,920 --> 00:05:32,599 Speaker 2: I can't be a trecky. You know that. That's not 79 00:05:32,720 --> 00:05:35,120 Speaker 2: like that rale they But I do like this, like 80 00:05:35,160 --> 00:05:39,479 Speaker 2: it's really got you guessing. And I'm already texting my 81 00:05:39,520 --> 00:05:44,960 Speaker 2: best friend Annie Potatoes. Okay, so evil him is did 82 00:05:44,960 --> 00:05:47,719 Speaker 2: he abductor good hymn? And she was just like, oh 83 00:05:47,800 --> 00:05:49,279 Speaker 2: my god. And then I said, don't answer that, don't 84 00:05:49,279 --> 00:05:51,359 Speaker 2: even worry, and she just writes back funny laugh like 85 00:05:51,560 --> 00:05:54,000 Speaker 2: Moji's like laughing at me because I just answer my 86 00:05:54,800 --> 00:05:58,880 Speaker 2: I just I'm just bouncing off her. So don't answer me, 87 00:05:58,960 --> 00:06:02,840 Speaker 2: I says to R I said, she doesn't. How rude. 88 00:06:03,800 --> 00:06:06,760 Speaker 2: So watching that also, Yes, I was talking about Billie 89 00:06:06,800 --> 00:06:11,799 Speaker 2: Eilish when I started EIGHTYHD I should have a theme song. 90 00:06:12,920 --> 00:06:16,080 Speaker 2: Listen to her new album this morning. Oh, the single 91 00:06:16,080 --> 00:06:18,359 Speaker 2: off it is called Lunch. It's a good one. But 92 00:06:18,400 --> 00:06:20,240 Speaker 2: there is a song on the Birds of a Feather 93 00:06:21,000 --> 00:06:24,440 Speaker 2: that one I had to play again. I was like, oh, 94 00:06:24,600 --> 00:06:27,080 Speaker 2: this is a great hook, this is a great melody. 95 00:06:27,120 --> 00:06:30,920 Speaker 2: This is a really good song and the lyrics slap. 96 00:06:32,040 --> 00:06:37,880 Speaker 2: I don't know if that's a good thing or let's 97 00:06:37,920 --> 00:06:44,520 Speaker 2: say it's good. Would you like a useless fact? Everyone? Okay, 98 00:06:45,440 --> 00:06:47,760 Speaker 2: have you ever had a cost an arm and a leg? 99 00:06:48,080 --> 00:06:51,719 Speaker 2: Someone actually wrote my comments my last post that I 100 00:06:51,760 --> 00:06:55,080 Speaker 2: did with my useful trivia and they said cost of 101 00:06:55,080 --> 00:06:57,159 Speaker 2: an arm and a leg is a good one. So 102 00:06:57,560 --> 00:07:00,320 Speaker 2: you know, ook my not to give the but what 103 00:07:00,360 --> 00:07:06,960 Speaker 2: they want this idiom, excuse me, don't call me that. 104 00:07:08,839 --> 00:07:11,880 Speaker 2: Oh God, she can be such a dad joke sometimes, 105 00:07:12,320 --> 00:07:14,920 Speaker 2: can't she? She talks in the third person every now 106 00:07:14,960 --> 00:07:17,800 Speaker 2: and then. It just goes in and out. Don't worry 107 00:07:17,840 --> 00:07:22,560 Speaker 2: about her and I'm back. This idiom originates from the 108 00:07:22,640 --> 00:07:28,800 Speaker 2: Irish Oh God, we love Ireland, dorway rach dorwy coore blimey, 109 00:07:29,560 --> 00:07:34,200 Speaker 2: that's English? But whatever? Oh in pirate? Fuck? Who in pirate? 110 00:07:35,440 --> 00:07:41,080 Speaker 2: I love the pirate one that's North Devon, Devon Cornwall. 111 00:07:42,160 --> 00:07:46,920 Speaker 2: They sound like pirates, you know, Gareth from the Office, 112 00:07:46,920 --> 00:07:53,480 Speaker 2: the original Jade Adams. She sounds like a Poirot anyway. 113 00:07:53,920 --> 00:07:58,560 Speaker 2: This idiom originates from the Irish halfpenny coins. In the 114 00:07:58,640 --> 00:08:04,480 Speaker 2: seventeenth century, King Charles the Second patented Sir Thomas Armstrong 115 00:08:04,520 --> 00:08:10,880 Speaker 2: and Colonel George leg l e Gge to manufacture copper 116 00:08:10,960 --> 00:08:16,559 Speaker 2: halfpennies for use in Ireland. These coins were later used 117 00:08:16,560 --> 00:08:22,360 Speaker 2: by Irish emigrants to the American colonies. The phrase it 118 00:08:22,400 --> 00:08:26,160 Speaker 2: will cost you an arm and a leg. Note the 119 00:08:26,240 --> 00:08:31,760 Speaker 2: capital letters arm and leg was an abbreviation of the 120 00:08:31,920 --> 00:08:38,480 Speaker 2: patent tes I don't know what names. Therefore, this term 121 00:08:38,520 --> 00:08:42,040 Speaker 2: originally meant it will cost you a halfpenny. Over time, 122 00:08:42,120 --> 00:08:44,440 Speaker 2: this evolved to an arm and a leg, which people 123 00:08:45,280 --> 00:08:48,480 Speaker 2: would have assumed meant a person's limbs. I was hoping, 124 00:08:49,880 --> 00:08:53,000 Speaker 2: kind of hoping, but not really because you know, they 125 00:08:53,040 --> 00:08:57,640 Speaker 2: were pretty horrific back in the day. Not that anything's changed. 126 00:08:58,840 --> 00:09:03,840 Speaker 2: Not funny. Um, yeah, people assumed it means limbs, which 127 00:09:03,840 --> 00:09:09,400 Speaker 2: is how the very expensive aspect developed. Competing theory. Oh, Rachie, 128 00:09:09,920 --> 00:09:13,400 Speaker 2: you've popped in a competing theory. Which one's going to 129 00:09:13,440 --> 00:09:18,240 Speaker 2: be great? The termin arm and a leg originates from 130 00:09:18,320 --> 00:09:23,480 Speaker 2: how portrait paintings were priced. Paintings featuring just a head 131 00:09:23,600 --> 00:09:27,560 Speaker 2: and shoulders were the cheapest. Larger full body paintings, that is, 132 00:09:27,640 --> 00:09:33,360 Speaker 2: those with arms and legs were far more expensive. Detractors 133 00:09:33,400 --> 00:09:36,080 Speaker 2: of this theory note that the term is far more 134 00:09:36,160 --> 00:09:42,960 Speaker 2: recent than when portrait paintings were fashionable. What do you think, Rachie, 135 00:09:43,240 --> 00:09:46,080 Speaker 2: would you go A or B? You think a second one? 136 00:09:46,360 --> 00:09:55,439 Speaker 2: You think the paintings? Hmm, okay, arm and a leg? No, No, 137 00:09:56,679 --> 00:10:00,480 Speaker 2: I'm going to go the arm and the leg. Halfpenny 138 00:10:01,280 --> 00:10:05,320 Speaker 2: just because I like to be a contrarian. That's what 139 00:10:05,400 --> 00:10:09,880 Speaker 2: makes the world go around. Assholes, Well, everybody has one, 140 00:10:10,280 --> 00:10:14,800 Speaker 2: like an opinion. Oh whatever, go and watch Dark Matter. 141 00:10:16,160 --> 00:10:20,440 Speaker 2: Let me know what you think, because like I said, 142 00:10:20,920 --> 00:10:24,440 Speaker 2: it's a mind twist, and you know what we like twisting. 143 00:10:25,320 --> 00:10:31,319 Speaker 2: The world's been fire, fine, joy, but please don't look away. 144 00:10:32,160 --> 00:10:35,840 Speaker 2: I like you all. Be good to each other. Please 145 00:10:35,880 --> 00:10:38,800 Speaker 2: be good to each other. By you