1 00:00:00,480 --> 00:00:02,880 Speaker 1: I got our you, Bloody Champions. Welcome to another installment 2 00:00:02,920 --> 00:00:06,520 Speaker 1: of the project. That is Ukraig Athey Harper, Patrick James Bonillo. 3 00:00:06,600 --> 00:00:08,959 Speaker 1: We are sans Tiffany and Cook. That is, we are 4 00:00:09,000 --> 00:00:12,360 Speaker 1: without Tiffany and Cook because she's selfishly trapsing around the 5 00:00:12,360 --> 00:00:17,480 Speaker 1: world International Bloody Explorer that she is currently. I think 6 00:00:17,520 --> 00:00:20,159 Speaker 1: he's still in India. She's coming back very soon, in 7 00:00:20,200 --> 00:00:23,639 Speaker 1: the next day or two. But you know, where you 8 00:00:23,680 --> 00:00:27,280 Speaker 1: and I are is not quite as exotic, Patrick, But nonetheless, 9 00:00:27,400 --> 00:00:28,840 Speaker 1: you know, we do what we can. 10 00:00:29,320 --> 00:00:32,120 Speaker 2: I'm in little old ba Land and our western Melbourne. 11 00:00:32,120 --> 00:00:35,000 Speaker 2: But I was just excited this morning that I bucketed 12 00:00:35,000 --> 00:00:37,560 Speaker 2: down last night and then I got my weather radar 13 00:00:37,720 --> 00:00:40,000 Speaker 2: map and I worked out that there was going to 14 00:00:40,040 --> 00:00:42,920 Speaker 2: be a break in the weather while I was walking Fritz. 15 00:00:43,320 --> 00:00:46,000 Speaker 2: So life is good when you can take the Fritzmeister 16 00:00:46,080 --> 00:00:48,280 Speaker 2: out for a walk. He's got a new buddy. We 17 00:00:48,560 --> 00:00:50,879 Speaker 2: got a friend, Heather. She's got a new puppy. And 18 00:00:51,040 --> 00:00:53,320 Speaker 2: I know we were talking about dogs in the last episode, 19 00:00:53,360 --> 00:00:57,520 Speaker 2: but puppy's a maniacs, aren't they. I know. I don't 20 00:00:57,560 --> 00:01:00,840 Speaker 2: mean to alienate our audience who don't have dogs, but gee, man, 21 00:01:01,200 --> 00:01:03,640 Speaker 2: when you got a like a three or four month 22 00:01:03,640 --> 00:01:06,200 Speaker 2: old puppy, poor Fritz is just being jumped on and 23 00:01:06,319 --> 00:01:10,400 Speaker 2: rolled over and he's so good. So yeah, puppy's a 24 00:01:10,440 --> 00:01:11,720 Speaker 2: whole new experience. 25 00:01:13,080 --> 00:01:16,759 Speaker 1: Did he love his little sojourn this morning? You take 26 00:01:16,800 --> 00:01:17,800 Speaker 1: him out every day? Right? 27 00:01:18,920 --> 00:01:20,560 Speaker 2: Yeah? Yeah, definitely, definitely. Yeah. 28 00:01:20,600 --> 00:01:25,080 Speaker 1: Hey, I'm just sending you something now, which is terribly bad. 29 00:01:25,400 --> 00:01:27,760 Speaker 1: I'm going to say it's bad radio, but fuck you 30 00:01:27,800 --> 00:01:30,559 Speaker 1: and I it's like we I think I just sent 31 00:01:30,600 --> 00:01:33,000 Speaker 1: you to Did you just get two pictures? Yeah? 32 00:01:33,680 --> 00:01:35,520 Speaker 2: Waiting, I'm scared. Oh here we go. 33 00:01:36,080 --> 00:01:40,200 Speaker 1: No, no, no, So here's what I want to so 34 00:01:40,480 --> 00:01:44,520 Speaker 1: p this somewhere. I was thinking of redesigning the dashound, 35 00:01:44,680 --> 00:01:47,960 Speaker 1: right or the ductionund? Right? Yeah, So I said to 36 00:01:48,080 --> 00:01:51,000 Speaker 1: chat GPT, can you create a cartoon image of a 37 00:01:51,080 --> 00:01:55,840 Speaker 1: ductionund with six legs? And so then it sent me 38 00:01:55,960 --> 00:01:58,440 Speaker 1: that image. Now I've already put this up on funt, 39 00:01:58,520 --> 00:02:01,600 Speaker 1: which is just a comic. It's got four legs, so 40 00:02:01,680 --> 00:02:03,840 Speaker 1: I go, it doesn't and then it's like, is there 41 00:02:03,840 --> 00:02:06,080 Speaker 1: anything else you need to help with? And I said, well, 42 00:02:06,080 --> 00:02:08,760 Speaker 1: it doesn't have six legs. So it did me an 43 00:02:08,800 --> 00:02:11,519 Speaker 1: image everyone, but it just was a regular dash und 44 00:02:11,600 --> 00:02:13,880 Speaker 1: with four legs. And then I. 45 00:02:13,800 --> 00:02:17,280 Speaker 2: Saw, what what have you created? It looks like a millipede, 46 00:02:17,639 --> 00:02:18,640 Speaker 2: That's what I'm saying. 47 00:02:18,760 --> 00:02:21,720 Speaker 1: That's when I said, Okay, so it sent me an image. 48 00:02:22,360 --> 00:02:23,920 Speaker 1: I feel like people are going, what the fuck is 49 00:02:23,919 --> 00:02:26,639 Speaker 1: he talking about? All right, so I typed into chat GPT, 50 00:02:26,840 --> 00:02:28,919 Speaker 1: can you create a cartoon image of a dash und 51 00:02:29,240 --> 00:02:31,400 Speaker 1: with six legs? Because I thought that would be funny, 52 00:02:31,440 --> 00:02:33,880 Speaker 1: because I think having two extra legs in the middle 53 00:02:34,000 --> 00:02:37,840 Speaker 1: is helpful in terms of engineering and design. Not that 54 00:02:37,880 --> 00:02:40,800 Speaker 1: God doesn't know what he's doing or she's doing, but anyway. 55 00:02:42,200 --> 00:02:45,000 Speaker 1: And then so it did me an image, but just 56 00:02:45,040 --> 00:02:48,240 Speaker 1: a regular dashund. And then I said, it doesn't have 57 00:02:48,320 --> 00:02:51,320 Speaker 1: six legs, and then it did one with about twenty legs. 58 00:02:51,600 --> 00:02:54,040 Speaker 2: It's got I just counted, it's got thirteen legs. It's 59 00:02:54,080 --> 00:02:57,600 Speaker 2: got five on the ground and other appendages are just 60 00:02:57,720 --> 00:02:59,760 Speaker 2: floating in mid air. One's coming out of its back, 61 00:02:59,800 --> 00:03:05,080 Speaker 2: so yeah, underneath the tail, it's pooping out one leg. Wow. 62 00:03:05,720 --> 00:03:07,960 Speaker 2: If that came towards you, man, would you run in 63 00:03:07,960 --> 00:03:09,920 Speaker 2: the other direction? But you've got no chance with that. 64 00:03:10,080 --> 00:03:16,720 Speaker 1: Well, I still think the idea of chat GBT being 65 00:03:16,720 --> 00:03:19,480 Speaker 1: a thousand times smarter than you and me. I think 66 00:03:19,520 --> 00:03:21,839 Speaker 1: it's still got some work to do before it gets there. 67 00:03:22,440 --> 00:03:25,360 Speaker 2: Yeah, look, I agree with that. It's funny. I've got 68 00:03:25,400 --> 00:03:27,280 Speaker 2: a story that I was going to talk about at 69 00:03:27,280 --> 00:03:28,880 Speaker 2: some point during the show, so I might as well 70 00:03:28,919 --> 00:03:31,040 Speaker 2: just jump into it, because I know we've got other 71 00:03:31,040 --> 00:03:33,919 Speaker 2: stuff to talk about too. But do you remember about 72 00:03:33,919 --> 00:03:36,840 Speaker 2: two years ago there was a guy who entered a 73 00:03:36,840 --> 00:03:40,240 Speaker 2: piece of artwork into the Colorado State Fair that was 74 00:03:40,320 --> 00:03:44,760 Speaker 2: actually AI generated. All this controversy came out. Artists said, 75 00:03:44,800 --> 00:03:47,280 Speaker 2: wait a minute, that style is similar to my style, 76 00:03:47,360 --> 00:03:51,200 Speaker 2: and the AI had been trained on existing artworks, and 77 00:03:51,240 --> 00:03:53,560 Speaker 2: so this guy tried to pass it off and then 78 00:03:53,800 --> 00:03:57,080 Speaker 2: admitted that he had used a program called mid Journey. 79 00:03:58,000 --> 00:04:00,520 Speaker 2: And now though he then tried to have the image 80 00:04:00,520 --> 00:04:04,000 Speaker 2: copyrighted on the basis this guy by the name of 81 00:04:04,120 --> 00:04:07,800 Speaker 2: Jason Allen, he basically said, look, I did get mid 82 00:04:07,840 --> 00:04:09,880 Speaker 2: Journey to create the original, but that I had to 83 00:04:09,960 --> 00:04:13,080 Speaker 2: keep prompting it. And he claims it took him one 84 00:04:13,160 --> 00:04:15,680 Speaker 2: hundred and ten hours of work to end up with 85 00:04:15,720 --> 00:04:19,560 Speaker 2: the final piece, and he was just using this AI 86 00:04:19,760 --> 00:04:23,279 Speaker 2: prompt and refining and refining and refining and that's how 87 00:04:23,360 --> 00:04:26,320 Speaker 2: long it took. It sounds like he's pretty average at 88 00:04:26,320 --> 00:04:31,400 Speaker 2: doing AI generation. But anyway, so now, but the copyright 89 00:04:31,400 --> 00:04:34,200 Speaker 2: authority said, no, it's not going to happen. We are 90 00:04:34,240 --> 00:04:37,760 Speaker 2: definitely not going to be fooled. This is not really 91 00:04:37,839 --> 00:04:41,239 Speaker 2: a human generated piece of artwork. So the copyright office 92 00:04:41,279 --> 00:04:45,479 Speaker 2: basically refused to register. It's called Theater de Opera Spatial 93 00:04:45,760 --> 00:04:47,440 Speaker 2: and it looks pretty good if you want to look 94 00:04:47,440 --> 00:04:50,680 Speaker 2: it up, Theatre de Opera spatial, and it's quite an 95 00:04:50,720 --> 00:04:54,960 Speaker 2: interesting looking piece of artwork. It's these people in flowing 96 00:04:55,040 --> 00:04:59,440 Speaker 2: gowns and a portal looking through this mystical window. It's 97 00:04:59,480 --> 00:05:02,520 Speaker 2: actually it's stunning and it looks like it's been painted, 98 00:05:03,080 --> 00:05:07,240 Speaker 2: but obviously it's all been generated using AI. But what 99 00:05:07,320 --> 00:05:10,599 Speaker 2: this guy's kind of arguing is this is AI is 100 00:05:10,839 --> 00:05:14,159 Speaker 2: just a tool like any tool that's out there, and 101 00:05:14,320 --> 00:05:16,760 Speaker 2: it takes a lot of human input to come up 102 00:05:16,800 --> 00:05:19,120 Speaker 2: with this. In fact, one hundred and ten hours to 103 00:05:19,160 --> 00:05:21,760 Speaker 2: come up with this particular piece of what he created 104 00:05:21,800 --> 00:05:23,680 Speaker 2: he claims is a unique artwork. 105 00:05:23,839 --> 00:05:26,680 Speaker 1: Now, well, I'm just looking at it right now. Did 106 00:05:26,720 --> 00:05:28,599 Speaker 1: you say Theater de Opera spatial. 107 00:05:28,920 --> 00:05:30,320 Speaker 2: Yes, that's right. So it's just pow. 108 00:05:30,640 --> 00:05:35,400 Speaker 1: Yeah, So that is what I'm looking at. Sorry, is 109 00:05:35,440 --> 00:05:39,400 Speaker 1: that an actual painting that he ripped off or is 110 00:05:39,440 --> 00:05:40,719 Speaker 1: that what he created? 111 00:05:40,960 --> 00:05:42,080 Speaker 2: He created with AI? 112 00:05:42,440 --> 00:05:43,640 Speaker 1: So this is all It's amazing. 113 00:05:44,279 --> 00:05:46,400 Speaker 2: It is amazing. I know, I think it's super cool, 114 00:05:46,880 --> 00:05:50,279 Speaker 2: But that's amazing. It's all been created using AI. And 115 00:05:50,320 --> 00:05:54,160 Speaker 2: the argument is that elements of that painting have been 116 00:05:54,200 --> 00:05:56,400 Speaker 2: borrowed from other artists. Because so what you've got to 117 00:05:56,480 --> 00:06:01,080 Speaker 2: realize is that these AI models are chain on real 118 00:06:01,320 --> 00:06:05,719 Speaker 2: world experience. So if I wanted to create the voice 119 00:06:05,960 --> 00:06:10,040 Speaker 2: of a middle aged, handsome man sipping coffee, wearing glasses 120 00:06:10,040 --> 00:06:14,160 Speaker 2: with an Everlast T shirt, then potentially, you know, enough 121 00:06:14,240 --> 00:06:18,960 Speaker 2: samples of a new project could generate a voice like yours. 122 00:06:20,440 --> 00:06:22,880 Speaker 2: But in the case of artworks, if you're training a 123 00:06:22,920 --> 00:06:26,039 Speaker 2: particularly say Van Goch, I mean early in the piece, 124 00:06:26,200 --> 00:06:28,800 Speaker 2: I was doing lots of Schnauzers in Van goth style. 125 00:06:29,200 --> 00:06:29,960 Speaker 2: Because of course I. 126 00:06:31,040 --> 00:06:33,760 Speaker 1: Can I just say that sentence that just came out 127 00:06:33,760 --> 00:06:38,640 Speaker 1: of your mouth. In the history of humankind, nobody has 128 00:06:38,640 --> 00:06:42,599 Speaker 1: ever fucking said, you know, my early days, I was 129 00:06:42,600 --> 00:06:46,520 Speaker 1: doing a lot of schnauzers in Van Goff style. That 130 00:06:46,680 --> 00:06:51,040 Speaker 1: is those ridiculous fucking sentence, let alone on this podcast. 131 00:06:51,560 --> 00:06:53,680 Speaker 2: You know, the funny thing is people say that to 132 00:06:53,760 --> 00:06:57,000 Speaker 2: me a lot, that they never thought that the words 133 00:06:57,000 --> 00:06:58,920 Speaker 2: that come out of my mouth have ever been uttered 134 00:06:58,920 --> 00:06:59,840 Speaker 2: by anybody else. 135 00:07:00,960 --> 00:07:04,960 Speaker 1: It's true, not in that particular, not in that sequence. 136 00:07:05,160 --> 00:07:07,240 Speaker 1: But what I want to say is this, I want 137 00:07:07,279 --> 00:07:11,760 Speaker 1: to challenge you, right, No, not you, just the idea 138 00:07:11,840 --> 00:07:15,120 Speaker 1: that you know, this was done by AI, built on 139 00:07:15,280 --> 00:07:19,880 Speaker 1: perhaps other kinds of styles, used original styles, and then 140 00:07:19,960 --> 00:07:23,640 Speaker 1: he he allegedly over one hundred and ten hours, back 141 00:07:23,680 --> 00:07:26,520 Speaker 1: and forth, back and forth. It could be argued that 142 00:07:26,640 --> 00:07:29,400 Speaker 1: just like a paintbrush is a tool, just like a 143 00:07:29,480 --> 00:07:34,400 Speaker 1: keyboard is a tool for writing, just like a knife 144 00:07:34,480 --> 00:07:38,680 Speaker 1: is a tool for carving or whatever, that AI is 145 00:07:39,920 --> 00:07:43,240 Speaker 1: also a tool for creating things. Now, if you say, yeah, 146 00:07:43,280 --> 00:07:48,520 Speaker 1: but this was kind of ripping off different styles of 147 00:07:48,840 --> 00:07:53,120 Speaker 1: existing original art and artist, which I agree. I agree, 148 00:07:53,200 --> 00:08:00,239 Speaker 1: But then like I think about this, So if that's 149 00:08:00,440 --> 00:08:04,240 Speaker 1: true and he's a fraud, then I'm a fraud. And 150 00:08:04,280 --> 00:08:08,000 Speaker 1: I tell you why, because when it comes to sharing 151 00:08:08,120 --> 00:08:11,840 Speaker 1: things with the world, almost none of the stuff that 152 00:08:11,920 --> 00:08:15,400 Speaker 1: I share is It's not like I invented these ideas 153 00:08:15,480 --> 00:08:19,440 Speaker 1: or these strategies or the or psychology. Like everything is 154 00:08:19,520 --> 00:08:23,840 Speaker 1: built on everyone else's work, you know, and I think that. 155 00:08:25,080 --> 00:08:28,520 Speaker 1: You know, show me a self help book that has 156 00:08:28,600 --> 00:08:33,839 Speaker 1: got no unoriginal ideas. It doesn't exist. You know, all 157 00:08:33,880 --> 00:08:38,040 Speaker 1: the psychology books, all the human behavior books, they're taking 158 00:08:38,080 --> 00:08:40,679 Speaker 1: on stuff that was done by other people. 159 00:08:41,160 --> 00:08:44,920 Speaker 2: Well, it could be argued that Elon Musk's Tesla has 160 00:08:45,000 --> 00:08:48,680 Speaker 2: been a direct ripoff of ug the caveman who chiseled 161 00:08:48,679 --> 00:08:50,080 Speaker 2: out the very first wheel. 162 00:08:51,240 --> 00:08:55,160 Speaker 1: Yeah, and I mean that's well, that's ridiculous, but not really. 163 00:08:55,320 --> 00:08:59,920 Speaker 1: I mean, you know, I think that, by the way, 164 00:09:00,120 --> 00:09:03,520 Speaker 1: that is a fucking amazing looking image. It's called Theater 165 00:09:04,000 --> 00:09:08,440 Speaker 1: de Opera spatial everyone. I would love a print of that. 166 00:09:08,440 --> 00:09:09,800 Speaker 1: That is an amazing thing. 167 00:09:10,200 --> 00:09:10,920 Speaker 2: That's cool. 168 00:09:11,000 --> 00:09:13,680 Speaker 1: Yeah, Like what I think is good is this dude 169 00:09:13,800 --> 00:09:17,960 Speaker 1: created this, Yes, with Ai, but he conceptualized what he 170 00:09:18,080 --> 00:09:22,040 Speaker 1: wanted it to look like. Well, I would buy that. 171 00:09:22,280 --> 00:09:24,400 Speaker 2: I would buy that because if you want to buy that, 172 00:09:24,520 --> 00:09:29,120 Speaker 2: I will sell you my schnauzer flying past Saturn in 173 00:09:29,200 --> 00:09:31,640 Speaker 2: a medieval costume on Sputnik. 174 00:09:32,760 --> 00:09:35,559 Speaker 3: See, but I'm not interested in that, see me, and 175 00:09:35,600 --> 00:09:38,160 Speaker 3: no one in the world is interested in your fucking 176 00:09:38,240 --> 00:09:41,320 Speaker 3: schnauzer in orbit right, And by the way, that sounds 177 00:09:41,400 --> 00:09:45,439 Speaker 3: like some sexual faux pa your Schnauzer in orbit. 178 00:09:45,600 --> 00:09:49,040 Speaker 2: But the thing is, those terms that I have used 179 00:09:49,120 --> 00:09:52,600 Speaker 2: are totally unique in humanity. Well I can guarantee you 180 00:09:52,760 --> 00:09:55,760 Speaker 2: almost that no one ever in the history of humanity 181 00:09:55,920 --> 00:10:00,600 Speaker 2: has ever visualized that. And then consequently Aid generated a 182 00:10:00,640 --> 00:10:03,720 Speaker 2: picture of motion now as a on spot Nick flying 183 00:10:03,760 --> 00:10:08,560 Speaker 2: past Satin in a medieval costume, a medieval space suit. 184 00:10:09,120 --> 00:10:10,679 Speaker 1: A good reason. A good reason. 185 00:10:12,360 --> 00:10:14,600 Speaker 2: It insight the way my mind works. 186 00:10:15,120 --> 00:10:17,000 Speaker 1: Hey, I want to tell you something which has got 187 00:10:17,080 --> 00:10:22,320 Speaker 1: nothing to do with tech, but so this morning, and 188 00:10:22,360 --> 00:10:24,520 Speaker 1: I just think this is interesting for our audience. And 189 00:10:24,520 --> 00:10:26,080 Speaker 1: by the way, we're probably going to do a longer 190 00:10:26,160 --> 00:10:31,840 Speaker 1: chat today. Everyone just leaning back and turning off my heater. 191 00:10:34,360 --> 00:10:37,520 Speaker 1: I met up with Jan and Ee and Fraser. Do 192 00:10:37,520 --> 00:10:39,120 Speaker 1: you remember Jan and Ene from gym? 193 00:10:39,160 --> 00:10:40,320 Speaker 2: Really? Yeah for sure? 194 00:10:40,800 --> 00:10:43,320 Speaker 1: And it's like, what is what is amazing? Let me 195 00:10:43,360 --> 00:10:46,560 Speaker 1: give you the quick backstory. So Jan, for our listeners, 196 00:10:46,720 --> 00:10:51,800 Speaker 1: Jan was a client at my gym, which Patrick also was. 197 00:10:51,960 --> 00:10:54,040 Speaker 1: That's where we met hundred We met there, didn't we? 198 00:10:54,120 --> 00:10:55,760 Speaker 1: I mean, or did I meet you before that? No? 199 00:10:55,840 --> 00:10:57,760 Speaker 1: I met you through the gym, through the gym here, 200 00:10:58,840 --> 00:11:02,160 Speaker 1: and so anyway, Jan was a client. She was around 201 00:11:02,240 --> 00:11:05,160 Speaker 1: fifty at the time, and I remember having a conversation 202 00:11:05,240 --> 00:11:07,920 Speaker 1: with her. It went kind of like this, and she 203 00:11:08,040 --> 00:11:11,120 Speaker 1: said to me she was an actor. She was on television, 204 00:11:11,280 --> 00:11:15,439 Speaker 1: she was in TV shows. She was like a voiceover artist, 205 00:11:15,760 --> 00:11:20,559 Speaker 1: very creative and very well spoken. And I remember her 206 00:11:20,600 --> 00:11:23,240 Speaker 1: saying to me one day, if I was younger, I 207 00:11:23,240 --> 00:11:25,280 Speaker 1: would do this. It's such a great it's such a 208 00:11:25,280 --> 00:11:28,440 Speaker 1: great job being a trainer, right, and helping people and 209 00:11:28,480 --> 00:11:31,160 Speaker 1: talking to people, and she's a great communicator and great 210 00:11:31,160 --> 00:11:34,959 Speaker 1: people person. And at that stage, maybe she was fifty 211 00:11:35,000 --> 00:11:37,840 Speaker 1: two or three, which to me seemed like one hundred 212 00:11:37,840 --> 00:11:41,719 Speaker 1: and sixty, right, And I said to her, well, if 213 00:11:41,720 --> 00:11:43,760 Speaker 1: you go and get qualified, I'll give you a job, 214 00:11:44,480 --> 00:11:46,720 Speaker 1: because I knew she'd be a good trainer, even though 215 00:11:47,120 --> 00:11:49,040 Speaker 1: she was in her fifties and had never worked in 216 00:11:49,040 --> 00:11:52,000 Speaker 1: the fitness industry, just because she was a good communicator 217 00:11:52,520 --> 00:11:57,440 Speaker 1: and also very very great awareness, great social skills, and 218 00:11:57,520 --> 00:11:59,839 Speaker 1: also in very good shape. So she went and did 219 00:11:59,840 --> 00:12:03,319 Speaker 1: that and subsequently became a trainer working for me, and 220 00:12:05,160 --> 00:12:08,920 Speaker 1: still exercises and still very fit and trained, was training 221 00:12:08,920 --> 00:12:11,080 Speaker 1: people up until a few years ago. So now she's 222 00:12:11,240 --> 00:12:16,480 Speaker 1: eighty four and her husband, Ian is eighty six, and 223 00:12:16,559 --> 00:12:20,840 Speaker 1: I had coffee with him this morning, and it's hard 224 00:12:20,840 --> 00:12:25,920 Speaker 1: to explain. I cannot do justice to how amazing they are. 225 00:12:26,600 --> 00:12:28,360 Speaker 1: You know, when you see people who are eighty four 226 00:12:28,360 --> 00:12:31,400 Speaker 1: and eighty six and they're still somewhat independent, you think, oh, 227 00:12:31,440 --> 00:12:35,720 Speaker 1: that's amazing. I said to phrase Ian, the husband. I said, 228 00:12:37,040 --> 00:12:39,960 Speaker 1: so he's still he's still training. What are you doing 229 00:12:40,080 --> 00:12:42,120 Speaker 1: like he looks amazing? He goes, yeah, I go how 230 00:12:42,160 --> 00:12:46,480 Speaker 1: often he goes? Every day? I go coursier. I go, so, 231 00:12:46,480 --> 00:12:48,480 Speaker 1: so what are you doing? He goes, oh, well, I 232 00:12:48,520 --> 00:12:52,000 Speaker 1: do bike, I do stand up paddle board, and I 233 00:12:52,120 --> 00:12:56,679 Speaker 1: do waits, you know, most days, and he does so 234 00:12:56,760 --> 00:12:59,920 Speaker 1: his cardio is stand up paddle boarding. I said, so, 235 00:13:00,000 --> 00:13:02,560 Speaker 1: so how far? Now? Remember have you ever stood on 236 00:13:02,600 --> 00:13:03,560 Speaker 1: a stand up paddle board? 237 00:13:03,640 --> 00:13:05,800 Speaker 2: Mate? No, no, I've seen it being done. It looks 238 00:13:05,800 --> 00:13:06,439 Speaker 2: bloody hard. 239 00:13:06,920 --> 00:13:10,720 Speaker 1: It's hard. It's hard. So just for a you know, 240 00:13:11,280 --> 00:13:13,360 Speaker 1: you and me are young compared to him, just standing 241 00:13:13,440 --> 00:13:16,000 Speaker 1: on a paddle board and not falling off. I said, 242 00:13:16,080 --> 00:13:18,560 Speaker 1: how far do you paddle? When he goes, oh, I 243 00:13:18,600 --> 00:13:20,319 Speaker 1: have a set thing. I do up and back it's 244 00:13:20,360 --> 00:13:24,079 Speaker 1: five and a half kilometers. So this eighty six year 245 00:13:24,080 --> 00:13:26,120 Speaker 1: old paddles couple of times a week five and a 246 00:13:26,120 --> 00:13:29,000 Speaker 1: half k's. He does half an hour or so on 247 00:13:29,040 --> 00:13:32,280 Speaker 1: the rower. He gets out and rides about twenty k's 248 00:13:32,280 --> 00:13:34,680 Speaker 1: on his bike. Now we're not talking about an indoor 249 00:13:34,720 --> 00:13:37,480 Speaker 1: we're talking about out, you know, twenty or thirty k's 250 00:13:38,400 --> 00:13:40,520 Speaker 1: on a mountain bike on the road, and he does 251 00:13:40,640 --> 00:13:42,240 Speaker 1: I said, what do your weights look like? He goes, 252 00:13:42,360 --> 00:13:44,880 Speaker 1: I just alternate upper body one day, lower body the 253 00:13:44,960 --> 00:13:48,439 Speaker 1: next seven days a week, and Jam does the same. 254 00:13:48,760 --> 00:13:51,400 Speaker 1: Jam trains with the trainer one day. She trains herself 255 00:13:51,440 --> 00:13:55,240 Speaker 1: twice a week with weights. She trains with remember Silvio 256 00:13:55,880 --> 00:14:00,280 Speaker 1: from my joint, She does boxing with him. And it's 257 00:13:59,880 --> 00:14:04,720 Speaker 1: just like, it's such good evidence that when you just 258 00:14:04,880 --> 00:14:08,240 Speaker 1: keep doing, you know, it's not about being obsessed, but 259 00:14:09,640 --> 00:14:13,000 Speaker 1: just all the things that most people don't do, which 260 00:14:13,080 --> 00:14:19,280 Speaker 1: is exercise consistently, lift weights, eat great, have purpose, be excited. 261 00:14:19,920 --> 00:14:22,160 Speaker 1: You know. I know not everybody can do that for 262 00:14:22,240 --> 00:14:24,520 Speaker 1: medical reasons, but a lot more can do it than 263 00:14:24,560 --> 00:14:28,000 Speaker 1: are doing it. Fucking amazing, amazing. 264 00:14:28,240 --> 00:14:30,480 Speaker 2: My favorite story about Jad and I don't know if 265 00:14:30,520 --> 00:14:31,760 Speaker 2: you were there, but I would have it to her 266 00:14:31,800 --> 00:14:35,800 Speaker 2: place for a barbecue and she'd barbecued sweet potato or 267 00:14:35,920 --> 00:14:38,720 Speaker 2: roasted sweet potato in the jackets. But they were really 268 00:14:38,800 --> 00:14:41,440 Speaker 2: thin sweet potato, and I've never managed to get them 269 00:14:41,640 --> 00:14:44,240 Speaker 2: since every sweet potato I've had has always been the big, 270 00:14:44,320 --> 00:14:47,280 Speaker 2: chunky ones. But she had these little, tiny sweet potatoes. 271 00:14:47,280 --> 00:14:48,040 Speaker 2: They were really good. 272 00:14:48,440 --> 00:14:51,480 Speaker 1: Anyway, I love a good sweet potato, and if we're 273 00:14:51,520 --> 00:14:53,960 Speaker 1: getting old, geeky sweet potato, pretty good because you've got 274 00:14:54,000 --> 00:14:58,160 Speaker 1: a lower GI than normal potato, so less sugar and 275 00:14:58,240 --> 00:15:01,400 Speaker 1: less impact on blood sugar, which may is less insulin 276 00:15:01,440 --> 00:15:03,280 Speaker 1: floating around your body, which is good. So if you 277 00:15:03,320 --> 00:15:05,560 Speaker 1: want a potato, have a sweet potato. Everyone, I think 278 00:15:05,600 --> 00:15:08,280 Speaker 1: their GI is around thirty or forty instead of eighty, 279 00:15:09,120 --> 00:15:11,440 Speaker 1: which is a lot of other variables around that. 280 00:15:11,600 --> 00:15:12,840 Speaker 2: But it's good. 281 00:15:14,480 --> 00:15:16,840 Speaker 1: You were just telling me without going too deep before 282 00:15:16,880 --> 00:15:19,920 Speaker 1: we started that a few challenges on planet you with 283 00:15:20,000 --> 00:15:23,440 Speaker 1: the family. Isn't it interesting when people get you know, 284 00:15:23,560 --> 00:15:26,840 Speaker 1: I know, obviously, but your dad's not a spring chicken 285 00:15:26,840 --> 00:15:32,080 Speaker 1: anymore like my dad, and so just that things often 286 00:15:32,200 --> 00:15:35,200 Speaker 1: happen all at once. You've had some issues with your brother. 287 00:15:35,320 --> 00:15:38,840 Speaker 1: Both your brothers to be honest and just trying to navigate, 288 00:15:39,440 --> 00:15:43,800 Speaker 1: you know, out of the relative calm and easiness of life. 289 00:15:43,800 --> 00:15:45,240 Speaker 1: Then all of a sudden you get hit with about 290 00:15:45,240 --> 00:15:47,359 Speaker 1: three or four things. How's that been for you? 291 00:15:47,360 --> 00:15:49,960 Speaker 2: You know, it's funny, and I reckon that of our 292 00:15:50,040 --> 00:15:53,240 Speaker 2: listeners there would be a high percentage that have gone 293 00:15:53,280 --> 00:15:56,200 Speaker 2: through similar stuff, but are going through this sort of 294 00:15:56,240 --> 00:15:59,120 Speaker 2: thing where you know, it's the old straw that breaks 295 00:15:59,120 --> 00:16:02,680 Speaker 2: the camel's back. And so look the short without going 296 00:16:02,720 --> 00:16:08,320 Speaker 2: into all the gory details, Dad started experiencing depression and 297 00:16:08,360 --> 00:16:11,920 Speaker 2: things like that and was saying things that were really 298 00:16:11,960 --> 00:16:15,600 Speaker 2: concerning about his health and his state of mental health. 299 00:16:15,600 --> 00:16:19,480 Speaker 2: I guess, but my younger disabled brother lives with him 300 00:16:19,520 --> 00:16:22,800 Speaker 2: at a retirement village, and of course, with Dad then 301 00:16:23,080 --> 00:16:27,040 Speaker 2: not able to look after him, Dad being then taken 302 00:16:27,080 --> 00:16:30,880 Speaker 2: into care, it meant that my disabled brother had to 303 00:16:30,920 --> 00:16:33,960 Speaker 2: move in with my twin brother during the week and 304 00:16:34,000 --> 00:16:37,320 Speaker 2: then coming up to me at the weekends, very different weekends, 305 00:16:37,320 --> 00:16:40,760 Speaker 2: not every weekend, but every second weekend or every other weekend. 306 00:16:40,800 --> 00:16:44,080 Speaker 2: And so we've been juggling that around while we try 307 00:16:44,080 --> 00:16:47,800 Speaker 2: to apply for NDIS funding. We've been knocked back before 308 00:16:47,840 --> 00:16:52,680 Speaker 2: because Dad being one of those proud European baby boomers 309 00:16:53,440 --> 00:16:56,920 Speaker 2: didn't want to admit that his son wasn't able to 310 00:16:56,920 --> 00:17:00,320 Speaker 2: look after himself. So when the ot came out, passion 311 00:17:00,400 --> 00:17:02,840 Speaker 2: or therapist came out, he said, yes, of course Chason 312 00:17:02,840 --> 00:17:04,840 Speaker 2: can make his breakfast. Of course he can shower. Of 313 00:17:04,880 --> 00:17:06,960 Speaker 2: course he knows which shoe to put on which foot, 314 00:17:07,160 --> 00:17:09,440 Speaker 2: you know, all that sort of stuff. And of course 315 00:17:09,840 --> 00:17:12,919 Speaker 2: he doesn't. And that's the shame of it, because you know, 316 00:17:13,240 --> 00:17:15,679 Speaker 2: a lot of baby boomers had to rough it. You know, 317 00:17:15,760 --> 00:17:19,560 Speaker 2: they went through a really tough upbringing. They didn't you know, 318 00:17:19,640 --> 00:17:22,520 Speaker 2: they scrimped and they saved to buy, they worked hard, 319 00:17:23,200 --> 00:17:25,879 Speaker 2: but they have a level of pride. And I know 320 00:17:26,000 --> 00:17:29,360 Speaker 2: your parents are exactly the same. And so our generation 321 00:17:29,520 --> 00:17:32,200 Speaker 2: is kind of coping with the older generation of people 322 00:17:32,240 --> 00:17:35,760 Speaker 2: who are now going into I guess health decline and 323 00:17:35,960 --> 00:17:39,320 Speaker 2: how they cope with that varies from person to person. 324 00:17:39,359 --> 00:17:43,240 Speaker 2: It's the human condition. But everyone wants to maintain their pride, 325 00:17:43,240 --> 00:17:45,720 Speaker 2: and that's what we're going through. So, you know, we're 326 00:17:45,720 --> 00:17:48,280 Speaker 2: hoping that it's three strikes not out when we've put 327 00:17:48,320 --> 00:17:50,480 Speaker 2: in our third application to try to get some sort 328 00:17:50,480 --> 00:17:53,959 Speaker 2: of support, because at the same time and I'm sure 329 00:17:54,119 --> 00:17:56,760 Speaker 2: you know, it's a difficult one to kind of talk 330 00:17:56,760 --> 00:18:00,320 Speaker 2: about family and stuff. But my brother, who's primary care 331 00:18:00,440 --> 00:18:03,000 Speaker 2: primarily the care for my disabled brother, has now got 332 00:18:03,040 --> 00:18:07,359 Speaker 2: sick as well. Totally unrelated, but he's got a really 333 00:18:07,400 --> 00:18:10,400 Speaker 2: severe procedure to come up, medical procedure coming up next 334 00:18:10,400 --> 00:18:14,160 Speaker 2: month next month, and so we're kind of working out 335 00:18:14,160 --> 00:18:15,640 Speaker 2: what the heck we're going to be doing with all 336 00:18:15,640 --> 00:18:18,399 Speaker 2: of that. So, yeah, there's lots going on in the 337 00:18:18,440 --> 00:18:22,199 Speaker 2: world of me at the moment. But the more people 338 00:18:22,240 --> 00:18:24,840 Speaker 2: I seem to speak to, and I guess it's because 339 00:18:24,840 --> 00:18:28,560 Speaker 2: people are in the same age demographic as us. A 340 00:18:28,560 --> 00:18:30,639 Speaker 2: lot of people have been doing it hard at the moment, 341 00:18:30,720 --> 00:18:33,919 Speaker 2: whether it's financial. There's pressures. You know, you go to 342 00:18:33,920 --> 00:18:36,879 Speaker 2: the supermarket, you fill up with petrol, and everything's more expensive, 343 00:18:37,320 --> 00:18:39,560 Speaker 2: and I think the cost of living's going up, and 344 00:18:39,600 --> 00:18:42,719 Speaker 2: that creates additional pressures for people. So it is cumulative. 345 00:18:42,800 --> 00:18:45,480 Speaker 2: And I guess let's send out a big hug to everyone. 346 00:18:45,760 --> 00:18:48,840 Speaker 2: I don't really you know, like a you project hug. 347 00:18:49,280 --> 00:18:51,679 Speaker 2: It's one of those things that you know, look for 348 00:18:51,800 --> 00:18:54,040 Speaker 2: joy in your day, and for me, that's how I 349 00:18:54,119 --> 00:18:56,720 Speaker 2: get through it. I look for elements of joy. Seeing 350 00:18:56,760 --> 00:18:59,320 Speaker 2: my dog running down the park with a puppy jumping 351 00:18:59,320 --> 00:19:03,040 Speaker 2: all over him, falling over, rolling around. That was an 352 00:19:03,119 --> 00:19:05,840 Speaker 2: hour of joy. Walking with a friend of mine. I'm 353 00:19:05,840 --> 00:19:08,040 Speaker 2: going out with friends for dinner tonight. They've been away 354 00:19:08,080 --> 00:19:10,800 Speaker 2: on holiday, so I get to hang out with them 355 00:19:10,840 --> 00:19:14,880 Speaker 2: for a while. So I think for me, the real yeah, 356 00:19:14,920 --> 00:19:18,600 Speaker 2: the real key to getting through is just looking for 357 00:19:18,600 --> 00:19:21,560 Speaker 2: those little moments. One of the real joys I had yesterday. 358 00:19:21,560 --> 00:19:24,240 Speaker 2: I'm just indulging at the moment, harps. But one of 359 00:19:24,240 --> 00:19:26,879 Speaker 2: the really lovely things that happened to me yesterday is 360 00:19:26,920 --> 00:19:29,520 Speaker 2: a really good friend of mine who's an artist. She 361 00:19:30,160 --> 00:19:32,080 Speaker 2: is part of our tai Chi group and we do 362 00:19:32,119 --> 00:19:35,280 Speaker 2: a couple of different tai chief forms using sticks. But 363 00:19:35,400 --> 00:19:38,120 Speaker 2: what she's done is she's a beautiful artist. She has 364 00:19:38,680 --> 00:19:43,840 Speaker 2: decorated hand painted sticks for all the tai chiese students 365 00:19:43,880 --> 00:19:47,720 Speaker 2: in different themes. So one lady likes frogs and has 366 00:19:47,760 --> 00:19:51,480 Speaker 2: this garden out in the bush and there's lakes and 367 00:19:52,040 --> 00:19:55,400 Speaker 2: you know, lots of native wildlife. Another lady came from Africa, 368 00:19:55,480 --> 00:20:00,760 Speaker 2: from Zimbabwe or anyway one of those z's in and 369 00:20:01,320 --> 00:20:03,880 Speaker 2: hers has got meer kats On it. My tai chi 370 00:20:04,000 --> 00:20:06,960 Speaker 2: teacher has a green drag and that wraps all the 371 00:20:06,960 --> 00:20:10,199 Speaker 2: way around the stick. To paint on a three D 372 00:20:10,320 --> 00:20:13,919 Speaker 2: object is really hard. But then she sits down at 373 00:20:13,960 --> 00:20:16,639 Speaker 2: the person and she comes up with a theme and 374 00:20:16,680 --> 00:20:19,359 Speaker 2: so she wants to submit this artwork and put on 375 00:20:19,480 --> 00:20:22,480 Speaker 2: a unique exhibit at the Ballarat Gallery. And you've got 376 00:20:22,480 --> 00:20:25,399 Speaker 2: to go through this really rigorous process. Obviously they have 377 00:20:25,440 --> 00:20:28,800 Speaker 2: maintained a very high standard and to get community artists 378 00:20:28,880 --> 00:20:31,200 Speaker 2: to be on display. So we helped her do that. 379 00:20:31,480 --> 00:20:34,840 Speaker 2: We recorded it in my new studio setting, which was 380 00:20:34,880 --> 00:20:37,280 Speaker 2: really fun, and we videoed and of course that's a 381 00:20:37,359 --> 00:20:40,480 Speaker 2: challenge in itself, having the sticks move and rotate so 382 00:20:40,520 --> 00:20:43,400 Speaker 2: you can really take best advantage and see all the artwork. 383 00:20:43,480 --> 00:20:45,439 Speaker 2: So that was a real moment of joy for me 384 00:20:45,520 --> 00:20:47,440 Speaker 2: because we've got to spend some time with a friend 385 00:20:47,480 --> 00:20:50,439 Speaker 2: and help her out along with my colleague Robert, and 386 00:20:50,480 --> 00:20:53,880 Speaker 2: we just had the absolute best time just hanging out 387 00:20:54,560 --> 00:20:58,199 Speaker 2: and really enjoying helping somebody who couldn't have done it 388 00:20:58,240 --> 00:21:00,600 Speaker 2: by themselves. And hopefully we'll be able to work with 389 00:21:00,680 --> 00:21:02,760 Speaker 2: her to exhibit. This would be really awesome. 390 00:21:03,400 --> 00:21:06,600 Speaker 1: That's really nice, man, it's really nice. It's like when 391 00:21:06,640 --> 00:21:09,680 Speaker 1: you you know, there's this framework that I talk about 392 00:21:09,680 --> 00:21:11,679 Speaker 1: that I didn't invent. I just kind of put a 393 00:21:11,680 --> 00:21:15,840 Speaker 1: few different people's ideas together and added in my own stuff. 394 00:21:15,880 --> 00:21:19,280 Speaker 1: But it's like this trying to understand yourself and trying 395 00:21:19,320 --> 00:21:21,439 Speaker 1: to figure out who you are and what your life 396 00:21:21,520 --> 00:21:24,560 Speaker 1: is about, and what is my purpose? What do I 397 00:21:24,600 --> 00:21:27,399 Speaker 1: think the way I am? What is success for me? 398 00:21:28,000 --> 00:21:30,600 Speaker 1: What the fuck is my existence for? 399 00:21:30,880 --> 00:21:31,080 Speaker 2: Right? 400 00:21:31,119 --> 00:21:34,600 Speaker 1: And it starts with self reflection, and then it goes 401 00:21:34,640 --> 00:21:37,040 Speaker 1: to self awareness, and it goes through all these different 402 00:21:37,119 --> 00:21:40,840 Speaker 1: self stages. And the second last one is self actualization, 403 00:21:42,160 --> 00:21:45,760 Speaker 1: which is you kind of starting to be whatever is 404 00:21:45,800 --> 00:21:47,720 Speaker 1: the best version of you. What that means, you know, 405 00:21:47,880 --> 00:21:51,000 Speaker 1: reaching your goals, building resilient, like becoming the person that 406 00:21:51,080 --> 00:21:53,840 Speaker 1: you really want to be. But the last one, which 407 00:21:53,880 --> 00:21:57,600 Speaker 1: is what you're talking about really, which is self transcendence, 408 00:21:57,640 --> 00:22:02,399 Speaker 1: which is having a purpose bigger than you. You know. Yeah, 409 00:22:02,440 --> 00:22:06,280 Speaker 1: so that's that's like, well, you know, like want it 410 00:22:06,359 --> 00:22:10,520 Speaker 1: or not. My life now a fair bit is about 411 00:22:10,520 --> 00:22:13,000 Speaker 1: my mum and dad, and it's going to continue to 412 00:22:13,000 --> 00:22:14,879 Speaker 1: be that way. And I mean I always loved my 413 00:22:15,000 --> 00:22:18,399 Speaker 1: mum and dad, but it now requires you know, a 414 00:22:18,400 --> 00:22:24,080 Speaker 1: fair bit of time, energy, attention, travel, you know, putting 415 00:22:24,119 --> 00:22:27,440 Speaker 1: other things to the side, which is absolutely fine. And 416 00:22:27,480 --> 00:22:31,119 Speaker 1: then but inside of me, I'm a little bit a 417 00:22:31,200 --> 00:22:32,879 Speaker 1: bit of me is like, oh fucking hell, this is 418 00:22:33,480 --> 00:22:36,080 Speaker 1: a fuck But a bit of a bigger bit of 419 00:22:36,119 --> 00:22:38,400 Speaker 1: me is like, how lucky are you that your mum 420 00:22:38,400 --> 00:22:40,919 Speaker 1: and dad are here? How lucky are you that you 421 00:22:40,960 --> 00:22:44,200 Speaker 1: get to spend time with them? Talk to them? 422 00:22:44,680 --> 00:22:44,879 Speaker 2: You know. 423 00:22:44,960 --> 00:22:49,320 Speaker 1: Every time mum rings with like another catastrophe about her phone, 424 00:22:49,840 --> 00:22:52,600 Speaker 1: it's like, no, Mum, your batteries Like this week or 425 00:22:52,720 --> 00:22:55,919 Speaker 1: yesterday was she had a new battery put in her phone, 426 00:22:55,960 --> 00:22:59,920 Speaker 1: which anyway, that's another conversation. But she's like, and now 427 00:23:00,160 --> 00:23:03,200 Speaker 1: screen's dark, the battery doesn't work. The screen's dark. He 428 00:23:03,359 --> 00:23:05,920 Speaker 1: ripped me off. I'm like, it isn't the battery. You've 429 00:23:06,440 --> 00:23:11,000 Speaker 1: you've probably accidentally touched the settings the you know, No, 430 00:23:11,160 --> 00:23:13,159 Speaker 1: I didn't, it's not it's it. I'm going to go up. 431 00:23:13,200 --> 00:23:15,960 Speaker 1: I'm going to you know. And then so my surrogate 432 00:23:16,119 --> 00:23:19,439 Speaker 1: sister who lives up there near mum, I went, can 433 00:23:19,480 --> 00:23:21,919 Speaker 1: you go over and fix her fucking phone? So she 434 00:23:22,040 --> 00:23:24,760 Speaker 1: goes over. It's literally a sixty second fix and it's 435 00:23:24,800 --> 00:23:29,480 Speaker 1: all better, right, but you can't like the funny thing 436 00:23:29,560 --> 00:23:32,760 Speaker 1: is and God bless her, like you can't even say 437 00:23:32,800 --> 00:23:35,239 Speaker 1: to Mum, Okay, what I want you to do is 438 00:23:35,480 --> 00:23:39,080 Speaker 1: go into settings because and if you've ever seen a 439 00:23:39,280 --> 00:23:41,520 Speaker 1: really I don't mean like you and I well I'm 440 00:23:41,560 --> 00:23:44,679 Speaker 1: older than you, but i mean really old people with 441 00:23:45,720 --> 00:23:49,320 Speaker 1: smartphones tend to tap the screen like a fucking woodpecker. 442 00:23:50,320 --> 00:23:55,040 Speaker 1: I'm like, Mum, stop assaulting your phone with your index finger. 443 00:23:55,680 --> 00:24:00,280 Speaker 1: You know, the idea of trying to swipe and you know, 444 00:24:00,480 --> 00:24:04,720 Speaker 1: just gently tap something and just foreign to her. But 445 00:24:04,960 --> 00:24:07,639 Speaker 1: at the same time, I go, yeah, I'm going to 446 00:24:07,640 --> 00:24:09,600 Speaker 1: miss all this shit one day. One day, I'm going 447 00:24:09,680 --> 00:24:13,359 Speaker 1: to wish that she would ring me with a catastrophe 448 00:24:13,400 --> 00:24:15,080 Speaker 1: that isn't really a catastrophe. 449 00:24:15,160 --> 00:24:18,520 Speaker 2: You know, I completely understand where you're coming from, but 450 00:24:18,560 --> 00:24:20,960 Speaker 2: I've got to come to her defense as well. Okay, 451 00:24:21,040 --> 00:24:24,680 Speaker 2: when I talk to foodpeckering phones, there's a thing called 452 00:24:24,800 --> 00:24:29,080 Speaker 2: zombie fingers, and it's a real thing. It's where people who, 453 00:24:29,200 --> 00:24:33,560 Speaker 2: for whatever reason, they don't have the tactile connectivity to 454 00:24:33,640 --> 00:24:36,119 Speaker 2: activate a screen on a phone, they have to press 455 00:24:36,160 --> 00:24:39,520 Speaker 2: harder because their feelings work as well. As other people. 456 00:24:39,680 --> 00:24:41,679 Speaker 2: You know Taur who I do a podcast with, we 457 00:24:41,680 --> 00:24:45,000 Speaker 2: were doing podcasts. She has zombie fingers. So yeah, so 458 00:24:45,119 --> 00:24:47,680 Speaker 2: some people don't whatever it is with their hands. Maybe 459 00:24:47,720 --> 00:24:51,360 Speaker 2: it's a circulation thing, but their fingers don't work on 460 00:24:51,400 --> 00:24:54,080 Speaker 2: their phones as well as other people. So maybe mum 461 00:24:54,080 --> 00:24:55,320 Speaker 2: has zombie things. 462 00:24:55,640 --> 00:24:58,560 Speaker 1: So who would have thought that having big, moist, chunky, 463 00:24:58,640 --> 00:25:00,800 Speaker 1: clammy fingers would be advantage? 464 00:25:03,160 --> 00:25:06,760 Speaker 2: He used another appendage on your phone, just wondering, you know, 465 00:25:06,800 --> 00:25:09,920 Speaker 2: an elbow and those in appropriate. 466 00:25:10,040 --> 00:25:13,840 Speaker 1: Patrick, Usually it's me that opens the door and we're 467 00:25:13,920 --> 00:25:18,160 Speaker 1: keeping it closed today. We're trying to keep it family friendly. 468 00:25:18,640 --> 00:25:20,320 Speaker 1: Can we talk about help. 469 00:25:20,440 --> 00:25:22,880 Speaker 2: Clean the screen on your phone because we should clean 470 00:25:22,920 --> 00:25:26,680 Speaker 2: the screens every day, you know what? Yeah? 471 00:25:28,000 --> 00:25:31,240 Speaker 1: Yeah, I only the only thing I clean, well, I 472 00:25:31,280 --> 00:25:34,200 Speaker 1: do wipe the screen. Can you see this? Little have 473 00:25:34,240 --> 00:25:35,280 Speaker 1: a little yellow rag? 474 00:25:35,359 --> 00:25:38,520 Speaker 2: That's what the hell? Do you clean the rag? 475 00:25:38,600 --> 00:25:38,800 Speaker 3: Though? 476 00:25:41,280 --> 00:25:43,200 Speaker 2: If it's the same rag you use every day, you're 477 00:25:43,200 --> 00:25:45,480 Speaker 2: not cleaning your phone. You're making it up more dirty. 478 00:25:45,920 --> 00:25:49,199 Speaker 1: Yeah, I'm just smearing the existing grease up to the corner, 479 00:25:50,640 --> 00:25:54,240 Speaker 1: the finger grease. No, I wash it. I have like 480 00:25:54,400 --> 00:25:57,919 Speaker 1: little terry toweling towel. Everyone that's it's like one of 481 00:25:57,960 --> 00:26:00,920 Speaker 1: those polishing rags that you get from I don't know where, 482 00:26:01,359 --> 00:26:04,399 Speaker 1: but I got a packet of them, like twelve yellow ones, 483 00:26:04,440 --> 00:26:07,720 Speaker 1: and I just every couple of weeks, I just stop 484 00:26:07,760 --> 00:26:08,320 Speaker 1: picking on me. 485 00:26:08,520 --> 00:26:11,719 Speaker 2: You know what, if I opened your cupboard and there 486 00:26:11,800 --> 00:26:15,000 Speaker 2: was like twenty boxes of twelve, I wouldn't be surprised. 487 00:26:15,440 --> 00:26:18,480 Speaker 1: I do get once I do find something, I tend 488 00:26:18,520 --> 00:26:21,240 Speaker 1: to overbuy. I don't know. This is what I'm like. 489 00:26:21,600 --> 00:26:25,359 Speaker 1: So I'm very boring, but I have most nights I 490 00:26:25,400 --> 00:26:27,040 Speaker 1: have a version of the same thing. I have some 491 00:26:27,160 --> 00:26:31,560 Speaker 1: kind of meat and rice and instead of cooking, you know, 492 00:26:31,800 --> 00:26:36,760 Speaker 1: proper cooking rice from scratch, I just microwave the two 493 00:26:36,800 --> 00:26:39,200 Speaker 1: minute stuff in about the ninety second stuff in a bag. 494 00:26:40,000 --> 00:26:42,720 Speaker 1: And so it's if I find it on special, I'll 495 00:26:42,760 --> 00:26:45,160 Speaker 1: buy fifty. 496 00:26:45,200 --> 00:26:48,200 Speaker 2: I'll buy fifty. You I know that about you. 497 00:26:48,840 --> 00:26:51,240 Speaker 1: I'm like, well, what why not? Like I'm going to 498 00:26:51,359 --> 00:26:54,119 Speaker 1: use them anyway. What's the point of going back every 499 00:26:54,320 --> 00:26:57,040 Speaker 1: five days to get five more when I can buy, 500 00:26:57,680 --> 00:26:59,840 Speaker 1: you know, two months worth in one hit. And by 501 00:27:00,040 --> 00:27:01,800 Speaker 1: the way, they're on special winning. 502 00:27:02,200 --> 00:27:03,960 Speaker 2: I feel like I don't know that. I want to 503 00:27:04,000 --> 00:27:07,200 Speaker 2: tell you the first story today, because I'm worried that you, 504 00:27:07,320 --> 00:27:10,560 Speaker 2: with your OCD are going to start to panic and 505 00:27:10,640 --> 00:27:13,080 Speaker 2: look up at the night sky with a worried look 506 00:27:13,080 --> 00:27:13,720 Speaker 2: on your face. 507 00:27:14,520 --> 00:27:16,960 Speaker 1: Do you know, I reckon, I do have a little 508 00:27:17,000 --> 00:27:20,000 Speaker 1: bit of OCD. That might be a I don't but 509 00:27:20,200 --> 00:27:22,600 Speaker 1: I don't know. With some things, I don't give a fuck, 510 00:27:22,680 --> 00:27:25,879 Speaker 1: But with other things, Yeah, there's a little there's a 511 00:27:25,880 --> 00:27:28,480 Speaker 1: little acronym in there that probably needs to be explored, 512 00:27:28,480 --> 00:27:29,280 Speaker 1: all right, tell. 513 00:27:29,119 --> 00:27:33,480 Speaker 2: Me, well, okay, a few days ago, like well, a 514 00:27:33,520 --> 00:27:36,240 Speaker 2: few days ago, about a month ago, an asteroid was 515 00:27:36,280 --> 00:27:40,920 Speaker 2: spotted curved towards the Earth. Astronomers established that it was 516 00:27:40,920 --> 00:27:44,000 Speaker 2: going to hit the planet within ten hours. Right, It 517 00:27:44,200 --> 00:27:47,200 Speaker 2: ended up near the Philippines, an island in the Philippines, 518 00:27:47,520 --> 00:27:52,600 Speaker 2: and it bursted into flames and it came through. Now, 519 00:27:52,640 --> 00:27:56,199 Speaker 2: as it happened, the Earth didn't end. We're here now, right, 520 00:27:56,480 --> 00:28:00,840 Speaker 2: It was not that big. However, the estimate that there's 521 00:28:00,880 --> 00:28:03,359 Speaker 2: a lot of stuff out there that we just can't 522 00:28:03,440 --> 00:28:07,040 Speaker 2: see from Earth, and that's the problem. So what we 523 00:28:07,119 --> 00:28:10,080 Speaker 2: don't know is in the background, and now we will know, 524 00:28:10,960 --> 00:28:14,919 Speaker 2: is that there's an organization called Planetary Defense, or a 525 00:28:14,920 --> 00:28:18,600 Speaker 2: group called planetary Defense and they're working so it's part 526 00:28:18,600 --> 00:28:21,480 Speaker 2: of NASA, and they're working to try to find better 527 00:28:21,520 --> 00:28:26,000 Speaker 2: ways to discover all of those objects that we have 528 00:28:26,320 --> 00:28:30,439 Speaker 2: near missus with. And not that long ago, there was 529 00:28:30,920 --> 00:28:34,840 Speaker 2: a very first project that was done by NASA, and 530 00:28:34,880 --> 00:28:41,160 Speaker 2: what they did was they fired a small probe into 531 00:28:41,200 --> 00:28:45,040 Speaker 2: an asteroid to try to deflect it off course, and 532 00:28:45,080 --> 00:28:47,840 Speaker 2: it did. They worked out that the impact on this 533 00:28:47,880 --> 00:28:51,120 Speaker 2: particular asteroid was enough to nudge it a little bit. 534 00:28:51,480 --> 00:28:53,120 Speaker 2: And so what they're saying is, we know, if we 535 00:28:53,160 --> 00:28:57,360 Speaker 2: have enough warning, we could nudge them out of the way. 536 00:28:58,080 --> 00:29:04,040 Speaker 2: So they're now looking at different ways to track what's 537 00:29:04,120 --> 00:29:07,080 Speaker 2: going on in space. But the interesting thing is this, 538 00:29:07,640 --> 00:29:11,360 Speaker 2: if an asteroid just twenty meters long exploded in the 539 00:29:11,400 --> 00:29:16,960 Speaker 2: sky above us, it would smash windows, knock people on 540 00:29:17,000 --> 00:29:19,560 Speaker 2: their feet. So that's a twenty meter long a fifty 541 00:29:20,080 --> 00:29:25,880 Speaker 2: space rock could decimate a whole town, widespread infrastructure damage, etc. 542 00:29:26,160 --> 00:29:28,360 Speaker 2: All that sort of stuff. Now, an asteroid one hundred 543 00:29:28,360 --> 00:29:31,120 Speaker 2: and forty meters in length, if it made its way 544 00:29:31,160 --> 00:29:34,280 Speaker 2: to the ground, would basically slice a hole on the 545 00:29:34,280 --> 00:29:38,160 Speaker 2: face of the planet, probably dinosaur like extinction level events. 546 00:29:38,640 --> 00:29:41,560 Speaker 2: So there's still a lot of this stuff flying around. 547 00:29:41,720 --> 00:29:45,400 Speaker 2: So this new applied science called planetary defense, which is 548 00:29:45,440 --> 00:29:48,360 Speaker 2: exactly I guess what it sounds like, is now being 549 00:29:48,400 --> 00:29:53,920 Speaker 2: employed to try to look for what these asteroids that 550 00:29:53,960 --> 00:29:56,880 Speaker 2: are floating around potentially could get close to the Earth 551 00:29:57,160 --> 00:29:59,200 Speaker 2: and what they would do. So there was this Dart 552 00:29:59,320 --> 00:30:02,280 Speaker 2: mission that I was saying before, and the dart managed 553 00:30:02,320 --> 00:30:07,520 Speaker 2: to detour one of these asteroids, and so the thought 554 00:30:07,680 --> 00:30:11,680 Speaker 2: is there could be fourteen thousand of these that we 555 00:30:11,760 --> 00:30:14,480 Speaker 2: haven't found yet float no happen. 556 00:30:14,800 --> 00:30:17,760 Speaker 1: How about how about you shut the fuck up right 557 00:30:19,480 --> 00:30:22,360 Speaker 1: because now you've just made one hundred people have a 558 00:30:22,400 --> 00:30:23,160 Speaker 1: sleepless night. 559 00:30:23,520 --> 00:30:27,960 Speaker 2: But our say here is this NASA has what they're 560 00:30:27,960 --> 00:30:30,760 Speaker 2: about to launch a new mission within the next ten years, 561 00:30:31,080 --> 00:30:35,080 Speaker 2: the NASA the Near Earth Object Surveyor or the Neo 562 00:30:35,280 --> 00:30:40,720 Speaker 2: Surveyor mission. So it's basically a sniper in space. It's 563 00:30:40,720 --> 00:30:42,920 Speaker 2: going to be hidden and out of space, and within 564 00:30:42,960 --> 00:30:45,280 Speaker 2: they reckon about ten years of being launched, it'll find 565 00:30:45,360 --> 00:30:48,160 Speaker 2: ninety percent of all those city killing asteroids that are 566 00:30:48,200 --> 00:30:51,280 Speaker 2: out there. So relief is on the way. And what 567 00:30:51,320 --> 00:30:53,760 Speaker 2: they've done this is what's really cool about this this 568 00:30:53,880 --> 00:30:56,440 Speaker 2: object is they're going to cover it in a material 569 00:30:56,480 --> 00:30:59,360 Speaker 2: that will make it really cold, really really really cold, 570 00:30:59,680 --> 00:31:02,640 Speaker 2: because it has thermal senses as well as visual sensors, 571 00:31:03,000 --> 00:31:05,840 Speaker 2: and every object that's still floating around does have some 572 00:31:05,880 --> 00:31:09,040 Speaker 2: sort of heat pattern. So the problem is all these 573 00:31:09,080 --> 00:31:11,080 Speaker 2: asteroids are made at different things, and if you use 574 00:31:11,120 --> 00:31:14,200 Speaker 2: optics or different ways to try to detect how large 575 00:31:14,240 --> 00:31:17,000 Speaker 2: they are, if they're made of metal, they will look 576 00:31:17,000 --> 00:31:20,920 Speaker 2: different than if they're made of other materials. So that's 577 00:31:20,960 --> 00:31:23,240 Speaker 2: the problem and the challenge of trying to work out 578 00:31:23,280 --> 00:31:25,800 Speaker 2: how big they are and then find out what their 579 00:31:25,800 --> 00:31:28,360 Speaker 2: trajectory is. So do you feel a little bit better 580 00:31:28,440 --> 00:31:29,240 Speaker 2: that they're now? 581 00:31:29,040 --> 00:31:34,120 Speaker 1: No. I think you brought something to our attention that 582 00:31:34,240 --> 00:31:37,840 Speaker 1: we didn't need to know, and that if an asteroid's 583 00:31:37,840 --> 00:31:39,760 Speaker 1: going to fuck us up, it's going to fuck us up, 584 00:31:39,960 --> 00:31:43,920 Speaker 1: you know, like I think about personally. It reminded me 585 00:31:44,200 --> 00:31:46,960 Speaker 1: of Israel's iron Dome. 586 00:31:47,400 --> 00:31:48,680 Speaker 2: Oh yes, yea, I've been looking at it. 587 00:31:48,680 --> 00:31:52,440 Speaker 1: It's a little bit like that on steroids. But I'm thinking, 588 00:31:52,640 --> 00:31:59,000 Speaker 1: could you imagine Patrick, the physics, the mathematics that like 589 00:31:59,680 --> 00:32:03,760 Speaker 1: all the algorithms everything, So you've got a thing hurtling 590 00:32:03,840 --> 00:32:08,280 Speaker 1: through space and time that's millions of miles away that 591 00:32:08,360 --> 00:32:11,360 Speaker 1: you're trying to figure out how fast it's traveling, how 592 00:32:11,400 --> 00:32:14,880 Speaker 1: big it is, its trajectory, and then you've got to 593 00:32:15,120 --> 00:32:18,720 Speaker 1: build something on Earth or shoot something away from Earth 594 00:32:18,760 --> 00:32:21,400 Speaker 1: to meet it at the right you know, so it 595 00:32:21,480 --> 00:32:24,440 Speaker 1: intersects it, it doesn't miss it, and then it hits 596 00:32:24,440 --> 00:32:29,440 Speaker 1: it in the right spot to deflect enough so that 597 00:32:30,400 --> 00:32:35,000 Speaker 1: it misses the Earth. I mean, what imagine the fucking people, 598 00:32:35,120 --> 00:32:38,880 Speaker 1: the geniuses or genie I think the word is imagine 599 00:32:38,920 --> 00:32:41,600 Speaker 1: the genie. I working on that to make that happen 600 00:32:41,800 --> 00:32:45,520 Speaker 1: to me. That's just that's There's been a bunch of 601 00:32:45,520 --> 00:32:47,600 Speaker 1: movies about this too, by the way, Yeah, I. 602 00:32:47,520 --> 00:32:49,880 Speaker 2: Think about nineties maybe the age now it was, it 603 00:32:49,920 --> 00:32:52,120 Speaker 2: would have been the nineties. I reckon the Bruce Willis one. 604 00:32:52,200 --> 00:32:53,760 Speaker 2: What was it the names? 605 00:32:54,120 --> 00:32:57,040 Speaker 1: Yeah, yeah, there've been a bunch of them. I just think, 606 00:32:57,560 --> 00:32:58,360 Speaker 1: can I reckon. 607 00:32:58,120 --> 00:32:59,960 Speaker 2: Epoy you more? Can I can I help try to 608 00:33:00,080 --> 00:33:02,240 Speaker 2: reassure you more? So. Mike, one of my closest friends, 609 00:33:02,240 --> 00:33:04,240 Speaker 2: just got back from the UK. I'm catching up with 610 00:33:04,320 --> 00:33:07,280 Speaker 2: him next week. He's a rocket scientist. He's so much 611 00:33:07,280 --> 00:33:10,680 Speaker 2: smarter than me. It does fill me with a hope. 612 00:33:11,040 --> 00:33:14,760 Speaker 1: You say that, like you're surprised. It's like, well, of 613 00:33:14,880 --> 00:33:19,400 Speaker 1: course you didn't even need to point that out to us. 614 00:33:19,400 --> 00:33:23,000 Speaker 1: Oh fuck, he's smarter than me, which is incredible. 615 00:33:23,240 --> 00:33:25,280 Speaker 2: Hey, Ryan, if you're listening, I'll tell him that we 616 00:33:25,320 --> 00:33:28,400 Speaker 2: gave him a plug in the show. He's really smart. Yeah. 617 00:33:28,480 --> 00:33:31,320 Speaker 2: So it's so it makes me feel a lot better 618 00:33:31,520 --> 00:33:34,040 Speaker 2: that those sorts of people are around, because they're the 619 00:33:34,080 --> 00:33:37,040 Speaker 2: ones that is sitting at NASA saying, nah, that's no problem. 620 00:33:37,120 --> 00:33:39,320 Speaker 2: It's only four million miles away. On a trajectory of 621 00:33:39,360 --> 00:33:41,280 Speaker 2: you know, I don't know the asmuth is this and 622 00:33:41,320 --> 00:33:43,680 Speaker 2: the whatever. You know what I mean. I'm just throwing 623 00:33:43,720 --> 00:33:46,680 Speaker 2: words out now that mean nothing, but they know what 624 00:33:46,720 --> 00:33:48,000 Speaker 2: they mean. So we're fight. 625 00:33:48,840 --> 00:33:54,160 Speaker 1: Well, speaking of space, NASA has succeeded allegedly in teleporting. Yeah, 626 00:33:54,200 --> 00:33:57,160 Speaker 1: if you don't know what teleporting is the headline, Yeah, 627 00:33:57,200 --> 00:34:00,000 Speaker 1: I know. Actual teleporting. If you ever saw Star Trek, 628 00:34:00,120 --> 00:34:05,320 Speaker 1: anyone is where basically a human is magically transported to 629 00:34:05,440 --> 00:34:11,120 Speaker 1: another place instantly. So it might be from Melbourne to 630 00:34:11,239 --> 00:34:13,759 Speaker 1: New York and they just appear in New York. That's 631 00:34:13,800 --> 00:34:18,720 Speaker 1: called tallyportation. But I feel like that's it hasn't really happened. 632 00:34:18,719 --> 00:34:19,560 Speaker 1: That's just a heading. 633 00:34:20,160 --> 00:34:21,799 Speaker 2: Is it is a heading just to try to catch 634 00:34:21,800 --> 00:34:24,000 Speaker 2: your attention. And there's also a theory that what actually 635 00:34:24,040 --> 00:34:26,799 Speaker 2: happens when you go on the transporter is you are 636 00:34:26,840 --> 00:34:29,960 Speaker 2: destroyed and then rebuilt at the other end, so it's 637 00:34:29,960 --> 00:34:32,440 Speaker 2: actually not you there at the other end. It's a 638 00:34:32,440 --> 00:34:33,160 Speaker 2: fact similar bit. 639 00:34:33,200 --> 00:34:37,760 Speaker 1: Anyway, I can't believe that there's a theory about something 640 00:34:37,800 --> 00:34:41,280 Speaker 1: that isn't real in the first place. That's the dumbest 641 00:34:41,280 --> 00:34:41,759 Speaker 1: shit ever. 642 00:34:42,120 --> 00:34:45,440 Speaker 2: Yeah, there's a lot of that online. So this is 643 00:34:45,520 --> 00:34:50,160 Speaker 2: called hollow portation, not tallyportation. So it was a bit 644 00:34:50,200 --> 00:34:52,480 Speaker 2: of a tricksy little heading to try to get your attention. 645 00:34:52,880 --> 00:34:57,759 Speaker 2: What NASA is doing is using augmented reality. So they're 646 00:34:57,840 --> 00:35:00,640 Speaker 2: using a thing called hollow lens and micro I've produced 647 00:35:00,719 --> 00:35:02,719 Speaker 2: this and I think they're about the stop production of 648 00:35:02,760 --> 00:35:05,319 Speaker 2: them anyway, So they're using hollow lens. 649 00:35:05,040 --> 00:35:06,840 Speaker 1: And would you say stop or start? 650 00:35:07,080 --> 00:35:10,360 Speaker 2: Stop there's because other stuff's coming out. I'll tell you 651 00:35:10,360 --> 00:35:13,960 Speaker 2: about that later. But what they effectively can do then 652 00:35:14,080 --> 00:35:17,080 Speaker 2: is the you know, the astronauts and cosmonauts that are 653 00:35:17,080 --> 00:35:20,839 Speaker 2: floating above and China hat what are the Chinese astronauts called. 654 00:35:20,920 --> 00:35:22,480 Speaker 2: I don't know. I'll have to look that one up. 655 00:35:22,600 --> 00:35:26,400 Speaker 2: If Russians are cosmonauts and the Americans are astronauts anyway, 656 00:35:26,840 --> 00:35:27,879 Speaker 2: that's something for another time. 657 00:35:28,080 --> 00:35:30,799 Speaker 1: But there's fifty things I could say. I'd get in 658 00:35:30,840 --> 00:35:31,839 Speaker 1: trouble for all of them. 659 00:35:32,080 --> 00:35:36,799 Speaker 2: Okay, So multiple cameras pointing at a person here and 660 00:35:37,000 --> 00:35:39,160 Speaker 2: you're talking to so not just similar to what we're doing, 661 00:35:39,200 --> 00:35:41,879 Speaker 2: but in three D. And then the person wears a 662 00:35:42,280 --> 00:35:47,960 Speaker 2: virtual reality headset which uses augmented reality. So the difference 663 00:35:47,960 --> 00:35:50,640 Speaker 2: between VR and AAR is when you put on a 664 00:35:50,719 --> 00:35:54,600 Speaker 2: virtual reality headset, it blocks out everything and you create 665 00:35:54,640 --> 00:35:57,040 Speaker 2: a new world in your virtual headset that you can 666 00:35:57,120 --> 00:36:01,200 Speaker 2: engage with augmented reality is you put on a device 667 00:36:01,480 --> 00:36:05,040 Speaker 2: and you can still see everything around you, but an 668 00:36:05,080 --> 00:36:07,319 Speaker 2: object is projected in front of you in three D. 669 00:36:07,480 --> 00:36:09,600 Speaker 2: And that's what they're doing with NASA at the moment. 670 00:36:09,719 --> 00:36:12,840 Speaker 2: So they're using this to help the astronauts who are 671 00:36:12,920 --> 00:36:16,120 Speaker 2: effectively flying around in this tin can, and it means 672 00:36:16,120 --> 00:36:18,560 Speaker 2: that they can have real world conversations. But the person 673 00:36:18,560 --> 00:36:21,279 Speaker 2: they're interacting with, it's not just a zoom call or 674 00:36:21,280 --> 00:36:24,600 Speaker 2: a teams meeting. It's a person hovering in front of them. 675 00:36:24,880 --> 00:36:28,279 Speaker 2: And this is pretty full on because you know, the ISS, 676 00:36:28,360 --> 00:36:32,000 Speaker 2: the International Space Station is flying around like seventeen thousand 677 00:36:32,040 --> 00:36:34,400 Speaker 2: kilometers an hour, so to be able to link up 678 00:36:34,440 --> 00:36:36,640 Speaker 2: to them and have that window where they can have 679 00:36:36,719 --> 00:36:41,000 Speaker 2: this full on conversation and interaction, and this could be 680 00:36:41,040 --> 00:36:44,160 Speaker 2: a way to help astronauts as they travel to you know, 681 00:36:44,200 --> 00:36:46,600 Speaker 2: if you take three or four years to get to Mars, 682 00:36:47,200 --> 00:36:49,920 Speaker 2: they're able to interact with family and friends. That would 683 00:36:49,960 --> 00:36:53,200 Speaker 2: really help a lot when it comes to being lonely 684 00:36:53,480 --> 00:36:56,080 Speaker 2: or feeling isolated, or being stuck in a tin can. 685 00:36:56,160 --> 00:36:59,479 Speaker 2: So it's kind of interesting that they're developing this because 686 00:36:59,880 --> 00:37:02,240 Speaker 2: a lot of the developments that get done for space 687 00:37:02,320 --> 00:37:06,400 Speaker 2: research end up in real world examples for us. So 688 00:37:06,480 --> 00:37:09,200 Speaker 2: when we think, well, that's never going to happen, it's 689 00:37:09,239 --> 00:37:11,719 Speaker 2: too far away, it's on the ISS, the reality of 690 00:37:11,760 --> 00:37:13,560 Speaker 2: it is a lot of the experiments that are going 691 00:37:13,600 --> 00:37:16,000 Speaker 2: on board the International Space Station will have real world 692 00:37:16,080 --> 00:37:19,520 Speaker 2: benefits for us. It's that such that R and D 693 00:37:19,760 --> 00:37:22,719 Speaker 2: that you know, it's the long game where we don't 694 00:37:22,760 --> 00:37:24,840 Speaker 2: specifically think about it. I mean, even the work that 695 00:37:24,880 --> 00:37:28,160 Speaker 2: you're doing could have real world practical applications when it 696 00:37:28,160 --> 00:37:31,279 Speaker 2: comes to understanding about cognitive sense and how we think 697 00:37:31,320 --> 00:37:33,520 Speaker 2: about ourselves and the world around us. You know, that 698 00:37:33,560 --> 00:37:36,319 Speaker 2: could really have far reaching benefits for people, because what 699 00:37:36,440 --> 00:37:38,600 Speaker 2: I love about what you're doing is that no one 700 00:37:38,600 --> 00:37:40,439 Speaker 2: else has done that before in the way that you're 701 00:37:40,440 --> 00:37:44,359 Speaker 2: doing it. Yeah, and that's about research, just. 702 00:37:44,520 --> 00:37:48,319 Speaker 1: Yeah, exactly. I was thinking about you know more about this, 703 00:37:48,400 --> 00:37:51,400 Speaker 1: but I just want to talk about the human side 704 00:37:51,520 --> 00:37:55,160 Speaker 1: of So those two astronauts that flew up, was it 705 00:37:55,280 --> 00:37:58,360 Speaker 1: with Boeing and then they were going to meant to 706 00:37:58,360 --> 00:38:01,120 Speaker 1: be up and back in a week or time and 707 00:38:01,800 --> 00:38:04,240 Speaker 1: something happened. You can tell us there's something I forget. 708 00:38:04,280 --> 00:38:07,040 Speaker 1: But so all of a sudden they went from basically, 709 00:38:07,080 --> 00:38:10,200 Speaker 1: we're doing a quick holiday to space to know, now 710 00:38:10,200 --> 00:38:14,360 Speaker 1: you're fucking stuck here till next year. And of course 711 00:38:14,400 --> 00:38:18,040 Speaker 1: they would have been preparing for I think it was 712 00:38:18,080 --> 00:38:20,400 Speaker 1: meant to be like about ten days in space, and 713 00:38:20,440 --> 00:38:23,160 Speaker 1: now it's going to be the best part of a year. 714 00:38:24,080 --> 00:38:28,960 Speaker 1: And I was thinking, man, that's to be able to 715 00:38:29,200 --> 00:38:35,560 Speaker 1: adjust to that emotionally and mentally, is that is a big, 716 00:38:35,600 --> 00:38:38,600 Speaker 1: big challenge, right, That's not a small thing. That's a 717 00:38:38,640 --> 00:38:42,480 Speaker 1: life changing, foreverthing. And I don't know whether or not 718 00:38:42,480 --> 00:38:47,000 Speaker 1: they're great actors, but I saw them being interviewed, or 719 00:38:47,040 --> 00:38:50,040 Speaker 1: at least saw them, you know when. So they've gone 720 00:38:50,120 --> 00:38:53,000 Speaker 1: to stay at the ISS, haven't they International Space Toction. 721 00:38:53,239 --> 00:38:55,640 Speaker 1: That's where they are, and they hooked up with some 722 00:38:55,719 --> 00:38:59,520 Speaker 1: other whatever, the other astronauts up there, and they looked 723 00:38:59,600 --> 00:39:03,319 Speaker 1: so like they have their shit together. I would not 724 00:39:03,440 --> 00:39:05,640 Speaker 1: have my shit together. I don't think if I was, 725 00:39:06,280 --> 00:39:08,520 Speaker 1: or maybe if I was as qualified and as trained 726 00:39:08,560 --> 00:39:11,839 Speaker 1: as them, but yeah, to be able to adapt to 727 00:39:11,920 --> 00:39:14,239 Speaker 1: something as big as that were was like, you'll be 728 00:39:14,280 --> 00:39:17,160 Speaker 1: back on Earth soon, and then no, you're not. You're 729 00:39:17,239 --> 00:39:20,800 Speaker 1: trapped up here. Better than the alternative though, I guess, 730 00:39:20,800 --> 00:39:24,520 Speaker 1: which is blowing up on the way back, because they 731 00:39:24,560 --> 00:39:29,720 Speaker 1: were wouldn't They worried that the that the space capsule 732 00:39:29,800 --> 00:39:32,359 Speaker 1: or whatever would not make it back to Earth, and 733 00:39:32,440 --> 00:39:35,600 Speaker 1: so they hedged their bets and said, look, we're just 734 00:39:35,640 --> 00:39:37,280 Speaker 1: going to plunk you on the space station. 735 00:39:37,840 --> 00:39:39,960 Speaker 2: Yeah, it was not worth the risk. Yeah, they went 736 00:39:40,040 --> 00:39:42,400 Speaker 2: up to the Space station for this mission. But they 737 00:39:42,719 --> 00:39:44,319 Speaker 2: had a fault. I think it was a cool leak 738 00:39:44,440 --> 00:39:47,239 Speaker 2: or something. I can't remember exactly what it was. But 739 00:39:47,320 --> 00:39:50,080 Speaker 2: they repaired it, but they still weren't one hundred percent 740 00:39:50,120 --> 00:39:53,000 Speaker 2: sure the thing with a lot of I mean, space 741 00:39:53,120 --> 00:39:57,160 Speaker 2: is so amazing, and space travel so much work goes 742 00:39:57,200 --> 00:40:01,239 Speaker 2: into it. And I guess, thinking of your you know, 743 00:40:01,280 --> 00:40:04,160 Speaker 2: you were kind of projecting how you would feel being 744 00:40:04,239 --> 00:40:06,560 Speaker 2: up there. My thought is that if you're training to 745 00:40:06,600 --> 00:40:08,920 Speaker 2: do a mission like this and it's only ten days, 746 00:40:09,719 --> 00:40:13,000 Speaker 2: part of the contingency would be what if you are 747 00:40:13,040 --> 00:40:15,160 Speaker 2: stuck there for more than ten days? And I think 748 00:40:15,160 --> 00:40:17,040 Speaker 2: that would have to be part of the training. I 749 00:40:17,080 --> 00:40:19,600 Speaker 2: couldn't imagine sending people up there with that that that 750 00:40:19,680 --> 00:40:23,240 Speaker 2: thought process process being in place. But wow, I couldn't 751 00:40:23,239 --> 00:40:26,920 Speaker 2: possibly imagine what it would be like when you're saying, yeah, look, 752 00:40:26,920 --> 00:40:28,880 Speaker 2: I'll just see you next week, mate, We'll have that coffee, 753 00:40:28,880 --> 00:40:31,120 Speaker 2: won't we down the road, and then all of a 754 00:40:31,160 --> 00:40:33,879 Speaker 2: sudden that coffee is a year later or six months later. 755 00:40:34,600 --> 00:40:37,600 Speaker 1: Also, when you think about how much we regular humans 756 00:40:37,640 --> 00:40:41,400 Speaker 1: we love certainty and predictability and familiarity. We love to 757 00:40:41,440 --> 00:40:43,640 Speaker 1: know that we kind of want to know what's going 758 00:40:43,640 --> 00:40:45,799 Speaker 1: to happen tomorrow and we hope it's going to be 759 00:40:45,880 --> 00:40:48,600 Speaker 1: kind of like today, unless today with shit. But you 760 00:40:48,640 --> 00:40:52,239 Speaker 1: know that we are very much hardwired for safety and 761 00:40:52,360 --> 00:40:58,520 Speaker 1: predictability and consistency and certainty. So it must take a 762 00:40:59,680 --> 00:41:04,320 Speaker 1: special sure kind of either person or personality or mindset 763 00:41:04,440 --> 00:41:06,960 Speaker 1: to be able to go. I mean, by the way, 764 00:41:07,000 --> 00:41:09,080 Speaker 1: if you get on a rocket going into space, there's 765 00:41:09,080 --> 00:41:10,520 Speaker 1: a fair chance you're going to die. 766 00:41:10,960 --> 00:41:16,640 Speaker 2: I mean it's not it's not remote chads, Well. 767 00:41:16,600 --> 00:41:18,960 Speaker 1: It's it's you know, it's not like you're getting on 768 00:41:19,000 --> 00:41:21,360 Speaker 1: a bus going to Southland to get some fucking chicken. 769 00:41:21,719 --> 00:41:24,879 Speaker 1: I mean it's it's there's a fair few people who 770 00:41:24,880 --> 00:41:25,360 Speaker 1: have died. 771 00:41:26,600 --> 00:41:29,520 Speaker 2: Can I just say? I don't have the figures in 772 00:41:29,560 --> 00:41:31,920 Speaker 2: front of me, but I would suggest that you driving 773 00:41:31,960 --> 00:41:35,279 Speaker 2: to Southland and me flying to the ISS I would 774 00:41:35,320 --> 00:41:36,160 Speaker 2: be safer than you. 775 00:41:36,840 --> 00:41:37,480 Speaker 1: I don't think so. 776 00:41:37,680 --> 00:41:38,640 Speaker 2: I think I would. 777 00:41:39,120 --> 00:41:41,480 Speaker 1: I reckon if we go. How many people have been 778 00:41:41,520 --> 00:41:44,440 Speaker 1: in space? Well, we know, was it Challenger twelve that 779 00:41:44,480 --> 00:41:44,960 Speaker 1: blew up? 780 00:41:45,239 --> 00:41:46,760 Speaker 2: It was a Challenger Yeah, that's right. 781 00:41:46,640 --> 00:41:48,800 Speaker 1: In challenges So that that was eight people? 782 00:41:48,920 --> 00:41:50,200 Speaker 2: Right, yep? 783 00:41:50,840 --> 00:41:51,640 Speaker 1: How many people? 784 00:41:51,920 --> 00:41:53,880 Speaker 2: Five? Not only five? It was from memory? 785 00:41:54,320 --> 00:41:56,480 Speaker 1: How many people? Let's go, I'm going to go right now. 786 00:41:57,400 --> 00:41:59,920 Speaker 2: Siven astronauts don't go chat GEP. Seven astronauts were on 787 00:41:59,920 --> 00:42:00,920 Speaker 2: the challenge. I'm pretty sure. 788 00:42:01,000 --> 00:42:08,280 Speaker 1: Yeah, no, no, no, how many How many people have died 789 00:42:10,680 --> 00:42:11,240 Speaker 1: in space? 790 00:42:11,480 --> 00:42:15,000 Speaker 2: More? Good? Well I want to know, okay. 791 00:42:14,800 --> 00:42:16,759 Speaker 1: As eighteen astronauts? 792 00:42:17,200 --> 00:42:20,360 Speaker 2: Okay, so that's it. But how many people are in space? 793 00:42:20,960 --> 00:42:27,480 Speaker 1: Yeah? Well okay, all right, good? How many people have many. 794 00:42:27,320 --> 00:42:29,520 Speaker 2: Apologies to the listeners in space? 795 00:42:30,040 --> 00:42:34,040 Speaker 1: How many people have been in space? Six hundred and 796 00:42:34,040 --> 00:42:39,000 Speaker 1: twenty So six hundred and twenty eighteen, let's round it 797 00:42:39,080 --> 00:42:41,799 Speaker 1: up to twenty. That's a fucking lot of people. That's 798 00:42:41,800 --> 00:42:44,480 Speaker 1: six hundred and twenty people going to Southland, and eighteen 799 00:42:44,520 --> 00:42:48,040 Speaker 1: of them are dying. I reckon, I reckon. I'm on 800 00:42:48,080 --> 00:42:50,759 Speaker 1: a better, better course than you can. 801 00:42:50,800 --> 00:42:52,440 Speaker 2: I just say I would still go. 802 00:42:53,560 --> 00:42:56,680 Speaker 1: Well would you? Would you get if you've got a 803 00:42:56,800 --> 00:42:58,600 Speaker 1: chance to go to space for a year? 804 00:42:59,120 --> 00:42:59,319 Speaker 3: So? 805 00:43:00,080 --> 00:43:06,200 Speaker 2: Actually do we? Sait? So the Columbia disintegrated when it 806 00:43:06,239 --> 00:43:09,239 Speaker 2: re entered the years No, yeah, I'm kind of was mixing. No, 807 00:43:09,280 --> 00:43:11,759 Speaker 2: it's right. Did we say Challenger or Columbia? 808 00:43:12,560 --> 00:43:13,680 Speaker 1: I think we said Challenger. 809 00:43:14,000 --> 00:43:17,440 Speaker 2: It's Columbia. Columbia. It re entered the atmosphere over Texas, 810 00:43:17,680 --> 00:43:20,160 Speaker 2: killing all seven astronauts on board. So actually so there 811 00:43:20,160 --> 00:43:24,239 Speaker 2: were two the Columbia. I'm getting confused anyway, But. 812 00:43:24,400 --> 00:43:28,080 Speaker 1: Anyway, the bottom line is kids stay on Terra Firma. 813 00:43:28,600 --> 00:43:30,960 Speaker 2: Yeah. So it was the Challenger that blew up when 814 00:43:31,000 --> 00:43:33,880 Speaker 2: it launched, and that must have been in nine and 815 00:43:33,920 --> 00:43:36,840 Speaker 2: eighty six when it because I was I was actually 816 00:43:36,840 --> 00:43:38,560 Speaker 2: camping and didn't know about it till about three or 817 00:43:38,560 --> 00:43:39,239 Speaker 2: four days later. 818 00:43:39,880 --> 00:43:43,399 Speaker 1: Yeah. Most fatalities have occurred either during launch or re 819 00:43:43,600 --> 00:43:48,080 Speaker 1: entry rather than in space itself, with the Sawyers eleven 820 00:43:49,000 --> 00:43:56,760 Speaker 1: being the exception. So Sawyers eleven nineteen seventy one, three cosmonauts, 821 00:43:56,760 --> 00:44:02,719 Speaker 1: Space Shuttle Challenger nineteen eighty six, and Space Shuttle Columbia 822 00:44:02,719 --> 00:44:07,359 Speaker 1: two thousand and three. Seven. Yeah, all right, let's talk 823 00:44:07,360 --> 00:44:10,279 Speaker 1: about something more uplifting, Patrick Man. 824 00:44:10,360 --> 00:44:12,440 Speaker 2: Okay, let's see if I can find something. Well, can 825 00:44:12,600 --> 00:44:14,279 Speaker 2: I just can I do one more story about being 826 00:44:14,280 --> 00:44:18,440 Speaker 2: in space? Is that getting import not for you? Clearly, no, 827 00:44:18,680 --> 00:44:22,480 Speaker 2: one little thing. They've been doing studies with cells from 828 00:44:22,560 --> 00:44:26,560 Speaker 2: human hearts and running experiments to see what actually happens 829 00:44:26,560 --> 00:44:28,719 Speaker 2: to the human heart while it's on the ISS. So 830 00:44:28,760 --> 00:44:32,080 Speaker 2: these people who are there now, their hearts are actually 831 00:44:32,320 --> 00:44:34,880 Speaker 2: going to be affected by being in space for a 832 00:44:34,920 --> 00:44:38,560 Speaker 2: prolonged period. So what they did was they took heart cells. 833 00:44:38,880 --> 00:44:41,279 Speaker 2: They took them into the International Space Station and then 834 00:44:41,280 --> 00:44:46,040 Speaker 2: they observed how they behaved compared to another similar crop 835 00:44:46,080 --> 00:44:51,440 Speaker 2: of cells here on Earth, and low gravity actually impacts 836 00:44:51,520 --> 00:44:56,000 Speaker 2: the cell's strength and contraction, so it's called the twitch force, 837 00:44:56,600 --> 00:44:59,040 Speaker 2: and it means that it can also result in irregular 838 00:44:59,080 --> 00:45:02,440 Speaker 2: beating patterns. N astronauts come back, not only they have 839 00:45:02,520 --> 00:45:05,640 Speaker 2: jelly legs, but they also have hearts that don't beat 840 00:45:05,640 --> 00:45:08,520 Speaker 2: as strongly, and it's really concerning. So the longer you're there, 841 00:45:08,960 --> 00:45:11,520 Speaker 2: they don't fare well at all when they're in space. 842 00:45:11,920 --> 00:45:15,399 Speaker 1: So the exercise scientist is interested in this because when 843 00:45:15,440 --> 00:45:18,799 Speaker 1: you think about like here we obviously we deal with 844 00:45:18,840 --> 00:45:22,480 Speaker 1: gravity just walking, you know, where we're using muscle and 845 00:45:22,600 --> 00:45:27,480 Speaker 1: strength and so so there's a lot of atrophy in space, 846 00:45:27,760 --> 00:45:30,920 Speaker 1: like a lot of muscle wasting in space. And the 847 00:45:30,960 --> 00:45:33,440 Speaker 1: heart is a muscle, so that's no surprise. 848 00:45:34,400 --> 00:45:36,960 Speaker 2: And because the heart I mean beats constantly for our 849 00:45:37,000 --> 00:45:39,200 Speaker 2: whole lives, we'd like to think it does. We hope 850 00:45:39,239 --> 00:45:42,839 Speaker 2: it does continue, yeah, sporadically for some, but if there's 851 00:45:42,840 --> 00:45:45,320 Speaker 2: no gravity acting on it, it looks like the heart 852 00:45:45,360 --> 00:45:48,360 Speaker 2: tissue starts to kind of just atrophy. 853 00:45:49,120 --> 00:45:53,600 Speaker 1: Well, I think, because when you're in you know, anti 854 00:45:53,640 --> 00:45:56,080 Speaker 1: gravity or is that what it is like when you're 855 00:45:56,120 --> 00:45:58,800 Speaker 1: in fucking whatever where you've got. 856 00:45:58,640 --> 00:46:00,800 Speaker 2: There's no gravity or no gravity. 857 00:46:00,880 --> 00:46:05,040 Speaker 1: Yeah, so there's no I mean, there's no resistance as 858 00:46:05,080 --> 00:46:08,880 Speaker 1: in you're not you're not. You don't have to work 859 00:46:08,920 --> 00:46:12,759 Speaker 1: against anything really, and so like there's no need in 860 00:46:12,960 --> 00:46:17,160 Speaker 1: space to be strong, you know, because you don't have 861 00:46:17,200 --> 00:46:22,719 Speaker 1: to lift anything or move anything because everything's weightless. Yeah, 862 00:46:22,800 --> 00:46:27,000 Speaker 1: so it's it's cool, but it takes a physiological toll. 863 00:46:27,040 --> 00:46:30,359 Speaker 1: That's why I think I would be I don't know 864 00:46:30,360 --> 00:46:33,000 Speaker 1: what it is these days, but I would be really 865 00:46:33,040 --> 00:46:39,080 Speaker 1: interested to know what kind of resources they have at 866 00:46:39,080 --> 00:46:44,120 Speaker 1: the ISS two to help the crew maintain strength and 867 00:46:44,239 --> 00:46:47,719 Speaker 1: function because one obviously one of the challenges in a 868 00:46:47,760 --> 00:46:52,240 Speaker 1: weightless environment is that dumbbells and kettle bells don't weigh anything. 869 00:46:52,680 --> 00:46:54,080 Speaker 2: I don't know if i'd want a dumbbell or a 870 00:46:54,160 --> 00:46:57,600 Speaker 2: kettle bell floating around in the space station, of course, 871 00:46:57,680 --> 00:47:01,880 Speaker 2: not bands and stuff like that. Yes, you know, elliptical 872 00:47:02,000 --> 00:47:03,839 Speaker 2: type machines that they can use. 873 00:47:03,800 --> 00:47:06,680 Speaker 1: With h yeah. Yeah, And I mean I think like 874 00:47:06,920 --> 00:47:09,480 Speaker 1: in the old days, in the eighties and nineties in Melbourne, 875 00:47:09,520 --> 00:47:12,160 Speaker 1: there was even hydraulic machines, But I don't know if 876 00:47:12,200 --> 00:47:15,960 Speaker 1: hydraulics going to work. Maybe it changes the viscosity of 877 00:47:16,000 --> 00:47:20,279 Speaker 1: the hydraulics liquids in space. I'm not sure, but yeah, 878 00:47:20,360 --> 00:47:24,920 Speaker 1: things like resistance bands and you know where you're creating 879 00:47:25,080 --> 00:47:29,839 Speaker 1: a type of resistance. But you'd have to do that. 880 00:47:30,840 --> 00:47:33,040 Speaker 1: I mean, getting out of a chair and walking to 881 00:47:33,080 --> 00:47:36,960 Speaker 1: get a glass of water takes strength and fitness, albeit 882 00:47:37,080 --> 00:47:40,560 Speaker 1: not a lot. But you know, we are constantly, we 883 00:47:40,600 --> 00:47:43,839 Speaker 1: are constantly working against gravity. But when you remove that, 884 00:47:44,040 --> 00:47:44,879 Speaker 1: it's a different thing. 885 00:47:45,800 --> 00:47:49,120 Speaker 2: It is interesting, isn't it. It's a fascinating a thought argument, 886 00:47:49,440 --> 00:47:52,640 Speaker 2: particularly when we project forward and think, well, if people 887 00:47:52,680 --> 00:47:56,200 Speaker 2: are going to go and explore further into the into 888 00:47:56,239 --> 00:47:58,839 Speaker 2: our solar system and maybe potentially go to Mars, they 889 00:47:58,880 --> 00:48:02,239 Speaker 2: still talk of a Mars. And then you've got radiation 890 00:48:02,360 --> 00:48:05,160 Speaker 2: as well, because thankfully we have an atmosphere that protects 891 00:48:05,200 --> 00:48:08,800 Speaker 2: us from the nasty radiation as well, and that doesn't 892 00:48:08,840 --> 00:48:11,160 Speaker 2: happen when you're up there. You need to have materials 893 00:48:11,200 --> 00:48:14,319 Speaker 2: around you. It's a flat and tin can, all. 894 00:48:14,320 --> 00:48:16,440 Speaker 1: Right, team, We're going to pull the pin on the 895 00:48:16,480 --> 00:48:21,200 Speaker 1: conversation momentarily there, Patrick and I ended up being somewhat 896 00:48:21,280 --> 00:48:24,360 Speaker 1: verbose over about an hour and a half or so, 897 00:48:24,360 --> 00:48:26,560 Speaker 1: so we'll divide this into bits one and two. We'll 898 00:48:26,560 --> 00:48:29,040 Speaker 1: call that the end of Bit one. Hope you're having 899 00:48:29,040 --> 00:48:30,799 Speaker 1: a great day. We'll be back tomorrow with more