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Speaker 1: This is unbelievable. This is going to blow your mind.

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Speaker 1: It blew my mind yesterday. So this is from a

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Speaker 1: communication coach. This has gone viral. I had twenty million

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Speaker 1: clicks on the internet already. And if you're an overthinker,

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Speaker 1: and I think a majority of.

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Speaker 2: People, definitely, I'm definitely an overthinker.

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Speaker 1: The worst time for overthinking is when you go to bed,

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Speaker 1: what's happened that day and what you've got to do tomorrow,

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Speaker 1: and your mind is racing and it takes you too

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Speaker 1: long to get to sleep.

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Speaker 3: Then you start stressing out.

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Speaker 2: Sunday night life is over, weeks about to start, you

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Speaker 2: think about everything coming out half drunk.

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Speaker 1: Okay, so this is just a basic little exercise that

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Speaker 1: you can do to stop overthinking.

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Speaker 3: Jeez, Okay, listen.

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Speaker 4: It's a psychological trick that you won't believe until you've

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Speaker 4: actually tried it, and you see it's super simple and

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Speaker 4: it's for all of us who ruminate and overthink. It

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Speaker 4: goes like this, keep your eye balls still. Don't move

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Speaker 4: it because you see it. In order for your brain

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Speaker 4: to think and fetch memories, it needs to move your eyes,

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Speaker 4: and as you stop the moving, it won't be able

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Speaker 4: to do the rumination it usually does. This is so

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Speaker 4: powerful it loows people's minds.

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Speaker 3: So I want you to try it now.

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Speaker 5: Now.

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Speaker 3: It's a bit harder when you're driving.

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Speaker 1: Okay, don't do it, because you need to look around

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Speaker 1: you all the time and see what's going on. But

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Speaker 1: you need to focus on something and not move your

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Speaker 1: eyes at all. Now, if you're concentrating on that one

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Speaker 1: spot and not moving your eyes, you're actually using your

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Speaker 1: brain to do that shuts out everything else around you.

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Speaker 6: I'm trying now, but what about everything in the periphery.

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Speaker 7: I got to ignore see Leno like I'm staring at

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Speaker 7: a mic stand, but I can still see Leno's kind

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Speaker 7: of jigging in his chair.

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Speaker 6: I can see the grout in the camera.

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Speaker 2: I'm focusing on the sweat Undergrout's forehead a week sweaty head, swethead,

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Speaker 2: focusing on the wrong thing, And I'm thinking, my god,

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Speaker 2: is there any role that could help that? Or maybe

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Speaker 2: a mac powder.

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Speaker 8: I've picked up a mac powder just the other day.

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Speaker 2: I'm still thinking about that, but I don't want to

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Speaker 2: think about chosen the wrong thing to focus on.

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Speaker 1: It's interesting, though, when you are overthinking and you're thinking

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Speaker 1: of things, your eyes have to actually move.

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Speaker 3: You're moving around. And it's funny when you.

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Speaker 1: Watch people do interviews right on television when they're thinking

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Speaker 1: of their answers, their eyes are darting around everywhere because

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Speaker 1: they're thinking.

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Speaker 3: Of their answer.

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Speaker 2: But the other thing, when you're in bed and you're

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Speaker 2: trying not to think about everything you've got coming up

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Speaker 2: on things playing on your mind, often you've got your

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Speaker 2: eyes shut. So I'm just practicing trying to see if

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Speaker 2: I can tell whether my eyeballs are moving with my

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Speaker 2: eyes shut. I'm having a big day, do.

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Speaker 3: You know what?

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Speaker 2: I can still see the sweat on Matt Digret's forehead

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Speaker 2: with my eyes.

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Speaker 8: Focusing on the wrong floor.

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Speaker 3: I've heard that breathing.

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Speaker 1: I read an article about breathing is very important as well.

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Speaker 1: So the thing that I've been doing lately is that

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Speaker 1: you actually tell yourself to I say to myself.

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Speaker 3: In one, and then I'll count up to twenty. So

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Speaker 3: it's always in two.

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Speaker 1: Sound weird coming back, and that's all you concentrate on.

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Speaker 1: You don't know that for me, that stops the open thinking.

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Speaker 1: There's nothing else that I'm thinking about. If you can

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Speaker 1: get to twenty, if I can get to twenty by

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Speaker 1: the end of that.

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Speaker 3: I'm a pretty slate.

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Speaker 8: Box thinking box breathing is that what it is? Where

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Speaker 8: you just.

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Speaker 9: Eat boxing No, in order to in order to calm

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Speaker 9: down when you are when you are stressful.

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Speaker 8: Boxing thing is a different subcategory.

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Speaker 9: It's you have a kitture a box and you just

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Speaker 9: count to four seconds down each corner of the box.

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Speaker 9: So into three four out two three four in two

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Speaker 9: three four out to three four draw a box in

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Speaker 9: your mind and whatever anxiety and stress you're feeling will

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Speaker 9: calm it down as you just trace this box in

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Speaker 9: your mind.

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Speaker 2: So the other sleeping one that I've heard, it's the

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Speaker 2: seven four eight technique where you breathe in for seven. Yeah,

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Speaker 2: I don't hold for four and then slowly out for eight.

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Speaker 7: Aren't you guys just tired enough to lie down and

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Speaker 7: go to sleep?

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Speaker 2: None Back to sweaty forehead.

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Speaker 3: Again, twenty four to ten.

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Speaker 1: If anyone's got any other methods, Tom's yeah, give.

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Speaker 10: Us a call helps him get to sleep well.

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Speaker 11: I don't know what you mean by what do you

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Speaker 11: do normally?

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Speaker 3: You suggest listen to our podcast.

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Speaker 8: That's your.

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Speaker 11: I don't have any honesty all the time.

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Speaker 1: When it's time to trade laps around the supermarket for

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Speaker 1: a trip to.

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Speaker 2: What just put me in the direction? Made the bag's

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Speaker 2: a packed, It's time to what if it. What If

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Speaker 2: has great deals on a range of hotels and holiday rentals,

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Speaker 2: Plus you can book flights and car hire.

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Speaker 3: Visit what if dot com. What if It's Ozzie for travel.

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Speaker 8: We do.

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Speaker 1: Agents on the show and Lords of Property. If you're

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Speaker 1: not following it already, you have to because it just

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Speaker 1: shows the best of the best when it comes to

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Speaker 1: real estate agents. We did this last time. I'm Marty

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Speaker 1: Fox was my favorite.

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Speaker 3: I have listened to this absolutely no idea. My biggest

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Speaker 3: failure is so far in the back of my brain.

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Speaker 12: I'd have to sort through a whole heap of wins

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Speaker 12: to try and find without losing.

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Speaker 3: The talk, isn't it now?

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Speaker 1: All I know is this real estate agent's name is Dave,

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Speaker 1: and Dave he doesn't classify himself as a real estate agent.

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Speaker 8: People say to me, oh, what do you do?

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Speaker 2: And I say to them, I'm in the business of

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Speaker 2: creating wealth and happiness, right O. Dave got a crystal

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Speaker 2: ball or something?

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Speaker 3: Do you you need a bit of a character?

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Speaker 1: They this guy decided to start filming himself when he

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Speaker 1: was on the phone negotiating with a client.

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Speaker 13: A little bit short there, A little bit short, No,

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Speaker 13: only about fifty k short. Yeah, look better get your

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Speaker 13: something near Kempsey, but not where the blue stuff is.

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Speaker 13: You nearly got me, you know, he got me.

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Speaker 2: But yeah, but not.

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Speaker 10: Today, mate, not today.

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Speaker 13: We'll have a show with him, he says.

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Speaker 3: Shake the picture.

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Speaker 14: Right over, bake.

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Speaker 13: Yeah, yeah, I'll ever be with you tomorrow. Let's see

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Speaker 13: how you go.

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Speaker 2: First, chat with.

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Speaker 10: The missile and shake the piggy bank.

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Speaker 3: Wods of property.

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Speaker 1: Now, when I want a real estate agent, I want

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Speaker 1: to fit real estate age. You know, I don't want

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Speaker 1: someone showing me around who can't get up the stairs's struggling.

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Speaker 15: Mord glass, round slider, spear, bedroom and or office.

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Speaker 16: Four meters two point four. You to the cake in

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Speaker 16: the distance, that's just walking around the house.

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Speaker 6: She looked like an.

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Speaker 1: Don't get to see if she's just filming, you're showing

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Speaker 1: the house. She comes with the house the energy to

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Speaker 1: real estate agent down in Melbourne. Though Fraser lacks his name,

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Speaker 1: he is the best of the best. So he set

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Speaker 1: this video up and oh, oh my gosh, there's a

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Speaker 1: client that's at the door.

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Speaker 3: Come on, come on in and start filming.

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Speaker 6: Hey Fraser, Hey Laura, come on in.

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Speaker 1: Nice to see you as well. What have you been

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Speaker 1: up to this morning?

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Speaker 12: Calls, calls, calls, few appointments and value with you, Laura.

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Speaker 1: Give me three words to describe the current local market.

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Speaker 12: That would have to be volatile, unpredictable, but exciting.

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Speaker 5: True or false prices arising strongly across Melbourne.

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Speaker 12: True, but it's deeper than that, Laura.

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Speaker 3: This guy is so good.

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Speaker 1: This guy is unbelievable that he is teaching us life

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Speaker 1: lessons as well.

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Speaker 12: As my mental Josh left me with recently. Success is

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Speaker 12: really based on a few simple disciplines practice daily, whereas

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Speaker 12: failure is really just a few errors in judgment. Again,

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Speaker 12: practice daily to see accumulative weight of our disciplines or

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Speaker 12: judgments that leads us to fortune or failure. One thing

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Speaker 12: to always remember is to bet on yourself, because simply

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Speaker 12: the only time we control the odds.

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Speaker 3: Have a great week.

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Speaker 1: Be well, he's far from me, shut up and sell

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Speaker 1: me a houseman MDG.

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Speaker 2: There's a house for sale in the Shire which has

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Speaker 2: been described as the best house in Australia.

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Speaker 8: Have you seen that the party house?

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Speaker 3: It's got ordin it is so has it got an

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Speaker 3: indoor a nightclub? Something elsees have a nightclub? Warnings? I

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Speaker 3: think was advertising a night.

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Speaker 10: This house has got everything.

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Speaker 2: How about when they do the videos that real estate

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Speaker 2: agents and it will be one of them standing in

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Speaker 2: the backyard and then the camera comes through. It's you know,

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Speaker 2: on a drone or something comes down. Hi, welcome to

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Speaker 2: whatever whatever. You could be mistaken for being in the

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Speaker 2: south of France, the bond shops and whip a lot

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Speaker 2: going on to the world guys. And I didn't need

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Speaker 2: this in my place at home at the moment. There

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Speaker 2: has been questions at my house regarding whether there might

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Speaker 2: be a touch of haunted about it. Deborah and David

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Speaker 2: Lisa's parents came to stay not long ago.

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Speaker 3: They didn't leave something in there.

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Speaker 2: She said. When she would sit in the lounge room

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Speaker 2: at eight thirty at night, she could hear the sounds

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Speaker 2: of kids running up the stairs. Well, there's three kids

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Speaker 2: in the head yep, but they've they've gone to get

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Speaker 2: up off.

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Speaker 6: The couch and put the kids back to your bed.

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Speaker 1: Love, so on, No, that's not what it's.

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Speaker 2: Time to go to bed. Off the whiskey's place. On

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Speaker 2: one occasion, she got up and ran to because she

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Speaker 2: thought the kids were on the stairs playing and she

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Speaker 2: wanted to say, get back to bed. It's too late.

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Speaker 2: There was no kids on the stairs.

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Speaker 3: I don't know.

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Speaker 2: Where the footsteps come from. I don't know where the

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Speaker 2: sounds of the kids playing comes from.

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Speaker 1: When you have kids screaming and running around in your

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Speaker 1: house all day that echoes are still bouncing off, please lingers.

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Speaker 7: Mate, And if you're watching sport, the sound of the

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Speaker 7: crowd really always I get up thinking one of the

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Speaker 7: kids is doing something when the AFL is on.

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Speaker 2: How is it? Says you'd understand this too with young kids.

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Speaker 2: When you hear a kid crying or screaming on TV,

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Speaker 2: send of shiver down your spine, doesn't it? Don't tell

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Speaker 2: me that's the bloody monitor again.

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Speaker 7: I love hearing other people's kids cracking.

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Speaker 8: There's the worst, you know.

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Speaker 1: The one thing I can't because I free. I can't

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Speaker 1: because I've got a snoring dog and sometimes my wife

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Speaker 1: snores as well.

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Speaker 3: And I can't put earphones in.

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Speaker 1: Or little buds, earbuds because I'm worried about hearing that.

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Speaker 3: I can't hear the kids.

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Speaker 10: Sarah the same.

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Speaker 1: I can't understand how people who have multi level houses

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Speaker 1: can actually they can have their bedroom up the top

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Speaker 1: and have the kids down the bottom.

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Speaker 10: To be more accessible than that. I'm the protector.

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Speaker 3: We've got to be right next to the kids.

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Speaker 7: Hold on, you're the protector. Is your bed are you

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Speaker 7: closest to the door?

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Speaker 3: Yes?

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Speaker 6: I knew you would be, because in my mind you're

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Speaker 6: a hero whiper. Where do you lie? I'm sleep in

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Speaker 6: the spare room. I guess it doesn't count.

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Speaker 2: We're in different bedrooms here. Let me get to the

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Speaker 2: point of where I'm going here. So we got in

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Speaker 2: this routine and the kids love their.

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Speaker 8: Art at the moment.

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Speaker 2: So we're drawing a lot at home, and we got

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Speaker 2: out of the bath and they want to watch YouTube.

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Speaker 2: I said, no, don't do that. There's a draw channel

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Speaker 2: right that they have on YouTube and you just watch.

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Speaker 2: You can draw different things and you sit there and

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Speaker 2: they show you how to do it. So we were

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Speaker 2: drawing eyes. We're drawing these kids' eyes without a word

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Speaker 2: of a lie. Three gents at the table, myself, Ted

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Speaker 2: and Jack drawing away. We all look up at the

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Speaker 2: same time, because there's a rustle in the flowers on

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Speaker 2: the table, and then a glass of water tips over

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Speaker 2: in front of my eyes. A glass of water tips over,

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Speaker 2: the water runs onto the floor. We all looked at

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Speaker 2: each other. Ted said, Dad, why did.

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Speaker 10: You do that?

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Speaker 2: I said, I didn't do anything. Ted saiject, did you

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Speaker 2: wabble the table?

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Speaker 3: It wasn't It was an angle, mate, it wasn't.

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Speaker 2: I then picked up the glass like I do with

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Speaker 2: this mug, and I went, hang on a minute, has

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Speaker 2: it got a faulty bottom on it?

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Speaker 5: Like?

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Speaker 2: Is it a stable glass? Can it rock in any way?

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Speaker 2: If the table was to wobble to start with, what

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Speaker 2: sent the shiver through the flowers? And then what.

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Speaker 1: The hell winds had?

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Speaker 2: No, not at all, What the hell had the strength

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Speaker 2: to knock a glass of water over? Says with Please

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Speaker 2: don't question this. Have a look at this cup here, right,

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Speaker 2: copper cup, right here. This is what it would have

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Speaker 2: taken to tip it over. The strength of that to tip.

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Speaker 6: To lift a cup, mate, And you're not throw your

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Speaker 6: coffee are out?

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Speaker 2: Bloody hell, it's gone everywhere you look.

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Speaker 3: The things way too much.

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Speaker 1: Fall over in the house.

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Speaker 2: No, no, no, no, no, No, things can fall over in a

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Speaker 2: house if they're putting. A chair does not fall over.

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Speaker 2: The coffee cup does not fall over. Glasses do not

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Speaker 2: just fall over. You don't sit, set the table, put

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Speaker 2: your glasses out, and then you go, oh, hang.

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Speaker 10: On a minute.

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Speaker 8: Four of them have falling over again.

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Speaker 10: No big deal, what.

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Speaker 2: Tip the cup over. I'm down on all fours and

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Speaker 2: I'm scrubbing the floor trying to get the water off.

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Speaker 2: At the same time, I can see the hair on

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Speaker 2: my spine standing up, and all the shoulders and my

293
00:13:25,320 --> 00:13:28,040
Speaker 2: bycle my legs everywhere.

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Speaker 10: So I became a fur ball instantly.

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Speaker 7: So are you putting your hand up for needing a

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Speaker 7: someone to come in and cleanse your house something?

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Speaker 2: But I can't at the moment because of COVID. If

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Speaker 2: we could get a cleanser.

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Speaker 7: In stage, all you need is sage burning sage. You

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Speaker 7: walk through your house and you say be gone or something.

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Speaker 10: Google it. No, I've done that before.

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Speaker 3: Lisa does that gone.

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Speaker 10: It's really weird.

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Speaker 1: It fits in with new segment. Am I the only one?

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00:13:55,720 --> 00:13:56,360
Speaker 3: Tommy?

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Speaker 1: He actually goes to the box to find out what

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Speaker 1: the question is. Let's do this sits in Everything can

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Speaker 1: be past present in the future.

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Speaker 6: Am I the.

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Speaker 1: Only who does that voice?

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00:14:12,120 --> 00:14:13,840
Speaker 2: Am I the only one?

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00:14:14,720 --> 00:14:16,200
Speaker 3: I'm not sure that's not snitch?

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00:14:16,280 --> 00:14:16,520
Speaker 2: Is it?

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00:14:16,600 --> 00:14:16,680
Speaker 12: No?

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00:14:16,880 --> 00:14:18,320
Speaker 2: Tell me the note again out of the box?

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00:14:18,360 --> 00:14:21,080
Speaker 1: Am I the only one who does that voice?

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00:14:21,280 --> 00:14:22,080
Speaker 3: Give us a?

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00:14:22,080 --> 00:14:25,400
Speaker 11: Am I the only one who has been held hostage?

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00:14:26,040 --> 00:14:26,280
Speaker 2: Yes?

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00:14:26,520 --> 00:14:27,760
Speaker 3: Stays giving us a called.

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Speaker 10: Steve, have you been held hostage?

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00:14:30,080 --> 00:14:34,320
Speaker 5: No? No, I haven't. My role was as a police

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Speaker 5: negotiator on the other side.

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Speaker 1: Oh so how long were you on negotiator for Steve?

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00:14:40,000 --> 00:14:41,240
Speaker 5: About ten years?

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Speaker 2: You know, I always use it. Maybe you see it

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Speaker 2: in the movies, and you've heard it from from presidents

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Speaker 2: as well, where they say, we don't negotiate with terrorists.

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Speaker 2: Where do you find room to move when you've got

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Speaker 2: a hostage situation? Steve, talk us through a process or

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Speaker 2: what you've done in the past.

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Speaker 5: Well, I think the primer thing is building up for

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Speaker 5: working relationship with the hostage taker and trying to understand

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00:15:04,720 --> 00:15:08,960
Speaker 5: what the root cause of the situation is and gradually

335
00:15:10,120 --> 00:15:12,280
Speaker 5: deal with some of the elements that you can deal with.

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00:15:13,440 --> 00:15:15,200
Speaker 5: There's almost you won't be able to deal with, but

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Speaker 5: you work around it through developing of that report and relationship.

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Speaker 1: What's the number one rule, Steve, is it keeping him

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Speaker 1: on the phone for as long as you can Or

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Speaker 1: what's the first thing that you think of in the

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Speaker 1: negotiating rule.

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Speaker 5: Well, I think familiar, slow everything down, just make sure

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Speaker 5: that there's no sudden actions, and that's what negotiators and

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00:15:39,640 --> 00:15:44,200
Speaker 5: the police would be worried about, that everything was measured

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Speaker 5: and went to according to understanding on both sides of

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Speaker 5: the negotiation.

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Speaker 2: And Steve, when you I mean hostages often you know

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Speaker 2: they have demands. How do you go about that and

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Speaker 2: where do you draw the line if someone says, hey,

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Speaker 2: I want to chop her over here, or how do

351
00:15:59,360 --> 00:16:02,200
Speaker 2: you contry roll them and keep them at a balanced level.

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00:16:02,400 --> 00:16:05,080
Speaker 5: Well, again, it's through that relationship. But also the point

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00:16:05,200 --> 00:16:09,880
Speaker 5: is you're negotiating, you're not in command, so all the

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00:16:09,920 --> 00:16:13,800
Speaker 5: demands are going to go to the commander and sometimes

355
00:16:13,800 --> 00:16:19,040
Speaker 5: to the government and back down again. So it's managing

356
00:16:19,040 --> 00:16:23,760
Speaker 5: the expectations and managing the demand in terms of reality.

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Speaker 2: What's an example of a job that you've done, Steve,

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Speaker 2: where you've been called in.

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00:16:29,240 --> 00:16:32,560
Speaker 5: Many years ago, I did a job at a department

360
00:16:32,600 --> 00:16:37,040
Speaker 5: of Community services out of Liverpool, which was a little

361
00:16:37,080 --> 00:16:39,280
Speaker 5: bit similar to linked in the sense that there was

362
00:16:40,440 --> 00:16:43,520
Speaker 5: there was two direct hostages, but twenty four indirect in

363
00:16:43,560 --> 00:16:49,680
Speaker 5: the person of interest had city had a bomb and

364
00:16:49,720 --> 00:16:53,600
Speaker 5: so those people were in fact in danger. At the

365
00:16:53,680 --> 00:16:55,240
Speaker 5: end of the day, he did not have a bomb,

366
00:16:55,240 --> 00:16:59,120
Speaker 5: but there was a very real expectation he did. He

367
00:16:59,160 --> 00:17:07,240
Speaker 5: had prow previous for developing, developing and discharging this discharging bombs.

368
00:17:07,320 --> 00:17:10,600
Speaker 5: So it was a very tense situation and wonder went

369
00:17:10,680 --> 00:17:11,240
Speaker 5: for hours.

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00:17:11,359 --> 00:17:13,080
Speaker 6: Have you had a situation go wrong?

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00:17:14,720 --> 00:17:17,480
Speaker 5: Yes, that's a situation that's always there.

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00:17:17,680 --> 00:17:19,920
Speaker 3: What what was that situation? Can you tell us that.

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00:17:20,840 --> 00:17:25,720
Speaker 5: It was a situation where a man was barricaded in

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00:17:25,760 --> 00:17:29,800
Speaker 5: his car outside his girlfriend's house and he was making

375
00:17:29,800 --> 00:17:34,080
Speaker 5: demands about relationship changes, et cetera. I don't want to

376
00:17:34,080 --> 00:17:37,840
Speaker 5: go into the details, but he eventually he was threatened

377
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Speaker 5: to commit suicide by drinking cyanide. During the negotiation, he

378
00:17:42,119 --> 00:17:42,760
Speaker 5: in fact.

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00:17:42,720 --> 00:17:47,199
Speaker 1: That wow, what what are some of the demands? What

380
00:17:47,320 --> 00:17:50,680
Speaker 1: is the out of the square demands that that has

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Speaker 1: been requested to you, Steve.

382
00:17:53,119 --> 00:17:57,720
Speaker 5: Things like changing the decision on the family law court. Ye,

383
00:17:58,359 --> 00:18:01,119
Speaker 5: so you know, expectations that I would go to the

384
00:18:01,240 --> 00:18:04,560
Speaker 5: judge and and you know, just get him to change

385
00:18:04,600 --> 00:18:07,960
Speaker 5: his mind or change his decision, and that that demand

386
00:18:08,160 --> 00:18:13,040
Speaker 5: was was he was hanging his child over a balcony

387
00:18:13,080 --> 00:18:14,160
Speaker 5: and threatening to drop it.

388
00:18:14,320 --> 00:18:14,919
Speaker 3: On the ground.

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00:18:18,359 --> 00:18:20,119
Speaker 1: I mean, did you have to get counseling over the

390
00:18:20,160 --> 00:18:22,040
Speaker 1: years as well, Stave, or was it.

391
00:18:22,000 --> 00:18:25,959
Speaker 5: Well back in the old days, we didn't. It was

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00:18:27,160 --> 00:18:29,320
Speaker 5: seeing as you know, like just part of the part

393
00:18:29,320 --> 00:18:32,680
Speaker 5: of the job. And as negotiators we did a bit

394
00:18:32,680 --> 00:18:35,360
Speaker 5: of talking with one another, but there was no formal counseling.

395
00:18:36,400 --> 00:18:38,480
Speaker 3: How do you go now, stay, you're right? Or he

396
00:18:38,520 --> 00:18:39,880
Speaker 3: had any problems.

397
00:18:39,640 --> 00:18:41,840
Speaker 5: Well, I'm probably, you know, one of the lucky ones

398
00:18:41,880 --> 00:18:45,040
Speaker 5: that I do have some challenges from time to time.

399
00:18:45,080 --> 00:18:47,640
Speaker 5: But you know, Mom send the time.

400
00:18:47,680 --> 00:18:50,880
Speaker 2: I'm okay, Steve, Thank you, buddy, thanks for sharing. That's

401
00:18:50,880 --> 00:18:55,760
Speaker 2: extraordinary stuff. Here's an interesting one, right, and we've all

402
00:18:55,800 --> 00:18:57,800
Speaker 2: been in this position. How to negotiate for.

403
00:18:57,760 --> 00:18:58,480
Speaker 8: A pay rise?

404
00:18:59,080 --> 00:18:59,760
Speaker 10: What do you do?

405
00:19:00,160 --> 00:19:02,240
Speaker 2: How do you go in there and say, hey, big boy,

406
00:19:02,359 --> 00:19:04,560
Speaker 2: it's been long enough. I reckon, we're going up the salary.

407
00:19:04,720 --> 00:19:05,680
Speaker 6: That won't get you a pair.

408
00:19:06,200 --> 00:19:07,359
Speaker 10: That's not the way forward, is it.

409
00:19:07,520 --> 00:19:09,400
Speaker 2: Black males always worked for How do you do that?

410
00:19:09,440 --> 00:19:11,560
Speaker 10: I've got You've got your wife and a bunker.

411
00:19:11,640 --> 00:19:15,840
Speaker 1: I'm incriminating evidence, and then you just take it into

412
00:19:15,880 --> 00:19:16,520
Speaker 1: the boss.

413
00:19:16,920 --> 00:19:20,560
Speaker 2: I love that, love that power. Could you imagine if

414
00:19:20,560 --> 00:19:23,439
Speaker 2: you had footage of the boss doing something with the

415
00:19:23,480 --> 00:19:27,040
Speaker 2: secretary right, and he was a family man and a

416
00:19:27,119 --> 00:19:32,120
Speaker 2: wandering there and just hit play on your phond wander

417
00:19:32,600 --> 00:19:36,439
Speaker 2: actual wonder, but you wander in the wonder? Yes, I remember, wonder.

418
00:19:37,320 --> 00:19:40,160
Speaker 8: That's right, we have we.

419
00:19:40,160 --> 00:19:43,280
Speaker 3: Got that.

420
00:19:43,720 --> 00:19:44,280
Speaker 10: Not playing.

421
00:19:44,640 --> 00:19:47,880
Speaker 1: We had to get as many in wonder or wanderings

422
00:19:47,920 --> 00:19:48,919
Speaker 1: into the conversation.

423
00:19:49,040 --> 00:19:49,879
Speaker 3: I wonder if she's.

424
00:19:49,720 --> 00:19:52,560
Speaker 2: Still listening to the show, I'll be well, wonder she

425
00:19:52,600 --> 00:19:53,919
Speaker 2: might be on the road, gives a call. If your

426
00:19:53,960 --> 00:19:55,680
Speaker 2: name is wandering, you're driving right now.

427
00:19:56,720 --> 00:19:57,520
Speaker 10: We're not playing it.

428
00:19:58,560 --> 00:20:00,080
Speaker 3: We're not plowing it.

429
00:20:00,200 --> 00:20:01,560
Speaker 10: We'll not blat you with me.

430
00:20:01,800 --> 00:20:03,280
Speaker 6: Go on, how did you get a pair of all?

431
00:20:03,359 --> 00:20:03,520
Speaker 3: Right?

432
00:20:03,600 --> 00:20:05,760
Speaker 2: So he said, the problem is this guy was a

433
00:20:05,760 --> 00:20:09,679
Speaker 2: negotiator for high stakes situations and negotiations across borders. So

434
00:20:09,720 --> 00:20:11,879
Speaker 2: if you had someone that was kidnapped, he would go

435
00:20:11,920 --> 00:20:14,720
Speaker 2: and negotiate with terror. So this guy, his name is

436
00:20:14,760 --> 00:20:17,200
Speaker 2: Chris Voss, is known as one of the great negotiators

437
00:20:17,200 --> 00:20:19,879
Speaker 2: when it comes to crucial times. So he says, the

438
00:20:19,920 --> 00:20:21,800
Speaker 2: problem is every time you go and talk to your boss,

439
00:20:21,840 --> 00:20:24,439
Speaker 2: you always want something. You're selfish, So you never go

440
00:20:24,520 --> 00:20:26,160
Speaker 2: in there just for a bit of a chat and hey,

441
00:20:26,800 --> 00:20:27,640
Speaker 2: how's it going.

442
00:20:29,600 --> 00:20:30,399
Speaker 10: Just wandering and go.

443
00:20:30,680 --> 00:20:32,520
Speaker 3: They many to ask did.

444
00:20:32,440 --> 00:20:34,520
Speaker 10: You catch up with so and so on the weekend.

445
00:20:34,600 --> 00:20:37,840
Speaker 7: It's not genuine sometimes not really Yeah I do.

446
00:20:37,920 --> 00:20:39,000
Speaker 10: Well, Charlton.

447
00:20:39,119 --> 00:20:39,880
Speaker 5: You wandering and.

448
00:20:39,840 --> 00:20:40,760
Speaker 2: Go hey mate.

449
00:20:41,160 --> 00:20:43,320
Speaker 7: Sometimes you just go in for a chat, yeah, just

450
00:20:43,400 --> 00:20:45,440
Speaker 7: touch base, see how they're doing their people too.

451
00:20:45,480 --> 00:20:47,080
Speaker 10: They're not like, just get a hand on it.

452
00:20:47,119 --> 00:20:47,920
Speaker 3: Do you know what? Though?

453
00:20:48,119 --> 00:20:50,959
Speaker 1: Your boss has become a boss for a reason and

454
00:20:51,040 --> 00:20:54,560
Speaker 1: usually they're they're pretty good yeah at working out people.

455
00:20:54,840 --> 00:20:57,000
Speaker 3: Right. So if you're going in there all the.

456
00:20:56,960 --> 00:21:01,199
Speaker 1: Time going oh, how was that big footy game on

457
00:21:01,280 --> 00:21:04,600
Speaker 1: the you know anything about it? And you're trying to

458
00:21:04,600 --> 00:21:06,960
Speaker 1: start conversation and I know that you're going to come

459
00:21:06,960 --> 00:21:08,639
Speaker 1: in next week and you're going to ask for a pay.

460
00:21:08,560 --> 00:21:12,919
Speaker 2: Rise, it's like saying I've got a bad stomach on

461
00:21:12,960 --> 00:21:15,880
Speaker 2: the Wednesday and taking Friday and on Thursday and off.

462
00:21:16,560 --> 00:21:18,880
Speaker 2: So he's saying what you need to do. Don't be selfish,

463
00:21:18,960 --> 00:21:21,359
Speaker 2: don't go in there constantly and just say hey I

464
00:21:21,400 --> 00:21:23,639
Speaker 2: need this, I need this, He said, you need to

465
00:21:23,680 --> 00:21:28,280
Speaker 2: take a very very big approach to be able.

466
00:21:28,040 --> 00:21:29,240
Speaker 3: To go in and plan it out.

467
00:21:29,359 --> 00:21:31,199
Speaker 2: You plan it out, but this is the this is

468
00:21:31,240 --> 00:21:33,720
Speaker 2: the question. There's one question you need to say to

469
00:21:33,760 --> 00:21:36,439
Speaker 2: your boss and ask your boss if you want a

470
00:21:36,480 --> 00:21:39,880
Speaker 2: pay rise, it's to go in there and say, how

471
00:21:39,920 --> 00:21:43,320
Speaker 2: can I be guaranteed to be involved in projects that

472
00:21:43,400 --> 00:21:47,840
Speaker 2: are critical to the strategic future of this company?

473
00:21:49,760 --> 00:21:52,800
Speaker 1: If you were in there to peach out and said that, so,

474
00:21:52,920 --> 00:21:58,160
Speaker 1: what do you like to please the camerarow?

475
00:21:58,280 --> 00:21:59,320
Speaker 3: What's the line again?

476
00:21:59,760 --> 00:22:02,600
Speaker 2: How can I be guaranteed to be involved in projects

477
00:22:02,600 --> 00:22:05,240
Speaker 2: that are critical to the strategic future of this company?

478
00:22:05,480 --> 00:22:07,600
Speaker 1: What if you're fifteen and working in the drive through

479
00:22:07,760 --> 00:22:09,280
Speaker 1: magic from it?

480
00:22:09,880 --> 00:22:11,119
Speaker 10: My concern me.

481
00:22:13,880 --> 00:22:15,040
Speaker 3: I have a quick chat to you.

482
00:22:15,119 --> 00:22:16,040
Speaker 10: What's your name again?

483
00:22:16,560 --> 00:22:18,679
Speaker 3: How can I be critical?

484
00:22:25,520 --> 00:22:27,160
Speaker 7: Let me sing that.

485
00:22:29,400 --> 00:22:29,640
Speaker 4: Song?

486
00:22:30,440 --> 00:22:35,200
Speaker 2: Song? Songs, A song, song, song. We are live guards.

487
00:22:35,200 --> 00:22:37,159
Speaker 2: If you want to get involved in play along, the

488
00:22:37,200 --> 00:22:39,280
Speaker 2: team is ready to go. It's very very simple. I'm

489
00:22:39,320 --> 00:22:41,760
Speaker 2: going to give you one word. You've got to put

490
00:22:41,760 --> 00:22:44,280
Speaker 2: it into a song. We want you to know the song.

491
00:22:44,520 --> 00:22:46,840
Speaker 2: I mean previous rounds. Ryan, You kind of make up

492
00:22:46,840 --> 00:22:48,399
Speaker 2: a song and then ask Tommy to Google.

493
00:22:49,119 --> 00:22:49,880
Speaker 10: That's I've been.

494
00:22:49,840 --> 00:22:52,440
Speaker 1: Looking for that last week. By doing that same thing,

495
00:22:52,520 --> 00:22:53,119
Speaker 1: we want you.

496
00:22:53,160 --> 00:22:56,000
Speaker 2: To know the song that you suggest. See how you

497
00:22:56,000 --> 00:22:58,560
Speaker 2: go with your everybody ready to play?

498
00:22:58,880 --> 00:22:59,639
Speaker 8: Yeah, here we go.

499
00:23:00,440 --> 00:23:02,119
Speaker 2: The first word I'm going to give you put it

500
00:23:02,160 --> 00:23:06,480
Speaker 2: into a song is horse or horses?

501
00:23:07,960 --> 00:23:12,119
Speaker 10: Yes, right, sorry you guys, horse, Katie.

502
00:23:11,880 --> 00:23:17,199
Speaker 2: Perry, welcome wild horses, rolling stones, wild horse? Yes?

503
00:23:17,359 --> 00:23:22,440
Speaker 3: Could m do you? Johnny Cash?

504
00:23:22,480 --> 00:23:25,920
Speaker 8: Song about the four horsemen is there? And I heard

505
00:23:26,040 --> 00:23:28,000
Speaker 8: as it were the noise of thunder.

506
00:23:28,160 --> 00:23:31,280
Speaker 9: And there's some some that's horse got horse and you

507
00:23:31,280 --> 00:23:35,560
Speaker 9: can't get the first round?

508
00:23:36,320 --> 00:23:39,520
Speaker 10: There was a thunder on the ground. It was four horses.

509
00:23:41,960 --> 00:23:43,520
Speaker 10: Well do we are throw to the next round?

510
00:23:43,600 --> 00:23:43,879
Speaker 3: Guys?

511
00:23:44,440 --> 00:23:44,920
Speaker 10: Right now?

512
00:23:44,960 --> 00:23:46,359
Speaker 2: You can't go about this round as I give you

513
00:23:46,400 --> 00:23:50,080
Speaker 2: the word California California girls, right, David Lee.

514
00:23:50,080 --> 00:23:57,360
Speaker 11: Roth thing so California California girls Snoop DOGG and.

515
00:23:58,640 --> 00:24:00,640
Speaker 6: When you got care on your loan?

516
00:24:02,800 --> 00:24:03,960
Speaker 10: All right, we're all three guys.

517
00:24:04,000 --> 00:24:04,480
Speaker 2: Well done.

518
00:24:04,800 --> 00:24:08,159
Speaker 10: Spot on California love is what you're thinking of?

519
00:24:08,280 --> 00:24:08,640
Speaker 5: M DJ.

520
00:24:08,920 --> 00:24:10,879
Speaker 2: That was the one and the California Girls. I mean

521
00:24:10,920 --> 00:24:12,359
Speaker 2: there was the Beach Boys in there too. You were

522
00:24:12,359 --> 00:24:15,280
Speaker 2: too about Katy Perry version, weren't you.

523
00:24:15,480 --> 00:24:17,920
Speaker 6: Tommy likes Katy Perry, huge.

524
00:24:17,640 --> 00:24:19,160
Speaker 10: Perry fan, look at him?

525
00:24:19,160 --> 00:24:19,360
Speaker 5: Game.

526
00:24:19,640 --> 00:24:25,520
Speaker 3: The Sun's out.

527
00:24:22,920 --> 00:24:24,520
Speaker 2: Here We go, guys, as we move on to another

528
00:24:24,560 --> 00:24:27,080
Speaker 2: part of the world. Don't care, Yes, you need to

529
00:24:28,480 --> 00:24:30,920
Speaker 2: We are in New York, New York.

530
00:24:31,000 --> 00:24:33,200
Speaker 3: State of Mind, New York, New York.

531
00:24:33,240 --> 00:24:34,480
Speaker 8: Frank sinatdra yep.

532
00:24:36,000 --> 00:24:43,040
Speaker 11: New York by Ryan Adams, Bryan Adams, Bryan Singer in

533
00:24:43,280 --> 00:24:47,320
Speaker 11: New York have to sing, you have.

534
00:24:47,359 --> 00:24:51,119
Speaker 2: To know the song is what I say. Some folks

535
00:24:51,200 --> 00:24:56,080
Speaker 2: like to get away, a holiday from the neighborhood, half

536
00:24:56,040 --> 00:24:57,639
Speaker 2: a flight to Miami Beach.

537
00:24:58,400 --> 00:25:00,840
Speaker 6: What I don't know if New York's that's in New York,

538
00:25:01,480 --> 00:25:02,520
Speaker 6: New York State.

539
00:25:04,800 --> 00:25:09,080
Speaker 2: Gel No, you had New York Empire State New York.

540
00:25:09,119 --> 00:25:10,160
Speaker 3: State of Mind? Is the village?

541
00:25:10,400 --> 00:25:10,720
Speaker 2: The Village?

542
00:25:11,200 --> 00:25:12,240
Speaker 6: Empire, State of Mind?

543
00:25:13,160 --> 00:25:14,080
Speaker 2: Two different songs.

544
00:25:15,280 --> 00:25:16,240
Speaker 10: We're all still guys.

545
00:25:16,320 --> 00:25:19,879
Speaker 2: Let's we're flying through controversial round as we're doing very well.

546
00:25:20,680 --> 00:25:25,240
Speaker 2: The next word is step step five.

547
00:25:25,119 --> 00:25:33,320
Speaker 17: Six, seven, Yes, step every breath step step step yes, Thomas,

548
00:25:33,359 --> 00:25:36,320
Speaker 17: every breath, Take every step you.

549
00:25:36,200 --> 00:25:39,280
Speaker 6: Make watching the police?

550
00:25:39,320 --> 00:25:39,680
Speaker 10: Where are you?

551
00:25:39,760 --> 00:25:40,119
Speaker 3: M d G?

552
00:25:41,119 --> 00:25:47,439
Speaker 9: Sing my boot scooting babies driving me crazy?

553
00:25:47,440 --> 00:25:51,679
Speaker 10: Do we take about the two boardman. Oh, guys, thanks

554
00:25:51,680 --> 00:25:52,520
Speaker 10: so much for plying.

555
00:25:53,280 --> 00:25:55,680
Speaker 2: Thomas, Bryan Ivey, Sarah and McGill, very well done.

556
00:25:55,680 --> 00:25:56,680
Speaker 10: You're both still in.

557
00:25:56,840 --> 00:25:58,159
Speaker 3: Miss you guys so much already.

558
00:25:58,200 --> 00:25:59,480
Speaker 11: It's only seconds, it.

559
00:25:59,520 --> 00:26:04,080
Speaker 2: Does can just watch on now. Okay, the word is burning.

560
00:26:04,840 --> 00:26:10,359
Speaker 1: Bernie's burning, Ryan James step backing.

561
00:26:10,960 --> 00:26:16,320
Speaker 11: Not burn baby, burn has to be burning baby, I'm Bernie.

562
00:26:20,119 --> 00:26:27,880
Speaker 2: Sean kingkstare Sarah, you have got the opposition here, you're out.

563
00:26:28,520 --> 00:26:31,240
Speaker 6: I think what was it burning? Sean Kingston?

564
00:26:31,880 --> 00:26:35,000
Speaker 1: Sean Kingston, you know.

565
00:26:35,560 --> 00:26:36,760
Speaker 6: The sad state of affairs?

566
00:26:36,800 --> 00:26:38,000
Speaker 10: All right? We both moved through.

567
00:26:38,040 --> 00:26:41,400
Speaker 2: Well done, Well done, Tommy. You've got a handshake there

568
00:26:41,440 --> 00:26:42,880
Speaker 2: from Sarah and mcgilbray.

569
00:26:43,119 --> 00:26:43,800
Speaker 3: He doesn't know that.

570
00:26:43,920 --> 00:26:45,800
Speaker 2: She's obviously confident.

571
00:26:45,440 --> 00:26:47,480
Speaker 3: That it wasn't the rulesy. He has to know.

572
00:26:47,520 --> 00:26:48,600
Speaker 10: You need to know the song.

573
00:26:49,000 --> 00:26:51,120
Speaker 2: Doesn't know what nobody Sarah knows the song.

574
00:26:54,359 --> 00:26:54,800
Speaker 10: Here we go.

575
00:26:55,240 --> 00:26:58,560
Speaker 7: The word is late late late never be like kind

576
00:26:58,600 --> 00:27:02,320
Speaker 7: of in a what never too late late?

577
00:27:02,480 --> 00:27:03,560
Speaker 10: Yeah, I was gonna say.

578
00:27:05,119 --> 00:27:09,560
Speaker 3: Late late. I can't just saved by the bell theme song?

579
00:27:09,640 --> 00:27:10,560
Speaker 10: Can I know? You can't?

580
00:27:10,800 --> 00:27:16,679
Speaker 6: You can pose theme songs all the time, comment.

581
00:27:22,359 --> 00:27:24,840
Speaker 1: Fits and whip radio meltdowns.

582
00:27:26,280 --> 00:27:26,840
Speaker 2: The song.

583
00:27:30,800 --> 00:27:32,520
Speaker 3: Rex Hunt, Rex Hunts.

584
00:27:32,680 --> 00:27:35,640
Speaker 1: I mean he's a legend of the industry, football commentator,

585
00:27:35,800 --> 00:27:37,959
Speaker 1: fish you know, he's a fisherman as well. He's had

586
00:27:38,000 --> 00:27:39,320
Speaker 1: his own show for a very love.

587
00:27:39,960 --> 00:27:41,640
Speaker 2: I've always been a bit of a Rex Hunt fan.

588
00:27:42,320 --> 00:27:44,760
Speaker 1: His thing is with Rex though as he's got older,

589
00:27:44,800 --> 00:27:47,480
Speaker 1: he's got grumpy and a lot of people go through this. Yeah,

590
00:27:47,480 --> 00:27:54,360
Speaker 1: he's the so Rex last weekend does a weekend late

591
00:27:54,440 --> 00:27:59,600
Speaker 1: night weekend show, Sarah. He was interviewing Dipper, who's a

592
00:28:00,200 --> 00:28:03,399
Speaker 1: Hawthorne legend, and anyway, he got a fine. They got

593
00:28:03,440 --> 00:28:05,439
Speaker 1: a phone call. The producer's got a phone call halfway

594
00:28:05,440 --> 00:28:07,560
Speaker 1: through saying wind it up. This is going for a

595
00:28:07,560 --> 00:28:09,480
Speaker 1: bit too long and we've got ads that we have

596
00:28:09,560 --> 00:28:13,160
Speaker 1: to get to. Anyway, Rex didn't like that. He quit

597
00:28:13,440 --> 00:28:15,000
Speaker 1: on the show.

598
00:28:15,080 --> 00:28:19,399
Speaker 18: Why do I steam? Because you're losing the very feel

599
00:28:19,440 --> 00:28:23,119
Speaker 18: of what three a W was built up from Norman

600
00:28:23,240 --> 00:28:26,320
Speaker 18: Banks and Harry Bitzl and some other fish kissing idiot.

601
00:28:26,480 --> 00:28:31,640
Speaker 18: Oh drop it now, but don't ring dur in my program?

602
00:28:31,840 --> 00:28:35,399
Speaker 18: Got it? Play the intro again when you're John O.

603
00:28:35,480 --> 00:28:39,240
Speaker 18: I just got to take a breath. No one, Wow,

604
00:28:40,720 --> 00:28:43,240
Speaker 18: capitalist that is shaz them.

605
00:28:43,600 --> 00:28:44,800
Speaker 10: How does it lose your host.

606
00:28:45,080 --> 00:28:47,440
Speaker 18: I'm not going to take anything less than one hundred

607
00:28:47,440 --> 00:28:58,160
Speaker 18: percent you left. Craig won't give us a siren on

608
00:28:58,240 --> 00:29:00,360
Speaker 18: the thing. I'll bring my own thing in non special

609
00:29:00,440 --> 00:29:02,320
Speaker 18: vun Bunnings by the way, nine to ninety nine. The

610
00:29:02,400 --> 00:29:05,480
Speaker 18: old blasted doesn't fix the tailgaters.

611
00:29:05,720 --> 00:29:07,920
Speaker 6: What Jesus?

612
00:29:07,960 --> 00:29:12,120
Speaker 18: Yeah, it might be me last night.

613
00:29:12,240 --> 00:29:15,960
Speaker 2: I feel for him so passionate Rex. He's always been

614
00:29:16,040 --> 00:29:18,240
Speaker 2: that way, tough Rex. He used to be a cop,

615
00:29:18,400 --> 00:29:20,520
Speaker 2: so he would he was a full time cop, but

616
00:29:20,560 --> 00:29:21,840
Speaker 2: he played footy on the weekend.

617
00:29:21,960 --> 00:29:22,960
Speaker 6: Where's the fishing fit?

618
00:29:23,000 --> 00:29:24,720
Speaker 2: In the fishing fitting in his past up? And he

619
00:29:24,800 --> 00:29:26,160
Speaker 2: was the one and he'd get out there and he'd go,

620
00:29:26,240 --> 00:29:28,440
Speaker 2: you know what an expert is, and X is an

621
00:29:28,520 --> 00:29:31,280
Speaker 2: unknown quantity and a spurt is a drip under pressure.

622
00:29:32,200 --> 00:29:36,320
Speaker 1: One of his lines that did go for John Michael Housen.

623
00:29:36,400 --> 00:29:38,760
Speaker 1: Now we know in the media game. He was a

624
00:29:38,800 --> 00:29:40,680
Speaker 1: man that used to go on television quite a bit.

625
00:29:40,960 --> 00:29:43,160
Speaker 10: It's like a Hollywood report was he was.

626
00:29:43,160 --> 00:29:45,200
Speaker 3: He gave you all the gossip with what was going on.

627
00:29:45,280 --> 00:29:47,520
Speaker 1: As John Michael got a little bit older, he got

628
00:29:47,560 --> 00:29:50,320
Speaker 1: a little bit grumpier as well. And this day he

629
00:29:50,440 --> 00:29:52,560
Speaker 1: used to go on a show quite a bit, and

630
00:29:52,600 --> 00:29:55,800
Speaker 1: he just thought that the co host and all the

631
00:29:55,840 --> 00:29:58,320
Speaker 1: producers were against John Michael.

632
00:29:58,560 --> 00:30:00,960
Speaker 14: You don't go out to set someone up when you show.

633
00:30:00,760 --> 00:30:02,120
Speaker 3: Them the story at three o'clock.

634
00:30:02,240 --> 00:30:03,120
Speaker 18: Why would John.

635
00:30:02,960 --> 00:30:03,840
Speaker 10: Michael listen to me?

636
00:30:04,040 --> 00:30:06,480
Speaker 14: Just listen to me, change and listen to me. Because

637
00:30:06,480 --> 00:30:09,480
Speaker 14: you dominate this. Do I over talk everybody? You over

638
00:30:09,560 --> 00:30:12,200
Speaker 14: talk the listeners. You've got the bloody producers up your

639
00:30:12,240 --> 00:30:14,520
Speaker 14: backside doing everything you want them to do.

640
00:30:14,640 --> 00:30:17,040
Speaker 10: The producers laugh at you. She thinks you're a.

641
00:30:17,040 --> 00:30:20,400
Speaker 14: Joke yours darling.

642
00:30:21,280 --> 00:30:21,600
Speaker 7: She is.

643
00:30:21,640 --> 00:30:24,160
Speaker 14: I've never seen her before, John, because.

644
00:30:23,920 --> 00:30:25,880
Speaker 10: You said good morning to the bloody joke.

645
00:30:27,120 --> 00:30:29,920
Speaker 18: Tell you who's the joke, John, good morning, bloody cheek

646
00:30:30,200 --> 00:30:34,440
Speaker 18: silly little girls, masqueradings, bloody producers, John Michael.

647
00:30:35,360 --> 00:30:39,560
Speaker 3: Way too seriously, this way too seriously.

648
00:30:39,560 --> 00:30:43,640
Speaker 2: You're you're masquerading as a producer, young girls.

649
00:30:43,920 --> 00:30:45,800
Speaker 3: But the man then hit the king.

650
00:30:46,200 --> 00:30:46,920
Speaker 2: Here we go, the.

651
00:30:46,880 --> 00:30:50,240
Speaker 3: King of talk back radio. Now we've had to beat this.

652
00:30:50,240 --> 00:30:53,160
Speaker 3: This was live to wear. The King was Bob Francis.

653
00:30:53,320 --> 00:30:56,400
Speaker 10: Bob's passed away, hasn't it. Bob's gone? It's good Patrick.

654
00:30:56,640 --> 00:30:57,240
Speaker 3: So where you worked?

655
00:30:57,400 --> 00:30:59,920
Speaker 1: I worked in the same building as Bob for seven years.

656
00:31:00,000 --> 00:31:01,320
Speaker 1: He used to drink a bit on the show, didn't

657
00:31:01,320 --> 00:31:06,440
Speaker 1: he Well? He he knocked over a full bottle of

658
00:31:06,480 --> 00:31:10,680
Speaker 1: red wine over the panel, and his solution to get

659
00:31:10,720 --> 00:31:12,600
Speaker 1: rid of it was to go get a bucket of

660
00:31:12,640 --> 00:31:15,000
Speaker 1: water and then pour the water over the red wine

661
00:31:15,040 --> 00:31:16,280
Speaker 1: so you couldn't see the red wine.

662
00:31:16,280 --> 00:31:17,720
Speaker 6: Sarah, I mean, that's one way to save you.

663
00:31:17,800 --> 00:31:21,720
Speaker 3: Joe completely stuffed the panel. Colers used to ring in

664
00:31:22,480 --> 00:31:24,680
Speaker 3: and used to fire boy up on purpose.

665
00:31:25,680 --> 00:31:27,200
Speaker 1: We've had to we've had to.

666
00:31:27,160 --> 00:31:30,680
Speaker 3: Beat this, but this went live to air on five.

667
00:31:31,120 --> 00:31:33,440
Speaker 3: Are you actually brain?

668
00:31:34,240 --> 00:31:36,600
Speaker 18: I will not let you talk unless you listen to

669
00:31:36,600 --> 00:31:37,560
Speaker 18: what I'm going to say.

670
00:31:37,720 --> 00:31:38,680
Speaker 8: You will not get a word in.

671
00:31:38,920 --> 00:31:39,520
Speaker 11: Is that right?

672
00:31:39,720 --> 00:31:40,280
Speaker 3: You did right?

673
00:31:41,000 --> 00:31:41,200
Speaker 5: Now?

674
00:31:44,160 --> 00:31:45,400
Speaker 3: You know who's in charge here?

675
00:31:46,240 --> 00:31:49,360
Speaker 13: What it's not that the phone, that's for sure.

676
00:31:49,880 --> 00:31:51,480
Speaker 3: Really you're talking about my producer.

677
00:31:51,560 --> 00:31:53,880
Speaker 15: You rude pig language.

678
00:31:53,480 --> 00:31:56,320
Speaker 13: She used on me because an education.

679
00:31:56,440 --> 00:31:58,640
Speaker 3: Well, I'll tell you what, I'll give you an education.

680
00:31:59,280 --> 00:32:03,360
Speaker 3: Why don't you go and get sorry. I shouldn't have

681
00:32:03,360 --> 00:32:03,719
Speaker 3: said that.

682
00:32:04,240 --> 00:32:06,840
Speaker 1: Goodness me, I said some rude words there.

683
00:32:08,720 --> 00:32:10,040
Speaker 10: You reckon, You said some rude words.

684
00:32:10,040 --> 00:32:11,920
Speaker 6: They're doing you, Bob, it fits and whipper