WEBVTT - The Odyssey: The Cyclops

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<v S1>Welcome to the Hillsdale College Online Courses podcast. I'm Jeremiah Regan.

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<v S2>And I'm Juan Davalos. We're back with the Odyssey lecture

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<v S2>number five, the Cyclops.

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<v S1>Yeah, this is a fun one. And everybody knows the

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<v S1>story of the Cyclops, right?

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<v S2>Everybody's heard at least of a Cyclops. Well, this is

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<v S2>where it's from.

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<v S1>But there's a lot to this story. There's quite an

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<v S1>interesting character arc within this one book.

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<v S2>I like to refer to this lecture as Pride Comes

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<v S2>Before the Fall, because we have Odysseus having this amazing moment,

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<v S2>and he's so proud of it. And then he commits

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<v S2>terrible blunder, right?

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<v S1>We see a real moment of triumph. We see this

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<v S1>man of twists and turns, this witty man who uses prudence.

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<v S1>That's that's seeking the good based on the circumstances around

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<v S1>you escape from grave peril. That's a triumph, no question

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<v S1>about it. But he kind of spoils it at the end.

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<v S2>Yeah. And so in the last lecture, we saw the,

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<v S2>the juxtaposition of of chaos or that this seeking for

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<v S2>glory and pity. And now we're seeing between chaos again,

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<v S2>this seeking for glory and prudence. You can't have this

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<v S2>pursuit of glory without being prudent about it.

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<v S1>I mean, Aristotle talks about moderation, being wanting the right

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<v S1>things in the right amount at the right time for

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<v S1>the right reason. And Homer is not critiquing Kleos. He's

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<v S1>not critiquing proper glory. I mean, Aristotle talks about this.

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<v S1>Hobbes talks about this. There are circumstances in which glory

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<v S1>is earned and it should be appreciated and enjoyed, and

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<v S1>yet it has to be within moderation. And that is

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<v S1>a lesson that Odysseus here learns quite dearly.

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<v S2>Something that I really appreciated of how Doctor Whalen frames

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<v S2>this whole lecture, is how there's two ways in which

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<v S2>Odysseus presents himself, and he's proud of his accomplishments. The

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<v S2>first one is with Ephesians, in which he does it

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<v S2>in the right way. That is, he first finds the

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<v S2>favor of the Ephesians by telling his stories and everything,

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<v S2>and then he reveals his name in a more appropriate way.

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<v S2>And then with the Cyclops is the opposite. He does

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<v S2>it poorly, and that leads to his, you know.

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<v S1>And of course, Homer is messing with time. And so

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<v S1>we learn why he was careful with his identity with

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<v S1>the Phaeacians. Because earlier, even though it comes later in

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<v S1>the poem, the event happens earlier, he was prideful and

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<v S1>revealed his name in an imprudent way with the Cyclops.

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<v S1>He's learned that lesson and he doesn't repeat that error.

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<v S1>And to really appreciate this poem, as we've said before,

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<v S1>you need to read it. Professor Whalen uses the same

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<v S1>translation that our undergraduate students use when they're learning about

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<v S1>the Odyssey here on campus. And that's the Robert Fagles translation.

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<v S1>It's a very good translation, very vivid. I don't have Greek,

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<v S1>but my friends who do say it's quite accurate as well.

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<v S1>And while there's many good translations, this is the one

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<v S1>we use. So you should pick that up and read

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<v S1>the words in their entirety for yourselves.

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<v S2>I think I've mentioned before that last time I probably

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<v S2>read this book was in high school, and it was

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<v S2>a terrible it was a terrible translation, which is why

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<v S2>I probably had a terrible time learning the book as

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<v S2>I'm rereading it now with this translation. It's very accessible.

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<v S2>It's a delightful story, and I encourage everybody to go

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<v S2>to hillsdale.edu/course. That's hillsdale.edu/course. At the top of the page,

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<v S2>you'll see the book's button and you can purchase the

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<v S2>book for yourself.

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<v S1>Now let's turn back to Professor Whalen for lecture five

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<v S1>of the Odyssey, the Cyclops.

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<v S3>In our last lecture, we reached the conclusion of book

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<v S3>eight of the Odyssey, where Alcinous, the King of the Phaeacians,

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<v S3>notices Odysseus weeping as he hears the story of the

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<v S3>fall of Troy. In this lecture we will cover book

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<v S3>nine of the Odyssey, in which Odysseus responds to Alcinous question,

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<v S3>who are you? By revealing his identity and beginning to

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<v S3>tell his story of his adventures after the fall of Troy? Indeed,

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<v S3>the next four books of the Odyssey books nine through 12,

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<v S3>all are told to us by Odysseus himself. Odysseus here

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<v S3>becomes the storyteller. Odysseus becomes something of a bard. He

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<v S3>gives a narration of his adventures since the fall of Troy.

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<v S3>This section, these four books, constitute something of a. Of

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<v S3>a mini epic, a tale within a tale. And they

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<v S3>give us the backstory for the. In media res beginning

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<v S3>of the epic. The epic began in the middle of things,

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<v S3>and Odysseus, now in his own voice, is going to

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<v S3>give us the backstory. It's in these books that Odysseus

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<v S3>tells us some of the most famous or infamous elements

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<v S3>of the Odyssey as a whole Odysseus's journey to the

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<v S3>land of the Lotus eaters, his encounter with the Cyclops,

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<v S3>his encounter with the sirens. And finally, and most importantly,

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<v S3>his journey to the underworld. This narration sits at the

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<v S3>end of the first half of the Odyssey as a whole.

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<v S3>The Odyssey is comprised of 24 books, and these books,

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<v S3>books nine through 12 bring us to the end of

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<v S3>the first half. Indeed, book 13 will begin with Odysseus

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<v S3>finally reaching Ithaca, so we can see the whole of

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<v S3>the narrative of the Odyssey broken between these two halves.

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<v S3>Everything that's happened to Odysseus since the fall of Troy,

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<v S3>up to getting home, and then everything that Odysseus must

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<v S3>do once he gets home, encountering the suitors and his wife, Penelope. Now,

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<v S3>book nine begins with Homer emphasizing Odysseus role as a

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<v S3>storyteller himself. And in fact, we might even read Odysseus

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<v S3>as a sort of poet. Here Odysseus, the great teller

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<v S3>of tales, launched out on his story Alcinous, Majesty shining

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<v S3>among your island people. What a fine thing it is

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<v S3>to listen to such a bard as we have here.

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<v S3>The man sings like a god. The crown of life,

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<v S3>I'd say. There's nothing better than when deep joy holds

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<v S3>sway throughout the realm. And banqueters up and down the palace.

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<v S3>Sit in ranks. Enthralled to hear the bard. And before

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<v S3>them all the tables heaped with bread and meats. And

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<v S3>drawing wine from a mixing bowl. The steward makes his

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<v S3>rounds and keeps the wine cups flowing. This, to my mind,

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<v S3>is the best that life can offer. This is an

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<v S3>interesting way to begin his narration. Odysseus making an assertion

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<v S3>about the summum bonum, the highest good, the best that

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<v S3>life can offer. It's an idealized vision, but it's also

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<v S3>a vision of what Alcinous enjoys. This informs Odysseus, his ends,

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<v S3>his aims, what he is striving for. This is what

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<v S3>Odysseus wants to establish on Ithaca when he returns, Odysseus continues.

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<v S3>But now you're set on probing the bitter pains I've borne,

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<v S3>So I'm to weep and grieve. It seems still more. Well, then,

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<v S3>what shall I go through first? What shall I save

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<v S3>for last. What pains the gods have given me my share.

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<v S3>Now let me begin by telling you my name. So

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<v S3>you may know it well, and I in times to come.

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<v S3>If I can escape the fatal day will be your host,

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<v S3>your sworn friend. Though my home is far from here.

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<v S3>I am Odysseus, son of Laertes, known to the world

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<v S3>for every kind of craft. My fame has reached the skies.

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<v S3>Sunny Ithaca is my home now. Odysseus statement of his

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<v S3>name and the island where he's from establishing his identity

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<v S3>is a deeply significant moment in the story as a whole.

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<v S3>As we've covered in previous lectures, both Nausicaa and Alcinous

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<v S3>had intimated that they would be interested in having Odysseus

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<v S3>as Nausicaa's husband. So Odysseus, declaring himself as Odysseus from

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<v S3>sunny Ithaca is in fact closing the door to that option.

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<v S3>Or perhaps we should even call it that temptation that is,

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<v S3>in asserting his identity and establishing who he is, Odysseus

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<v S3>is saying, I will not stay here and marry Nausicaa.

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<v S3>I will return to my home and to my wife

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<v S3>and family. All Odysseus would need to do to live

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<v S3>on Scheria with Nausicaa as his wife, in ease and

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<v S3>wealth and splendor for the rest of his life, would

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<v S3>be to change his identity, to make up a story,

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<v S3>to tell some sort of tale about who he is.

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<v S3>In declaring himself as Odysseus, Odysseus is turning from that.

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<v S3>He is embracing Ithaca and his wife Penelope, and he

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<v S3>is embracing the hardships that are entailed in that, Odysseus

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<v S3>continues on and narrates the adventures that he and his

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<v S3>men went through after the fall of Troy. The first

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<v S3>place they came to were the Cicones. He says, The

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<v S3>wind drove me out of ilium on to Ismarus, the

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<v S3>Cicones stronghold. There I sacked the city, killed the men.

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<v S3>But as for the wives and plunder, that rich haul

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<v S3>we dragged away from the place, we shared it round.

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<v S3>So no one not on my account would go. Deprived

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<v S3>of his fair share of spoils. Then I urged them

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<v S3>to cut and run. Set sail. But would they listen?

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<v S3>Not those mutinous fools. There is too much wine to swill.

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<v S3>Too many sheep to slaughter. Down along the beach and

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<v S3>shambling longhorn cattle. And all the while the Cicones sought

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<v S3>out other cicones called for help from their neighbours living inland.

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<v S3>A larger force and stronger soldiers. Two skilled hands at

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<v S3>fighting men from chariots skilled. When a crisis broke to

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<v S3>fight on foot out of the morning mist. They came

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<v S3>against us. Packed as the leaves and spears that flower

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<v S3>forth in spring. And Zeus presented us with disaster. Me

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<v S3>and my comrades doomed to suffer. Blow on mortal blow.

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<v S3>Lining up both armies. Battled it out against our swift ships.

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<v S3>Both raked each other with hurtling bronze lances. Long as

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<v S3>mourning rose. And the blessed day grew stronger. We stood

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<v S3>and fought them off, masked as they were. But then

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<v S3>when the sun wheeled past the hour for un yoking oxen,

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<v S3>the cicones broke our lines and beat us down. At last,

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<v S3>out of each ship six men at arms were killed.

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<v S3>The rest of us rode away from certain doom. Now,

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<v S3>this is an interesting beginning. To Odysseus's adventures. They have

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<v S3>sailed away from Troy. They've just sacked the city, and

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<v S3>instead of making straight home for Ithaca, they stop at

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<v S3>the Cicones and we hear no more details in this

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<v S3>narrative about them than simply that they're another city and

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<v S3>they sack that city and wage further war. This does

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<v S3>not seem like the behaviour of a man who really

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<v S3>is determined to get home, who really wants to return

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<v S3>to Ithaca. Instead, Odysseus and his men here read much

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<v S3>more like pirates, like buccaneers, like wandering adventurers who are

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<v S3>simply seeking violence and plunder. This is something that will

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<v S3>have to be corrected in Odysseus character. Here he is

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<v S3>still very much the man of war, the man of violence,

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<v S3>a lawless man. As Odysseus adventures continue in books nine

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<v S3>through 12, we'll see him come to appreciate and desire

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<v S3>home more such that he will turn from this behavior

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<v S3>and seek finally his own family. After their defeat with

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<v S3>the Cicones, Odysseus and his fleet come to the island

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<v S3>of the Lotus Eaters. The island of the Lotus Eaters

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<v S3>is a strange sort of mystical or magical island, where

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<v S3>there's this strange substance, lotus, that makes sailors and people

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<v S3>forget where they are from, forget their names, forget their identities.

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<v S3>Forget any desire for homecoming, for return, for Nostos that

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<v S3>they might have. And this is the first of what

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<v S3>will be a sustained part of Odysseus narrative, where he

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<v S3>enters a sort of magical fairy tale or fable like realm.

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<v S3>Odysseus will begin to come to different islands, where kings

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<v S3>have sacks of winds and monsters like Cyclops Live, or

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<v S3>giant sea monsters live or witches live. It's a magical, strange,

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<v S3>fable like place. Our squadron reached the land of the

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<v S3>Lotus Eaters, people who eat the lotus mellow fruit and flower.

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<v S3>We disembarked on the coast, drew water there, and crewmen

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<v S3>snatched a meal by the swift ships. Once we'd had

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<v S3>our fill of food and drink, I sent a detail ahead.

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<v S3>Two picked men and a third a runner to scout

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<v S3>out who might live there. Men like us, perhaps, who

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<v S3>live on bread. So off they went, and soon enough

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<v S3>they mingled among the natives. Lotus eaters, Lotus eaters, who

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<v S3>had no notion of killing my companions? Not at all.

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<v S3>They simply gave them the lotus to taste instead. Any

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<v S3>crewmen who ate the lotus. The honey sweet fruit lost

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<v S3>all desire to send a message back, much less return

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<v S3>their only wish to linger there with the lotus eaters

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<v S3>grazing on lotus. All memory of the journey home dissolved forever.

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<v S3>But I brought them back. Back to the hollow ships

0:13:18.650 --> 0:13:22.170
<v S3>and streaming tears. I forced them, hauled them under the

0:13:22.170 --> 0:13:25.530
<v S3>rowing benches, lashed them fast, and shouted out commands to

0:13:25.570 --> 0:13:29.650
<v S3>my other steady comrades. Quick! No time to lose. Embark

0:13:29.650 --> 0:13:32.970
<v S3>in the racing ships so none could eat the lotus.

0:13:32.970 --> 0:13:36.850
<v S3>Forget the voyage home. Here we see a different sort

0:13:36.850 --> 0:13:41.570
<v S3>of threat to Odysseus's homecoming, to his nostos. If, on

0:13:41.570 --> 0:13:44.330
<v S3>the one hand, one sort of threat might be Cicones

0:13:44.450 --> 0:13:47.730
<v S3>who could kill them. On the other hand, something like

0:13:47.730 --> 0:13:51.850
<v S3>the lotus eaters constitute a threat to one's memory and

0:13:51.850 --> 0:13:56.170
<v S3>one's desire to return home. The lotus eaters change or

0:13:56.170 --> 0:13:59.610
<v S3>make one forget one's very identity, who one is and

0:13:59.610 --> 0:14:02.690
<v S3>where one should return to. We will see a recurrence

0:14:02.690 --> 0:14:08.370
<v S3>of this sort of threat as Odysseus continues his adventures. Now,

0:14:08.370 --> 0:14:11.850
<v S3>after Odysseus saves his men from the lotus eaters by

0:14:11.890 --> 0:14:14.930
<v S3>tying them to the ship and forcing them to sail away,

0:14:15.130 --> 0:14:17.450
<v S3>they come to the land of the Cyclops. And this

0:14:17.450 --> 0:14:20.010
<v S3>is one of the one of the most infamous episodes

0:14:20.010 --> 0:14:24.130
<v S3>in all of the Odyssey. Homer tells us. From there

0:14:24.130 --> 0:14:27.410
<v S3>we sailed on our spirits now at low ebb, and

0:14:27.410 --> 0:14:31.410
<v S3>reached the land of the high and mighty Cyclops, lawless

0:14:31.410 --> 0:14:35.170
<v S3>brutes who trust so to the everlasting gods. They never

0:14:35.170 --> 0:14:40.410
<v S3>plant with their own hands or plow the soil. Unsown Unplowed.

0:14:40.410 --> 0:14:43.970
<v S3>The earth teems with all they need. Wheat, barley, and

0:14:43.970 --> 0:14:47.890
<v S3>vines swelled by the rains of Zeus to yield a big,

0:14:47.890 --> 0:14:51.570
<v S3>full bodied wine from clustered grapes. They have no meeting

0:14:51.570 --> 0:14:56.170
<v S3>place for counsel. No laws either. No. Up on the

0:14:56.170 --> 0:15:00.050
<v S3>mountain peaks they live in arching caverns, each a law

0:15:00.050 --> 0:15:04.170
<v S3>to himself, ruling his wives and children. Not a care

0:15:04.170 --> 0:15:07.730
<v S3>in the world for any neighbor. It's interesting here that

0:15:07.730 --> 0:15:12.890
<v S3>Odysseus is attentive to the lawless nature of these Cyclopes. This.

0:15:12.890 --> 0:15:16.930
<v S3>The Cyclopes do not constitute a political community. Instead, they

0:15:16.970 --> 0:15:21.090
<v S3>are lawless and part of being lawless is having no

0:15:21.090 --> 0:15:25.130
<v S3>care for one's neighbor. And as we can already anticipate,

0:15:25.130 --> 0:15:29.290
<v S3>no care for guests. That is lawful. Men are men

0:15:29.330 --> 0:15:33.010
<v S3>who fear the gods and who are hospitable. They exercise

0:15:33.010 --> 0:15:36.690
<v S3>the virtues that Zeus demands. Here the Cyclopes will not

0:15:36.690 --> 0:15:39.570
<v S3>be that they don't, in fact, fear the gods, and

0:15:39.570 --> 0:15:42.490
<v S3>they don't care for their neighbor or for their guests.

0:15:43.050 --> 0:15:45.970
<v S3>Now Odysseus leaves most of his fleet anchored by a

0:15:45.970 --> 0:15:49.810
<v S3>neighboring island, but he takes his ship into the Cyclops island,

0:15:49.810 --> 0:15:52.850
<v S3>and he takes his crew into the cave of one

0:15:52.850 --> 0:15:57.250
<v S3>particular Cyclops, he tells us. Our party quickly made its

0:15:57.290 --> 0:15:59.890
<v S3>way to his cave, but we failed to find our

0:15:59.890 --> 0:16:03.490
<v S3>host himself inside. He was off in his pasture, ranging

0:16:03.490 --> 0:16:08.010
<v S3>his sleek flocks. So he explored his den, gazing wide

0:16:08.050 --> 0:16:11.650
<v S3>eyed at it all, the large flat racks loaded with

0:16:11.650 --> 0:16:16.290
<v S3>drying cheeses, the folds crowded with young lambs and kids,

0:16:16.290 --> 0:16:21.810
<v S3>split into three groups. Here the spring. Born here, mid yearlings. Here,

0:16:21.810 --> 0:16:25.210
<v S3>the fresh sucklings off to the side. Each sort was

0:16:25.210 --> 0:16:29.650
<v S3>penned apart and all his vessels, pails and hammered. Buckets

0:16:29.650 --> 0:16:33.970
<v S3>he used for milking were brimming full with whey. From

0:16:33.970 --> 0:16:36.730
<v S3>the start my comrades pressed me, pleading hard. Let's make

0:16:36.730 --> 0:16:39.690
<v S3>away with the cheeses. Then come back. Hurry! Drive the

0:16:39.690 --> 0:16:42.290
<v S3>lambs and kids from the pens to our swift ship

0:16:42.450 --> 0:16:45.090
<v S3>put out to sea at once. But I would not

0:16:45.090 --> 0:16:48.170
<v S3>give way. And how much better it would have been!

0:16:48.730 --> 0:16:51.770
<v S3>Not till I saw him. Saw what gifts he'd give.

0:16:52.250 --> 0:16:55.850
<v S3>But he proved no lovely sight to my companions. There

0:16:55.850 --> 0:16:58.770
<v S3>we built a fire, set our hands on the cheeses,

0:16:58.810 --> 0:17:01.370
<v S3>offered some to the gods, and ate the bulk ourselves,

0:17:01.370 --> 0:17:05.330
<v S3>and settled down inside, awaiting his return. And back he

0:17:05.330 --> 0:17:08.889
<v S3>came from pasture late in the day, herding his flocks

0:17:08.890 --> 0:17:12.130
<v S3>home and lugging a huge load of good dry logs

0:17:12.130 --> 0:17:15.130
<v S3>to fuel his fire. At supper he flung them down

0:17:15.130 --> 0:17:18.690
<v S3>in the cave, a jolting crash. We scuttled in panic

0:17:18.690 --> 0:17:23.570
<v S3>into the deepest dark recess. So this one eyed giant

0:17:23.570 --> 0:17:26.850
<v S3>comes into the cave, throws the logs down, and then

0:17:26.850 --> 0:17:29.489
<v S3>he rolls a big boulder over the mouth of the

0:17:29.490 --> 0:17:31.930
<v S3>cave so that Odysseus and his men, who have retreated

0:17:31.930 --> 0:17:35.890
<v S3>to the back, are trapped within the cave. With this Cyclops.

0:17:36.369 --> 0:17:39.500
<v S3>The Cyclops then tends to his sheep. He milks them

0:17:39.500 --> 0:17:42.820
<v S3>and he settles down, and then finally he notices Odysseus

0:17:42.820 --> 0:17:47.020
<v S3>and his men. He asks Odysseus, who are you? And

0:17:47.020 --> 0:17:50.139
<v S3>are there others of you? And Odysseus is intelligent enough

0:17:50.140 --> 0:17:52.500
<v S3>to know that he shouldn't reveal the presence of his

0:17:52.500 --> 0:17:56.419
<v S3>entire fleet sitting by the neighboring island? Instead, he says,

0:17:57.100 --> 0:17:59.980
<v S3>so he laid his trap. But he never caught me.

0:18:00.020 --> 0:18:02.899
<v S3>No wise to the world, I shot back in my

0:18:02.900 --> 0:18:07.220
<v S3>crafty way. My ship Poseidon, God of the earthquake, smashed

0:18:07.220 --> 0:18:09.700
<v S3>my ship. He drove it against the rocks at your

0:18:09.700 --> 0:18:12.740
<v S3>island's far cape. He dashed it off against a cliff

0:18:12.740 --> 0:18:15.340
<v S3>as the winds rowed us in. I and the men,

0:18:15.380 --> 0:18:18.660
<v S3>you see, escaped a sudden death. Not a word in

0:18:18.660 --> 0:18:23.459
<v S3>reply to that, the ruthless brute lurching up. He lunged

0:18:23.460 --> 0:18:26.220
<v S3>out with his hands toward my men, and snatching two

0:18:26.220 --> 0:18:29.220
<v S3>at once, wrapping them on the ground, he knocked them

0:18:29.220 --> 0:18:34.020
<v S3>dead like pups. Their brains gushed out all over, soaked

0:18:34.020 --> 0:18:37.100
<v S3>the floor and ripping them limb from limb to fix

0:18:37.100 --> 0:18:39.940
<v S3>his meal. He bolted them down like a mountain lion,

0:18:39.940 --> 0:18:45.340
<v S3>left no scrap, devoured entrails, flesh and bones, marrow and all.

0:18:45.940 --> 0:18:49.420
<v S3>We flung our arms to Zeus. We wept and cried aloud,

0:18:49.420 --> 0:18:54.460
<v S3>looking on at his grisly work, paralyzed, appalled. But once

0:18:54.460 --> 0:18:57.740
<v S3>the Cyclops had stuffed his enormous gut with human flesh,

0:18:57.780 --> 0:19:00.700
<v S3>washing it down with raw milk, he slept in his cave,

0:19:01.060 --> 0:19:06.620
<v S3>stretched out along his flocks. Now Odysseus first response, as

0:19:06.619 --> 0:19:09.020
<v S3>he sees a Cyclops lie down, is to pull his

0:19:09.020 --> 0:19:12.100
<v S3>sword out and kill the Cyclops, but he catches himself.

0:19:12.100 --> 0:19:15.859
<v S3>He controls himself, understanding that with this massive boulder rolled

0:19:15.859 --> 0:19:17.619
<v S3>in front of the mouth of the cave. If they

0:19:17.660 --> 0:19:19.780
<v S3>kill the Cyclops, then they'd all be trapped in the

0:19:19.780 --> 0:19:22.780
<v S3>cave with no way to get out. So Odysseus wonders

0:19:22.780 --> 0:19:27.260
<v S3>what to do. The next day, the Cyclops wakes up.

0:19:27.260 --> 0:19:29.620
<v S3>He takes his herd of sheep out. He does not

0:19:29.619 --> 0:19:31.859
<v S3>let Odysseus and his men escape, and he rolls the

0:19:31.859 --> 0:19:34.380
<v S3>boulder back in front of the cave so that Odysseus

0:19:34.380 --> 0:19:37.859
<v S3>and his men are trapped there. Now, Odysseus knows they're

0:19:37.859 --> 0:19:41.379
<v S3>simply going to be consumed over the next several days

0:19:41.380 --> 0:19:45.220
<v S3>by this flesh eating giant monster. And so Odysseus comes

0:19:45.220 --> 0:19:49.700
<v S3>up with his clever plan. Odysseus takes the club of

0:19:49.700 --> 0:19:53.260
<v S3>the Cyclopes, a giant piece of wood, and he sharpens

0:19:53.260 --> 0:19:55.940
<v S3>one end of it, and he hardens that end in

0:19:55.940 --> 0:19:59.180
<v S3>a fire. It's the weapon that Odysseus is fashioning for

0:19:59.180 --> 0:20:03.540
<v S3>the Cyclopes. Then when the Cyclops comes back in the evening, Odysseus,

0:20:03.540 --> 0:20:06.820
<v S3>who had fortunately taken a sack of very strong wine

0:20:06.820 --> 0:20:09.740
<v S3>with him, offers it to the Cyclops, and he determines

0:20:09.740 --> 0:20:14.020
<v S3>to get the Cyclops drunk, as Odysseus tells us. I

0:20:14.060 --> 0:20:17.820
<v S3>poured him another fiery bowl. Three bowls I brimmed, and three.

0:20:17.859 --> 0:20:21.260
<v S3>He drank to the last drop. The fool. And then,

0:20:21.260 --> 0:20:23.860
<v S3>when the wine was swirling round his brain, I approached

0:20:23.859 --> 0:20:27.940
<v S3>my host with a cordial, winning word. So you ask

0:20:27.940 --> 0:20:31.379
<v S3>me the name. I'm known by Cyclops. I will tell you.

0:20:31.700 --> 0:20:36.180
<v S3>But you must give me a guest gift. As you've promised. Nobody.

0:20:36.660 --> 0:20:40.940
<v S3>That's my name. Nobody. So my mother and father call

0:20:40.980 --> 0:20:44.859
<v S3>me all my friends. But he boomed back at me

0:20:44.900 --> 0:20:50.140
<v S3>from his ruthless heart. Nobody. I'll eat nobody. Last of all,

0:20:50.140 --> 0:20:53.859
<v S3>his friends. I'll eat the others first. That's my gift

0:20:53.859 --> 0:20:58.619
<v S3>to you. With that, he toppled over, sprawled full length

0:20:58.660 --> 0:21:02.020
<v S3>flat on his back and lay there, his massive neck

0:21:02.020 --> 0:21:06.140
<v S3>slumping to one side, and sleep that conquers all overwhelmed

0:21:06.140 --> 0:21:10.020
<v S3>him now as wine came spurting, flooding up from his

0:21:10.020 --> 0:21:14.500
<v S3>gullet with chunks of human flesh. He vomited blind drunk.

0:21:16.020 --> 0:21:19.500
<v S3>These are some of the visceral details in Odysseus narrative,

0:21:19.500 --> 0:21:23.940
<v S3>in Homer's narrative, that give it such colour and and vivacity. Now,

0:21:23.940 --> 0:21:27.420
<v S3>this detail about Odysseus name that Odysseus comes up with

0:21:27.420 --> 0:21:31.340
<v S3>this ploy of calling himself nobody is quite significant, but

0:21:31.340 --> 0:21:35.020
<v S3>we have to read on to find out why Odysseus

0:21:35.020 --> 0:21:38.700
<v S3>and his men take up the huge pointed club that

0:21:38.700 --> 0:21:43.340
<v S3>they've prepared. And Odysseus tells us, hoisting high that olive

0:21:43.340 --> 0:21:46.820
<v S3>stake with its stabbing point straight into the monster's eye.

0:21:46.859 --> 0:21:49.859
<v S3>They rammed it hard. I drove my weight on it

0:21:49.859 --> 0:21:53.300
<v S3>from above and bored at home as a shipwright bores

0:21:53.300 --> 0:21:57.020
<v S3>his beam with a shipwright's drill that men below whipping

0:21:57.020 --> 0:21:59.699
<v S3>the strap back and forth whirl. And the drill keeps

0:21:59.700 --> 0:22:03.580
<v S3>twisting faster, never stopping. So we seized our stake with

0:22:03.580 --> 0:22:06.380
<v S3>its fiery tip. And bored it round and round in

0:22:06.380 --> 0:22:10.020
<v S3>the giant's eye. Till blood came boiling up around that

0:22:10.020 --> 0:22:14.020
<v S3>smoking shaft. And the hot blast singed his brow and

0:22:14.020 --> 0:22:19.300
<v S3>eyelids round the core and the broiling eyeball burst. This

0:22:19.300 --> 0:22:22.700
<v S3>is the first step of Odysseus plan. He needs to

0:22:22.740 --> 0:22:25.859
<v S3>blind the Cyclops. The only way they're going to escape

0:22:25.859 --> 0:22:29.460
<v S3>from the cave is by removing the Cyclops single eye.

0:22:30.460 --> 0:22:34.340
<v S3>It's also an interesting detail, though the simile that Odysseus

0:22:34.340 --> 0:22:36.939
<v S3>tells us is that they drive the stake into the

0:22:36.940 --> 0:22:41.179
<v S3>Cyclops eye as a shipwright bores his beam with a

0:22:41.180 --> 0:22:46.460
<v S3>shipwright's drill. That is, Odysseus is using this club, using

0:22:46.460 --> 0:22:49.380
<v S3>this weapon in a way that's familiar to himself and

0:22:49.380 --> 0:22:53.820
<v S3>his comrades as naval voyagers, as people who have the

0:22:53.820 --> 0:22:57.500
<v S3>craft of shipwrights. This is something the Cyclops don't have.

0:22:57.540 --> 0:23:01.300
<v S3>They don't have cultivation. They don't have technology. They simply

0:23:01.300 --> 0:23:04.220
<v S3>live as lawless brutes in a cave. And so the

0:23:04.220 --> 0:23:07.660
<v S3>fact that Odysseus is using the club like a shipwright

0:23:07.700 --> 0:23:11.859
<v S3>might construct a ship is a suggestion that the way

0:23:11.900 --> 0:23:15.659
<v S3>Odysseus is defeating the Cyclops is not through brute force.

0:23:15.660 --> 0:23:20.740
<v S3>The Cyclops has that, but instead through intelligence and through.

0:23:20.780 --> 0:23:24.460
<v S3>In a sense, technology in techne, his knowledge of how

0:23:24.460 --> 0:23:28.460
<v S3>things work. So this is a triumph of Odysseus. Mattis,

0:23:28.460 --> 0:23:32.100
<v S3>of his cunning and practical intelligence. This is a triumph

0:23:32.100 --> 0:23:35.699
<v S3>of Odysseus as a man of cultivation, of culture and

0:23:35.740 --> 0:23:40.139
<v S3>of technology rather than simply brute force. Now, once they've

0:23:40.140 --> 0:23:44.700
<v S3>punctured the Cyclops eye, Odysseus tells us, the monster wrenched

0:23:44.700 --> 0:23:47.060
<v S3>the spike from his eye, and out it came with

0:23:47.060 --> 0:23:49.859
<v S3>a red geyser of blood. He flung it aside with

0:23:49.859 --> 0:23:53.220
<v S3>frantic hands and mad with pain, he bellowed out for

0:23:53.220 --> 0:23:56.859
<v S3>help from his neighbor Cyclops, living round about in caves,

0:23:56.859 --> 0:24:00.740
<v S3>on windswept crags. Hearing his cries, they lumbered up from

0:24:00.740 --> 0:24:06.180
<v S3>every side and hulking round his cavern. Asked what ailed him, what, Polyphemus,

0:24:06.180 --> 0:24:08.820
<v S3>what in the world's the trouble roaring out in the

0:24:08.859 --> 0:24:12.140
<v S3>godsent night to rob us of our sleep? Surely no

0:24:12.140 --> 0:24:15.460
<v S3>one's rustling your flocks against your will. Surely no one's

0:24:15.460 --> 0:24:20.220
<v S3>trying to kill you now by fraud or force. Nobody. Friends!

0:24:20.220 --> 0:24:24.580
<v S3>Polyphemus bellowed back from his cave. Nobody's killing me now

0:24:24.580 --> 0:24:27.940
<v S3>by fraud and not by force. If you're alone, his

0:24:28.020 --> 0:24:31.300
<v S3>friends boomed back at once. And nobody's trying to overpower

0:24:31.300 --> 0:24:34.500
<v S3>you now. Look, it must be a plague sent here

0:24:34.500 --> 0:24:37.899
<v S3>by mighty Zeus, and there's no escape from that. You'd

0:24:37.900 --> 0:24:40.899
<v S3>better pray to your father, Lord Poseidon. Now, there are

0:24:40.900 --> 0:24:44.340
<v S3>several things going on here in this passage. This is

0:24:44.340 --> 0:24:48.699
<v S3>the first time we actually learn the Cyclops name Polyphemus. Now,

0:24:48.700 --> 0:24:53.260
<v S3>Polyphemus can mean making a lot of noise, which clearly

0:24:53.260 --> 0:24:56.020
<v S3>fits the bill here as he's bellowing in the Cyclops.

0:24:56.060 --> 0:24:59.020
<v S3>The other Cyclops are bellowing back at him, but the

0:24:59.020 --> 0:25:02.100
<v S3>name Polyphemus can also mean in the Greek he who

0:25:02.100 --> 0:25:07.580
<v S3>gives great fame or great renown, or also having several

0:25:07.580 --> 0:25:11.540
<v S3>sorts of prophetic speech. And this is interesting, since we

0:25:11.540 --> 0:25:15.179
<v S3>already know from book one and Zeus's conversation that it

0:25:15.180 --> 0:25:19.740
<v S3>is this action of Odysseus, the blinding of Polyphemus that

0:25:19.740 --> 0:25:22.780
<v S3>so angers Poseidon and turns the great god of the

0:25:22.820 --> 0:25:26.500
<v S3>sea against Odysseus. So it's this action, in fact, that

0:25:26.500 --> 0:25:29.980
<v S3>is both the source of Odysseus's great suffering and his

0:25:29.980 --> 0:25:33.540
<v S3>long journey, and also the source of his triumph and

0:25:33.540 --> 0:25:36.500
<v S3>fame as well. And in fact, that fame, that great

0:25:36.500 --> 0:25:40.020
<v S3>renown that Odysseus gets from Polyphemus, lives on to today.

0:25:40.020 --> 0:25:43.100
<v S3>This is one of the most famous episodes in all

0:25:43.140 --> 0:25:46.459
<v S3>of Homer's works. But it is also here that we

0:25:46.460 --> 0:25:49.820
<v S3>can appreciate the cunning of Odysseus in telling Polyphemus that

0:25:49.820 --> 0:25:53.940
<v S3>his name is nobody. Now, this is actually a difficult

0:25:53.940 --> 0:25:57.139
<v S3>thing for English speakers to appreciate in Homer's work, because

0:25:57.140 --> 0:26:00.139
<v S3>Homer is working off of a pun that works in

0:26:00.140 --> 0:26:04.340
<v S3>Greek but doesn't translate easily to English. As our translator

0:26:04.340 --> 0:26:07.219
<v S3>Robert Fagles states in his notes at the end of

0:26:07.220 --> 0:26:12.980
<v S3>this volume, the Greek word Otis, the name Odysseus gives himself,

0:26:13.340 --> 0:26:17.899
<v S3>is formed from the normal Greek locution for nobody. Ooh,

0:26:18.060 --> 0:26:23.379
<v S3>tis not anybody. This enables Homer to make brilliant use

0:26:23.380 --> 0:26:27.540
<v S3>of wordplay that cannot be adequately reproduced in English. When

0:26:27.540 --> 0:26:31.100
<v S3>his fellow Cyclops asked Polyphemus why he is making such

0:26:31.140 --> 0:26:34.820
<v S3>an uproar and he tells them, nobody's killing me now

0:26:34.820 --> 0:26:40.100
<v S3>by fraud and not by force, they naturally misunderstand it

0:26:40.100 --> 0:26:45.780
<v S3>and reply, if nobody's trying to overpower you. But in Greek,

0:26:45.820 --> 0:26:50.940
<v S3>their reply has a different form for no one not UTIs,

0:26:51.220 --> 0:26:56.820
<v S3>but Matis, the usual form for use after the word if.

0:26:57.820 --> 0:27:03.980
<v S3>But Matis, not anyone sounds exactly the same as Matis.

0:27:04.340 --> 0:27:08.060
<v S3>A key word of the Odyssey. The main characteristic of

0:27:08.060 --> 0:27:13.100
<v S3>its hero craft or cunning, and Polyphemus is in fact

0:27:13.100 --> 0:27:18.140
<v S3>being overpowered by the Matis. The craft and cunning of Odysseus.

0:27:19.020 --> 0:27:23.180
<v S3>So we see here in Odysseus plan his cunning, his cleverness,

0:27:23.180 --> 0:27:26.580
<v S3>to tell Polyphemus that his name is Otis, that his

0:27:26.580 --> 0:27:29.300
<v S3>name is nobody. He not only saves his men from

0:27:29.300 --> 0:27:32.580
<v S3>interference with the other Cyclops, but he, in fact forces

0:27:32.580 --> 0:27:38.699
<v S3>Polyphemus to state unconsciously the way in which he's being defeated.

0:27:39.020 --> 0:27:42.900
<v S3>He is being defeated by Odysseus cunning. It's not force

0:27:42.900 --> 0:27:47.500
<v S3>that leads to Odysseus triumph. It is fraud. It's practical intelligence.

0:27:47.500 --> 0:27:52.780
<v S3>It's Metis. After having blinded Polyphemus, Odysseus completes his plan

0:27:52.780 --> 0:27:56.140
<v S3>for escape. He knows that in the morning, Polyphemus will

0:27:56.140 --> 0:27:58.780
<v S3>need to let his sheep out to graze. And so

0:27:58.780 --> 0:28:02.060
<v S3>he takes his rams by sets of three and ties

0:28:02.060 --> 0:28:05.459
<v S3>them together, and then lashes one of his men underneath

0:28:05.460 --> 0:28:08.700
<v S3>each set of rams. Then in the morning, when Polyphemus

0:28:08.700 --> 0:28:12.020
<v S3>does roll the stone back, he feels the Rams feeling

0:28:12.020 --> 0:28:14.700
<v S3>their tops to make sure they're not men escaping but

0:28:14.700 --> 0:28:20.460
<v S3>doesn't detect Odysseus's men lashed underneath them. Odysseus himself escapes

0:28:20.460 --> 0:28:24.700
<v S3>by taking the biggest, oldest ram that Polyphemus has, and

0:28:24.740 --> 0:28:28.979
<v S3>hanging on to the wool underneath its belly, Polyphemus knows

0:28:28.980 --> 0:28:32.020
<v S3>this ram. He feels it. He even speaks to it fondly.

0:28:32.020 --> 0:28:35.860
<v S3>But he doesn't detect Odysseus hanging on for dear life underneath.

0:28:36.300 --> 0:28:40.100
<v S3>And so Odysseus and his men escape from Polyphemus Cave,

0:28:40.100 --> 0:28:43.380
<v S3>and they make their way to the ship. Emboldened by

0:28:43.380 --> 0:28:47.740
<v S3>his success embracing his triumph, Odysseus, as his men are

0:28:47.780 --> 0:28:52.380
<v S3>sailing away from the shore, shouts out taunts at the Cyclops.

0:28:52.380 --> 0:28:57.820
<v S3>He's boasting, he's bragging, and he shouts so Cyclops! No

0:28:57.820 --> 0:29:00.500
<v S3>weak coward it was whose crew you bent to devour.

0:29:00.500 --> 0:29:04.420
<v S3>There in your vaulted cave with your brute force, your

0:29:04.420 --> 0:29:08.340
<v S3>filthy crimes came down on your own head, you shameless cannibal,

0:29:08.540 --> 0:29:11.500
<v S3>daring to eat your guests in your own house. So

0:29:11.540 --> 0:29:15.020
<v S3>Zeus and the other gods have paid you back. This

0:29:15.020 --> 0:29:19.180
<v S3>is an interesting taunt on Odysseus's part. In part he's

0:29:19.180 --> 0:29:25.710
<v S3>exuberant in his triumph. He's also asserting that Polyphemus. Violation

0:29:25.710 --> 0:29:30.230
<v S3>of the guest host relationship of Xenia, of the obligation

0:29:30.230 --> 0:29:34.630
<v S3>to be hospitable, is being punished by the gods. Odysseus

0:29:34.670 --> 0:29:38.270
<v S3>is presenting himself here as an agent of the gods,

0:29:38.270 --> 0:29:43.590
<v S3>bringing justice to Polyphemus by punishing him, by blinding him

0:29:43.590 --> 0:29:48.230
<v S3>for being inhospitable. Polyphemus can't see Odysseus and his men,

0:29:48.230 --> 0:29:51.750
<v S3>but Odysseus starts shouting at Polyphemus about how he was

0:29:51.750 --> 0:29:56.470
<v S3>fooled and bested by nobody. And Polyphemus takes huge boulders

0:29:56.470 --> 0:29:59.470
<v S3>and crags and starts hurling them into the ocean, and

0:29:59.470 --> 0:30:02.790
<v S3>the waves, in fact, drive Odysseus's ship back towards the

0:30:02.790 --> 0:30:07.750
<v S3>Cyclops island. Odysseus's men are begging Odysseus to stop taunting

0:30:07.750 --> 0:30:12.150
<v S3>and stop provoking the Cyclops. But Odysseus continues nevertheless, and

0:30:12.150 --> 0:30:16.670
<v S3>it's here that Odysseus reveals who he is. So they begged,

0:30:16.670 --> 0:30:19.630
<v S3>but they could not bring my fighting spirit round. I

0:30:19.670 --> 0:30:23.670
<v S3>called back with another burst of anger. Cyclops. If any

0:30:23.670 --> 0:30:25.670
<v S3>man on the face of the earth should ask you,

0:30:25.670 --> 0:30:31.550
<v S3>who blinded you? Shamed you? So say Odysseus, raider of cities.

0:30:31.830 --> 0:30:35.590
<v S3>He gouged out your eye, Laertes son, who makes his

0:30:35.590 --> 0:30:41.510
<v S3>home in Ithaca. It's this revelation of his name and

0:30:41.510 --> 0:30:45.110
<v S3>his identity that allows Polyphemus to offer up a prayer

0:30:45.110 --> 0:30:48.310
<v S3>to his father, Poseidon, the god of the sea. Otherwise,

0:30:48.310 --> 0:30:51.830
<v S3>if Odysseus had not boasted in this way, Polyphemus would

0:30:51.830 --> 0:30:54.350
<v S3>not know who it was who blinded him. And so

0:30:54.350 --> 0:30:57.550
<v S3>Poseidon would not then have been angered at Odysseus. So

0:30:57.550 --> 0:31:02.190
<v S3>this is a disastrous, proud, hubristic moment on Odysseus's part

0:31:02.350 --> 0:31:05.830
<v S3>in revealing who he is here. In this boasting taunt,

0:31:05.870 --> 0:31:08.709
<v S3>he brings down the God of the sea's anger upon him.

0:31:09.190 --> 0:31:13.590
<v S3>We also see, interestingly, in this moment how quickly Odysseus

0:31:13.590 --> 0:31:19.150
<v S3>has moved from. Nobody rushes to Odysseus himself. We see

0:31:19.150 --> 0:31:23.350
<v S3>this movement is part of Odysseus's desire for kleos. The

0:31:23.390 --> 0:31:25.790
<v S3>boasting about who he is and where he's from is

0:31:25.790 --> 0:31:30.110
<v S3>establishing his greatness as a warrior. I am Odysseus raider

0:31:30.110 --> 0:31:34.030
<v S3>of cities from Ithaca. But it's this desire for glory,

0:31:34.070 --> 0:31:38.230
<v S3>unfettered from prudence, that leads to the disastrous consequences of

0:31:38.230 --> 0:31:42.910
<v S3>Poseidon's anger. Now, interestingly, in terms of the larger narration,

0:31:42.910 --> 0:31:48.230
<v S3>we can note that Odysseus here with Polyphemus, proudly, boastfully

0:31:48.230 --> 0:31:51.990
<v S3>reveals who he is, and so endures Poseidon's anger and

0:31:51.990 --> 0:31:57.070
<v S3>has great suffering, terrible consequences. But Odysseus, in the present tense,

0:31:57.070 --> 0:32:00.710
<v S3>with the Phaeacians and with Alcinous, was very reticent to

0:32:00.750 --> 0:32:04.070
<v S3>reveal who he was. We can see in this that Odysseus,

0:32:04.070 --> 0:32:08.310
<v S3>in fact, has learned something. Odysseus great error is the

0:32:08.350 --> 0:32:12.070
<v S3>boastful revelation and statement of his name. After many years

0:32:12.070 --> 0:32:16.350
<v S3>of suffering and many persecutions of Poseidon, Odysseus much more

0:32:16.350 --> 0:32:21.230
<v S3>carefully reveals who he is to Alcinous. In fact, we

0:32:21.230 --> 0:32:24.790
<v S3>can see now that all of book nine is sandwiched

0:32:24.790 --> 0:32:29.469
<v S3>between two revelations of Odysseus's name. The first to the

0:32:29.470 --> 0:32:34.510
<v S3>Phaeacians into. Alcinous comes only after Odysseus has won their goodwill,

0:32:34.670 --> 0:32:37.070
<v S3>and is a humbled man who is a beggar and

0:32:37.070 --> 0:32:42.070
<v S3>a suppliant, asking for passage home. The second one to Polyphemus,

0:32:42.230 --> 0:32:45.709
<v S3>boastfully shouted as his marker of triumph, and as his

0:32:45.750 --> 0:32:50.390
<v S3>assertion and grasping of Kleos leads to his suffering and punishment.

0:32:50.710 --> 0:32:53.510
<v S3>We can see in this which is the more proper way,

0:32:53.750 --> 0:32:56.430
<v S3>which is the more prudent, the more virtuous way to

0:32:56.470 --> 0:32:59.470
<v S3>reveal one's name, and what it is that Odysseus has

0:32:59.470 --> 0:33:02.910
<v S3>learned over the years of his captivity on Calypso's Island.

0:33:03.430 --> 0:33:07.830
<v S3>Now book nine ends with Odysseus escape from Polyphemus in

0:33:07.830 --> 0:33:11.150
<v S3>the Cyclops island, but it does not end his adventures

0:33:11.150 --> 0:33:14.070
<v S3>and will follow where Odysseus goes in our next lecture.

0:33:19.990 --> 0:33:22.710
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