S1: Welcome to Unsupervised Learning, a security, AI and meaning focused
S1: podcast that looks at how best to thrive as humans
S1: in a post AI world. It combines original ideas, analysis,
S1: and mental models to bring not just the news, but
S1: why it matters and how to respond. All right, welcome
S1: to unsupervised learning. This is Daniel Miessler. All right. I
S1: want to talk about writing fiction using AI today. And
S1: I want to show a couple of different things that
S1: I'm thinking about this both for current use and also
S1: where I think all of this is going. So I
S1: want to start off with talking about LM studio. So
S1: LM studio is what I'm going to use for this.
S1: I'm also going to talk a little bit about how
S1: to do this in Olama, but I want to focus
S1: on LM studio because it's a little more visual. I
S1: think it's a little easier to get into. So LM
S1: studio is an app. You can just go and download it.
S1: It's like LM studio dot AI or.com. I'm not sure exactly.
S1: It doesn't really matter if you search for LM studio,
S1: you're going to find it. It's going to be the
S1: first thing you see. So you download that. I'm on
S1: a mac. I think it runs on lots of different things,
S1: but it's mostly Mac friendly, I think. All right. So
S1: you're going to download that. And what this does is
S1: it allows you to download different models. Now if we
S1: come over here to the internet we have basically um,
S1: hugging face is a place that I really, really enjoy
S1: going to get models is the place you want to
S1: be using for this type of thing, because it allows
S1: you to download and mess with lots of different models.
S1: And if we actually go to just the models directory here,
S1: look at this. Over 1 million different AI models are
S1: now available and these are all open source. You can
S1: just download and mess with these however you want. So
S1: what I did was I went and looked on Reddit
S1: and said, hey, I want to write some fiction. I
S1: want to be able to write long stories, and I
S1: want them to be high quality and blah, blah, blah.
S1: I basically said, hey, what's the best models, you know,
S1: open source models available today that you could use to
S1: write decent fiction? And they came back with a whole
S1: bunch of answers. Um, and I tried a bunch of
S1: them and we'll see them in the list a little
S1: bit later on. But so this is one I kind
S1: of settled on. Uh, we'll just go with this. There
S1: might be better ones. There might be. There's definitely worse ones. Uh,
S1: but this has got a few things that are pretty interesting.
S1: First of all, it's uncensored. So violence, uh, like romantic stuff. Um,
S1: you know, spicy stuff, essentially. Uh, any sorts of combat,
S1: things like that, that might be, um, blocked by, like
S1: a standard llama model, uh, or a standard open AI
S1: model or whatever. Well, first of all, those OpenAI, you'd
S1: be charged for it. Second of all, there's lots of
S1: lots of restrictions on them which make them potentially like.
S1: I don't think Harry Potter would pass the filters for
S1: a commercial model. So you got to think about like,
S1: that's the reason we're using open source models. Second reason
S1: is because they're free. Other than you have to have
S1: a machine that can run them. But other than that
S1: it's like producing stuff for you for free. So that's
S1: the reason we're using open source models. And they keep
S1: getting better and better and better. So this particular model
S1: is based around llama three, llama 318B in struct. And
S1: the context size is quite large. So that's what we
S1: like about this. It's quite large. In fact, the one
S1: I'm going to show you might even be larger than
S1: that might actually be like a 32,000 context or even more.
S1: And a lot of big models are 128 K contexts.
S1: But I mean, it goes even higher than that. And
S1: the reason you want a big context is so that
S1: it understands all the parts of the story. When it
S1: gets ready to create a new scene, or a new chapter,
S1: or even a new paragraph or whatever. It has to
S1: understand what has already happened in the story, for it
S1: to have what it writes actually be cohesive with that, right?
S1: So that is basically about that with the model itself. Um,
S1: and what we're going to do is I'm going to
S1: pull down a model. Actually, I already have it downloaded, uh,
S1: which is pretty easy to download these as well. That's
S1: not a thing I'm going to do a tutorial on,
S1: because it's just super simple, and all you have to
S1: do is look at a tutorial on LM studio or
S1: like it'll just guide you through it. It's no big deal.
S1: But anyway, I've got all these different models downloaded. What
S1: I do want to show you is how to configure it. Okay,
S1: so there's a few different ways to configure, um over
S1: here on the side. So down here in the bottom
S1: left let me show you this down here in the
S1: bottom left this says user, this says power user this
S1: says developer. And by the way they change. LM studio
S1: a decent amount. So like the interfaces kind of moves around.
S1: I imagine that's going to calm down soon, but it's
S1: a little bit annoying right now because I keep coming
S1: in here and like they've moved menus and stuff, but, um,
S1: either way, I like to keep it on developer or
S1: power user. And for the purpose of this video, I'm
S1: going to be on Power User. And so now what
S1: you have is this interface over here. You have the
S1: name of the chat here in case you have a
S1: lot up here at the top, you have um, let
S1: me see if I can make the size bigger. Oh yeah. Cool.
S1: All right. I'm going to make the size a little
S1: bigger just for the video. Um, you have the name
S1: of the model up here, and if you pull those down,
S1: you have the different models you can switch to. And
S1: the one I'm using here is actually, uh. Yeah. Dark
S1: idol two one, uncensored 32. Okay, cool. So that's another one.
S1: And you see all these different ones, right? They're all
S1: kind of story based because that's kind of the the
S1: route I was going down. But anyway, you can see
S1: that there. And look at this. This is really important.
S1: This right here. Context. 131 072. Okay. So what I'm
S1: going to do is I'm going to go over here
S1: to models and I'm going to look at this one.
S1: Is it this one. Yeah I think it is. And
S1: I'm going to click on here and look at this
S1: I'm going to slide this up okay. I'm going to
S1: slide this up to like whatever that. And um I'm
S1: going to say close. And yeah so that basically moved that.
S1: And now if I reload it which I already did before.
S1: So it's going to show that value. But the point
S1: is you go to models and you could change parameters
S1: of how big of a size you want to use
S1: for these different things. Right. So let's click on this one.
S1: Look at this okay. We're at 131. We can move this.
S1: We can slide it around right. So that's the whole point.
S1: And once you do that when you reload that thing
S1: it's going to be in the new configuration. So that's important.
S1: All right. So now let's get into the the basic
S1: concept here. Um And this is both a technical tutorial,
S1: but it's also me telling you what I think is
S1: about to happen with writing. Okay. Uh, so so let's
S1: get into that first. The difficulty of writing a long
S1: story is that you have so many things going on
S1: at once. Okay. You have a setting you're trying to
S1: get through. They're like, I'm going to use Harry Potter
S1: a lot. I think it's a it's a good example.
S1: So Harry Potter, you have like the school experience. You
S1: have like the orphan experience. You have like going into
S1: the school and the school is so big and there's
S1: ones and there's a sorting hat and there's just like
S1: this feeling of of adventure and magic and like the
S1: size of the castle. I think it's a castle. Is
S1: it a castle? Yeah. The size of the building or whatever.
S1: The school. It's like all that stuff is, like, really,
S1: really powerful. So the scene, the setting, the vibe. Right.
S1: That's one element. And if you do that really well,
S1: like it's memorable. Okay. Then you have characters. So you've
S1: got these different characters. You've got the orphan. You've got
S1: the smarty pants person. You've got the troublemakers, which are
S1: the brothers. And so you've got all those components of
S1: the of the characters. And if you read a book
S1: something like the Art of storytelling, which is my favorite
S1: book on fiction writing, by the way. Um, although I
S1: think might apply to nonfiction as well. But anyway, it's
S1: it's a fantastic book and it talks about character change. Okay.
S1: So if you're an author and you're thinking about your characters,
S1: you're thinking about how they start off, how they change
S1: over time and how they end up at the end,
S1: that's a huge part of the story. Okay. So now
S1: you have setting and these aren't in any particular order.
S1: By the way, if I were to say anything were
S1: most important it would probably be characters. Um, but anyway,
S1: you have characters, you have a setting, then you have plot. Okay.
S1: So you've got plot, which is like, what are the
S1: things that happen? What is the like the the ups
S1: and downs, right. Then I would say as maybe a
S1: sub piece of the plot. And by the way, I'm
S1: not putting this out as an expert sort of analysis
S1: of the components of a story. I might do a
S1: piece on that, but even then I wouldn't be an expert.
S1: I would say the expert is go read this book.
S1: It's not specifically about this breakdown of stories, but, um,
S1: I am thinking about doing a breakdown just like this. Um,
S1: just so I can have it in my own mind
S1: so I could actually put better input into the AI
S1: to do this. But, um, I would say that a
S1: component of the, um, the plot is going to be
S1: the mystery. So this is one thing that I'm going
S1: to have in all of my prompts when I go
S1: to work on this, and even when I'm writing just
S1: completely by myself and I'm not using the AI during
S1: that period, I am always going to be thinking about
S1: these things. In fact, I plan when I write my
S1: first fiction book, I'm going to have a giant whiteboard
S1: and I'm going to have these listed as layers. Okay.
S1: At the bottom I'm going to have like this deep
S1: mystery layer. Okay. So in Harry Potter, one of the
S1: very first scenes, I can't remember how early it is.
S1: One of the very first scenes is someone comes in
S1: and kills or tries to kill the baby in the crib.
S1: And a mom blocks it and the mom gets killed
S1: and the kid survives. Okay, that's one of the first
S1: things that happens that immediately starts a mystery of like, okay,
S1: why were they trying to kill the kid who blocked it? Um, well,
S1: I guess it was the mom, um, who was the
S1: one who attacked. Why did they attack? So we automatically
S1: have these questions, right? And that becomes essentially one of
S1: the main mysteries that takes you all the way through.
S1: So I like to have this going across the entire whiteboard.
S1: I want to be able to see my entire story
S1: in this one whiteboard. Right. And across the bottom is
S1: the mystery. And what I could do is I could
S1: trickle in. I could say, look at this point. This
S1: is revealed at this point, this is revealed at this point.
S1: And so I, I have a visual indicator of where
S1: I'm unlocking the different components of the mystery. Okay. Well
S1: then I add on to the top. Let's put let's
S1: say this next layer is setting. Okay. So I'm going
S1: to say in the setting okay. Reveal this about the setting.
S1: Reveal this about the setting. Reveal this next layer up
S1: I'm going to have characters okay. This character is introduced.
S1: This character is introduced. On top of that I'm going
S1: to have events. Okay. So here yeah. Someone someone's going
S1: to be introduced here. Someone's going to go through this
S1: big transition period here. Someone dies here okay. Maybe the
S1: pet dies or whatever it is. No spoilers. You might
S1: not have gotten to, uh, Harry Potter because it just
S1: came out. Just kidding. It's very old. Anyway, um, big
S1: things that happen to characters. Okay, so that's here. And
S1: what I love about this. Watch this. You're seeing these
S1: layers now you're seeing. Okay, this big character event happens here.
S1: How does that correspond with the mystery portion? How does
S1: it correspond with the setting? How does it correspond with
S1: all these other pieces. Right. So now I'm not sure
S1: how many layers it's going to end up being maybe
S1: five or so. I mean, we already have character. We
S1: already have plot, we already have mystery which might be
S1: inside a plot. Not sure. And then we have, um, yeah,
S1: I think those are kind of the main ones. Maybe
S1: it's only three, maybe it's five, maybe it's seven. I'm
S1: not sure. But it ends up being a visual so
S1: you can see how these pieces add up. Then when
S1: you're thinking in your mind, and this is the thing
S1: that always stops me from writing is like, I think
S1: about this cool thing. I'm like, oh yeah, I want
S1: to incorporate that. But how does it affect this? Or
S1: how does it affect that? I want to see it
S1: all there. That's where AI comes in okay. Because watch this.
S1: One of the things I'm really good at with AI
S1: is explaining things to AIS. So this is what is
S1: about to become an unlock for writing fiction with AI.
S1: The problem with current AIS and well, not so much current,
S1: but a year ago, two years ago definitely is. First
S1: of all, they have very small context, and two, they're
S1: not very good at writing, right? They just write the
S1: same kind of stuff over and over. It's like, you know,
S1: it uses a lot of cliches. Oh, and then they
S1: couldn't believe how much their life had changed and blah,
S1: blah blah. It's like it's just, you know, really obviously
S1: copying from, um, old stories and they're just like totally
S1: ripping it off in a very cliche and lame way.
S1: So it just wasn't very good. I mean, it was
S1: halfway decent. There's people putting out books with it, but
S1: you could totally tell it's AI that is going to
S1: be going away soon because the quality of the models,
S1: but also the context sizes and also our knowledge of
S1: how to prompt. And that's a big part of what
S1: I'm going to teach you teach you right now. So
S1: imagine this whiteboard that I just showed you or just described,
S1: that has these layers in it. Now imagine and I'm
S1: probably going to do a follow up to this video
S1: where I do an actual example of a story that
S1: I want to write, and I'm going to have all
S1: these layers. I should have done that in this one,
S1: but I actually I'm so excited about this. I just
S1: wanted to get it out there for you to give
S1: you a head start, because a lot of you who
S1: are listening are like, oh crap, I know where he's
S1: about to go. So let me tell you where I'm
S1: about to go. If you take that whiteboard that I
S1: just described and you describe it in text, okay, and
S1: you give that to an AI that has one of these,
S1: look at this very large contexts. You already start to
S1: get way better stuff. And you combine that with a
S1: really good prompt and actually good story idea, right. So
S1: here's the thing. You don't have to give it like,
S1: I don't know I don't know of a good story.
S1: I mean something sci fi I don't know, something like
S1: there's a, there's a space fight or something like then
S1: you're giving all the work to the AI and it's
S1: going to give you worse stuff. What I'm specifically targeting
S1: in this video is somebody who has amazing ideas. Somebody
S1: who knows a lot of the plot points. They know
S1: their characters decently well. They know how it ends. Or
S1: maybe they know how it begins. Or maybe they know,
S1: like key points in the middle, and they know a
S1: whole bunch of setting stuff, but they can't get it
S1: organized and they can't get it to move forward in
S1: a way that gets them excited to go and write
S1: some of their own. I'm not trying to make it
S1: so that I writes a story for you. I mean,
S1: that's one possibility as well. Um, and maybe people want
S1: to go do that and pump them out and sell
S1: them or whatever, and that's that's fine. I'm more trying
S1: to help an author who has wanted to write forever
S1: and just couldn't quite get it together, couldn't quite put
S1: the pieces together. And that's why I'm so excited about
S1: what this has the ability to do. Right. So now
S1: imagine that whiteboard. But that whiteboard is structured as a
S1: text file. Okay. You're going to have all your different characters.
S1: You're going to you're going to take all your notes
S1: from all these years you've been collecting about your characters.
S1: You're going to put it in that context file. Then
S1: you're going to take the the setting elements. Then you're
S1: going to take the deep mystery that that permeates the
S1: entire story. Then you're going to take these key events, right?
S1: You're going to describe all of that into a file.
S1: So let me let me take you over to, um,
S1: another interface that you could potentially use for this, which
S1: is Olama. It's a different tool. I actually have a
S1: whole video and blog post on how to set up
S1: a lama to do something like this. But let me
S1: show you this. This is a model file, um, which
S1: is um, it's essentially a file that tells the model
S1: how to behave. And, uh, this is pointing to an
S1: actual model file. There's a is a little bit technical,
S1: but it doesn't matter. What I'm actually showing you here
S1: right now. Is this system prompt okay. System prompt is
S1: what tells the model how to behave. It's not giving
S1: it instructions really, of what to write specifically. But when
S1: it does do its instructions, what rules does it follow
S1: to carry out those instructions? That's what a system prompt does.
S1: So look at this. You are an expert fiction writing
S1: service that understands how to write complex, intricate, detailed stories
S1: given input from an author. Okay, they give you setting
S1: character ideas, plot points, setting ideas. Said that twice. Key
S1: drama points, key ideas that need to get expressed, key
S1: character transformations, and maybe key points like start ending, whatever.
S1: Take all of that. Think for four hours. This is
S1: kind of a little prompt trick. I'm not sure how
S1: much it works. Um, it doesn't really matter. Think about
S1: the full arc of the story over ten 2000 page books.
S1: So this is the type of prompt that's going to
S1: work better and better. The better the models get, the
S1: smarter the AI gets, right? So right now, maybe this
S1: is halfway decent. Maybe in two months a new model
S1: is going to come out. It's just absolutely insane. For example,
S1: I'm going to give this to O1, which is the
S1: new model out of OpenAI, and I'm going to give
S1: it a prompt, which I'm going to show you. Actually,
S1: that has tons of detail about a story I actually
S1: want to write. And what that thing is able to do,
S1: it's able to deeply think about all the different pieces
S1: of instruction that you gave it in the prompt. Right.
S1: So I think we're going to get way better results
S1: from that. I'll let you know in a future video. Anyway,
S1: current models can already do this fairly well. Then I'm
S1: going to tell it how exactly I want you to write.
S1: And ideally you would give it your own writing style
S1: that you really like, and you would tell it to
S1: model after that. In this case, I'm just giving an
S1: example I like clean writing descriptive. Also, I want it
S1: in first person. Not a lot of third party narration.
S1: Don't use cliches. Write every scene realizing the overall story
S1: arc that you've constructed. And don't add the context directly
S1: into the text, but refer to it indirectly, in other words. Yeah,
S1: just just be. Show. Don't tell. Essentially. So, um, and
S1: then write the scene or chapter or the story that
S1: you were asked for. Okay. So watch that. Um, so
S1: now if I go, like, and I run this one
S1: and this is the Lama version, this is a text version.
S1: We're going to do the exact same thing back in
S1: the other interface. And I go up, look at this,
S1: write a scene about a story in a young about
S1: a young couple in love in 2023 when I is
S1: become asi superintelligence. And, um, they've people are uploading their
S1: brains into the hive, waiting for transfer to await body transfer.
S1: So they're going to get new bodies. The main character,
S1: her name is Ari. She's in love with her boyfriend,
S1: but he doesn't want to upload. She uploads and he doesn't.
S1: And they meet in the scene later on. Um, and
S1: the scene is basically like, she's at some very nice
S1: event because she's now super, you know, super smart and
S1: super awesome and powerful and super attractive. And she's at
S1: this private exclusive event, and her old boyfriend is one
S1: of the people serving the food. And he serves her
S1: a glass of wine and he, like, notices it's her.
S1: Or at least it looks like her. But she's just
S1: unbelievably gorgeous. And the staff has already told him not
S1: to ever speak to anyone here because that's like, disrespectful.
S1: And there's like this big hierarchy and everything. She realizes
S1: it's him and like, she's been thinking about him anyway,
S1: but now she's like, she realizes she still loves him. Whatever.
S1: So this is the instruction that we're giving to the AI.
S1: So I'm going to press enter. So this looks a
S1: little low end right. Trashy. Um I do want to
S1: tell you millions of these books are sold all the time.
S1: And a lot of I mean, it's actually fiction. The
S1: point is, it's actually writing according to my instructions. It's
S1: writing according to the system instruction. It's writing according to
S1: the scene that I laid out in the user instruction
S1: that I just sent it, um, for a moment, in
S1: that crowded garden, surrounded by thrumming heartbeat of the party like, yeah,
S1: is it great? Uh, maybe. Maybe not. It depends what
S1: you like, right? The point is, it's actually real. It's
S1: actually following my instructions. So, um, I'm going to I'm
S1: going to just add to this, uh, write another scene
S1: where the boy is lying in bed, bed, looking at
S1: the application for upload, thinking about doing the process he
S1: dreads so he can be with her. So it switches to.
S1: I lay on my back because I told it to
S1: follow the first person, right? So it kind of followed
S1: the instruction, right? So what I'm going to do is
S1: I'm going to go do the same thing. I'm going
S1: to grab actually this stuff here, and I'm going to
S1: copy that, and we're going to switch back over here.
S1: And I'm going to put this in the system prompt.
S1: And then I'm going to go and I'm going to
S1: run this again, and I'm going to grab this. And
S1: I'm going to put that in the chat here okay.
S1: And it's got a bunch of garbage in here. No
S1: big deal. I'm going to hit send. Look at this.
S1: Look at this. This is actually much better. It's the
S1: same model actually. But this one just feels way better.
S1: Maybe just because the text looks better. But look at this.
S1: I mean, I'm not sure I would read this. It's
S1: just not my genre, but it's following the instructions, right?
S1: It's following the instructions. So these are the instructions. I
S1: haven't even done the full breakout of the whiteboard with
S1: a full like, very clear text file with tons of
S1: detail in there. So I'm just going to leave this
S1: up and I'm going to talk through this for you. Um,
S1: this is a oh, look at this context is 1.2% full.
S1: That is that's a new feature. I like that a lot.
S1: So we have these larger context models. Okay I want
S1: you to describe that. You write a ten page very
S1: clear text file describing every character in detail, describing everything
S1: that you have in terms of like, there's this big
S1: event that happens three quarters of the way through. There's
S1: another one that happens one quarter of the way through.
S1: This is the big conflict that happens. This is the
S1: description of the bad guy. And the bad guy used
S1: to be their best friend and blah, blah, blah. All
S1: this stuff, plus all the setting stuff, plus the mystery
S1: that everyone needs to be solving the whole time through. Oh,
S1: and maybe there's a big reveal at the end, and
S1: it turns out she actually made two copies of her
S1: mind and actually got two different bodies. And there's one
S1: that's like, super aggressive and crazy and like, um, sexual
S1: or whatever. And then there's like this other one that's
S1: like super nice and it's like a nice version and
S1: maybe like, he's in love with both of them and
S1: he's got to choose. Maybe there's vampires and werewolves, whatever.
S1: Some Twilight stuff. You get the point, right? Whatever it
S1: is you want to write, whether it's high fiction and, like,
S1: the best thing ever, or it's just like you want
S1: to pump out some novels, you want to make some money.
S1: Here's here's what I'm telling you and I want you
S1: to pay attention to. We are about to have a
S1: situation where you could put that in ten pages of
S1: content describing the characters, describing scenes, describing, you know, vibes
S1: that you want to give to the reader and blah, blah, blah, blah,
S1: and basically have tons of detail in there, um, across
S1: all these different layers. Right? The characters, the setting, the
S1: The mystery, the plot, the changes in the characters, all
S1: of that. And with I'm telling you, within a few months,
S1: up to a few years. I mean, it's just going
S1: to get better and better already. Starting now, you are
S1: going to be able to make anyone is going to
S1: be able to make a full novel, a full novel.
S1: I'm talking about multiple books. I'm talking about clean chapters
S1: that transition and have the context that maintain it all
S1: the way through. We are not that far away from
S1: someone being able to write entire scripts, entire manuscripts, and
S1: most importantly for this video, entire novels and series of novels. Okay.
S1: A lot of the stuff that I'm reading right now,
S1: I'm reading some lit RPG stuff and a lot of
S1: that stuff, it's actually just one story, like I'm on
S1: book 12, but book 11 ended at one paragraph, in
S1: book 12 started at the next paragraph. And it was
S1: honestly just a perfect continuation. There wasn't like wasn't like
S1: a closing of that story. And then you go to
S1: the next one. No, it's just one long thing. And
S1: I is really good at doing that. I mean, it's
S1: just going to make a giant, you know, 500 000
S1: word thing and maybe that's five books, maybe that's ten books,
S1: whatever it is, you know, a million words. It could
S1: be a giant archive of sets of series or whatever.
S1: Then you could just be like, okay, make a spin
S1: off that takes like Taj's story and does a whole
S1: spin off on that and give it another ten pages
S1: of detail on how that spin off is going to look.
S1: And boom, you just launched a whole nother series using
S1: your same exact idea. This is extremely close to happening,
S1: and I'm telling you right now, you could just take
S1: what I've shown you in this video and you could
S1: already make massive progress. Look at some of these models. Okay,
S1: this one I don't think I ever got to work.
S1: I think that one was broken. But like you've got. Oh,
S1: that one was broken too. I think they're actually the same.
S1: Any one of these already works. Okay. You need some
S1: halfway decent hardware, like the better. Um, I'm on a
S1: mac with a decent hardware, so it's pretty good at it, but, um. Yeah,
S1: if you use an AI machine, if you use a
S1: decent Mac, like you're going to be able to do
S1: lots of stuff with this for the store you already
S1: have using the models we already have. And then here's
S1: the thing. That ten page, okay, just just do this
S1: for me. Make sure you get your story idea fully
S1: into one of these, uh, files. And by the way,
S1: I call these Telos files for for a different reason.
S1: But let's say this is a telos file for writing
S1: a book. So, um, take your book idea, have the
S1: different layers described in extreme detail and fill it out
S1: three pages, five pages, ten pages, 20 pages. However much
S1: detail you have, take all your notes, transcribe them into
S1: this thing now, and here's what's cool about it. Once
S1: you have that thing, you can also go back in
S1: there and you can update and be like, oh, actually,
S1: this is going to happen with the with the world,
S1: and the two worlds are going to meet. And actually,
S1: this planet fights this planet, and she falls in love
S1: with this thing and all those different pieces. You could
S1: just add to that and keep it updated or whatever.
S1: Here's what's awesome. When that next model drops and it's like, hey,
S1: we just expanded. It's no longer 500,000 things of context.
S1: It's now a million things of context. And actually, it's
S1: four times better at maintaining cohesive vibes throughout a story. Oh,
S1: and also the new Mac came out. You get your
S1: new Mac or whatever, and now it's like faster or whatever.
S1: Or maybe the the, the new model requires that you
S1: have more hardware. Doesn't matter. The point is, all these
S1: upgrades are going to be happening in our in our
S1: AI enabled hardware. The model, intelligence and understanding of how
S1: to write, and the ability to match your actual writing
S1: style that's going to improve the context links is going
S1: to improve, so we can see your entire story and
S1: keep that in its memory as it writes scenes and
S1: chapters in entire books. And I'm telling you, here's my prediction.
S1: I'm going to say it again. You will very soon.
S1: I mean, you could already do this now. You could
S1: already do this now, and it will produce something halfway decent.
S1: You might actually be pretty happy with it. It depends
S1: on the level that you need. Right? If you need
S1: just a level to pump out books on Amazon, you
S1: could already do it now just using the stuff I
S1: just told you. Okay. What I'm saying is very soon,
S1: within the next few months, next couple of years, you
S1: are going to be able to produce a super, super
S1: high quality, complete novel, very long novel that follows your
S1: instructions and adds creativity and basically produces stuff that could
S1: be on a bestseller list, like on par with Harry
S1: Potter and a lot of these other stories that are
S1: human written. So that's what I wanted to cover. I
S1: wanted to show you a couple of different tools for
S1: using it. One is llama again? There's a video out
S1: there that I have, and a blog post about how
S1: to use llama to do this exact thing, but this
S1: one is mostly focused on LM studio. But most importantly,
S1: the concept of explaining your story to the AI in
S1: as much detail as possible and as the improvements happen
S1: to the models and context sizes and hardware, it's just
S1: going to get better and better. So see you next time!
S1: Unsupervised learning is produced and edited by Daniel Miessler on
S1: a Neumann U87 AI microphone using Hindenburg. Intro and outro
S1: music is by zombie with a Y. And to get
S1: the text and links from this episode, sign up for
S1: the newsletter version of the show at daniel.com/newsletter. We'll see
S1: you next time.